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Thematische Bibliographien / Narration (Rhetoric) / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Narration (Rhetoric)“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 31. Juli 2024

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1

Shaheen, Osamah Hussein. "Prospects of Narrative Rhetoric." International Journal of Early Childhood Special Education 14, no. 1 (March 17, 2022): 857–63. http://dx.doi.org/10.9756/int-jecse/v14i1.221100.

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This study elucidates the relationship of the new rhetoric with the narrative achievement, which involves a rhetorical act that is different from its poetic counterpart, because it contains new types of text formulation that refer to the unspoken in the fabric of the narration, where its content proves its formation in a new process outside the ordinary, and this new compositional awareness can convince and enjoy in Now the same, and on this basis, the study came to transcend the constant and accomplish the shift between rhetorical art and narration art, to analyze the creative discourse, and

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d'Espèrey, Sylvie Franchet. "Rhetoric and Poetics in Quintilian: a Consideration of the Apostrophe." Rhetorica 24, no. 2 (2006): 163–85. http://dx.doi.org/10.1525/rh.2006.24.2.163.

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Abstract This article considers the difficulties faced by Quintilian in classifying and understanding apostrophe. He treats it as both a figure of thought, with examples from oratory, and a figure of speech, with examples from Virgilin which the narrator addresses characters of the poem. By inserting the otherwise unobtrusive narrator into the narrative, the effect of the Virgilian examples is to collapse the distinction between narration and narrative. Since Quintilian does not have this means of linguistic analysis at his disposal, he defines apostrophe as a figure of speech by bringing it i

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Segal, E. "Franz Kafka: Narration, Rhetoric, and Reading." Poetics Today 34, no. 3 (September 1, 2013): 408–11. http://dx.doi.org/10.1215/03335372-2325286.

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Grzeszczuk-Brendel, Hanna. "Rhetoric of the image of architecture." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 22, no. 31 (January 8, 2019): 29–37. http://dx.doi.org/10.14746/i.2017.31.04.

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Based on the example of one of the newsreels of the Polish Film Chronicle of 1965, we have researched the issue of the usability of rhetorical figures for the analysis of the image of architecture recorded in film and its relations with the verbal rhetoric of narration as well as the pictorial rhetoric, which makes up the message of a different nature. By this we have attempted to decode the lifestyle model presented in the film and propagated by its manner of description of architecture with the use of rhetorical figures and also to decode the role and meaning of the architectural forms, whic

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Kanno, Mieko. "The rhetoric of the shadow: a semiotic study of James Clarke's Isolation." Tempo, no. 215 (January 2001): 27–31. http://dx.doi.org/10.1017/s004029820000824x.

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A musical work can tell a story as beautifully as a work of literature can. In music we may not easily grasp the meaning of the story but there is nevertheless a fascination about its semantic potential. The type of narrative such a work expounds can be described as allegorical, because of the ambiguity of its semantic definition. We are free to interpret it in whatever ways we like, but one of the interests in a narrative is the way in which it encodes specific strategies of interpretation for the listener. As long as there is a story there are always characters involved who act as the reader

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Schröter, Jens. "Visuality and Narration in Monsters, Inc." Acta Universitatis Sapientiae, Film and Media Studies 7, no. 1 (November 1, 2013): 35–47. http://dx.doi.org/10.2478/ausfm-2014-0013.

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Abstract The overblown rhetoric concerning the “digital revolution” conceals deep continuities between traditional and new forms. As the example Monsters, Inc. shows established forms of narration can be used together with new forms of computer generated images. The complexities of this constellation are described by an analysis of the film.

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Phelan, James. "Voice, tone, and the rhetoric of narrative communication." Language and Literature: International Journal of Stylistics 23, no. 1 (February 2014): 49–60. http://dx.doi.org/10.1177/0963947013511723.

