Auswahl der wissenschaftlichen Literatur zum Thema „Nikolay Fyodorov“

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Zeitschriftenartikel zum Thema "Nikolay Fyodorov"

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Titarenko, E. M. "Reign and ritual: crowning of the tsaraesthetics in the interpretation of N.F. Fyodorov." Solov’evskie issledovaniya, no. 2 (June 30, 2020): 178–90. http://dx.doi.org/10.17588/2076-9210.2020.2.178-190.

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The article is dedicated to the semiosis of the tsar’s crowning ritual in Nikolay Fyodorovich Fyodorov’s «Philosophy of the Common Task». This problem has never been an object of a special research but it helps to get closer to the understanding of ontology of Fyodorov’s aesthetic supramoralism project. His philosophical works «Monarchy», «Aesthetic Supramoralism», «Easter in the Kremlin with Coronation», «About the Kremlin Walls Paintings», «About the Monument to Alexander III…», «For the Forthcoming Coronation» are analyzed in the article. The interpretation particularities of the coronation
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Martynova, Svetlana A. "Nikolay Fyodorov’s Attempt to Link Aristotelian and Kantian Natural Teleology to the Project of Nature Regulation." Kantian journal 43, no. 2 (2024): 123–51. http://dx.doi.org/10.5922/0207-6918-2024-2-4.

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The key thesis of natural teleology is that the products of nature should be judged by the goal of their existence or they should be explained as if such a goal existed. The prevailing view in the literature is that there are two main stages in the development of teleology in the framework of philosophical knowledge: the classicaland the non­classical. The isolation of these stages is based on the conviction that at a certain period of time finalism is supplanted by the notion of the goal engendered by the developing whole. I submit that we can talk about non­classical teleology in yet another
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Yarkova, Elena Nikolaevna, Abdusalam Abdulkerimovich Guseinov, Ruben Grantovich Apresyan, et al. "Tyumen ethical-philosophical tradition: research methodology (round table materials)." Философская мысль, no. 8 (August 2021): 1–24. http://dx.doi.org/10.25136/2409-8728.2021.8.36095.

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The subject of this research is the works of Tyumen ethicists: the founder of the concept of rationalistic ethics that was a milestone in the history of Soviet ethics Fedor Andreevich Selivanov; the pioneer of the applied ethics in Russia Vladimir Iosifovich Bakshtanovsky; the author of the original anthropocosmist concept of morality Yuri Mikhailovich Fyodorov; the developer of the concept of regional ethos Mikhail Grigorievich Ganopolskyl; the adherent of dialogical ethics Nikolay Dmitrievich Zotov, and others. The article discusses the scientific justification of studying the works of Tyume
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Lipatova, Antonina P. "Variation of Proper Names in Nikola Znamensky by Fyodor Reshetnikov." Вопросы Ономастики 20, no. 2 (2023): 270–87. http://dx.doi.org/10.15826/vopr_onom.2023.20.2.023.

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The paper explores the variety of onomastic strategies in the short story Nikola Znamensky by Fyodor Reshetnikov, a follower of the ethnographic movement in the Russian literature of 1860s. It is typical for his works to omit the use of first names in the titles (Glumovs, Aunt Oparikh, Gossip Mironikh, Ilyich, Maxya, Yashka) whilst they play an important role in the stories. For example, the Doctor’s story begins with the first name and so it ends. The name suggests that the protagonist (albeit not openly) opposes himself to the official church position. Apart from that, the character himself cl
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Lesourd, Françoise. "Современный взгляд на личность и творчество Николая Фёдорова". Kultura Słowian Rocznik Komisji Kultury Słowian PAU 17 (2021): 143–58. http://dx.doi.org/10.4467/25439561ksr.21.007.14418.

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В настоящий момент во Франции переводится и готовится к первой публикации Философия общего дела Николая Фёдорова. Данная статья – о том впечатлении, которое испытывает читатель, сталкиваясь с такой необычной творческой личностью, и о трудностях, которые возникают при переводе. Грандиозный проект Фёдорова – воскрешение отцов и население других планет – поражает своей «фантастичностью» (по словам Вл. Соловьёва). Однако он ставит на первый план созидательные возможности человека, и в этом предваряет ранние интеллектуальные тенденции советского времени. С другой стороны, озабоченность Фёдорова ист
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Sizov, S. E. "Nikolai Fyodorov’s philosophy in the context of Orthodox soteriology." Ekonomicheskie i sotsial’no-gumanitarnye issledovaniya, no. 1(29) (2021): 96–104. http://dx.doi.org/10.24151/2409-1073-2021-1-96-104.

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The author studies Nikolai Fyodorov’s teaching about resurrection of the dead in the context of Orthodox theology. The undertaken comparative analysis is aimed at making specific conclusions about whether it is fair to see between these two intellectual systems a continuity with respect to the key element of the supramoralism system - the doctrine of the resurrection. The author examines the concepts of sin, redemption, resurrection, and the coming celestial kingdom in the philosophical system of Nikolai Fedorov and in а traditional Orthodox dogmatic.
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Moon, Joonil. "Russian Cosmism and Nikolai Fyodorov’s Thought of Immortality." Journal of Humanities and Social sciences 21 12, no. 1 (2021): 2807–18. http://dx.doi.org/10.22143/hss21.12.1.199.

