Thematische Bibliographien / Neuer Pavillon / Zeitschriftenartikel
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Zeitschriftenartikel zum Thema „Neuer Pavillon“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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1

von Fischer, Sabine, and Richard Hill. "Sabinevon Fischer on the Barcelona pavilion plus two other reviews." Architectural Research Quarterly 6, no. 3 (2002): 277–83. http://dx.doi.org/10.1017/s1359135503001775.

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The building that for many incorporates the essence of twentieth-century Modern architecture existed for only six months. Critics have called the Barcelona Pavilion a myth, an icon, an image. In this book, Josep Quetglas claims that it is a stage where the performance can only be described by ‘emptiness and the future’. And although what is true for theatre might not apply to architecture, the dramatic dynamics inherent in modern theatre's concern that the stage set should never repeat the text of the play do help explain the varied and contradictory interpretations of the Barcelona Pavilion.
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Tavşan, Cengiz, SEVDE DİNÇER, serkan sipahi, and FİLİZ TAVŞAN. "SERPENTİNE PAVİLYONLARININ STRÜKTÜR TASARIMINI ETKİLEYEN DİNAMİKLERİN İRDELENMESİ." SERPENTİNE PAVİLYONLARININ STRÜKTÜR TASARIMINI ETKİLEYEN DİNAMİKLERİN İRDELENMESİ 5, no. 1 (2021): 279–93. https://doi.org/10.5281/zenodo.13315234.

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Serpentine pavilyonları, 2000 yılından bu yana her yıl Londra’nın Kensington Bahçesi’nde inşa edilmektedir. Serpentine pavilyonlarına bakıldığında, aynı kentsel mekân içerisinde bu kadar farklı tasarımlara sahip olmalarında strüktürün etkili olduğu düşünülse de pavilyonlar, strüktürleriyle birlikte kentsel mekân içerisinde kendi kimliklerini oluşturmaktadır. Kimlikleri ile dikkat çeken pavilyon tasarımlarının kimliğini tanımlayabilmek için, strüktür bilgisinin yanında strüktür
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Fracalossi, Igor, and Oscar Aceves Álvarez. "Recreate What Has Never Been Created. The Double Paradox of Reconstructing the Formworks of the "House in Jean Mermoz" (1956-1961-1992)." Dearq, no. 39 (May 31, 2024): 23–32. http://dx.doi.org/10.18389/dearq39.2024.03.

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Thirty years after its demolition, the House in Jean Mermoz (Fabio Cruz Prieto, 1956-1961), a foundational work of the Valparaíso School, regains substance thanks to a design investigation with the aim of recovering the invaluable experience of being on site. However, what was recreated in 2021 was not strictly a replica but rather what was never seen of the house: the formwork system of the concrete structure. In light of the paradox of replacement by Heraclitus and Plato, and Aristotle's causes, two referential cases are analyzed—the Ise Shrine (7th century) and the Barcelona Pavilion (1929)
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Lee-Niinioja, Hee Sook. "Multi-Religious and Cultural Regionalism Integrated to Contemporary Sacred Church Buildings in Indonesia." Actas de Arquitectura Religiosa Contemporánea 9 (December 28, 2022): 24–39. http://dx.doi.org/10.17979/aarc.2022.9.0.9344.

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Indonesia demonstrates a variety of cultural expressions through foreign contacts but has never adopted other cultures fully. The country blended significant components into local circumstances to create a distinctive culture with geographic variations, and its history must be understood in its terms. The design of Maclaine Pont (1936)’s Pohsarang Church combined Hindu-Buddhist elements into a Western building. Blimbingsari stone-wooden Church destroyed by an earthquake (1976) was rebuilt in the Balinese pavilion style with a running water garden. Similarities showed in Batak Karo architecture
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Lurtz, Casey Marina. "Challenging Abstraction." American Historical Review 130, no. 1 (2025): 80–111. https://doi.org/10.1093/ahr/rhae476.

