Thematische Bibliographien / Music competitions

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Music competitions“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 1. August 2024

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Zeitschriftenartikel zum Thema "Music competitions"

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Rucsanda, Mădălina Dana, Ana-Maria Cazan, and Camelia Truța. "Musical performance and emotions in children: The case of musical competitions." Psychology of Music 48, no. 4 (November 19, 2018): 480–94. http://dx.doi.org/10.1177/0305735618810791.

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Emotion is a condition that facilitates or inhibits music performance. Our research aimed to explore emotions of young musicians performing in music competitions. We tried to highlight the possible differences in terms of emotions between young singers who obtained prizes in musical competitions and those who did not. Another aim of the study was to explore the relationship between pre-competition emotions and music performance, focusing on the mediating role of singing experience. The sample consisted of 146 participants in international music competitions for young musicians. A nonverbal pic
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Berehova, Olena. "Ukrainian piano competitions in the space of global intercultural dialogue." Culturology Ideas, no. 20 (2'2021) (2021): 78–89. http://dx.doi.org/10.37627/2311-9489-20-2021-2.78-89.

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The article clarifies the influence of globalization on the musical culture of Ukraine, in particular, on international piano competitions. It emphases the role of global music organizations, which play an important integrative role in the processes of international artistic exchange and at the same time are a communication field for the demonstration of the best national artistic creative practices. In the field of international music competitions, the most influential organizations, in particular, are the World Federation of International Music Competitions, European Union of Music Competiti
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EVREN, Gül Fahriye, and Özgül GÖK. "Leyla Gencer Şan Yarışması Üzerine Sistematik Bir Değerlendirme." İnsan ve Toplum Bilimleri Araştırmaları Dergisi 12, no. 3 (September 27, 2023): 2030–55. http://dx.doi.org/10.15869/itobiad.1311952.

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Several prestigious classical music competitions are organized in the national and international fields. These competitions, organized in the field such as performance and composition, motivate many young artists and allow them to achieve significant successes. The Leyla Gencer Voice Competition is an international and worldwide-known voice competition, which is the oldest and most important competition held in Turkey in the opera genre. Leyla Gencer, known as La Diva Turca and entitled as State Artist by the Turkish Republic, is one of our world-renowned artists, and with her pioneering chara
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McCormick, Lisa. "Pogorelich at the Chopin: Towards a sociology of competition scandals." Chopin Review, no. 1 (April 27, 2023): 52–77. http://dx.doi.org/10.56693/cr.103.

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Controversies are a regular feature on the international classical music competition circuit, and some of these explode into scandals that are remembered long afterward. This essay draws from the sociology of scandal to identify the conditions that predispose classical music competitions to moral disruption and to examine the cultural process through which a scandal attains legendary status. The case considered in depth is the International Fryderyk Chopin Piano Competition and the controversy surrounding Ivo Pogorelich’s elimination from the 10th Competition in 1980. Through an analysis of me
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Ako, Mashino. "Competition as a New Context for the Performance of Balinese Gender Wayang." Yearbook for Traditional Music 41 (2009): 111–37. http://dx.doi.org/10.1017/s0740155800004161.

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A musical competition is a social event as well as a musical one, raising great interest in the community. Its particularly exciting atmosphere, the enthusiasm of both participants and observers, and the social honour bestowed upon the winners encourage the musicians to polish and elaborate their competence and performance styles, and sometimes to create new performance tactics. Previous studies of musical competitions suggest that rivalry and competition in the performing arts—which are deeply rooted in their social settings and carry the creative impulse to transform performing styles—can be
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Morton, Melissa. "‘Where Did That Voice Come From?’." MUSIC.OLOGY.ECA 1 (September 11, 2020): 8–25. http://dx.doi.org/10.2218/music.2020.5695.

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For the last two decades, the viewers of televised talent competitions have witnessed an intriguing phenomenon—singers with voices that fail to ‘match’ their bodies. With a particular focus on female child singers, this article explores the phenomenon of the ‘mismatched girl’. Combining theories from voice studies and musicology, the article examines the depiction of the relationship between voice and body within the talent competitions. Ultimately, mismatched girls prompt journalists, fans, and musicians alike to consider fundamental questions concerning the human voice—where do voices come f
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Jones, Peter Blundell. "Reflections on the competition for National Centre for Popular Music, Sheffield." Architectural Research Quarterly 1, no. 4 (1996): 16–27. http://dx.doi.org/10.1017/s1359135500003043.

