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Thematische Bibliographien / Musical theater

Inhaltsverzeichnis

Zeitschriftenartikel
Dissertationen
Bücher
Buchteile
Konferenzberichte
Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Musical theater“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 25. Juli 2025

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Zeitschriftenartikel zum Thema "Musical theater"

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Feng, Yizhang, and Kexu Chen. "On the inspiration of Lin-Manur-Miranda musical Hamilton." International Journal of Education and Humanities 14, no. 1 (2024): 152–54. http://dx.doi.org/10.54097/6dyf4743.

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Lin-manuel-Miranda's musical "Hamilton" as the fastest in the history of Broadway music costs and began to profitable musical with its pioneer music style and the core values of drama structure in the world stage, the success of the Broadway musical is not only in the history, also for the development of world musical provides unprecedented possibilities.the success of Lin-Manuel Miranda's musical "Hamilton" has had a profound impact on the world of theater, particularly in the realm of musicals. Its pioneering music style and the core values of drama structure have opened up new possibilities

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Walker, Gwen, Max Chernin, Eliana Rubin, Jonah Schwartz, and Becca Suskauer. "MTEA Diversity, Equity, and Inclusion Committee Focus Group Series: Addressing Anti-Semitism Inclusive Musical Theatre Pedagogy." Musical Theatre Educators Alliance Journal 5, no. 2024 (2024): 8–15. http://dx.doi.org/10.62392/mcqn9899.

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As an ongoing effort to support inclusive musical theater training within our musical theater educational community, the MTEA Diversity, Equity, and ELIANA RUBIN, Inclusion Committee hosts a Focus Group Series. On July 29th, 2023, Vice IONAH SCHWARTZ., AND President of the MTEA DEI Committee Gwen Walker convened a focus group BECCA SUSKAUER to discuss rising anti-Semitism and what musical theatre educators can do to address it. Included in our discussion from our community is an established professional, an educator, a young professional, and a student currently in an academic musical theater

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Jenkins, J. Daniel. "The Early Years of the American Musical in Vienna." Journal of Austrian-American History 6, no. 1 (2022): 89–103. http://dx.doi.org/10.5325/jaustamerhist.6.1.0089.

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Abstract The individual most responsible for bringing the American musical to the Viennese stage was Marcel Prawy (1911–2003). Born into a Jewish Austro-Hungarian noble family, Prawy moved to the US in the late 1930s. While his first love was opera, he also developed an appreciation for the Broadway musical. He returned to Vienna after World War II and produced musical revues in local theaters that included showtunes. Upon becoming a dramaturge at the Vienna Volksoper in 1955, he began overseeing productions of American musical theater, which were among some of the earliest productions of Amer

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Feng, Zimo. "Analysis of the Business Model of Chinese Musical Theater Based on Community Economy." Journal of Applied Economics and Policy Studies 12, no. 1 (2024): 77–82. http://dx.doi.org/10.54254/2977-5701/12/2024114.

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In recent years, the Chinese musical theater industry has developed rapidly, becoming an important component of the cultural industry. Compared to traditional musical theater production and distribution methods, the community economy offers a new business model for Chinese musicals. This paper aims to explore how the community economy, combined with self-media platforms, supports the promotion and profitability of Chinese musicals. It analyzes the factors behind its success, the challenges it faces, and its future development prospects. Through an in-depth analysis of the existing business mod

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Tsihan, Xia. "INTERPRETATION OF MUSICAL GENRE IN THE WORKS OF R. IGNATIEV AND K. BREITBURG." Arts education and science 1, no. 2 (2021): 121–25. http://dx.doi.org/10.36871/hon.202102015.

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Theater in Russia has for a long time neither cultivated nor encouraged the pursuit of entertainment and commercial success. Perhaps that is why, the first attempts to integrate the musical into the Russian theater environment ended in failure. "My Fair Lady" by F. Loewe, staged at the Stanislavsky and Nemirovich-Danchenko Theatre, "Avtograd–1929", staged at the Satire Theater and the "Chicago" musical, after several performances, were removed from the repertoire or, like enterprise productions, ceased to exist. The purpose of this research is to determine the reasons for the growing popularit

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PLAKHOTNYUK, Oleksandr. "CHOREOGRAPHERS OF THE STATE THEATER OF MUSICAL COMEDY IN LVIV FROM 1946-1953." Bulletin of the Lviv University. Series of Arts Studies 280, no. 20 (2019): 203–11. http://dx.doi.org/10.30970/vas.20.2019.10625.

