Thematische Bibliographien / Neuer Pavillon

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Neuer Pavillon“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Neuer Pavillon"

1

von Fischer, Sabine, and Richard Hill. "Sabinevon Fischer on the Barcelona pavilion plus two other reviews." Architectural Research Quarterly 6, no. 3 (2002): 277–83. http://dx.doi.org/10.1017/s1359135503001775.

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The building that for many incorporates the essence of twentieth-century Modern architecture existed for only six months. Critics have called the Barcelona Pavilion a myth, an icon, an image. In this book, Josep Quetglas claims that it is a stage where the performance can only be described by ‘emptiness and the future’. And although what is true for theatre might not apply to architecture, the dramatic dynamics inherent in modern theatre's concern that the stage set should never repeat the text of the play do help explain the varied and contradictory interpretations of the Barcelona Pavilion.
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2

Tavşan, Cengiz, SEVDE DİNÇER, serkan sipahi, and FİLİZ TAVŞAN. "SERPENTİNE PAVİLYONLARININ STRÜKTÜR TASARIMINI ETKİLEYEN DİNAMİKLERİN İRDELENMESİ." SERPENTİNE PAVİLYONLARININ STRÜKTÜR TASARIMINI ETKİLEYEN DİNAMİKLERİN İRDELENMESİ 5, no. 1 (2021): 279–93. https://doi.org/10.5281/zenodo.13315234.

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Serpentine pavilyonları, 2000 yılından bu yana her yıl Londra’nın Kensington Bahçesi’nde inşa edilmektedir. Serpentine pavilyonlarına bakıldığında, aynı kentsel mekân içerisinde bu kadar farklı tasarımlara sahip olmalarında strüktürün etkili olduğu düşünülse de pavilyonlar, strüktürleriyle birlikte kentsel mekân içerisinde kendi kimliklerini oluşturmaktadır. Kimlikleri ile dikkat çeken pavilyon tasarımlarının kimliğini tanımlayabilmek için, strüktür bilgisinin yanında strüktür
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3

Fracalossi, Igor, and Oscar Aceves Álvarez. "Recreate What Has Never Been Created. The Double Paradox of Reconstructing the Formworks of the "House in Jean Mermoz" (1956-1961-1992)." Dearq, no. 39 (May 31, 2024): 23–32. http://dx.doi.org/10.18389/dearq39.2024.03.

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Thirty years after its demolition, the House in Jean Mermoz (Fabio Cruz Prieto, 1956-1961), a foundational work of the Valparaíso School, regains substance thanks to a design investigation with the aim of recovering the invaluable experience of being on site. However, what was recreated in 2021 was not strictly a replica but rather what was never seen of the house: the formwork system of the concrete structure. In light of the paradox of replacement by Heraclitus and Plato, and Aristotle's causes, two referential cases are analyzed—the Ise Shrine (7th century) and the Barcelona Pavilion (1929)
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Lee-Niinioja, Hee Sook. "Multi-Religious and Cultural Regionalism Integrated to Contemporary Sacred Church Buildings in Indonesia." Actas de Arquitectura Religiosa Contemporánea 9 (December 28, 2022): 24–39. http://dx.doi.org/10.17979/aarc.2022.9.0.9344.

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Indonesia demonstrates a variety of cultural expressions through foreign contacts but has never adopted other cultures fully. The country blended significant components into local circumstances to create a distinctive culture with geographic variations, and its history must be understood in its terms. The design of Maclaine Pont (1936)’s Pohsarang Church combined Hindu-Buddhist elements into a Western building. Blimbingsari stone-wooden Church destroyed by an earthquake (1976) was rebuilt in the Balinese pavilion style with a running water garden. Similarities showed in Batak Karo architecture
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Lurtz, Casey Marina. "Challenging Abstraction." American Historical Review 130, no. 1 (2025): 80–111. https://doi.org/10.1093/ahr/rhae476.

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Abstract Working with never-published agricultural data collected for Mexico’s pavilion at the 1900 Paris Exposition, this article argues that manuscript and published statistics represent a space to see state making as a multisided, ongoing process. Whereas historians have largely looked at statistics from the perspective of the state, highlighting bureaucrats’ projections of desired realities and political projects, here I show how local enumerators’ investment in statistical undertakings asserted space for conversations and arguments about the nature and composition of the political or econ
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María, del Rosario Lozano González. "Juegos de construcción. Recorriendo la Escultura-pabellón de la Bahnhofstrasse de Max Bill = Building games. A walk in Max Bill's Pavilion-Sculpture on the Bahnhofstrasse." rita_ Revista Indexada de Textos Académicos, no. 17 (May 31, 2022): 82–99. https://doi.org/10.24192/2386-7027(2022)(v17)(06).