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For many years, architects in the United Kingdom have looked enviously at the competition system in the German speaking countries and Scandinavia. Now, with the introduction of a major public buildings programme partially funded by the new National Lottery, competitions are becoming more common in Britain. This paper opens with some reflections on the advantages and disadvantages of competitions. It then describes the conduct and outcome of a single Lottery-funded competition for the design of a building for which there were no precedents and in which issues of content and image were major pre
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Untung, Rachel Mediana. "Investigating the Indonesia Folk Song Arrangement in Six Choir Competition, 2019." Resital: Jurnal Seni Pertunjukan 21, no. 2 (June 1, 2021): 85–98. http://dx.doi.org/10.24821/resital.v21i2.4357.

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This study is aimed at investigating the trend of folk song arrangement in six Choir Competitions Folklore Category, 2019. It is specifically focused on investigating three things: the trend of arrangers’ names, title of, origin of folk songs performed in the competitions, the characteristic of the arrangement and relationship between the arrangers and the national choir competitions committee. The reason of choosing the topic is because such a folk song arrangement is seen to be one of the key factors in conducting a choir competition, folklore category. As for the research method, it is more
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McDow, George H., and Daniel L. Stiffler. "Statewide Public School Music Competitions/Festivals in Kansas and Oklahoma: The Beginnings of the School Music Contest Movement in the United States." Journal of Historical Research in Music Education 41, no. 2 (November 19, 2018): 132–55. http://dx.doi.org/10.1177/1536600618810783.

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Music competitions have an ancient history dating back some two thousand years. In the United States, early music contests mimicked the German Saengerfests and Welsh Eistoddfods; however, some of the earliest continuously running music competitions held in America are the state contests for secondary school students. This article identifies for the first time Kansas and Oklahoma as holding the two earliest state school music competitions and corrects some long-standing erroneous information. It studies these two state events through historical analysis of primary sources and triangulates the d
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GILMAN, LISA, and JOHN FENN. "Dance, gender, and popular music in Malawi: the case of rap and ragga." Popular Music 25, no. 3 (September 11, 2006): 369–81. http://dx.doi.org/10.1017/s026114300600095x.

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Rap and ragga musics have found a place on the musical landscape of Malawi over the last decade, exemplified in a nation-wide scene characterised by competitions. Recordings and associated materials of rap and ragga that inform Malawian youth interpretations tend to emphasise male participation and masculine symbols. Competitions are male-dominated in their organisational structure and participatory roles. Though the articulated focus of these events is the musical component, movement practices are at the core of the scene, comprising part of contestants' performances and the more informal act
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Dissertationen zum Thema "Music competitions"

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Michalak, Filip. "Piano Competitions : Preparation and Purpose." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2854.

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Hurst, Craig Willmore. "A Nationwide Investigation of High School Band Directors' Reasons for Participating in Music Competitions." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277760/.

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The purpose of this study was to assess on a national level, high school band directors' reasons for their bands' participation in six different types of competitive music activities, identify important reasons for participation in competitive music activities, and examine if statistically significant differences existed between the magnitudes of importance reasons for participation when subjects' responses were grouped by type of competitive activity, frequency of participation in a competitive activity, and by groupings of U. S. states similar in terms of general participation in competitive
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McKerrell, Simon Alasdair. "Scottish competition bagpipe performance : sound, mode and aesthetics." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/4809.

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This study is an ethnomusicological analysis of Scottish competition bagpiping, examining three fundamental aspects of performance: sound aesthetics, performance aesthetics and the modal complex of the core repertoire. Through a mixture of discussions, modal analysis and reflections upon performance, it deconstructs the music of the 2/4 competition pipe march and the aesthetics surrounding competition performance. Focussing on a small number of the world's leading Highland bagpipers, this research demonstrates how overall sound combined with the individual choices about repertoire and how to p
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Theron, Susara Margaretha. "Die perserverance kersfeesorkes as verteenwoordigende voorbeeld van gemeenskasmusiek in die Wes-Kaap." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5134.