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A study is conducted of the historical processes of the formation of dance traditions in musical theaters, as well as operetta theaters on the example of the activities of choreographers of the Lviv Theater of Musical Comedy in the period from 1946 to 1953. The study outlines the historical processes of the formation of the above dance traditions. This study identifies the personalities of the choreographers of the directors of this theater and their creative result; there is a careful attitude to the traditions of the past and the introduction of modern techniques of theatrical choreographer.

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Lkhagvasuren, Damdinsuren, and Batsaikhan Dashdondog. "On the issue of establishing the origins of the State Academic Opera and Ballet Theater." Mongolian Journal of Arts and Culture 25, no. 49 (2024): 122–30. https://doi.org/10.69561/mjac.v25i49.3835.

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The State Central Theater, founded in 1931, was a traditional drama theater. In 1943, the theater was renamed the State Musical Drama Theater. In 1963, the party and government decided to reorganize the theater into two new professional theaters: the Opera and Ballet Theater and the Drama Theater, and the theater was divided into two independent theaters. The current Academic Opera and Ballet Theater (ADBOT) has been counting its age since 1963, which is a mistake. However, it is reasonable and historically significant to start counting its age from 1943, when the Musical Theater was founded.

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Breytburg, Kimol A. "Broadway musical commercial theater in the context of the socio-cultural environment of the 70s of the XX century." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 46 (2022): 182–95. http://dx.doi.org/10.17223/22220836/46/15.

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Broadway musicals created in the 70s of the XX century are a reflection of many socio-cultural phenomena taking place in the USA at that time. Their dynamic, originally formed musical dramaturgy, an appeal to topical topics consonant with the public consciousness of the era of the 70s, makes this period of development truly unique. The works created during these years by Stephen Sondheim, Stephen Schwartz, John Kander, Fred Ebb, Marvin Hamlisch, Edward Kleban greatly influenced the development of the musical genre, enriching it with new musical and dramatic techniques, a fundamentally new worl

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Fulton, Patrick. "Musical Theater Songs." Music Reference Services Quarterly 19, no. 3-4 (2016): 238–41. http://dx.doi.org/10.1080/10588167.2016.1231483.

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Sajewski, Mallory. "Musical Theater Songs." Notes 73, no. 4 (2017): 764–65. http://dx.doi.org/10.1353/not.2017.0061.

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Dissertationen zum Thema "Musical theater"

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Gallagher, Kelsey B. "So Much Better: A Lighting Design Approach for a Production of Legally Blonde: The Musical." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555414324698267.

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Axtell, Katherine Leigh. "Maiden voyage : the genesis and reception of Show boat, 1926-1932 /." Digitized version, 2009. http://hdl.handle.net/1802/10968.

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Thesis (Ph. D)--University of Rochester, 2009.<br>Includes abstract and vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/10968

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Gordon, Wendy A. "The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater." Thesis, The University of Arizona, 2004. http://hdl.handle.net/10150/292018.

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Tina Landau's writing and directing work has gained increasing prominence over the last decade. She has made strides in both the experimental and the musical theater arenas, and her accomplishments in each are noteworthy independent of each other. However, her concurrent interest and success in both arenas, which are commonly viewed as quite disparate, make her work particularly interesting. These interests, which might seem incongruent, are actually interrelated; her work in one area influences her work in the other, a fact which is evident both in her rehearsal process and the end products.

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Bidgood, Lee. "River Song (musical theater production)." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/1049.

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Lentz, Cassandra Nicole. "The Scenic Design for a Production of Legally Blonde the Musical." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555345046533812.

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Sugarbaker, Sarah. "Scenic design for the musical Godspell." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243614306.

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Nogar, Julianne K. "Costume Design and Production for Legally Blonde the Musical book by Heather Hach,Music and Lyrics by Nell Benjamin and Laurence O’Keefe." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555364601372494.

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Wilson, Jarod Douglas. "A Lighting Design Process for a Production of Aida, with Music by Elton John and Lyrics by Tim Rice." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306296781.

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Hoffman, Brian D. "Elements of the Musical Theater Style: 1950–2000." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307322562.

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Albawardy, Reema. "Costume Designs for "Urinetown| The Musical"." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1599645.