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Abstract Working with never-published agricultural data collected for Mexico’s pavilion at the 1900 Paris Exposition, this article argues that manuscript and published statistics represent a space to see state making as a multisided, ongoing process. Whereas historians have largely looked at statistics from the perspective of the state, highlighting bureaucrats’ projections of desired realities and political projects, here I show how local enumerators’ investment in statistical undertakings asserted space for conversations and arguments about the nature and composition of the political or econ
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María, del Rosario Lozano González. "Juegos de construcción. Recorriendo la Escultura-pabellón de la Bahnhofstrasse de Max Bill = Building games. A walk in Max Bill's Pavilion-Sculpture on the Bahnhofstrasse." rita_ Revista Indexada de Textos Académicos, no. 17 (May 31, 2022): 82–99. https://doi.org/10.24192/2386-7027(2022)(v17)(06).

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El artículo propone estudiar de manera crítica la Escultura-Pabellón construida por Max Bill en la ciudad de Zúrich en el año 1983. El objetivo de la investigación es confirmar que todas las decisiones que Max Bill toma durante la elaboración del proyecto sirven para que este elemento, a priori escultórico, se convierta en una propuesta arquitectónica. El artículo se desarrolla sobre la base de la documentación original, la reelaboración de nuevos planos y una bibliografía exhaustiva. El texto se estruct
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Garg, Ashwin. ""Water gate" of Delhi's Red Fort: One truth and many tales." Journal of Heritage, Archaeology & Management (JHAM) 2, no. 2 (2022): 1–8. https://doi.org/10.5281/zenodo.7593752.

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Delhi’s Red Fort was built in 1639 by Shah Jahan, the eminent Mughal Emperor. Over several years, by successive rulers and then during British rule, the site has undergone so much changes that except for a few isolated east side pavilions, nothing else survives. Red Fort, because of its architecture, has always been place of attraction at the hands of historians, and they all have described it in detail. However there is very limited and contradictory information available about small yet magnificient Asad Burj Water Bastion that exists silently in east corner of Red Fort. Even Mohammad
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Wang, Tsung-Hsien, Olivia Espinosa Trujillo, Wen-Shao Chang, and Bailin Deng. "Encoding bamboo’s nature for freeform structure design." International Journal of Architectural Computing 15, no. 2 (2017): 169–82. http://dx.doi.org/10.1177/1478077117714943.

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Bamboo is a construction material that is renewable, environmentally friendly and widely available. It has long been used in various projects, ranging from temporary, easily assembled and rectilinear structures to complex freeform pavilions. Design with bamboo has never been easy to architects and engineers due to its irregular shape and round section. This prompts the need to develop a new design process that can accommodate those properties that hinder bamboo to be used by designers. In this article, we take a close look at freeform structure design and specifically demonstrate how systemati
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Jankov, Sonja. "Re-Thinking Architectural Modernism in Contemporary Art: Jasmina Cibic, Dušica Dražić and Katarina Burin." AM Journal of Art and Media Studies, no. 16 (September 5, 2018): 85. http://dx.doi.org/10.25038/am.v0i16.256.

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This paper analyses how three contemporary female artists approach Modernist architecture and its ideological context. Jasmina Cibic in her contemporary interdisciplinary installations addresses politization of architecture – both at the time it was conceptualised and now, when it is related to past political regimes. For Cibic, architectural objects are signifiers of larger narratives. This is how she approaches Slovenian trade fair that was supposed to be realised in 1941, but has never been, numerous renovations of the former summer residency of Yugoslav president Josip Broz Tito, lack of d
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Ródenas García, Juan Fernando. "El último urbanismo de Antonio Bonet: el poblado SOS (1970)." VLC arquitectura. Research Journal 5, no. 1 (2018): 1. http://dx.doi.org/10.4995/vlc.2018.7144.

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<p><em>The SOS Children’s Village at Sant Feliu de Codines in Barcelona (1970), the Hifrensa village (completed), and the Prat I and II urban development plans (not completed) were the final major urban complexes designed by Antonio Bonet (not counting his projects for the tourist sector). At SOS, Bonet designed a residential ensemble for orphaned children comprising communal educational and sporting facilities, by recreating, on a human scale, the atmosphere of the villages depicted in the photographs published in issue 18 (1935) of the GATEPAC magazine </em>AC Documentos de
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Kuśnierz-Krupa, Dominika, and Oleksandr Ivashko. "TRANSFORMATION OF BORROWED PHENOMENA: THE BUDDHIST FRESCO IN DUNGHUAN AND THE ARCHITECTURE OF THE MOSQUES OF SHAANXI PROVINCE IN CHINA." Spatial development, no. 6 (December 26, 2023): 53–62. http://dx.doi.org/10.32347/2786-7269.2023.6.53-62.