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The essay argues for a rhetorical view of narrative communication as an author’s deployment of particular resources in order to generate certain responses in readers, and then examines the nature and possible functions of voice as a resource. It defines voice as the synthesis of style (diction and syntax), tone (a speaker’s attitude toward an utterance) and values (ideological and ethical), and then turns to analyzing the role of voice—and more particularly, the role of tone—in narrative communication. With George V Higgins’s The Friends of Eddie Coyle as Exhibit A, the essay examines the func

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Malyukova, O. V. "The Logical Foundations of the Legal Rhetoric Laws." Lex Russica 76, no. 9 (September 27, 2023): 121–32. http://dx.doi.org/10.17803/1729-5920.2023.202.9.121-132.

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Any science creates the laws of the studied field of knowledge. The relevant laws were created by mathematics, logic, and jurisprudence. Rhetoric is one of the ancient fields of knowledge, which acquired scientific status simultaneously with mathematics and earlier than logic and jurisprudence. The main object of rhetorical practices, in addition to political activity, has always been legal activity, in particular legal proceedings. It was judicial eloquence that made the name of rhetoric. Eloquence developed both in theory and in practice. For many centuries, rhetoric has been the leading sci

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Sellers, Annalee. "“A lot of men too indolent for whist—and a story” The Telling Situation in “Youth,” Heart of Darkness , and Lord Jim." Conradiana 51, no. 3 (December 2019): 153–77. http://dx.doi.org/10.1353/cnd.2019.a910734.

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ABSTRACT: This essay closely reads the “telling situations” of the Marlow trilogy. These meta-narratives represent a specific type of the storytelling “occasion” (James Phelan’s “narrative as rhetoric”) that is self-conscious. I argue Conrad was ultimately more interested in how we impose the form of a narrative onto a narration of another person’s life-events in an attempt to account for the other’s thoughts, feelings, beliefs, and desires than in the life-events themselves, hence my focus on meta-narrative and narration. In these meta-narratives, Marlow points to the ways in which his antici

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Cuilleanain, Cormac O., and Pier Massimo Forni. "Adventures in Speech: Rhetoric and Narration in Boccaccio's 'Decameron'." Modern Language Review 93, no. 1 (January 1998): 238. http://dx.doi.org/10.2307/3733709.

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11

Prolygina, Irina. "On Galen's medical rhetoric." Hypothekai 7 (April 2023): 147–58. http://dx.doi.org/10.32880/2587-7127-2023-7-7-147-158.

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In ancient Greece, medicine was closely linked to rhetoric as it needed the tools to persuade the audience and logically justify the methods of treatment. During the imperial period, mastery of rhetorical techniques became an essential characteristic of educa-tion and belonging to the intellectual elite who highly valued im-provised public speeches and debates, including those on scien-tific topics. Galen, as one of the brightest and most prolific writ-ers of the Antonine and Severan periods, occupied a key place in this culture of the so-called “Second Sophistic”. However, the study of his st

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Kirby, John T. "Rhetoric and Poetics in Hesiod." Ramus 21, no. 1 (1992): 34–60. http://dx.doi.org/10.1017/s0048671x00002666.

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Interest in the study of rhetoric and its effects has, of late, seen a notable increase in literary circles. This is understandable, given the whole tendency of current literary theory, but one might equally understandably suppose that that tendency would long postdate Greek poetry of the Archaic period. It would be striking, then, to discover here—at the earliest extant stratum of western literature—a vital interest in the nature of human communication, in its sociological and political effects, and in its relationship to what we have come to think of as artistic creativity. And yet, I submit

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Zsadányi, Edit. "Impersonal Narration in the Prose of Margit Kaffka, Emma Ritoók and Jolán Földes." Hungarian Cultural Studies 4 (January 1, 2011): 171–89. http://dx.doi.org/10.5195/ahea.2011.41.

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In this paper, I examine the ways in which women writers have contributed to literary modernity, and discuss approaches and rhetoric tropes that are able to convey the peculiarities of femininity. To this purpose, I have chosen to discuss a range of gendered prose poetry methods used by women writers of the first half of the 20th century that articulate the peculiarities of women’s identities. Inspired by feminist researchers Griselda Pollock and Rita Felski, I also examine instances and possible interpretations of gendered impersonal narration, such as the rhetoric of enumeration, overlapping

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Al-Suhaimi, Saleh. "Narrative Discourse in al-Jahiz's The Judge of Basra and the Fly." Journal of Umm Al-Qura University for Language Sciences and Literature, no. 28 (August 1, 2021): 389–424. http://dx.doi.org/10.54940/ll27307807.

