Einloggen

Thematische Bibliographien / Music – Semiotics / Zeitschriftenartikel

Um die anderen Arten von Veröffentlichungen zu diesem Thema anzuzeigen, folgen Sie diesem Link: Music – Semiotics.

Zeitschriftenartikel zum Thema „Music – Semiotics“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 19. Februar 2023

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "Music – Semiotics" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.

1

Tarasti, Eero. "Musical Semiotics – a Discipline, its History and Theories, Past and Present1." Recherches sémiotiques 36, no. 3 (September 20, 2018): 19–51. http://dx.doi.org/10.7202/1051395ar.

Der volle Inhalt der Quelle

Annotation:

Musical semiotics begins from the premise that music is a signifying phenomenon. However, the field itself has developed according to two distinct paths. The first one starts by considering music and its history. In the study of classical music, for instance, it will begin by considering rhetoric and affect during the Baroque period and then move to consider the topics of the Classical style or the interartistic aspects of Romanticism. The other path consists instead of applying general semiotic theories to music. A more proper approach, I believe, lies somewhere in the middle : it ought to co

APA, Harvard, Vancouver, ISO und andere Zitierweisen

2

Abdullah, Farid. "SEMIOTIKA = ILMU ATAU METODE : TELAAH BUKU ' HANDBOOK OF SEMIOTIK', WINFRIED NOTH, 1995." Jurnal Dimensi Seni Rupa dan Desain 8, no. 2 (September 1, 2011): 1–10. http://dx.doi.org/10.25105/dim.v8i2.965.

Der volle Inhalt der Quelle

Annotation:

AbstractThis paper is about Winfried Noth book, title " Handbook of Semitics," 1995. A handbook with ambitious objevtives of dealing with a broad field specturm of research, ranging from Advertising, Architecture, Comic, Photography, Music, Visual Communication , to Zoosemiotics. Aims to this book, as the author describe, s adventurous goal of a topographical survey, of some main areas of theoritical and applied semiotics. In this book, the approach to semiotic adopted is basically descriptive and pluratistic. The history aspect, the present state of the art, intends to be a systematic, compre

APA, Harvard, Vancouver, ISO und andere Zitierweisen

3

Tomasevic, Katarina. "Dragutin Gostuski and the semiotics of music." Muzikologija, no. 22 (2017): 177–97. http://dx.doi.org/10.2298/muz1722177t.

Der volle Inhalt der Quelle

Annotation:

The main goals of this article, devoted to the contribution of the prominent Serbian musicologist, composer and aesthetician Dragutin Gostuski (1923-1998) to the semiotics of music, are the following: 1) to show the evolution of semiotic ideas in Gostuski?s work; 2) to reconstruct the circumstances under which preparations for the First International Colloquium on the Semiotics of Music took place; and 3) to encourage new research that would re-examine Gostuski?s major theoretical opus in the historical context of the discipline.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

4

Romero, Brenda M. "Musical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero." Ethnomusicology Translations, no. 2 (July 1, 2016): 1–33. http://dx.doi.org/10.14434/emt.v0i2.22335.

Der volle Inhalt der Quelle

Annotation:

Recent studies on musical signification have been characterized by an apparently insurmountable gap between disciplines that focus on the musical text as sound (music theory, musicology), those that focus on the hearing subject (cognitive sciences, psychology of music), and those that focus on social discourses about music (ethnomusicology, anthropology, sociology). This article argues that the most recent theoretical advances in music semiotics provide means to overcome this gap. After a brief examination of some key concepts in music semiotics, the author identifies three approaches to this

APA, Harvard, Vancouver, ISO und andere Zitierweisen

5

HOOPER, GILES. "A Sign of the Times: Semiotics in Anglo-American Musicology." Twentieth-Century Music 9, no. 1-2 (March 2012): 161–76. http://dx.doi.org/10.1017/s1478572212000242.