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Podosokorsky, Nikolay N. "Nikolay Karamzin’s History in Fyodor Dostoevsky’s Novel The Idiot." Dostoevsky and World Culture. Philological journal, no. 3 (27) (2024): 31–63. http://dx.doi.org/10.22455/2619-0311-2024-3-31-63.

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The article explores the influence of Nikolay Karamzin’s History of the Russian State (1818–1829) on Fyodor Dostoevsky’s novel The Idiot (1868–1869). Karamzin’s historical and literary work significantly shaped Dostoevsky’s worldview from childhood and remained highly valued by him in adulthood. Dostoevsky owned a copy of Karamzin’s multi-volume work in his library and, according to acquaintances, knew it “almost by heart.” The article demonstrates that the mention of Karamzin’s History in the opening scene of The Idiot should be understood in the context of the heightened public interest in K
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Lebedev, Yuriy V. ""A Spring’s Tale" "The Snow Maiden" by Alexander Ostrovsky in the 1870s literary process." Vestnik of Kostroma State University, no. 2 (2019): 124–29. http://dx.doi.org/10.34216/1998-0817-2019-25-2-124-129.

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Organic connection of perspective and poetics of "The Snow Maiden" by Alexander Ostrovsky with spiritual search of his contemporaries, the 1870s writers, is shown in the article, and the playwright's aesthetic position originality – going beyond the limits of poetic schools which were at enmity with each other, and overcoming contradiction between them in new artistic synthesis – comes to light. Fragility of human communications, disappearance of attachment to family life from daily communication is very characteristic of that time, that found refl ection in Leo Tolstoy's, and Fyodor Dostoevsk
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Buchneva, Daria. "Fyodor Dostoevsky and Nikolay Danilevsky: a Dispute About Russia and Europe." Неизвестный Достоевский 12, no. 1 (2025): 179–94. https://doi.org/10.15393/j10.art.2025.7761.

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n April 1867, Dostoevsky left Russia on a voyage. The writer had a hard time coping with his forced stay abroad for several years. His friends and comrades, A. N. Maikov and N. N. Strakhov, helped him cope with the difficulties. They kept in touch with Dostoevsky through correspondence, informing him about the events in Russia, and news related to Russian literature and journalism. The writer responded with enthusiasm to the news of the release of the new magazine “Zarya” (1869–1872), published by V. V. Kashpirev and edited by N. N. Strakhov. The trademark of the publication was N. Ya. Danilev
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Dissertationen zum Thema "Nikolay Fyodorov"

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Katz, Elena M. "Representations of 'the Jew' in the writings of Nikolai Gogol, Fyodor Dostoevsky and Ivan Turgenev." Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50605/.

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The image of 'the Jew' in nineteenth-century Russian literary texts is traditionally viewed as a paradigm of anti-Semitic discourse. Critics have typically accentuated the presence and continuity of negative stereotypes of the Jews. Yet anti-Semitic discourse is not the only approach to the representation of the Jews in Russian literature. This study explores the manifold nature of the portrayal of 'the Jew' in the works of three Russian writers of the highest calibre: Gogol, Dostoevsky and Turgenev. Literature at the time was highly politicized and a writer was expected to examine the issues
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Kaderabek, Sarah. "Beyond fidelity : the works of Gogol', Dostoevskii and Chekhov in Soviet and Russian film." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36962.

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The transfer of an artistic work from the literary medium to the filmic medium presents technical, personal, social and political factors for consideration which are capable of revealing important information about the times in which both the literary work and the film work were created. In a Russian context, where both literature and film have played roles of central cultural importance, the study of this interaction can be particularly fruitful. The first chapter of this dissertation considers the theoretical aspects of adaptation, namely fidelity to the original work and questions of metaph
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Bücher zum Thema "Nikolay Fyodorov"

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Fanger, Donald. Dostoevsky and romantic realism: A study of Dostoevsky in relation to Balzac, Dickens, and Gogol. Northwestern University Press, 1998.

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Marullo, Thomas Gaiton. Fyodor Dostoevsky-The Gathering Storm (1846-1847). Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751851.001.0001.

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This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. The book lets the original writers speak
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Kent, Leonard J. Subconscious in Gogol and Dostoevskij, and Its Antecedents. De Gruyter, Inc., 2019.

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Griboedov - Gogolʹ - Dostoevskiĭ: Tipologii︠a︡ i germenevtika Slova. Izdatelstvo Faber, 2011.

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[Personalʹnoe povestvovanie: Pushkin, Gogolʹ, Dostoevskiĭ]. P. Lang, 1994.

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Vicissitudes of genre in the Russian novel: Turgenev's "Fathers and sons", Chernyshevsky's "What is to be done?", Dostoevsky's "Demons", Gorky's "Mother". Peter Lang, 2001.

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Nightmare: From literary experiments to cultural projects. BRILL, 2012.