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This study is an endeavor to apply the concept on The Story of The Judge of Basra and the Fly included by al-Jahiz in the book of al-Hayawan [The Book of Animals] against the three concepts of discourse introduced by Gerard Genette: duration, mode, and voice. The study addressed the concept and its procedures on the theoretical level on one hand and then to use of this concept and apply it on the story, on the other hand. The authority of the story was derived from the authority of the (Judge), which unknowingly trapped him in exercising (veneration)! Al-Jahiz tried through the discourse to de

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Erby, Brandon M. "Surviving the Jim Crow South: “The Talk” as an African American Rhetorical Form." Journal for the History of Rhetoric 24, no. 1 (January 2021): 24–38. http://dx.doi.org/10.5325/jhistrhetoric.24.1.0024.

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ABSTRACT This article contends that “The Talk” about racism and police brutality that Black parents have with their children is an intergenerational rhetorical form that not only addresses the behaviors of Black youth in the presence of law enforcement officers but also encourages Black adolescents to develop racial consciousness about how notions and acts of white supremacy impair Black identities. Focusing primarily on the Jim Crow era and the experiences of Charles Evers, Medgar Evers, and Emmett Till, this article explains how The Talk consistently responds to a history of racial violence

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Schuhmacher, Frank. "Mythos: rhetorisch wirksam gemachte Geschichte." Rhetorik 38, no. 1 (November 14, 2019): 53–71. http://dx.doi.org/10.1515/rhet-2019-0007.

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Abstract In this article, it is argued that history and narration in the ancient rhetoric were (mostly) used as an argument for reaching their own objectives. This attitude towards history is essentially mythical and pragmatic, disregarding the special context of a particular event. At the beginning of the 19th century, there was a time when a critical spirit evolved amongst positivist historians and suppressed the pragmatic view of history. This evoked a response not only from intellectuals such as Nietzsche and Croce, but also from fascists – especially Mussolini – putting the emphasis again

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Schuhmacher, Frank. "Mythos: rhetorisch wirksam gemachte Geschichte." Rhetorik 38, no. 1 (November 14, 2019): 53–71. http://dx.doi.org/10.1515/rhetorik-2019-0007.

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Abstract In this article, it is argued that history and narration in the ancient rhetoric were (mostly) used as an argument for reaching their own objectives. This attitude towards history is essentially mythical and pragmatic, disregarding the special context of a particular event. At the beginning of the 19th century, there was a time when a critical spirit evolved amongst positivist historians and suppressed the pragmatic view of history. This evoked a response not only from intellectuals such as Nietzsche and Croce, but also from fascists – especially Mussolini – putting the emphasis again

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Danzer, Gerhard. "Sagbares, Unsagbares, Unsägliches." Rhetorik 37, no. 1 (November 1, 2018): 7–23. http://dx.doi.org/10.1515/rhet.2018.002.

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Abstract Rhetoric in medicine refers to various acts and actors: the patients speech; the doctors speech; the resulting narratives - for instance the medical history; the patients biography; the narration of the doctor-patient relationship; the cultural history of doctor, patient and illness.

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Bondareva, Anna A. "EVENT CONSTRUCTION IN LEGAL NARRATIVE OF RUSSIAN LAWYERS OF THE LATE 19th – EARLY 20th CENTURY." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 1 (March 31, 2023): 147–60. http://dx.doi.org/10.18522/2415-8852-2023-1-147-160.

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The article is focused on the analysis of event construction in courtroom speeches presented by Russian lawyers in the late 19th – early 20th century from rhetorical and narrative perspectives. The first part of the article is devoted to the development of judicial rhetoric after the reform of Alexander II (1864). It was strongly influenced by realistic writing tradition, which could not but contribute to the adoption of various literary strategies, including the approach to narration and representation of events. In the second part, we turn to the features common both for events in fiction an

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Forni (book author), Pier Massimo, and Sherry Roush (review author). "Adventures in Speech: Rhetoric and Narration in Boccaccio's Decameron." Quaderni d'italianistica 17, no. 1 (April 1, 1996): 141–42. http://dx.doi.org/10.33137/q.i..v17i1.10327.