Der volle Inhalt der Quelle

Annotation:

AbstractThis article provides a critical account of the appropriation of semiotics in Anglo-American musicology, its theoretical and discursive foundations, and its impact on the discipline in the period from the mid-1970s to the present. Starting out from the work of Jean-Jacques Nattiez and Philip Tagg in the 1970s, it traces two principal approaches in music semiotics, here termed the ‘structural–analytical’ and the ‘semantic–interpretative’, which draw in significant measure on, respectively, the Saussurean and Peircean legacies. Both differences of musicological tradition and the wider st

APA, Harvard, Vancouver, ISO und andere Zitierweisen

6

Rozin, Vadim Markovich. "Semiotics as a philosophical and methodological, natural science and mathematical discipline (main stages of development and perspective)." Философия и культура, no. 6 (June 2022): 66–81. http://dx.doi.org/10.7256/2454-0757.2022.6.38261.

Der volle Inhalt der Quelle

Annotation:

The article examines the history of the development of the ideas of semiotics, from the works of St. Augustine to the present. The author shares the semiotic approach, which, judging by the literature, was formulated by Augustine, and semiotics as a scientific discipline, and in two versions, as an analogue of mathematics and natural science (we are talking about the "second nature", which is studied in the humanities and social sciences). The characteristic of the semiotic approach presented by Augustine in the scheme is given, which, the author shows, can be extended to various humanitarian

APA, Harvard, Vancouver, ISO und andere Zitierweisen

7

Crnjanski, Nataša. "Is that a new language coming?" Rasprave Instituta za hrvatski jezik i jezikoslovlje 44, no. 2 (2018): 373–84. http://dx.doi.org/10.31724/rihjj.44.2.2.

Der volle Inhalt der Quelle

Annotation:

Music semiotics is a branch of music theory that has been particularly developing since the 1960s. As semiotics moved from general linguistics, structuralism and theory of communication to cognitive and psychological linguistics, as sources of understanding music cognition – that is, as it moved from “hard” to “soft” semiotics as Agawu calls them (1999: 154) – its vocabulary became strongly metaphoric and complex. At the same time, there was no strict convention concerning the usage of the vocabulary in question. In this paper, I will focus on some important interrelated issues of music semiot

APA, Harvard, Vancouver, ISO und andere Zitierweisen

8

Leman, Marc, and Raymond Monelle. "Linguistics and Semiotics in Music." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 51 (1997): 213. http://dx.doi.org/10.2307/3687197.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

9

Hatten, Robert S., and Raymond Monelle. "Linguistics and Semiotics in Music." Notes 50, no. 3 (March 1994): 1002. http://dx.doi.org/10.2307/898579.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

10

Amalia, Anindita Fikri, Nurdien Harry Kristanto, and Sukarjo Waluyo. "Semiotika Nonverbal dalam Musik Video “Azza” Karya Rhoma Irama (Kajian Semiotika Roland Barthes)." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, no. 4 (November 1, 2022): 731–48. http://dx.doi.org/10.30872/diglosia.v5i4.494.

Der volle Inhalt der Quelle

Annotation:

This study aims to describe non-verbal semiotics and its relation to Roland Barthes' semiotics, namely connotation and denotation. This research with the object of the study of the music video "Azza" by Rhoma Irama uses qualitative research methods to find non-verbal semiotics contained in the object of study. The results of this study, namely in the music video "Azza" by Rhoma Irama, there are seven body signs, namely (a) signals; (b) facial expressions; (c) eye contact; (d) body language; (e) touch; (f) cue; and (g) dance. It is also related to Roland Bathes' semiotics. Signs expressed in th

APA, Harvard, Vancouver, ISO und andere Zitierweisen

11

Giraldo, Veronica. "Referential iconicity in music and speech." Public Journal of Semiotics 9, no. 1 (February 25, 2020): 41–77. http://dx.doi.org/10.37693/pjos.2019.9.20283.

Der volle Inhalt der Quelle

Annotation:

Musical meaning is multifaceted. It is highly sensory and yet often abstract; able to cross cultural boundaries and yet embedded in specific traditions. For the most part music as a semiotic system is characterized by non-referential meaning (Monelle, 1991). Nevertheless, in so-called programmatic music, musical themes are intended to refer to worldly objects and events on the basis of iconic (and indexical) grounds. Such non-arbitrariness has been extensively documented in the case of speech as well (Ahlner and Zlatev, 2010; Sonesson 2013; Imai and Kita, 2014). In an experimental study,

APA, Harvard, Vancouver, ISO und andere Zitierweisen

12

Mirka, D. "Mozart and Enlightenment Semiotics." Journal of Music Theory 58, no. 1 (March 1, 2014): 67–77. http://dx.doi.org/10.1215/00222909-2413589.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

13

Mitić, Marjan. "Musical discourse in the theory of musical semiotics." Sinteze, no. 19 (2021): 37–48. http://dx.doi.org/10.5937/sinteze10-34232.