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The purpose of the article is to analyze the phenomenon of borrowing without being limited by a specific style, and on the basis of this to argue at which hierarchical level the transformation took place: at the level of composition, form or decor.
 The relevance of the research topic is determined by the need to analyze how local cultural and artistic traditions influenced the transformation of borrowed styles and what exactly the phenomenon of transformation consisted of, whether it was the same for several borrowed styles.
 As a result of the study of wall paintings in different p
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Sibua, Amrin, Almukmin Umar, Wahyu Sibua, and Dandi Weka. "ANALYSIS OF SERVICE QUALITY USING SERVICE QUALITY (SERVQUAL) AND SWOT METHOD IN BORDER AREA (CASE STUDY: PT. JABABEKA MOROTAI)." Journal of Industrial Engineering Management 7, no. 3 (2022): 250–60. http://dx.doi.org/10.33536/jiem.v7i3.1377.

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Pavilliun d'loha Resot Jababeka Morotai or commonly called PT. Jababeka Morotai which is managed by Jababeka group which is a company in the management of the first open industrial estate in Indonesia which is listed on the Jakarta and Surabaya stock exchanges since 1994. where the three main pillars in this company are land development, infrastructure, and entertainment venues and hospitality. PT. Jababeka Morotai so far, has never measured the level of visitor satisfaction in the hospitality field with Hotel Guests so that in improving the quality of service and also in overcoming complaints
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Sina, Adrien, and Eugenia Sydorenko. "To exploud, be destroyed or unexpectedly resist: An interview with curator Adrien Sina." Text and Image: Essential Problems in Art History, no. 1 (2023): 71–84. http://dx.doi.org/10.17721/2519-4801.2023.1.05.

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Adrien Sina is a French arts curator, architect, dance and performance art historian. In his cross-disciplinary exhibition Feminine Futures: Ukraine, part of the series War | Oppression | Dystopia Mr Sina aims to provide a platform for Ukrainian dancers to speak out about the war with Russia. He achieves this by showcasing never-before-seen short films in which artists strive to create dialogue between their own bodies and architectural pieces, which results in the emotional reflection on the bloody present, anticipation of future devastating tragedies but also the highest expression of love a
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Komissarov, Sergey A., and Aleksandr I. Soloviev. "The Palace that Could Be the Biggest in the World." Oriental Studies 18, no. 10 (2019): 16–23. http://dx.doi.org/10.25205/1818-7919-2019-18-10-16-23.

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The authors investigate the historical fate of one of four construction mega-projects of Qin Shihuangdi, namely, Epang Palace which was supposed to become the worthy dwelling for the first unifier of the Celestial Empire. Construction workers erected the giant platform-stylobate and built three walls around it. During the Middle Ages (from the end of the Han dynasty and up to the Tang dynasty) it accommodated the military Echeng settlement. Within the same period of time, by the efforts of literati and, first of all, by prominent poet Du Mu (803–852) who wrote “The Ode on Epang Palace”, a myth
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Bridnia, Larysa. "NAKAGIN RESIDENTIAL TOWER IN TOKYO, JAPAN: A FUTURISTIC ARCHITECTURAL CONCEPT OF THE MID-20TH CENTURY AND REALITY." Urban development and spatial planning, no. 86 (May 31, 2024): 17–26. http://dx.doi.org/10.32347/2076-815x.2024.86.17-26.