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Park, Jin. "The Rhetoric of Unreliable Narration and The Dynamics of Reading Processes." Journal of Korean Fiction Research 74 (June 30, 2019): 217–46. http://dx.doi.org/10.20483/jkfr.2019.06.74.217.

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Petorella, Fabrizio. "The Rhetoric of Credibility in the Life of Paul the Hermit." Humanitas, no. 83 (June 6, 2024): 111–28. http://dx.doi.org/10.14195/2183-1718_83_5.

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From the beginning of the Life of Paul the Hermit, Jerome depicts credibility as the key issue in writing hagiographies. Despite a plethora of unbelievable accounts about men “living in an underground cave with flowing hair down to their feet”, Paul’s biography is intended to be a trustworthy narrative, concerning the true first Christian monk. Such a work necessarily comes into conflict with Athanasius’ Life of Antony: as Jerome partially suggests in the prologue, his account will call into question the truthfulness of a venerable model. In this paper, I provide a rhetorical analysis of some

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Apostol, Nicoleta Petronela. "'Eyeless in Gaza'. Reflecting the Self through Recollection." Linguaculture 4, no. 1 (June 1, 2013): 79–92. http://dx.doi.org/10.47743/lincu-2013-4-1-285.

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The paper proposes a discussion upon the manner in which the self of an individual gains shape through the paths chosen by the individual’s memory. The analysis of Anthony Beavis, the main character in Aldous Huxley’s novel, Eyeless in Gaza, makes use of the intersection of the present and the past as it is outlined in the character’s mind. Aldous Huxley invites his audience to take a ‘journey’ through Anthony’s past, present and a sense of his future. The novel’s progression passes from one year to another, apparently without any chronological order or logic. All the unfolding events have a l

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Hj Samri, Dewi. "Pendekatan Terhadap Penyampaian Ceramah Ustaz Kazim Elias Melalui Pengaplikasian Retorik Moden." Jurnal Bahasa 22, no. 22 (June 2, 2022): 49–76. http://dx.doi.org/10.37052/jb22(1)no3.

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Language plays a major role in a society especially in da'wah communication because every message in da'wah should be delivered using an accurate and precise language to ensure that the listener understands the meaning conveyed. Therefore, it is undeniable that some of the da'wah's message did not reach its listeners due to the preacher's failure in delivering and using language. As a result, the rhetorical approach is needed in order to improve the language used in processing or delivering the information so that it can be able to influence the listener. Although the rhetorical approach is of

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Hj Samri, Dewi. "Pendekatan Terhadap Penyampaian Ceramah Ustaz Kazim Elias Melalui Pengaplikasian Retorik Moden." Jurnal Bahasa 22, no. 22 (June 2, 2022): 49–76. http://dx.doi.org/10.37052/jb22(1)no3.

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Language plays a major role in a society especially in da'wah communication because every message in da'wah should be delivered using an accurate and precise language to ensure that the listener understands the meaning conveyed. Therefore, it is undeniable that some of the da'wah's message did not reach its listeners due to the preacher's failure in delivering and using language. As a result, the rhetorical approach is needed in order to improve the language used in processing or delivering the information so that it can be able to influence the listener. Although the rhetorical approach is of

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Rebhorn, Wayne A. "Adventures in Speech: Rhetoric and Narration in Boccaccio's "Decameron.". Pier Massimo Forni." Speculum 73, no. 2 (April 1998): 514–16. http://dx.doi.org/10.2307/2887194.

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Staples, Max. "Adventures in Speech: Rhetoric and Narration in Boccaccio's Decameron (review)." Parergon 15, no. 2 (1998): 197–200. http://dx.doi.org/10.1353/pgn.1998.0029.

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Skansgaard, Michael. "The Virtuosity of Langston Hughes: Persona, Rhetoric, and Iconography in The Weary Blues." Modern Language Quarterly 81, no. 1 (March 1, 2020): 65–94. http://dx.doi.org/10.1215/00267929-7933089.