Der volle Inhalt der Quelle

Annotation:

Music is an abstract language that is constantly evolving, and in this connection, one of the possible approaches to the interpretation of music as a discourse concerns the issues of the relatedness of music and speech, that is, the language of music and language of speech. In this way, the relationship between musical discourse and the musical thought of the composer and speech as a product arising from the opinions of the speaker is established. In this paper, through the examination of discourses on music as a product of human activity, which are recognized in different cultures in differen

APA, Harvard, Vancouver, ISO und andere Zitierweisen

14

Miharti, Santi, and Fitrawati Fitrawati. "Multimodal Analysis in Cigarette Advertisements." English Language and Literature 11, no. 3 (September 14, 2022): 365. http://dx.doi.org/10.24036/ell.v11i3.119103.

Der volle Inhalt der Quelle

Annotation:

Abstract Multimodality is a term widely discussed by linguistics and semiotics. It means the combination of different semiotic modes, for example, language and music in a communicative artifact or event (Leeuwen, 2005). In this research, the researcher examines multimodal advertising for cigarette products. The cigarette products named is Djarum 76 and Sampoerna Kretek. This research is intended to 1) how semiotic systems in Djarum 76 and Sampoerna Kretek advertisements express meaning? 2) What is the generic structure placed in both advertisements? 3) What are the differences between semiotic

APA, Harvard, Vancouver, ISO und andere Zitierweisen

15

Ni Putu Meira Purnama Yanti, I Nyoman Sujaya, and Mirsa Umiyati. "Multimodal Semiotics in Cosmetic Advertisement." RETORIKA: Jurnal Ilmu Bahasa 8, no. 2 (October 24, 2022): 173–82. http://dx.doi.org/10.55637/jr.8.2.4866.173-182.

Der volle Inhalt der Quelle

Annotation:

This research deals with the elements of multimodal semiotics and the meaning of beauty. The theory used in this research was the multimodal semiotics theory by Kress and Leewuen (2011) in their book entitled Multimodal Discourse Analysis. The method applied in this research was a descriptive qualitative method. Based on data analysis, it was found that cosmetic advertisements have various multimodal semiotics such as verbal, visual, gestural, and audio. Verbal elements in the form of speech and writing which are dominated by declarative sentences. Visual elements refer to female figures in ad

APA, Harvard, Vancouver, ISO und andere Zitierweisen

16

Bakogiannis, Konstantinos, and George Cambourakis. "Semiotics and memetics in algorithmic music composition." Technoetic Arts 15, no. 2 (June 1, 2017): 151–61. http://dx.doi.org/10.1386/tear.15.2.151_1.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

17

Rousi, Antti Mikael, Reijo Savolainen, and Pertti Vakkari. "A typology of music information for studies on information seeking." Journal of Documentation 72, no. 2 (March 14, 2016): 265–76. http://dx.doi.org/10.1108/jd-01-2015-0018.

Der volle Inhalt der Quelle

Annotation:

Purpose – A need to renew music-related information notions arises from both information-seeking models and literature of musical semiotics. The purpose of this paper is to create a music information typology, which aims at facilitating the examination of music information types at varying levels of abstraction in the context of information seeking. Design/methodology/approach – Literature of musical semiotics and information seeking are juxtaposed to develop a novel approach to music-related information. The grounding concepts are Bruner’s enactive, iconic and symbolic modes of representation

APA, Harvard, Vancouver, ISO und andere Zitierweisen

18

Hidayat, Didin Nuruddin, Abrizal A, and Alex A. "A Multimodal Discourse Analysis of the Interpersonal Meaning of a Television Advertisement in Indonesia." IJEE (Indonesian Journal of English Education) 5, no. 2 (April 22, 2019): 119–26. http://dx.doi.org/10.15408/ijee.v5i2.11188.