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El artículo propone estudiar de manera crítica la Escultura-Pabellón construida por Max Bill en la ciudad de Zúrich en el año 1983. El objetivo de la investigación es confirmar que todas las decisiones que Max Bill toma durante la elaboración del proyecto sirven para que este elemento, a priori escultórico, se convierta en una propuesta arquitectónica. El artículo se desarrolla sobre la base de la documentación original, la reelaboración de nuevos planos y una bibliografía exhaustiva. El texto se estruct
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Garg, Ashwin. ""Water gate" of Delhi's Red Fort: One truth and many tales." Journal of Heritage, Archaeology & Management (JHAM) 2, no. 2 (2022): 1–8. https://doi.org/10.5281/zenodo.7593752.

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Delhi’s Red Fort was built in 1639 by Shah Jahan, the eminent Mughal Emperor. Over several years, by successive rulers and then during British rule, the site has undergone so much changes that except for a few isolated east side pavilions, nothing else survives. Red Fort, because of its architecture, has always been place of attraction at the hands of historians, and they all have described it in detail. However there is very limited and contradictory information available about small yet magnificient Asad Burj Water Bastion that exists silently in east corner of Red Fort. Even Mohammad
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Wang, Tsung-Hsien, Olivia Espinosa Trujillo, Wen-Shao Chang, and Bailin Deng. "Encoding bamboo’s nature for freeform structure design." International Journal of Architectural Computing 15, no. 2 (2017): 169–82. http://dx.doi.org/10.1177/1478077117714943.

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Bamboo is a construction material that is renewable, environmentally friendly and widely available. It has long been used in various projects, ranging from temporary, easily assembled and rectilinear structures to complex freeform pavilions. Design with bamboo has never been easy to architects and engineers due to its irregular shape and round section. This prompts the need to develop a new design process that can accommodate those properties that hinder bamboo to be used by designers. In this article, we take a close look at freeform structure design and specifically demonstrate how systemati
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Jankov, Sonja. "Re-Thinking Architectural Modernism in Contemporary Art: Jasmina Cibic, Dušica Dražić and Katarina Burin." AM Journal of Art and Media Studies, no. 16 (September 5, 2018): 85. http://dx.doi.org/10.25038/am.v0i16.256.

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This paper analyses how three contemporary female artists approach Modernist architecture and its ideological context. Jasmina Cibic in her contemporary interdisciplinary installations addresses politization of architecture – both at the time it was conceptualised and now, when it is related to past political regimes. For Cibic, architectural objects are signifiers of larger narratives. This is how she approaches Slovenian trade fair that was supposed to be realised in 1941, but has never been, numerous renovations of the former summer residency of Yugoslav president Josip Broz Tito, lack of d
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Ródenas García, Juan Fernando. "El último urbanismo de Antonio Bonet: el poblado SOS (1970)." VLC arquitectura. Research Journal 5, no. 1 (2018): 1. http://dx.doi.org/10.4995/vlc.2018.7144.

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<p><em>The SOS Children’s Village at Sant Feliu de Codines in Barcelona (1970), the Hifrensa village (completed), and the Prat I and II urban development plans (not completed) were the final major urban complexes designed by Antonio Bonet (not counting his projects for the tourist sector). At SOS, Bonet designed a residential ensemble for orphaned children comprising communal educational and sporting facilities, by recreating, on a human scale, the atmosphere of the villages depicted in the photographs published in issue 18 (1935) of the GATEPAC magazine </em>AC Documentos de
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Dissertationen zum Thema "Neuer Pavillon"

1

Almeida, Pedro Lima Cortez e. 1968. "Lugares da memória no projecto de arquitectura." Master's thesis, 2019. http://hdl.handle.net/11067/4951.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2019<br>Exame público realizado em 10 de Janeiro de 2020<br>Tempo e Memória como objecto de estudo, como matéria de análise, como matéria-prima da arquitectura; formas de inscrição e corporificação. Se se tomar a construção do tempo como a inscrição de imagens num determinado suporte espacial e a memória não apenas como o conjunto dessas imagens, mas também como o conjunto de relações que elas estabelecem entre si, admitindo o seu carácter dinâmico e evolutivo, estar-se-á perante o jogo de sombras através do qua
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Bücher zum Thema "Neuer Pavillon"

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Biennale di Venezia (46th 1995). Der Pavillon der Medien: Eine neue Gleichung zwischen Kunst und Architektur : Coop Himmelb(l)au (Wolf D. Prix, Helmut Swiczinsky), Peter Kogler, Richard Kriesche, Constanze Ruhm, Peter Sandbichler, Eva Schlegel, Ruth Schnell : Österreichs Beitrag zur 46. Biennale di Venezia 1995. Springer-Verlag, 1995.

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2

Scharmann, Rudolf. Die Gartengebäude Im Schlossgarten Charlottenburg: Belvedere, Mausoleum und Neuer Pavillon. Deutscher Kunstverlag GmbH, 2022.