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The work is devoted to a retrospective analysis of the historical and social conditions of the construction, existence and dismantling of the futuristic Nakagin capsule tower. The Nakagin Capsule Tower was built in 1970-1972 in central Tokyo by architect Kisho Kurokawa and was similar to the modernist building of the Shizuoka Press Center by architect Kenzo Tange. Both buildings appeared as a practical illustration of the concept of architectural metabolism, that is, the possibility of giving architecture the ability of living organisms to grow and renew themselves, adapting to the external en
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НАЗАРОВА, Т. П., та В. А. ИВАНОВ. "МОРТУАРИЙ ГОРОДА ВОЛЖСКОГО В КОНТЕКСТЕ ТРАНСФОРМАЦИИ СОВЕТСКОГО ПОХОРОННОГО ОБРЯДА И ПРЕДСТАВЛЕНИЙ О СВЕТСКОЙ САКРАЛЬНОСТИ 1940-1950-Х ГГ". Гуманитарные науки в Сибири 31, № 4 (2024): 94–100. https://doi.org/10.15372/hss20240411.

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Целью статьи является определение места и роли мортуария г. Волжского в трансформации похоронной обрядности и светской сакральности в СССР, а также установление точной даты его строительства. Мортуарий является уникальным образцом траурной советской архитектуры, который был возведен на небольшом кладбище города строителей Сталинградской ГЭС. Впервые на основе архивных материалов определены точные годы строительства мортуария (1955-1958 гг.), что позволило скорректировать общепринятую периодизацию трансформации траурной обрядности в СССР и выделить в ней новый этап изменений: 1941 - 1957 гг. Сд
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Laybourn-Langton, Laurie, and Richard Smith. "COP26 AND HEALTH: SOME PROGRESS, BUT TOO SLOW AND NOT ENOUGH." KHYBER MEDICAL UNIVERSITY JOURNAL 14, no. 4 (2021): 251–3. http://dx.doi.org/10.35845/kmuj.2021.22288.

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The editorial on climate change and biodiversity published in over 220 health journals in September had two main demands: keep global temperature increases below 1.5°C above pre-industrial levels to avoid catastrophic damage to health; and accept that this can be achieved only by rich countries making bigger cuts in greenhouse gas emissions and transferring substantial resources to the countries most vulnerable the effects of climate change.1 Neither demand was fully met at COP26 in Glasgow. The editorial was also aiming to make the voice of the health community more prominent in global discus
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Srhoj, Vinko. "Ivan Meštrović i politika kao prostor ahistorijskog idealizma." Ars Adriatica, no. 4 (January 1, 2014): 369. http://dx.doi.org/10.15291/ars.509.

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Meštrović’s political activity, reflected in his sculpture and architecture, was closely tied to the idea of a political union of the South Slavs which culminated on the eve of and during the First World War. As a political idealist and a person who always emphasized that he was first and foremost an artist, Meštrović had no inclination for classic political activism which meant that he was not interested in belonging to any contemporary political faction. Since his political activism was not tied to a specific political party and since, unlike the politicians with whom he socialized, he did n
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György, Horváth. "Adalékok Kondor Béla sors-történetéhez." Művészettörténeti Értesítő 69, no. 2 (2021): 171–256. http://dx.doi.org/10.1556/080.2020.00011.

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In the course of my research in archives – in search of documents about the history of the Art Foundation of the People’s Republic (from 1968 Art Fund) – while leafing through the sea of files in the National Archives of Hungary (MNL OL) year after year, I came across so-far unknown documents on the life and fate of Béla Kondor which had been overlooked by the special literature so far.Some reflected the character of the period from summer of 1956 to spring 1957, more precisely to the opening of the Spring Exhibition. In that spring, after relieving Rákosi of his office, the HWP (Hungarian Wor
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Hartkamp, Arthur, and Beatrijs Brenninkmeyer-De Rooij. "Oranje's erfgoed in het Mauritshuis." Oud Holland - Quarterly for Dutch Art History 102, no. 3 (1988): 181–232. http://dx.doi.org/10.1163/187501788x00401.