Der volle Inhalt der Quelle

Annotation:

ABSTRACTThis article attempts to investigate and explore the interpersonal meaning of YOU C1000 on Indonesian television advertisements. This study was conducted qualitatively using case study to check how different semiotic and modes such as music, sound, speech, color, action, and image work together to build the interpersonal meaning. This study discusses the interpersonal meaning in speech and music, interpersonal meaning in movement and interpersonal meaning in image and color. The study aimed to give some contributions to social semiotics studies, television, or video advertisement. YOU

APA, Harvard, Vancouver, ISO und andere Zitierweisen

19

Kolodii, Bogdana, Mariya Tkachivska, Mariia Grytsenko, Olena Stepanenko, Ivan Bakhov, and Vasyl Tkachivskyi. "Semiotics of Media Text Translation." Postmodern Openings 13, no. 4 (November 29, 2022): 497–512. http://dx.doi.org/10.18662/po/13.4/529.

Der volle Inhalt der Quelle

Annotation:

The topic of the article is important, because nowadays there is a need to study the semiotics of media text translation, the use of innovations in choosing the types of media text translation. The aim of the article is the need to study and substantiate the importance of studying the essence of the concepts of “semiotics”, “media text”. The article gives a theoretical justification for the concept of media text in the field of mass communication, substantiates the semiotics of learning about signs and sign systems; semiotic characteristics of media texts translation are given. In the field of

APA, Harvard, Vancouver, ISO und andere Zitierweisen

20

Dunbar-Hall, Peter. "Music and Language: Commonalities in Semiotics, Syllabus, and Classroom Teaching." British Journal of Music Education 8, no. 1 (March 1991): 65–72. http://dx.doi.org/10.1017/s026505170000807x.

Der volle Inhalt der Quelle

Annotation:

Music and language are often seen to be similar, and this has led to numerous music education methods based on language models. This paper describes a commonality between music and language at a semiotic level, compares their relevant syllabuses, and discusses a number of possible transfers between language teaching and music education.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

21

Curry, Ben. "Valency–Actuality–Meaning: A Peircean Semiotic Approach to Music." Journal of the Royal Musical Association 142, no. 2 (2017): 401–43. http://dx.doi.org/10.1080/02690403.2017.1361177.

Der volle Inhalt der Quelle

Annotation:

ABSTRACTPeircean semiotics has retained a place in the study of music for more than 40 years. Few studies, however, have focused upon arguably the most important aspects of Peirce's thought: his contribution to logic and his development of a pragmatic approach to epistemology. This article develops a theory of Peircean semiotics in music that is rigorously derived from the key insights Peirce offered to philosophy. It focuses upon his theory of the proposition and posits an approach to music analysis that is sensitive to the importance of music's internal structure while recognizing the enormo

APA, Harvard, Vancouver, ISO und andere Zitierweisen

22

LALITTE, PHILIPPE. "Towards a semiotic model of mixed music analysis." Organised Sound 11, no. 2 (August 2006): 93–100. http://dx.doi.org/10.1017/s1355771806001348.

Der volle Inhalt der Quelle

Annotation:

In this paper I try to outline a model that can bring out the meaningful relationships between ‘the instrumental’ and ‘the electronics’ in mixed music. The model is based on the semiotic square which is considered in semiotics as a powerful conceptual framework to examine the relationships between two terms (S1/S2) and their negative (non-S1/non-S2), terms which can be characters, situations, actions, concepts, etc. Two paradigmatic axes represent the relations between the actors of mixed music: the sources (instrumental and electronic) on the one hand, and the manipulations (real-time process

APA, Harvard, Vancouver, ISO und andere Zitierweisen

23

Megawati, Eka, and Nandha Dwi Yuniastarani. "Semiotika Makna Pesan Cover Album PErmission to Dance Boyband BTS." Jurnal Mahardika Adiwidia 2, no. 1 (November 30, 2022): 69. http://dx.doi.org/10.36441/mahardikaadiwidi.v2i1.1205.