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3

Jodidio, Philip. Neue Pavillons in der Architektur. Detail Business Information GmbH, The, 2016.

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4

The Media pavilion: Art and architecture in the age of cyberspace = der Pavillon der Medien : eine neue Gleichung zwischen Kunst und Architektur. Springer-Verlag, 1995.

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5

Plastics in Automotive Engineering 2016. VDI Verlag, 2016. http://dx.doi.org/10.51202/9783182443438.

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The lightness of design Lines and curves make the pavilion a dynamic and trimmed sculpture whose characteristics derive from the brand image of the vehicle manufacturer. Uniform, matt stainless steel sheets wrap the body shell seamlessly. In a similar way to monocoque design, which is used in lightweight construction in the automotive and aircraft industries, the space-creating shell of the building takes over the load-bearing function. A total of 620 stainless steel covering sheets with welded-on stiffening ribs were prefabricated in a shipyard in Stralsund and assembled on site Table of cont
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6

Valentí, Vicente. Pavilion of the Distinguished: Google and Facebook, Betrayal, and Revenge in Silicon Valley. Never Published Before. Independently Published, 2021.

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Buchteile zum Thema "Neuer Pavillon"

1

Liszt, Peter. "8 Jenseits des Museums." In Besser ausstellen. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839466834-011.

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Peter Liszt widmet sich den Storytelling im Ausstellungswesen, welches oft auf den ersten Blick primär im institutionellen Kontext stattfindet. Auch der Fokus der musealen Wissenschaft und der ausstellungsaffinen Besucher*innen konzentriert sich fast ausschließlich auf diese Einrichtungen. In den letzten Jahren entstanden jedoch abseits klassischer Institutionen zahlreiche innovative und erfolgreiche Ausstellungskonzepte, z.B. in Erlebniswelten, Popup-Museen, Expo-Pavillons oder in Form von "klassischen" Wanderausstellungen. Die dabei beteiligten Akteur*innen erschlossen mit ihren Inszenierung
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2

Mallinson, Jonathan. "13. 1936–39: Pottery for a Troubled World." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.13.

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Moorcroft’s reputation as a designer continued to grow in these years. His newly launched SunRay tea ware attracted the attention of the influential Council for Art and Industry, and was selected for exhibition both at home and abroad as a model of progressive design. But Moorcroft was openly critical of what he saw as the CAI’s narrow appreciation of his work. He asserted his independence in a letter to The Times, criticising the CAI’s selection criteria for the British display at the International Exhibition of Art and Technology in Paris, 1937, and provocatively exhibited his own selection
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3

Bouganim, Ami. "The School Ghetto in France." In Jewish Day Schools, Jewish Communities. Liverpool University Press, 2009. http://dx.doi.org/10.3828/liverpool/9781904113744.003.0012.

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This chapter examines the school ghetto in France. The Jewish school in France was never conceived or planned; it just created itself behind the backs of community institutions. The first modern Jewish institution in the country with a pedagogical vocation, the Alliance Israélite Universelle, was founded in 1860 and decided against opening schools in France. However, in the middle of the 1990s it was finally decided to create a new school in France. But the new institution, the Établissement Georges Leven, was fraught with many problems. During this period, the students in Pavillons-sous-Bois
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Temporin, Valentina. "Osaka ’70, Narrating the Invisible." In Real Space-Virtual Space. Aesthetics, Architecture and Immersive Environments. Milano University Press, 2025. https://doi.org/10.54103/milanoup.223.c382.

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Osaka ’70 is a virtual reality project that revives a kinetic pavilion designed byMaurizio Sacripanti for the 1970 Osaka Expo, which was never realized.Coordinated by John Volpato and Valentina Temporin within the T.E.A.M.(Time Enhanced Architectural Modeling) research project, Osaka ‘70 allowsviewers to experience this visionary architecture, which integrates time andmovement as core design elements. The VR experience, enriched with a virtualguide, fosters social interaction and honours Sacripanti’s interdisciplinaryapproach and dynamic vision. Showcasing immersive virtual heritage, Osaka‘70
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Konferenzberichte zum Thema "Neuer Pavillon"

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Peiffer, Keith. "Acoustic Panel Ceilings: Origins." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.3.

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Acoustical panel ceilings (APCs) are a mainstay in contemporary architecture. As a flexible, modular system of cross-T frames and solid panels suspended from the structure above, the APC provides the enclosure above many of the spaces we inhabit everyday: schools, offices, hospitals, and retail stores. It is a humble system, functional yet inexpensive, and it is everywhere. If “the secret ambition of design is to become invisible” as Bruce Mau asserts, then the APC has achieved this hallowed place within design as an assembly that performs effortlessly while often receding into the background,
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