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AbstractThe nucleus of the collection of paintings in the Mauritshuis around 130 pictures - came from the hereditary stadholder Prince William v. It is widely believed to have become, the property of the State at the beginning of the 19th century, but how this happened is still. unclear. A hand-written notebook on this subject, compiled in 1876 by - the director Jonkheer J. K. L. de Jonge is in the archives of the Mauritshuis Note 4). On this basis a clnsor systematic and chronological investigation has been carried out into the stadholder's. property rights in respect of his collectcons and t
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Kassem, Ayman. "Let it Unfold — Performative Exhibitions." idea journal 19, no. 01 (2022). http://dx.doi.org/10.37113/ij.v19i01.481.

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This essay explores the relationship between fantasy, fabulation, and the performative through the lens of exhibition design in general and, in particular, expo pavilions. While studying the case of the Austrian pavilion visited by the author during Expo Milan 2015, it further examines the repertoire of the performative as a spatial fabulation indicator. Furthermore, the essay proposes a dramaturgy of analytical tools that interpret the exhibition space as a metaphor of a fantasy-oriented spatial production, and as an illustration of a performative interior architecture opening newer perspecti
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Kühn, Noel, and Andreas Rutschmann. "Ein neues Rathaus für Hainburg." Bautechnik, October 15, 2024. http://dx.doi.org/10.1002/bate.202400064.

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AbstractDas neue Rathausgebäude in Hainburg vereint die Verwaltungen der Rathäuser Hainstadt und Klein‐Krotzenburg unter einem Dach. Das Haus wirkt in seiner Formensprache nicht wie ein klassischer Verwaltungsbau. Durch die großzügige Rücknahme des Erdgeschosses über eine Gebäudeecke und ein dahinter anschließendes gebäudehohes Atrium wirkt der Baukörper vielmehr wie ein leichter, einladender Pavillon mit Aufenthaltsqualität. Das Gebäude wurde in Holzbauweise errichtet. Der Holzbau ist nicht nur Bestandteil der Konstruktion, sondern auch gestaltendes Element im Innenraum. Einzig das Untergesch
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"Den Transformationsprozess im Blick." BWK ENERGIE. 71, no. 07-08 (2019): 40–41. http://dx.doi.org/10.37544/1618-193x-2019-07-08-40.

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E-MOBILITY | Neue Mobilitätslösungen standen auf dem Baden-Württemberg-Pavillon während der diesjährigen Hannover Messe im Mittelpunkt. Das Spektrum der Ausstellungshighlights reichte von smarten Drucksensoren, Leistungselektronik, E-Motoren bis hin zu neuen Mobilitäts- und E-Fahrzeugkonzepten oder Herstellungsverfahren für synthetische Kraftstoffe. Thema war zudem der Transformationsprozess, in dem sich die Automobilbranche befindet. Diesen unterstützt das baden-württembergische Wirtschaftsministerium unter anderem mit einem Förderprogramm „Innovative Mobilitätstechnologien“, das kürzlich mit
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Raj Bhattrai, Dinesh, and Dinesh Rawat. "SEIMSIC CONDITION ASSESSMENT OF TEMPLE A CASE STUDY ON SHIVA-PARBATI TEMPLE." International Journal of Engineering Applied Sciences and Technology 5, no. 11 (2021). http://dx.doi.org/10.33564/ijeast.2021.v05i11.049.

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Shiva Parvati temple is an uncommon shrine built on a four-step brick platform. It stands out particularly due to its three golden pinnacles. It was Bahadur Shah Idea to construct a hybrid temple that incorporated Newar and Rajput style on top of the pavilion built by King Laxmi Narasimha Malla who ruled in the seventeenth century. The temple has been renovated in 1998AD. The golden pinnacle of this temple is quite artistic and one of the best in the Durbar Square. It consists of three tapering spires alternating with four floral stalks on a small platform. It is unique because it departs from
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Latka, Jerzy F. "Conclusions." Architecture and the Built Environment, 2018. http://dx.doi.org/10.59490/abe.2017.19.3763.

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This study has demonstrated how paper and its derivatives can be used as a building material and main structural material in design and architecture. The usage of paper in architecture is limited by many factors, including its vulnerability to moisture, humidity and water, creep and the limited variety of products created by the paper industry. However, paper and paper products can be successfully used in several types of architecture and design. The advantages of using paper in architecture are its low price, the fact that it is mass-produced, its ease of recycling and the mechanical properti
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Rosa, Giovanna. "LA “CITTÀ PIÙ CITTÀ D’ITALIA” E L’ESPOSIZIONE DEL 1881." Istituto Lombardo - Accademia di Scienze e Lettere - Incontri di Studio, December 21, 2016. http://dx.doi.org/10.4081/incontri.2016.257.