Der volle Inhalt der Quelle

Annotation:

The purpose of this study was to understand the Semiotics of the Meaning of the Album Cover “Permission to Dance” by Boyband BTS. The theory used is Charles Sanders Peirce's Theory of Semiotics. As for Research methods used on this research is Semiotic Analysis with qualitative approach. The results of the study found that each visible sign on the album cover has a deep meaning, not only does it show the bright colors such as orange, purple, black, blue, and even the writing font, the shapes, they were an icon that symbolize meaning which could be interpret differently, depending on who, whom

APA, Harvard, Vancouver, ISO und andere Zitierweisen

24

Jyh, Wee Sew. "Semiotics of Performing in Najwa Latif’s Music Videos." Jurnal Komunikasi, Malaysian Journal of Communication 31, no. 2 (December 1, 2015): 299–321. http://dx.doi.org/10.17576/jkmjc-2015-3102-19.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

25

Rozin, Vadim Markovich. "The idea of building a new humanitarian discipline ‒ "narrative semiotics"." Культура и искусство, no. 4 (April 2022): 78–93. http://dx.doi.org/10.7256/2454-0625.2022.4.37955.

Der volle Inhalt der Quelle

Annotation:

The article formulates the main provisions of narrative semiotics and offers an analysis of four cases illustrating the methodology of semiotic study within the framework of a new concept. The difficulties associated with the application of the traditional semiotic approach to the analysis of iconic signs, symbols, diagrams, music, and other works of art are characterized. The author's proposed version of the extended version of semiotics and the problems that arise in this case are outlined: firstly, the new approach is subjective, and secondly, it requires the concretization of semiotic disc

APA, Harvard, Vancouver, ISO und andere Zitierweisen

26

Keefe, S. P. "Mozart and Enlightenment Semiotics. By Stephen Rumph." Music and Letters 94, no. 1 (February 1, 2013): 152–54. http://dx.doi.org/10.1093/ml/gct018.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

27

Magnusson, Thor. "ERGODYNAMICS AND A SEMIOTICS OF INSTRUMENTAL COMPOSITION." Tempo 73, no. 287 (December 24, 2018): 41–51. http://dx.doi.org/10.1017/s0040298218000633.

Der volle Inhalt der Quelle

Annotation:

AbstractThis article examines the techno-philosophical aspects of how we create and understand musical systems in twenty-first century computational media. Arguing that processor-based media have exploded the compositional language of new music, the article proposes a set of concepts that might help us navigate this new space of instrumental possibilities. The term ‘ergodynamics’ – and related concepts – is proposed as a useful concept when describing the phenomenological, historical and aesthetic aspects of musical instruments, as well as a lens for looking at new compositional practices that

APA, Harvard, Vancouver, ISO und andere Zitierweisen

28

Tarasti, Eero. "The implicit musical semiotics of Marcel Proust." Contemporary Music Review 16, no. 3 (January 1997): 5–25. http://dx.doi.org/10.1080/07494469700640161.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

29

Clarke, Eric F. "The semiotics of expression in musical performance." Contemporary Music Review 17, no. 2 (January 1998): 87–102. http://dx.doi.org/10.1080/07494469800640111.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

30

Björnberg, Alf. "Structural relationships of music and images in music video." Popular Music 13, no. 1 (January 1994): 51–74. http://dx.doi.org/10.1017/s026114300000684x.

Der volle Inhalt der Quelle

Annotation:

In the course of the last decade, the body of writing on music video has grown to sizeable proportions. The reason for the present addition to this bulk of literature, in spite of the subject seemingly approaching the state of exhaustion, is that musical semiotics are still rarely applied to the field. It is a fact that pop and rock music have always been heavily infused with socially determined meaning such that an autonomous musical aesthetics appears clearly insufficient to explain their significance; however, to what extent and how this significance is linked in with particular musical str

APA, Harvard, Vancouver, ISO und andere Zitierweisen

31

CURRY, BEN. "Resituating the Icon: David Osmond-Smith's Contribution to Music Semiotics." Twentieth-Century Music 9, no. 1-2 (March 2012): 177–200. http://dx.doi.org/10.1017/s1478572212000254.