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Abstract Previous historical studies of The Weary Blues have focused on the racial symbolism of Langston Hughes’s technique, which (as the consensus goes) authenticates the voice of the persona through its deliberate simplicity. This orthodox view is wrongheaded from the outset. The essay uses a new system of rhetorically driven scansion to identify elaborate rhetorical symmetries and polyrhythms that shape the cognition of Hughes’s persona and the recognition of his readers in ways that prose language cannot. Hughes employs rhetoric and iconography as alternative modes of historical narration

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Dinkler, Michal Beth. "The Politics of Stephen’s Storytelling: Narrative Rhetoric and Reflexivity in Acts 7:2–53." Zeitschrift für die neutestamentliche Wissenschaft 111, no. 1 (April 1, 2020): 33–64. http://dx.doi.org/10.1515/znw-2020-0002.

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AbstractTaking Stephen’s lengthy speech in Acts 7:2–53 as its case study, this paper considers the complex ways that narratives function politically, and especially how the author of Acts constructs the act of storytelling as a purposive persuasive strategy within the complex political landscape of the first-century Mediterranean world. Although some have interpreted Stephen’s speech in light of ancient rhetorical conventions, I contend that Stephen is not portrayed primarily as an elite classical orator; he is, fundamentally, a storyteller. This paper considers previous approaches to Stephen’

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Chen, Fanfan. "The Narrative Rhetoric in Léa Silhol’s La Tisseuse: Contes de Fées, contes de Failles." Arcadia 47, no. 1 (July 2012): 78–107. http://dx.doi.org/10.1515/arcadia-2012-0003.

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AbstractThe diversity of contemporary French narration renders the canonical definition of le fantastique useless. Writers challenge Todorov’s definition that the fantastic emerges as the reader hesitates between the supernatural and the natural explanation for the unlikely event. Léa Silhol (1967), a storyteller of mythic-poetic-fantastic style, figures among these writers. An inheritor of romantic fantastic storytelling, Silhol delves into the mental and psychic depth of legendary figures, mostly goddesses and fairies, to make them question their own identity and observe humans from their pe

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Carroll, Noël, and Monika Bokiniec. "Koordynowanie narracji filmowej z reakcjami emocjonalnymi widza." Panoptikum, no. 19 (June 30, 2018): 32–42. http://dx.doi.org/10.26881/pan.2018.19.02.

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The purpose of the paper is to show how the narrative address of the movies and their emotional address are typically interconnected. Specifically, how the criterial prefocusing model can be integrated with the erotetic narration model. Erotetic narration explains how a movie holds attention, how spectators are able to follow its unfolding, how it succeeds in making us feel that it is unified, and how it engenders the feeling of closure. It is based on the claim that question formation is a natural human mental propensity and movies exploit this natural propensity, by presenting us with

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Keener, Craig S. "Paul and Sedition: Pauline Apologetic in Acts." Bulletin for Biblical Research 22, no. 2 (January 1, 2012): 201–24. http://dx.doi.org/10.2307/26424753.

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Abstract In a number of cases, Luke's depiction of riots in Acts follows the appropriate convention in forensic rhetoric of returning charges against accusers. At the same time, Luke's apologetic could have been better served had he been able to avoid narrating riots surrounding Paul at all. His narration of riots therefore reflects accusations against Paul still likely circulating in his day, charges exemplifed in Acts 24:5 and 25:8 and perhaps associated with Paul's martyrdom (depending on the date one assigns to Acts). There is therefore strong probability that Luke preserves relevant and f

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Urban, Palina. "From diary narrative to the referential Self: how questionnaires and quizzes reshaped online self-writing." Media, Culture & Society 42, no. 5 (April 8, 2020): 777–88. http://dx.doi.org/10.1177/0163443720914033.

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This article discusses the evolution of self-inscription from the soul-searching autobiographical narratives characteristic of personal diaries to the highly referential and indirect language articulated in today’s social media. To trace the origins of this shift, this study considers blogs of the first decade of the 21st century where traditional diary narrative started to transform into a new type of ego-text. It suggests that the spread of online quizzes and questionnaires in the beginning of the 21st century played an important role in the creation of the referential Self characteristic of

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Henderson, Ian H. "Speech representation and religious rhetorics in Philostratus' Vita Apollonii." Studies in Religion/Sciences Religieuses 32, no. 1-2 (March 2003): 19–37. http://dx.doi.org/10.1177/000842980303200102.