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Thesis (MMus (Music))--University of Stellenbosch, 2010.<br>AFRIKAANSE OPSOMMING: Die Kersfeesorkeste is ‟n Christelike tradisie binne die Kleurling-gemeenskap van die Wes-Kaap wat dissipline en goeie waardes by lede van hierdie gemeenskap inboesem en musiek in voorheen benadeelde en minderbevoorregte sektore van die samelewing bevorder. Die geskiedenis en agtergrond van die Kersfeesorkeste is soortgelyk aan dié van die Kaapse Klopse en die Maleierkore, wat veral prominent na vore kom tydens die Kersfees- en Nuwejaarsfeestelikhede in die Kaap. Alhoewel hierdie drie groepe ‟n nou verbintenis to
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Goodman, Kimberlee Ruthe. "The commissioned works of the National Flute Association for the Young Artist and High School Soloist Competitions." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196186122.

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Laufer, Gil, and Alexander Åblad. "Spirit in the Screen : The effect of CuePilot on the viewer's experience in live broadcasted music competitions." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279486.

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The use of media technology to pre-program the camera work of performances (with tools such as CuePilot) became a state-of-theart solution in live broadcasted music competitions and events, allowing to create technologically advanced and more appealing live performances. In this paper we study how the use of such solutions affect the viewer’s experience, assuming that preprogrammed camera work results in a more unified experience compared to manual camera work. The paper also investigates whether pre-programmed camera work is noticeable by the viewers. To study these effects an experiment was
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Allgeier, Anthony Joseph III. "The Works for Clarinet Commissioned by the Concours International d'Exécution Musicale de Genève: A Critical Survey and Performance Guide." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc31524/.

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Beginning in 1939, the Concours International d'Exécution Musicale de Genève (CIEM; Geneva International Music Competition) is unique among international music competitions in its multidisciplinary approach. To date, fifteen works have been commissioned for clarinet for the years in which the clarinet was involved. The most well-known of these works is the unaccompanied work by Heinrich Sutermeister, Capriccio for Solo Clarinet in A, written in 1946 for the 1947 competition. This work is a staple in the unaccompanied clarinet repertoire. However, the other fourteen works commissioned for the c
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Rottcher, Janette. "Die bydrae van Unisa se Oorsese Musiekstudiebeurs vir Voordraers tot die ontwikkeling van musiek in Suid-Afrika." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/30716.

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In hierdie studie word die invloed van Unisa se Oorsese Musiekstudiebeurs vir Voordraers op musiekontwikkeling in Suid-Afrika ondersoek. Ten einde hierdie doel te bereik, is twee navorsingsmetodes gevolg. Eerstens is ’n literatuurstudie gedoen. Daardeur is die loopbane van gevestigde en aspirerende uitvoerende kunstenaars ondersoek, die term ‘professionele musikus’ omskryf, die invloed van formele en informele musiekonderrig op jong musiekstudente bestudeer en ook die verhouding tussen ’n onderwys- en uitvoerende loopbaan bloot gelê. Tweedens is ’n vraelys aan al die beskikbare Unisa Oorsese M
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Du, Toit-Pearce Minette. "Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2945.

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Thesis (MMus (Music))--University of Stellenbosch, 2009.<br>The purpose of this thesis is twofold. In the first instance, it is to document the origins and history of the eisteddfod in general, and more specifically, in South Africa. In the second instance, this thesis will attempt to describe the meaning and role of the eisteddfod in South Africa. This will be achieved with the help of a case study, which will require that a local eisteddfod be researched and discussed. As a result of involvement with eisteddfods over a period of twenty-five years (first as a participant and later as a teache
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Remy, Jeannine Irene. "A historical background of Trinidad and Panorama competitions with an analysis of Ray Holman's 1989 Panorama arrangement of "Life's Too Short"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185401.

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This document is directed toward those who have little knowledge about Trinidad, its people, the Carnival activities, and the Panorama competition. This research work should help summarize the evolution of steel drums while providing a transcription of a Panorama score for further scholarly study. The first part of this lecture document includes a brief history and evolution of Trinidad, its people, and musical developments through Carnival. The second portion reports and discusses field research with the Trintoc Invaders in preparation for the 1989 and 1990 Panorama competitions. The third pa
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Bücher zum Thema "Music competitions"

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Dumortier, Georges. Une petite musique de Reine: D'Eugène Ysaye à la rélévision, la chronique du Concours Reine Élisabeth de Belgique 1924-1991. Bruxelles: Didier Hatier :RTBF éditions, 1991.

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Philippon, Charles. Douze lauréats pour un concerto: La vie du Concours Reine Elisabeth. Bruxelles: Éditions G carré, 1985.