Der volle Inhalt der Quelle

Annotation:

AbstractAfter pursuing doctoral studies at the University of York (1968–70), David Osmond-Smith gained two consecutive scholarships, allowing him to research first with Umberto Eco in Milan (1970–71) and then with Roland Barthes in Paris (1971–3). One of the outcomes of his encounters with these highly influential thinkers was a series of articles subjecting musical phenomena to semiotic analysis. The principal concept deployed in these articles is that of the icon or iconism, itself borrowed from the American semiotician and pragmatist philosopher Charles Sanders Peirce and exhaustively exami

APA, Harvard, Vancouver, ISO und andere Zitierweisen

32

Sánchez-Kisielewska, Olga. "Book Review." Music Theory and Analysis (MTA) 9, no. 1 (May 15, 2022): 102–9. http://dx.doi.org/10.11116/mta.9.1.5.

Der volle Inhalt der Quelle

Annotation:

It has been a few decades since the study of musical expression and meaning coalesced into a widely accepted field of academic inquiry. In the 1980s and 1990s, the hermeneutic impulses of the "new musicology," the systematic development of a semiotics of music, and the historicist project fueled by Leonard Ratner's topoi auspiciously coincided to present a challenge to the cult of "absolute" music and the formalist bias of music analysis. In 2020, the publication of two books— The Routledge Handbook of Music Signification, edited by Esti Sheinberg and William Dougherty, and Joan Grimalt's Mapp

APA, Harvard, Vancouver, ISO und andere Zitierweisen

33

Wahyudin, Wahyudin, and Nur Fajar Absor. "MASYARAKAT KELAS BAWAH DALAM LIRIK LAGU-LAGU IWAN FALS (1981-1994)." Estoria: Journal of Social Science and Humanities 2, no. 2 (April 1, 2022): 302–16. http://dx.doi.org/10.30998/je.v2i2.937.

Der volle Inhalt der Quelle

Annotation:

Abstract This article discusses Iwan Fals' musical career and his songs with the theme of social criticism, especially songs with the theme of lower class society from 1981-1994. The purpose of this article is to explain the meaning or content contained in the lyrics of Iwan Fals' songs with the theme of lower class society which will then be linked to the context of society at that time. This article uses the Historical method which is presented in a descriptive-analytical form and utilizes news sources, cassette covers, newspapers and magazines, photos and relevant books. To examine the lyri

APA, Harvard, Vancouver, ISO und andere Zitierweisen

34

Griffith, Frank, and David Machin. "Communicating the ideas and attitudes of spying in film music: A social semiotic approach." Sign Systems Studies 42, no. 1 (May 26, 2014): 72–97. http://dx.doi.org/10.12697/sss.2014.42.1.04.

Der volle Inhalt der Quelle

Annotation:

Taking the example of two 1960s popular spy films this paper explores how social semiotics can make a contribution to the analysis of film music. Following other scholars who have sought to create inventories of sound meanings to help us break down the way that music communicates, this paper explores how we can draw on the principles of Hallidayan functional grammar to present an inventory of meaning potentials in sound. This provides one useful way to describe the semiotic resources available to composers to allow them to communicate quite specific ideas, attitudes and identities through comb

APA, Harvard, Vancouver, ISO und andere Zitierweisen

35

Meeùs, Nicolas. "Inhalt (‘content’) as a technical term in musical semiotics." Rasprave Instituta za hrvatski jezik i jezikoslovlje 44, no. 2 (2018): 539–49. http://dx.doi.org/10.31724/rihjj.44.2.14.

Der volle Inhalt der Quelle

Annotation:

Inhalt (‘content’) is so common that it could hardly pass as a technical term. The purpose of this article is to show that from the 18th to the 20th century it was nevertheless used particularly to denote the specifically musical meaning arising from what music ‘contains’ of notes, rhythms, melodic cells, etc. Hegel, Marx, Hauptmann, Hanslick, Schenker, Schoenberg and probably others shared the same view that music has a content of its own, one that cannot be translated in verbal language.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

36

Turmudzi, Muhammad Imam. "SEGMENTASI SISTEM TANDA TEKS DRAMA SURREAL “LAKI-LAKI LAUT” KARYA IWAN EFFENDI: PERSPEKTIF TADEUSZ KOWZAN." ALAYASASTRA 16, no. 1 (May 29, 2020): 135. http://dx.doi.org/10.36567/aly.v16i1.356.