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Philostratus' Vita Apollonii is structured by the stylistic distinction, older than Aristotle, between composed and improvisational rhetorics. Philostratus extends this bipolar theory of rhetorical styles to define for Apollonius a religious discourse beyond sophistic rhetoric, marked by silence and oracular speech. The Vita represents and evaluates speech in a variety of rhetorical modes and voices, especially those of Apollonius and the narrator. The whole continuum from vulgar lies, through sophistic rhetoric to Pythagorean or Delphic oracle is exemplified inside the range of Apollonius' ow

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Smarr, Janet Levarie. "Adventures in Speech: Rhetoric and Narration in Boccaccio’s Decameron by Pier Massimo Forni." Studies in the Age of Chaucer 19, no. 1 (2017): 244–46. http://dx.doi.org/10.1353/sac.2017.0018.

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De Santiago-Guervós, Javier. "Vocabulary, Story and Ideology in the Rhetoric of Persuasive Speech." Estudios de Lingüística del Español 40 (January 24, 2019): 9–26. http://dx.doi.org/10.36950/elies.2019.40.8561.

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Taking the theories of classical rhetoric as a starting point, we deal with inventio, dispositio, elocutio, memory and actio, common in every communicative act, and we will focus on two essential elements of persuasive rhetoric: one that is related to elocutio, that is, the selected vocabulary that determines the intention that the source has at the time of making the speech, and the other related to the inventio, that is, the type of discourse selected: the story or the narration as a format in which the discourse is framed to reach the recipient with the least amount of effort, and the great

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Day, Linda. "RHETORIC AND DOMESTIC VIOLENCE IN EZEKIEL 16." Biblical Interpretation 8, no. 3 (2000): 205–30. http://dx.doi.org/10.1163/156851500750096327.

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AbstractEzekiel 16 presents the narration of a man's relationship with his woman as an extended metaphor of Yhwh's relationship with Jerusalem. In consideration of its rhetoric, we discover that the speaking voice is exclusively male. The man Yhwh focuses upon sexual possession of the woman Jerusalem, uses shaming tactics, mandates voyeurism, and exhibits faulty logic in his condemnation of her. On a second level, when we compare the incident presented in the text with situations of domestic violence, we find that the textual interaction exhibits charac47 teristics similar to those of men who

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Kunt, Gergely. "Ironic Narrative Agency as a Method of Coping with Trauma in the Diary-Memoir of Margit K., a Female Holocaust Survivor." Hungarian Cultural Studies 7 (January 9, 2015): 28–40. http://dx.doi.org/10.5195/ahea.2014.137.

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This paper analyzes the rhetoric of a manuscript written in Budapest immediately after the Holocaust to record the personal experiences of the author, Margit K. I examine the text in terms of the role of writing and narration in processing trauma and how these appear in the narrative. In her memoirs, Margit K. had imbued her personal history of persecution with meanings that facilitated their integration into her life history and her self-definition. She chose to narrate her tragic past using euphemistic, mitigating, or ironic language and constructed her stories to have positive outcomes whil

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Murphy, Peter. "Systems of Communication." International Journal of Knowledge and Systems Science 2, no. 2 (April 2011): 1–15. http://dx.doi.org/10.4018/jkss.2011040101.

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Three fundamental systems of communication are defined: information, explanation, and imagination. Information is based on analytic distinctions between objects in the world. Explanatory communication provides knowledge through discourse, narration, logic, rhetoric and other forms of systemic elaboration. Intellectual discovery relies on a third system of communication, that of imagination. Rather than distinction or elaboration, imagination is rooted in intuition and analogy. The most powerful medium of the imagination is antonymous insight. The article discusses examples of the latter from w

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Equestri, Alice. "Writers and readers in early modern Italianate verse narratives." Cahiers Élisabéthains: A Journal of English Renaissance Studies 97, no. 1 (August 6, 2018): 20–38. http://dx.doi.org/10.1177/0184767818788881.

