Auswahl der wissenschaftlichen Literatur zum Thema „Museo della Permanente (Milan, Italy)“

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Zeitschriftenartikel zum Thema "Museo della Permanente (Milan, Italy)"

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Locatelli, Veronica. "“Un museo di esposizioni temporanee”: il Padiglione d’arte contemporanea di Ignazio Gardella nel contesto culturale milanese tra anni Quaranta e Cinquanta." Opus Incertum 9 (December 13, 2023): 146–57. http://dx.doi.org/10.36253/opus-14848.

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“A museum of temporary exhibitions”: the architect-engineer Ignazio Gardella used this formula to describe the PAC (Contemporary Art Pavilion) in Milan, summarising the prerogatives and destiny of his first museographic project, opened in 1954, which stood out for its originality in the Italian cultural panorama of the immediate post-war period. The ambiguity of the architectural structure, precariously balanced between an uncertain museum identity, permanent by vocation, and a flexible space designed for a variable palimpsest, was coupled with the uncertainty of its content. The interweaving
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Pieroni, Vittorio. "Turriculate gastropods (Coelostylinidae) from the Esino limestone outcrop (Ladinian, Lombardy) of the Stoppani Collection housed at the Museo Civico di Storia Naturale, Milan (Italy)." Natural History Sciences 3, no. 2 (2016): 41–49. https://doi.org/10.4081/nhs.2016.288.

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Pieroni, Vittorio (2016): Turriculate gastropods (Coelostylinidae) from the Esino limestone outcrop (Ladinian, Lombardy) of the Stoppani Collection housed at the Museo Civico di Storia Naturale, Milan (Italy). Natural History Sciences 3 (2): 41-49, DOI: 10.4081/nhs.2016.288, URL: http://dx.doi.org/10.4081/nhs.2016.288
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Banfi, Enrico, and Agnese Visconti. "The history of the Botanic Garden of Brera during the Restoration of the Austrian Empire and the early years of the Kingdom of Italy." Natural History Sciences 1, no. 2 (2014): 81. http://dx.doi.org/10.4081/nhs.2014.203.

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Here, we reconstruct the history of the Botanic Garden of Brera of Milan from the Restoration of the Austrian Empire up to the early years of the Kingdom of Italy, when in 1863 the garden passed hands from the Liceo di Sant’Alessandro to the Istituto Tecnico Superiore of Milan. The reconstruction is based mostly on unpublished documentation preserved at the Archivio di Stato of Milan, the Biblioteca Braidense of Milan, the libraries of the Museo di Storia Naturale of Milan and the Archivio di Stato of Milan, the Archivio del Liceo Classico Statale Cesare Beccaria of Milan, the historical archi
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FOLCO, Luigi, Fabio PERI, and Federico PEZZOTTA. "The meteorite collection of the Civico Planetario and the Museo Civico di Storia Naturale in Milan, Italy." Meteoritics & Planetary Science 37, S12 (2002): B95—B103. http://dx.doi.org/10.1111/j.1945-5100.2002.tb00908.x.

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Villa, Matteo. "Learning at the Science Museum. A study on the public's experiences with different types of visit at the Museo Nazionale della Scienza e della Tecnologia "Leonardo da Vinci" in Milan, Italy." Journal of Science Communication 15, no. 04 (2016): A01. http://dx.doi.org/10.22323/2.15040201.

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This study aims to investigate whether different types of museum visits have specific ways to influence the visitors' experience and learning. Three types of museum visits as offered by the Museo della Scienza e della Tecnologia "Leonardo da Vinci" in Milan, Italy were taken into consideration: free tour, guided tour, and lab. The study involved visitors over 25 years of age. The way visits took place, the visitors' learning and experiences were investigated based on evidence collected using methods such as Personal Meaning Mapping and observation. Our study has revealed that the outcomes of t
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Cigarini, Tommaso. "Un nuevo centro de producción de cultura contemporánea: la Fondazione Prada en Milán, Italia." Illapa Mana Tukukuq, no. 14 (February 18, 2019): 142–51. http://dx.doi.org/10.31381/illapa.v0i14.1887.