Der volle Inhalt der Quelle

Annotation:

ABSTRAKPenelitian ini mendeskripsikan tanda dalam teks drama surreal “Laki-Laki Laut” karya Iwan Effendi dengan cara mengklasifikasikannya menjadi beberapa segmen sistem tanda. Pendekatan yang digunakan adalah semiotika teater Tadeusz Kowzan yang berfokus pada tiga belas sistem tanda dalam teks drama. Sumber data penelitian adalah teks drama surreal “Laki-Laki Laut” karya Iwan Effendi yang penulis dapatkan langsung dari pengarang. Data diperoleh dengan teknik baca dan catat. Penelitian ini merupakan penelitian deskriptif kualitatif. Hasil penelitian menunjukkan segmentasi tiga belas sistem tan

APA, Harvard, Vancouver, ISO und andere Zitierweisen

37

Lowe, Melanie. "Review: Mozart and Enlightenment Semiotics by Stephen Rumph." Journal of the American Musicological Society 65, no. 3 (2012): 867–71. http://dx.doi.org/10.1525/jams.2012.65.3.867.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

38

Simanungkalit, Sari Mega Florensia, Nurwani Nurwani, and Iskandar Muda. "DIHAR SITARLAK PADA MASYARAKAT SIMALUNGUN : KAJIAN SEMIOTIK." Gesture : Jurnal Seni Tari 7, no. 1 (December 31, 2018): 6. http://dx.doi.org/10.24114/senitari.v7i1.11901.

Der volle Inhalt der Quelle

Annotation:

Abstract−This study examines the semiotics contained in diharsitarlak in Simalungun society. The goal is to explore the meaning contained in the sararar and interpretation of meaning seen through the theory of semiotics. Sitarlak is a martial arts that comes from Simalungun who became the performing arts for the community that is as a welcome dance for accompanied by music and using a special outfit. The theory used relates to the research topic of Suzanna K. Langer theory which discusses the motion and the theory of semiotic de Saurrsure to express the meaning. The research time used to discu

APA, Harvard, Vancouver, ISO und andere Zitierweisen

39

Agawu, Kofi. "Review: Signs of Music: A Guide to Musical Semiotics." Music and Letters 85, no. 1 (February 1, 2004): 144–46. http://dx.doi.org/10.1093/ml/85.1.144.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

40

Claydon, E. Anna. "Film Music, Musicology and Semiotics: Analysing The Draughtsman's Contract." Journal of British Cinema and Television 8, no. 1 (April 2011): 62–80. http://dx.doi.org/10.3366/jbctv.2011.0006.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

41

Yee, Thomas B. "Narrating Near-Death Experience." Chinese Semiotic Studies 14, no. 3 (August 28, 2018): 329–46. http://dx.doi.org/10.1515/css-2018-0020.

Der volle Inhalt der Quelle

Annotation:

Abstract Rarely do the worlds of classical music and video games collide explicitly; when they do, as in the 2007 JRPG Eternal Sonata, the result is of marked semiotic interest. The game’s complex metafictional plotline – involving multiple levels of narrative seeking to blend fantasy and reality – invites speculation and interpretation, particularly concerning its multivalent ending. This article uses recently developed analytical methods from the burgeoning field of musical semiotics to glean poignant interpretative meaning from the video game’s musical surface. By invoking music-theoretic w

APA, Harvard, Vancouver, ISO und andere Zitierweisen

42

Atkinson, Simon. "Interpretation and musical signification in acousmatic listening." Organised Sound 12, no. 2 (July 4, 2007): 113–22. http://dx.doi.org/10.1017/s1355771807001756.

Der volle Inhalt der Quelle

Annotation:

AbstractThe challenges of understanding musical meaning are considered in light of ways in which electroacoustic practice and acousmatic listening might embody yet further nuances in how music can function as a signifying system. ‘Classical’ semiotics is discussed, as well as more recent developments with post-structuralist approaches and musical semantics in other areas of music scholarship. The idea, inherited from the tradition of ‘absolute music’, that musical meaning lies exclusively in the inner operations of the musical materials and their structural organisation, is questioned. Concept

APA, Harvard, Vancouver, ISO und andere Zitierweisen

43

Olteanu, Alin, and Cary Campbell. "Education, Signs, and the History of Ideas." Chinese Semiotic Studies 15, no. 2 (May 30, 2019): 275–88. http://dx.doi.org/10.1515/css-2019-0017.