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The article considers some examples from the often overlooked genre of Elizabethan verse translations of Italian novellas, concentrating in particular on the poems where the flow of the narration is interrupted by interpolated speeches, namely letters. I consider how epistolary correspondence in these stories often brings about violent outcomes, how the rhetoric of letters can complicate the reader’s interpretation and how the poets describe the material actions of writing and reading. Paratextual epistolary material is also analysed to determine the authors’ purpose.

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Zulkarnain, Iskandar, Muryanto Amin, Rizabuana Ismail, Febry Ichwan Butsi, Sakhyan Asmara, and Raras Sutatminingsih. "Markobar: Local Wisdom Based-Rhetorical Model." Academic Journal of Interdisciplinary Studies 10, no. 2 (March 5, 2021): 185. http://dx.doi.org/10.36941/ajis-2021-0049.

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The objective of the research was to find out the reference to alternative rhetoric by digging up markobar as the value of local wisdom implemented in Mandailing ethnicity that uses markobar culture as a local wisdom in communicating in a formal forum. This research used communicative ethnography method. It was conducted at Kelurahan Pasar Maga, Lembah Sorik Merapi Sub-district, Mandailing Natal Regency, North Sumatera Province, Indonesia. The event or the Markobar activity as the object of the research was the Mandailing traditional wedding ceremonies. The research subjects were the informant

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Boni, Stefano. "Contents and Contexts the Rhetoric of Oral Traditions in the ɔman of Sefwi Wiawso, Ghana". Africa 70, № 4 (листопад 2000): 568–94. http://dx.doi.org/10.3366/afr.2000.70.4.568.

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AbstractThis article examines political oral traditions in the Sefwi (Akan) area of Ghana. Two types of narrative are studied: negotiations over the political status of stools within the kingdom and the claims to succession of matrilineal branches within stools. Narratives are analysed in relation to their claims to historicity, to the political conflicts in which they are generated and to their correspondence to legal criteria of attribution of ‘traditional’ political offices. It shows that pre‐colonial dynamic norms concerning stool status and succession turned into a fixed legal corpus in t

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Storti, Tito. "A progymnasmatic analysis of Himerius's Polemarchic Oration (or. 6 Colonna)." Graeco-Latina Brunensia, no. 2 (2023): 151–61. http://dx.doi.org/10.5817/glb2023-2-10.

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Himerius is the primary source of knowledge about the teaching of rhetoric in Athens in the 4th century AD. The Polemarchic Oration (or. 6 Colonna) is the only fictive oration from Himerius preserved in full and the single declamation (μελέτη) survived from antiquity which imitates the Athenian funeral speeches. Despite considerable similarities, the term 'imitation' seems to apply just to a certain extent, for the speech follows the traditional contents quite freely. The passages from the Polemarchic Oration here analysed make it possible to understand how and why the Athenian funeral eloquen

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Mutiti, Yakobo. "THE ART OF PERSUASION: PATHETIC APPEAL VIS-À-VIS ETHICAL AND LOGICAL CONSIDERATIONS." Advances in Social Sciences Research Journal 6, no. 10 (November 10, 2019): 413–22. http://dx.doi.org/10.14738/assrj.610.7164.

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ABSTRACT Short story writing is a literary art whose creativity heavily depends upon the interplay between the writer and his influence upon the reader. There are four modes of discourse employed in creative writing: exposition, description, narration and persuasion. Exposition is concerned with the layout, style and organisation of events and the actors within them. It is the immediate revelation to the readers of the setting and other background information that is necessary for understanding the plot. Description employs the use of language terms in ‘graphical’ or picturesque represen

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Egan, James. "Rhetoric and Poetic in Milton's Polemics of 1659–60." Rhetorica 31, no. 1 (2013): 73–110. http://dx.doi.org/10.1525/rh.2013.31.1.73.