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Horowitz, Joseph. The ivory trade: Piano competitions and the business of music. Boston: Northeastern University Press, 1991.

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Arts Council of Great Britain. Music competitions awards and scholarships list 1988. London: Arts Council, 1988.

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Grum-Grzhimaĭlo, T. N. Konkurs Chaĭkovskogo: Istorii͡a︡, lit͡s︡a, sobytii͡a︡. Moskva: Grantʺ, 1998.

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Judith, Richard, and Concert Artists Guild, eds. Concert Artists Guild's guide to competitions. 6th ed. New York: The Guild, 1992.

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Franz Schubert and the Music of Modernity (Competition) (6th 2006 Universität für Musik und Darstellende Kunst Graz). Franz Schubert und die Musik der Moderne: Dokumentation : 6. Internationaler Wettbewerb, 15.-24.2.2006 = Franz Schubert and the music of modern times : documentation : 6th international competition, 15.-24.02.2006. Graz: Universität für Musik und darstellende Kunst, 2007.

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Paolo Borciani International String Quartet Competition (1st 1987 Teatro municipale Romolo Valli, Reggio Emilia, Italy). 1⁰ concorso internazionale per quartetto d'archi Paolo Borciani: 15-21 giugno 1987, Reggio Emilia, Italia, Teatro municipale Romolo Valli = 1e Internationaler Streichquartett Wettbewerb Paolo Borciani = 1st International String Quartet Competition Paolo Borciani. [Reggio Emilia: Il Concorso, 1986.

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Concorso internazionale di canto corale "C.A. Seghizzi" (38th 1999 Gorizia, Italy). 38o concorso internazionale di canto corale "C.A. Seghizzi": Gorizia, Abbazia di Rosazzo, Udine : 7, 8, 9, 10, 11 Luglio 1999. [Gorizia?]: Associazione corale goriziana C.A. Seghizzi, 1999.

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International Tadeusz Wroński Solo Violin Competition (4th 1997 Warsaw, Poland). Międzynarodowy Konkurs Tadeusza Wrońskiego na Skrzypce Solo: Warszawa, 13-20 Kwietnia 1997. Warszawa: Akademia Muzyczna im. Fryderyka Chopina, 1996.

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Buchteile zum Thema "Music competitions"

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Golding, Rosemary. "L. C. Venables, ‘Choral Competitions’." In Music in Nineteenth-Century Britain, 352–58. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003885-37.

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Golding, Rosemary. "A.M. Wakefield, ‘Foundation Stones of English Music: Music Competitions’." In Music in Nineteenth-Century Britain, 339–51. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003885-36.

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Peery, Irene Weiss, Dale Nyboer, and J. Craig Peery. "The Virtue and Vice of Musical Performance Competitions for Children." In Music and Child Development, 225–36. New York, NY: Springer New York, 1987. http://dx.doi.org/10.1007/978-1-4613-8698-8_13.

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Cheng, Ya-Hui. "“Chinese Got Talent”: Popular Music Singing Competitions in Taiwan and China." In Popular Music Studies Today, 61–65. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_6.

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Sosnowska, Honorata. "Comparison of Voting Methods Used in Some Classical Music Competitions." In Transactions on Computational Collective Intelligence XXVII, 108–17. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-70647-4_8.

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Fornés, Alicia, Anjan Dutta, Albert Gordo, and Josep Lladós. "The 2012 Music Scores Competitions: Staff Removal and Writer Identification." In Graphics Recognition. New Trends and Challenges, 173–86. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-36824-0_17.

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Arditi, David. "On Competition in Music." In Getting Signed, 119–48. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44587-4_5.

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Okorie, Chijioke Ifeoma. "Competition law infractions." In Multi-sided Music Platforms and the Law, 129–67. Abingdon, Oxon ; New York, NY : Informa Law from Routledge, 2019. | Based on author’s thesis (doctoral - University of Cape Town, 2018) issued under title: Open and freemium music business models in Africa : copyright and competition consequences.: Informa Law from Routledge, 2019. http://dx.doi.org/10.4324/9780429028380-5.

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Kanellopoulou, Evgenia. "Business models for the music industries." In Competition Policy and the Music Industries, 1–22. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429281419-1.

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Lin, Xiuqin. "Music Individual Licensing Models and Competition Law." In MPI Studies on Intellectual Property and Competition Law, 189–205. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-53809-8_11.