Der volle Inhalt der Quelle

Annotation:

Abstract This interview/dialogue addresses an important issue of how educational semiotics is grounded in the history of ideas. The discussions concern the shared history of semiotics and liberal education; the modern university and its medieval antecedents; semiotic consciousness, the traces of which are found in both Christianity and Islam (and the hermeneutics of Abrahamic and mystical religions, in general); intercultural translation; the relationship between learning (conceptualized edusemiotically) and biosemiotics, and how our social understandings of learning determine and shape our ba

APA, Harvard, Vancouver, ISO und andere Zitierweisen

44

Pareyon, Gabriel. "Philosophical Sketches on Category Theory Applied to Music-Mathematical Polar Semiotics." MusMat: Brazilian Journal of Music and Mathematics IV, no. 2 (December 28, 2020): 41–51. http://dx.doi.org/10.46926/musmat.2020v4n2.41-51.

Der volle Inhalt der Quelle

Annotation:

This is an attempt to combine Matthai philosophy (of Heraclitan inspiration) and Category Theory using the Yoneda Lemma as a means for harmonizing the traditionally opposite values and conceptions dissociated between the Euclidean tradition and Heraclitus thought. The text is divided in three sections: general background and description of Yoneda, a contextualization on Heraclitan aesthetics and polar semiotics (a notion firstly intuited by I. M. Lotman and Th. Sebeok), and an experiment suggested for the revision of the grounds of music theory, with the purpose of conciliate extremely dissoci

APA, Harvard, Vancouver, ISO und andere Zitierweisen

45

van Leeuwen, Theo. "The semiotics of movement and mobility." Multimodality & Society 1, no. 1 (March 2021): 97–118. http://dx.doi.org/10.1177/2634979521992733.

Der volle Inhalt der Quelle

Annotation:

The paper presents a framework for the distinctive feature analysis of movement and mobility in texts, performances and semiotic artefacts, showing its applicability to the analysis of meaning-making in dance, music, animated and live action film and video, and product design. Emphasis is placed on the role of movement and mobility in identity design. Identity design is realized by the style in which movements are performed and can be analysed in terms of the gradable distinctive features present in any movement – direction, expansiveness, velocity, force, angularity, fluidity, directedness an

APA, Harvard, Vancouver, ISO und andere Zitierweisen

46

Theodosopoulou, Irene. "Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research." Semiotica 2019, no. 229 (July 26, 2019): 123–50. http://dx.doi.org/10.1515/sem-2017-0123.

Der volle Inhalt der Quelle

Annotation:

AbstractThis text is a first attempt of approaching traditional music, musical/poetic structures and ethnographic research semiotically. The basic elements of traditional music (motives, rhythms, phonetics, performance speeds, modal systems, musical instruments, repertoire), the musical/poetic structures with morphological types and formulas (musical and poetic), musical and non-musical codes (verbal and nonverbal) during a musical performance (nods, movements, etc.) as well as the ethnographic research itself with its own “performances” (discussions with musicians, recordings, transcriptions,

APA, Harvard, Vancouver, ISO und andere Zitierweisen

47

Mazzola, Guerino. "Functorial semiotics for creativity." Journal of Mathematics and Music 14, no. 1 (November 27, 2019): 66–105. http://dx.doi.org/10.1080/17459737.2019.1675193.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

48

Brazgovskaya, E. E. "How Do We Hear: Cognitive Semiotics Notes on Music Perception." Human Culture Education, no. 1 (2021): 40–61. http://dx.doi.org/10.34130/2233-1277-2021-1-40.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

49

Dunbar-Hall, Peter. "Semiotics as a Method for the Study of Popular Music." International Review of the Aesthetics and Sociology of Music 22, no. 2 (December 1991): 127. http://dx.doi.org/10.2307/836920.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

50

Hart, Iain. "Meaningful Play: Performativity, Interactivity and Semiotics in Video Game Music." Musicology Australia 36, no. 2 (July 3, 2014): 273–90. http://dx.doi.org/10.1080/08145857.2014.958272.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!