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<p> <i>Urinetown: The Musical</i> by Greg Kotis and Mark Hollman was produced by the Department of Theatre and Dance at George Washington University in the Fall of 2014. The show opened on October 30, 2014 at the Dorothy Betts Marvin Theatre, part of the George Washington University in Washington DC. It was directed by Muriel Von Villas along with costume designer Reema Albawardy, lighting designer Carl Gudenius, and set designer Kirk Kristlibas. This thesis explores the costume design process for <i>Urinetown: The Musical</i> and the challenges of working with a large cast and dealing with ma

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Bücher zum Thema "Musical theater"

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Allen, Cohen. Writing musical theater. Palgrave Macmillan, 2006.

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Cohen, Allen, and Steven L. Rosenhaus. Writing Musical Theater. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04810-3.

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1948-, Walker Christine, ed. Wooleycat's musical theater. Tortuga Press, 2003.

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Len, Platt, ed. Musical theater and American culture. Praeger, 2003.

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Drone, Jeanette Marie. Musical theater synopses: An index. The Scarecrow Press, 1998.

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Alberto, Basso, ed. Musica in scena: Storia dello spettacolo musicale. Unione tipografico-editrice torinese, 1995.

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Chen, Bill. The musical. Heryin Books, Inc., 2013.

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Novak, Elaine Adams. Staging musical theatre. Betterway Books, 1996.

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Blumenfeld, Robert. Blumenfeld's dictionary of musical theater: Opera, operetta, musical comedy. Limelight Editions, 2010.

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Hatta. Tun Perak: Sebuah teater semi musikal = a semi musical theatre. Istana Budaya, 2001.

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Buchteile zum Thema "Musical theater"

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Cornelius, Steven, and Mary Natvig. "American Musical Theater." In Music a Social Experience. Routledge, 2018. http://dx.doi.org/10.4324/9781315222868-13.

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McGill, Craig M., Alan Chaffe, and Kyle Ross. "American Musical Theater." In The Routledge Handbook of LGBTQ Identity in Organizations and Society. Routledge, 2024. http://dx.doi.org/10.4324/9781003128151-24.

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Cornelius, Steven, and Mary Natvig. "American Musical Theater." In MusicA Social Experience, 3rd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003155812-15.

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Cohen, Allen, and Steven L. Rosenhaus. "Theater Basics." In Writing Musical Theater. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04810-3_1.

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"musical theatre | musical theater, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2024. http://dx.doi.org/10.1093/oed/2449492728.

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Goldberg, Halina. "Musical Theater." In Music in Chopin's Warsaw. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195130737.003.0008.

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"Musical Theater." In The Musical. Routledge, 2005. http://dx.doi.org/10.4324/9780203329764-6.

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"MUSICAL THEATER." In In Search of American Jewish Culture. Brandeis University Press, 2014. http://dx.doi.org/10.2307/jj.3385960.6.

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McLamore, Alyson. "Whither Musical Theater?" In Musical Theater. Routledge, 2017. http://dx.doi.org/10.4324/9781315563770-46.

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"Whither Musical Theater?" In Musical Theater. Taylor & Francis, 2016. http://dx.doi.org/10.4324/9781315663517-50.

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Konferenzberichte zum Thema "Musical theater"

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Kusayanagi, Ai, and Keiji Iramina. "The Effect of Inclusive Musical Theater Based Intervention for Individuals with Neurodevelopmental Disabilities." In 2024 16th Biomedical Engineering International Conference (BMEiCON). IEEE, 2024. https://doi.org/10.1109/bmeicon64021.2024.10896366.

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Kim, Hayoon, Ahyeon Choi, Sungho Lee, Hyun Jin Jung, and Kyogu Lee. "Emosical: An Emotion-Annotated Musical Theatre Dataset." In Findings of the Association for Computational Linguistics: EMNLP 2024. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.findings-emnlp.241.

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Keefe, Amalie J., Zoë Sherpbier, Margaret Dion, Justin Kauff, and Blake Hament. "Exploring Dynamic Analysis of a Quadrupedal Mobile Robot Modified for Animatronic Entertainment in Musical Theatre Production." In 2025 Systems and Information Engineering Design Symposium (SIEDS). IEEE, 2025. https://doi.org/10.1109/sieds65500.2025.11021214.

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Pavel, Tal. "CYBER STUDIES IN ROMANIA." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s02/08.

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There are many issues in cyberspace that have an impact on people and society overall in different ways, affecting all industries and nations. Part of what makes cyberspace so unique is how creatively it uses modern technologies. The research emphasises the need for a proliferation of cyber studies among academic institutions in Romania: The cyber domain is related to every area of our modern lives and affects them in an immediate and far-reaching way, being a space based on technology. Cyber programs should focus on Bachelor�s degrees to enable a broad and well-trained cyber Master students.

