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Thematische Bibliographien / Music Central Australia / Bücher

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Bücher zum Thema „Music Central Australia“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 21. Februar 2023

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1

Library, Australian Music Centre. Piano music: Scores held at the Australian Music Centre Library. Sydney: Australian Music Centre, 1997.

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2

Centre, Australian Music. Vocal music: Scores held at the Australian Music Centre Library. Grosvenor Place, N.S.W: Australian Music Centre, 1997.

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3

Alyawarra music: Songs and society in a central Australian community. Canberra: Australian Institute of Aboriginal Studies, 1986.

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4

Centre, Australian Music. Brass music. Grosvenor Place, N.S.W: Australian Music Centre, 1997.

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5

Centre, Australian Music. Orchestral music: Scores held at the Australian Music Centre Library. Grosvenor Place, N.S.W: Australian Music Centre, 1998.

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6

Library, Australian Music Centre. String music: Scores held at the Australian Music Centre Library. Grosvenor Place, N.S.W: Australian Music Centre, 1997.

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7

Lenehan, Angela. Directory of Australian composers. 2nd ed. Ultimo, N.S.W: Australian Music Centre, 1988.

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8

Carrigan, Jeanell. Australian post-1970 solo piano works: An annotated guide. Grosvenor Place, NSW: Australian Music Centre, 1997.

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9

Carrigan, Jeanell. Australian post-1970 solo piano works: An annotated guide. 2nd ed. Grosvenor Place, N.S.W: Australian Music Centre, 1998.

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10

Meyer, John. Touches of sweet harmony: Music in the University of Western Australia, 1953-1998. Nedlands, Western Australia: CIRCME, School of Music, 1999.

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11

Ottosson, Åse. Making Aboriginal Men and Music in Central Australia. Bloomsbury Publishing Plc, 2017.

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12

Making Aboriginal Men and Music in Central Australia. Bloomsbury Academic, 2015.

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13

Ottosson, Ase. Making Aboriginal Men and Music in Central Australia. Taylor & Francis Group, 2020.

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14

Ottosson, Ase. Making Aboriginal Men and Music in Central Australia. Taylor & Francis Group, 2020.

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15

Ottosson, Ase. Making Aboriginal Men and Music in Central Australia. Taylor & Francis Group, 2020.

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16

Ottosson, Ase. Making Aboriginal Men and Music in Central Australia. Taylor & Francis Group, 2020.

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17

McCaffrey, Triona. Music Therapy in Mental Health Care for Adults. Edited by Jane Edwards. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199639755.013.29.

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The promotion of mental well-being is an overarching aim of music therapy as a psychosocial practice. Music therapy is offered from a key principle that central to a person’s well-being is their need for meaningful relating. Music therapy can offer an alternative pathway of expression and connection with others that can help develop one’s capacity to engage with and maintain relationships outside of the therapeutic work. Music therapy can be offered as a stand-alone therapeutic process or as an adjunct to other standard mental health treatment. In the early years of music therapy’s development

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18

Curkpatrick, Samuel. Voices on the wind. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0007.

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The musical project Crossing Roper Bar (CRB) is based on a collaboration between Wägilak songmen from Australia’s Northern Territory and the Australian Art Orchestra (AAO). Individuals drawn into this collaboration bring their distinct voices and histories to performance, while opening themselves to those of others. A new, malleable approach to orchestral performance in Australia is the result of this collaboration, which places improvisation at the centre of conversational musical interaction. This chapter introduces orthodox narrative elements of Wägilak manikay (song) that are creatively re

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19

Wicks, Robert L., ed. The Oxford Handbook of Schopenhauer. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190660055.001.0001.

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This collection of thirty-one essays written by contemporary Schopenhauer scholars has six sections: (1) Influences on Schopenhauer, (2) Schopenhauer’s Metaphysics of Will and Empirical Knowledge, (3) Aesthetic Experience, Music, and the Sublime, (4) Human Meaning, Politics, and Morality, (5) Religion and Schopenhauer’s Philosophy, and (6) Schopenhauer’s Influence. Some of the issues addressed concern the extent to which Schopenhauer adopted ideas from his predecessors versus how much was original and visionary in his central claim that reality is a blind, senseless “will,” the effectiveness o

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20

Brown, Noel, ed. The Oxford Handbook of Children's Film. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190939359.001.0001.

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The Oxford Handbook of Children’s Film is the most comprehensive study of international children’s cinema published to date. Overturning common prejudices that films for children are unworthy of serious attention, it presents nuanced and wide-ranging discussions of iconic and neglected productions alike, from Hollywood, Britain, France, Germany, Sweden, Norway, Hungary, Australia, China, Japan, South Korea, India, Iran, Kenya, and several other countries. Featuring contributions by leading scholars in the field, the volume considers a range of issues central to the study of children’s film, in

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21

Johansen, Bruce, and Adebowale Akande, eds. Nationalism: Past as Prologue. Nova Science Publishers, Inc., 2021. http://dx.doi.org/10.52305/aief3847.

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Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The original idea was to examine how the damaging roots of nationalism have been corroding political systems around the world, and creating dangerous obstacles for necessary international cooperation. Since I (Bruce E. Johansen) has written profusely about climate change (global warming, a.k.a. infrared forcing), I suggested a concerted effort in that direction. This is a worldwide existential threat that affects every living t

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