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Recurring features of Miltonic rhetoric during the 1640s include the structural patterns of the oration and the animadversion, widespread deployment of the classical high, low, and middle styles, and an epideictic mode of praise and blame. Equally noteworthy is the close relationship of rhetoric and poetic. These features can be used as a template to characterize Milton's work in 1659–60, his final period as a political controversialist. Five texts make up this period: Civil Power (1659), Likeliest Means (1659), two editions of The Readie Way (1660), and Brief Notes (1660). In 1659–60 the orat

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Ljubišić, Sanja. "Tacitova sentencioznost / Tacitus’ Sententiousness." Journal of BATHINVS Association ACTA ILLYRICA / Godišnjak Udruženja BATHINVS ACTA ILLYRICA Online ISSN 2744-1318, no. 7 (December 28, 2023): 109–26. http://dx.doi.org/10.54524/2490-3930.2023.109.

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This work focuses on sententia, a rhetorical element which Tacitus skillfully incorporated into Annals. The introduction provides a brief history of sententia and its definition in ancient and rhetorical theory. As Tacitus belonged to a specific literary style (Seneca’s “new style”), his way of writing was characterized by short and antithetical sentences, stylistic and rhetorical embellishments, unusual word choices, and a predilection for proverbial or sententious observations. Such sententious expression, as a hallmark of the sublime style, reinforced the impression of truth in Annals. In a

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Gvozdetskaya, N. Yu. "Old English Transciption of the Latin Hagiography of Saint Aegidius: Language and Rhetoric." Prepodavatel XXI vek, no. 3/2 (June 30, 2023): 346–54. http://dx.doi.org/10.31862/2073-9613-2023-3-346-354.

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The article analyzes the methods of transcribing an anonymous Latin hagiography of St. Aegidius (British Library manuscript Tiberius Div, volume 2, 84v-87r, late eleventh century) by an anonymous author of an Old English hagiography of the same saint (mid-twelfth-century manuscript, Corpus Christi College Cambridge C 303). Errors in manuscript CCCS 303 show that the scribe copied an earlier Old English text of the eleventh century, not always understanding it well. But overall, the twelfth-century manuscript retains most of the features consistent with the norm of the eleventh-century Wessex d

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Haque, Abu. "Réimaginer la marge : L'espace de la différence à travers une narration visuelle." Imaginations: Journal of Cross-Cultural Image Studies 14, no. 1 (March 31, 2023): 37–61. http://dx.doi.org/10.17742/image29664.

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Representations of space do not fittingly reflect the lived experiences of the margin. Representational spaces, on the other hand, are linked to underground social life and art (Lefebvre 39), which are expressed through complex signs and symbols, sometimes coded and sometimes not. Revisiting these spaces provides an understanding of the spatial practices of the marginalized bodies within the existing social relations. This paper interrogates the discursive practices of those mediated bodies through a visual narrative. The paper also challenges the center-periphery rhetoric, revealing an ambigu

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Topçu, Ulvi Cenap. "Consuming history in a political context: Motivations of Turkish visitors of the Gallipoli Battlefields." Journal of Global Business Insights 5, no. 2 (September 2020): 103–19. http://dx.doi.org/10.5038/2640-6489.5.2.1123.

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Certain unconventional tourism activities such as visiting battlefields, old prisons, or crash sites encompass dark tourism and have become the focus of scholarly pursuit. The term was established in relation to the Gallipoli Battlefields; which has been examined mostly in the context of its importance to Australian and New Zealander national identities. As represented by numerous memorials and well-established historical narration, the Battle in Gallipoli is credited as one of the most important representations of Turkish nationality. This research aims to investigate the motivations of Turki

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Ni, Zengxin. "On Unnatural Narrative in Post-9/11 Fiction Flight." Advances in Social Sciences Research Journal 6, no. 12 (January 2, 2020): 190–97. http://dx.doi.org/10.14738/assrj.612.7529.

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In the wake of innumerable and insightful studies on the unnatural narratology at home and abroad, it develops into a post-classical narratology that is comparable to female narratology, rhetoric narratology, and cognitive narratology. Taking the native American writer Sherman Alexie’s Flight as its central concern, the essay attends to explore the unnaturalness of the novel and further elaborates on its thematic meaning. In Alexie’s Flight, as a post-9/11 fiction, its unnaturalness can be explored by such elements as unnatural storyworlds, unnatural minds and unnatural acts of narration. The

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