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Ivanova, K. S. "ORGANIZATION OF PUBLISHING ACTIVITIES IN REGIONAL THEATERS (ON THE EXAMPLE OF SIBERIAN THEATERS)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-129.

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The organization of publishing activities in Siberian theaters is considered in the example of the Tomsk Drama Theater, the Novosibirsk Musical Theater, and the Seversky Musical Theater. The purpose is to review the editorial and publishing process in cultural institutions. The study reveals the theater as a special space engaged in the publication of printed products; there is a comparison of the theater with «small» publishing houses.

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Postolache, Inga. "Premises of the appearance of the Romanian musical: pages of history." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.13.

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The musical is a genre of the musical theater of non-academic orientation, which syncretically combines literature, theater, music, dance, scenography, light design, thus creating a show for audiences of all ages. The purpose of the article is to analyze the premises of the appearance of the musical on the Romanian stage, as well as to reveal the first attempts to create the national musical.

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Koroliova, Elfrida. "The book on theater – an element of cultural heritage." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.07.

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The article “The book on theater – an element of cultural heritage” includes publications on Moldovan Drama Theater, from the late 60s of the XX century to the 20s of the XXI century. Books signed by D. Prilepov, L. Cemortan, E. Coroliova, N. Bătrânu, V. Tăzlăuanu, N. Rojkovskaia, B. Zavatin, P. Proca, P. Pelin, A. Manoil, A. Ghilaș, A. Roșca, I. Nechit, L. Ungureanu, V. Fedorenco, T. Kotovici and others analyze the evolution processes of the Moldovan theater during the decades, of personalities – directors, actors, who worked in the theaters of the republic “Mihai Eminescu” National Theater,

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Ermicioi, Nina, and Svetlana Tartau. "The means of expression and the essential techniques of the asian theater as components of the performance on the european stage (end of the 20th century - beginning of the 21st century)." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.10.

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The subject of this article represents the study on the means of expression and essential techniques of the Asian theater which can be found in the performances of Peter Brook, Ariane Mnouchkine, in the dramatic shows of Robert Lepage, as well as in the productions of other theater directors of the late 20th - early 21st centuries. Aiming to intensify the dramatic effect, these directors introduce into the sphere of modern European theater techniques characteristic of Eastern theatre art such as pantomime, mask, ritual, different ways of the actor’s walking on stage, and the use of specific mu

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Lee, YeaJi, Ariana Wyatt, Jiayuan Dong, et al. "Robot Musical Theater for Climate Change Education." In 2022 17th ACM/IEEE International Conference on Human-Robot Interaction (HRI). IEEE, 2022. http://dx.doi.org/10.1109/hri53351.2022.9889644.

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Mardari, Elena. "Vlad Burlea – portrait of creation." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.05.

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Vlad Burlea is a prominent personality of the local musical culture. He is prodigiously active in the field of musical creation, signing works of great artistic value. He is involved in the musical life of the Republic, both by organizing various events, concerts, and directly participating in them. He manifests himself prodigiously in the sphere of musical pedagogy, educating generations of young musicians within the Ștefan Neaga Center of Excellence in Artistic Education and the Academy of Music, Theater and Fine Arts. The works of composer Vlad Burlea are successfully performed in concert h

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Berichte der Organisationen zum Thema "Musical theater"

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Dairianathan, Eugene, Larry Francis Hilarian, Peter Stead, Chee Hoo Lum, and Hoon Hong Ng. Learning through popular music, lessons for the general music programme syllabus in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2024. https://doi.org/10.32658/10497/27422.

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This project sought to investigate the identity, role and function of popular music within classroom-based education in Singapore. Popular music is characterised by: (i) lnterdisclplinarity (music, dance, poetry, theatre, etc); (ii) It suffuses the lives of school-going youth in their out-of-school curriculum. (iii) Skill acquisition is frequently gained through more informal learning than is usual in institutional settings (Green, 2002). (iv) Participation in popular music by various communities seems to cut across ethnic, religious and age boundaries, which makes popular music participation

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma

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Study of Social Entrepreneurship and Innovation Ecosystems in the Latin American Pacific Alliance Countries: Case Study: La Tarumba, Peru. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0009335.

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This report sets out to present some of the highlights from a more in depth study carried out on social entrepreneurship and innovation ecosystems in Peru, presenting the case study of La Tarumba. La Tarumba trains young people in life-skills through theater, circus and music, to improve their employability, leadership skills self esteem, creativity and social inclusion.

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