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La Fondazione Prada de Milán, Italia, es un paradigma y un ejemplo del mecenazgo moderno. En este documento se analiza de qué forma un museo de arte contemporáneo puede generar cambios positivos en el barrio donde se localiza, más aún si ese vecindario se ubica en una zona periférica de la ciudad que ha pasado por un proceso de degradación urbana. Veremos el caso de un museo como elemento rehabilitador de infraestructura y un espacio de estímulo para la creación y producción de cultura. El museo le da una nueva vida a una edificación abandonada que anteriormente estaba destinada a la producció
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Blackburn, David C., and Stefano Scali. "An Annotated Catalog of the Type Specimens of Amphibia in the Collection of the Museo Civico Di Storia Naturale, Milan, Italy." Herpetological Monographs 28, no. 1 (2014): 24–45. http://dx.doi.org/10.1655/herpetologica-d-13-00008.

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Pieroni, Vittorio. "Turriculate gastropods (Coelostylinidae) from the Esino limestone outcrop (Ladinian, Lombardy) of the Stoppani Collection housed at the Museo Civico di Storia Naturale, Milan (Italy)." Natural History Sciences 3, no. 2 (2016): 41. http://dx.doi.org/10.4081/nhs.2016.288.

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Here, I propose a revision of 19 specimens of turriculate gastropod (family Coelostylinidae) from the Esino limestone formation (Ladinian). They form part of the surviving material of the historic Stoppani Collection, which was almost totally destroyed in the Second World War. The collection is kept at the Museo Civico di Storia Naturale in Milan, Italy. The specimens have already been described by Garassino (1992) but without a critical revision of their classification. Indeed, based on presumed likenesses with specimens reconstructed in <em>Paléontologie Lombarde</em> (Stoppani,
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Blackburn, David C., and Stefano Scali. "An Annotated Catalog of the Type Specimens of Amphibia in the Collection of the Museo Civico Di Storia Naturale, Milan, Italy." November 3, 2014. https://doi.org/10.1655/herpetologica-d-13-00008.

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Vizcaíno, Marcelo. "PUBLICACIONES." Revista 180, no. 25 (August 1, 2010). http://dx.doi.org/10.32995/rev180.num-25.(2010).art-164.

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Centenario
 Colección Museo Nacional de Bellas Artes 1910-2010
 Patricio M. Zárate, editor.
 Arte & Ciudad, ediciones culturales
 ISBN 978-956-8890-001
 348 Págs.
 El pretexto de la colección permanente construye nuevas aproximaciones reflexivas a las obras, con los ensayos de Milan Ivelic, Ramón Castillo, Angélica Pérez Germain y Patricio M. Zárate. De esta manera, el imaginario religioso, la narración histórica, los retratos, los objetos cotidianos, la abstracción geométrica, el paisaje y el cuerpo indagan de manera transversal significativas épocas que nutr
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Bücher zum Thema "Museo della Permanente (Milan, Italy)"

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Teresa, Fiorio Maria, ed. Il Museo del Novecento del Comune di Milano al Palazzo della Permanente. Skira, 2000.

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Milan (Italy). Civico museo d'arte contemporanea. Il museo del Novecento: Del Comune di Milano al Palazzo della Permanente. Skira, 2000.

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Italy) Museo civico "F.L. Belgiorno" (Modica. Nel cuore dell'arte: Opere del Museo della Permanente di Milano a Modica. Museo della Permanente, 2011.

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Milan (Italy). Civico museo d'arte contemporanea., ed. Civico museo d'arte contemporanea. Electa, 1994.

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Museo d'arte contemporanea (Prato, Italy). Collezione permanente. Centro per l'arte contemporanea Luigi Pecci, Museo d'arte contemporanea, 1998.

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Matino, Lucia. CIMAC: Civico museo d'arte contemporanea. Electa, 1996.

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Colle, Enrico. Museo d'arti applicate. Electa, 1996.

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Italy), Museo diocesano (Milan, ed. Museo diocesano. Electa, 2011.

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archeologico, Milan (Italy) Museo. L' egittologo Luigi Vassalli (1812-1887): Disegni e documenti nei civici istituti culturali milanesi. Edizioni ET, 1994.

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archeologico, Milan (Italy) Museo, ed. L' Egitto a Milano: Nuove acquisizioni e restauri : guida alla mostra : Milano, Museo archeologico, settembre-novembre 1991. Comune di Milano, 1991.

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