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Considered within the long process through which Milan has become a “city of exhibitions”, the “Mostra nazionale delle Arti e dell’Industria” 1881 is of crucial relevance. On that occasion, twenty years after the country’s unification, the roaring Excelsior Ball in the background, Milan displayed its self-portrait in the pavilions under the motto “Labor vincit omnia”, standing as “moral capital of Italy”. Such an ambitious project relied on a series of volumes – Mediolanum (Vallardi), Milano 1881 (Ottino), Milano e i suoi dintorni (Civelli), – offering the radiant image of a close and hard-wor
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Latka, Jerzy F. "Paper in architecture: Research by design, engineering and prototyping." Architecture and the Built Environment, 2017. http://dx.doi.org/10.59490/abe.2017.19.1875.

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Paper is a fascinating material that we encounter every day in different variants: tissues, paper towels, packaging material, wall paper or even fillers of doors. Despite radical changes in production technology, the material, which has been known to mankind for almost two thousand years, still has a natural composition, being made up of fibres of plant origin (particularly wood fibres). Thanks to its unique properties, relatively high compression strength and bending stiffness, low production costs and ease of recycling, paper is becoming more and more popular in many types of industry. Mass-
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Stevens, Carolyn Shannon. "Cute But Relaxed: Ten Years of Rilakkuma in Precarious Japan." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.783.

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Introduction Japan has long been cited as a major source of cute (kawaii) culture as it has spread around the world, as encapsulated in Christine R. Yano’s phrase ‘Pink Globalization’. This essay charts recent developments in Japanese society through the cute character Rilakkuma, a character produced by San-X (a competitor to Sanrio, which produces the famed Hello Kitty). His name means ‘relaxed bear’, and Rilakkuma and friends are featured in comics, games and other products, called kyarakutā shōhin (also kyarakutā guzzu, which both mean ‘character goods’). Rilakkuma is pictured relaxing, sle
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Michele Guerra. "Cinema as a form of composition." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 51–57. http://dx.doi.org/10.36253/techne-10979.

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Technique and creativity
 Having been called upon to provide a contribution to a publication dedicated to “Techne”, I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire
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Michele, Guerra NA. "Cinema as a form of composition." November 17, 2021. https://doi.org/10.36253/techne-10979.

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Technique and creativity
 Having been called upon to provide a contribution to a publication dedicated to "Techne", I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire
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Mac Con Iomaire, Máirtín. "Towards a Structured Approach to Reading Historic Cookbooks." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.649.

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Introduction Cookbooks are an exceptional written record of what is largely an oral tradition. They have been described as “magician’s hats” due to their ability to reveal much more than they seem to contain (Wheaton, “Finding”). The first book printed in Germany was the Guttenberg Bible in 1456 but, by 1490, printing was introduced into almost every European country (Tierney). The spread of literacy between 1500 and 1800, and the rise in silent reading, helped to create a new private sphere into which the individual could retreat, seeking refuge from the community (Chartier). This new technol
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McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an
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Yee, Mon Phay, Tin Tin New Dr-, and Abdel Wahed AMR. "Mantra Reciting of Burmese Buddhists." North American Academic Research, August 31, 2019. https://doi.org/10.5281/zenodo.3382337.

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The term “parit” in Myanmar is derived from Pāli word ‘paritta’ in accordance with the rule of omitting final syllable (uttaralopa). Actually, the paritta discourses are the suttas preached by the Buddha for the purpose of keeping as an enclosure to be free from troubles and dangers. These suttas are the most popular and handiest ones among lay people. They recite Parit every day to get blessing, to be in safe, to not to get disturbing from evils or devils. The paritta-recitation and listening to it can be regarded as religious activities in Theravada Buddhist countries
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Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont & Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each
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Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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 Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo
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Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar
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