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Konferenzberichte zum Thema "Music competitions"

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Melnychuk, Ekaterina Alexandrovna. "Effect of music competitions on pieces of music interpretation by students." In IX International Research-to-practice Conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-112729.

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TUĞLUK, Mehmet Emin. "A COMPETITION TO FIND AN EQUAL TO THE TWELVE FOREIGN WORDS ORGANIZED BY THE ŞEHBÂL MAGAZINE (1909-1914)." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-4.

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One of the important magazines of the Second Constitutional period was the magazine Şehbâl, which was published between 14 March 1909 and 14 July 1914. Political events and comments in Şehbâl magazine; culture, literature, music; painting, sculpture, architecture; health,sport; inventions and inventions, discoveries, accounting, humor, fashion, make-up, embroidery, housework; articles on many subjects such as information about new publications and selections from English, French, German and American magazines have been published. Another important feature of Şehbâl magazine is that it organize
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Nicoara, Adrian, Silvia Teodorescu, and Constanta Urzeala. "A COMPUTERIZED SYSTEM FOR JUDGING DANCESPORT COMPETITIONS - AN INNOVATIVE APPLICATION." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-199.

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Dancesport involves a variety of body movements performed to the rhythm of a song that is materialized in a choreography piece where the two partners try to convey emotions in a unique and personal way, which leads us to assert that dance has no boundaries, no barriers, it is simply felt and expressed. Dancesport provides the necessary framework to transmit a compositional message, trigger emotions, present an artistic creation, generate a show, that is why assessing the dancers’ performance often has a subjective character as regards technical execution, artistic mastery, plasticity and beaut
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Visaniy, Muriel, V. C. Kieu, Alicia Fornes, and Nicholas Journet. "ICDAR 2013 Music Scores Competition: Staff Removal." In 2013 12th International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2013. http://dx.doi.org/10.1109/icdar.2013.284.

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Casini, Luca, and Bob L. T. Sturm. "Tradformer: A Transformer Model of Traditional Music Transcriptions." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/681.

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We explore the transformer neural network architecture for modeling music, specifically Irish and Swedish traditional dance music. Given the repetitive structures of these kinds of music, the transformer should be as successful with fewer parameters and complexity as the hitherto most successful model, a vanilla long short-term memory network. We find that achieving good performance with the transformer is not straightforward, and careful consideration is needed for the sampling strategy, evaluating intermediate outputs in relation to engineering choices, and finally analyzing what the model l
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Zhang, Min, and Tingting Lyu. "Multi-parameter Estimation Based on Improved MUSIC Algorithm for Polarization Sensitive Array." In 2019 International Workshop on Electromagnetics: Applications and Student Innovation Competition (iWEM). IEEE, 2019. http://dx.doi.org/10.1109/iwem.2019.8887887.

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Fornes, Alicia, Anjan Dutta, Albert Gordo, and Josep Llados. "The ICDAR 2011 Music Scores Competition: Staff Removal and Writer Identification." In 2011 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2011. http://dx.doi.org/10.1109/icdar.2011.300.

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Monnazzi, João, and Regis Faria. "Body Building Music: The Kinase Instalation." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10458.

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Thinking on the congruencies between music and sports, we propose with this art installation some novel paths and connections for music production in a little explored field, in the interdisciplinarity with sports. Some similarities in the acting of musicians and athletes, such as the need of technical domain through discipline and practice. A musician who wants to develop her/his technical skills needs to follow a hard routine of practical studies, focusing in improving motor abilities with the proposing to play the piece in the better way possible. This process has a close proximity with the
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McBride, Molly. "HDV Meets HDCam “In the Heart of Music” Documenting the 2005 Van Cliburn Piano Competition." In SMPTE Technical Conference. IEEE, 2005. http://dx.doi.org/10.5594/m00388.

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Deisinger, Marko. "Fortschrittliche Technologie im Dienste eines Antimodernisten. Heinrich Schenker und der österreichische Rundfunk." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.52.

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The Viennese music theoretician Heinrich Schenker opposed modernity during his entire life. At first, this opposition applied to new technologies as well. Despite his skepticism, he purchased a radio shortly after the Austrian Broadcasting Corporation (RAVAG) started broadcasting in October 1924 and soon became an avid radio listener. Schenker quickly grasped the advantages of this new transmission medium and used it to further his own interests, aided by personal contacts with the RAVAG. In 1928, his associate Otto Erich Deutsch delivered a radio lecture co-authored with Schenker about the go
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