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Buchteile zum Thema "Nikolay Fyodorov"

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Mikhalenko, Natalia. "PHILOSOPHICAL CONTEXTOF KONSTANTIN PAUSTOVSKY’S NOVELLA “COLCHIS”." In Creative Heritage of Konstantin Paustovsky in the XXI century. Volume 1. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3485.paustovsky_v1/81-90.

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Konstantin Paustovsky’s novella “Colchis” reflects the influence of Nikolay Fyodorov’s doctrine of the common cause and the rational transformation of nature. Using the features and capabilities of nature, people look for the least expensive, simple, and logical ways to change it, for example, the principle of colmatage. These people know nature to the extent that they can control it. As Svetlana Semyonova writes, “For Fyodorov, people are not only the crown of achieved natural development. They must become an instrument of reverse influence on the nature for its transformation and spiritualiz
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"FOUR Nikolai Fyodorov." In Abolishing Death. Stanford University Press, 1992. http://dx.doi.org/10.1515/9780804766425-004.

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"The Wooden Ambience of Russian Literature." In From Forest to Steppe. Duke University Press, 2025. https://doi.org/10.1215/9781478060451-003.

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Chapter 2 focuses on wooden dwellings (primarily country estate houses) associated with some of Russia’s greatest writers, from Alexander Pushkin to Alexander Blok and Vladimir Nabokov. This representative survey includes Fyodor Dostoevsky, Ivan Turgenev, Leo Tolstoy, Fyodor Tiutchev, Nikolai Gogol, Sergei Aksakov, and Anton Chekhov. In several cases the houses of these literary figures were rebuilt from the ashes of war and revolution as major national monuments. Among the estate houses presented are Mikhailovskoe, Trigorskoe, Petrovskoe, Boldino, Darovoe, Yasnaya Polyana, Muranovo, and Shakh
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Prokhorov, George. "A Jew – Funny, Terrible, and Useful: Sides of the Character in Literature of 19th Century Russian Conservatism." In Laughter and Humor in the Slavic and Jewish Cultural Traditions. Institute of Slavic Studies, Russian Academy of Sciences; Sefer, 2021. http://dx.doi.org/10.31168/2658-3356.2021.4.

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In the article, we focus on how Russian conservative writers and journalists of the 19th century (Panteleimon Kulish, Nikolay Kostomarov, Nikita Hiliaroff-Platonov, and Fyodor Dostoevsky) shape an image of a Jew. In their writings, Jews are portrayed: a) as people connected with Biblical narratives; b) as ultimate aliens, unexorcized and mostly essential. Thus, the image is formed by comism, horror and the sublimeness. In the mixture, Russian conservatives share a fascination of Romanticism with the highness and horror of the past. Amidst pieces of prose and other fiction, the ‘post-Romanticis
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Marullo, Thomas Gaiton. "Introduction." In Fyodor Dostoevsky-The Gathering Storm (1846-1847). Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751851.003.0001.

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This chapter recounts Fyodor Dostoevsky's popularity as a young Russian writer in early 1846 after his publication of Poor Folk. It elaborates how Dostoevsky was hailed as a savior, a prophet, and an idol whom God had chosen to lead Russian literature from alleged deserts to promised lands during his time. It also mentions Vissarion Belinsky and Nikolai Nekrasov, who had been educated in the school of hard knocks and were particularly taken with Dostoevsky. The chapter describes Belinsky and Nekrasov as romantics, staunch realists, and avid proponents of progressivism in Russian literature and
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Marullo, Thomas Gaiton. "Pride before the Fall." In Fyodor Dostoevsky-The Gathering Storm (1846-1847). Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751851.003.0002.

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This chapter focuses on Fyodor Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, Ivan Panaev, and other figures of the Russian literary world. It begins with a piece about Dostoevsky's tortuous tie to Belinsky as a stance of love and hate that haunted him throughout his life. It also recounts Dostoevsky's conflicted feelings over Belinsky, particularly during the eighteen or so months of their close relationship. It then discusses how Dostoevsky saw Belinsky as a mentor and guide, even as a parental figure who extended the life lessons of father Mic
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Marullo, Thomas Gaiton. "Flashing Signals." In Fyodor Dostoevsky-Darkness and Dawn (1848-1849). Cornell University Press, 2024. https://doi.org/10.7591/cornell/9781501778131.003.0004.

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This chapter discusses the rise and fall of Sergei Durov and his circle, as well as the leftward shift of Petrashevsky and his group. Like Petrashevsky, Nikolai Speshnev filled the vacuum in his life with poses and creeds. In rapid succession, he moved from romantic liberal to utopian socialist to egalitarian communist. Fleeing his debts in Dresden in 1847, Speshnev returned first to his estate in Kursk, and then, in December of that year, to St. Petersburg, entering Petrashevsky’s circle no later than the spring of 1848. In mocking tones, he told the Investigatory Commission for the Petrashev
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Robinson, Paul. "The Reign of Alexander I." In Russian Conservatism. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501747342.003.0003.

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This chapter shows how Russian conservativism in the reign of Alexander I was multifaceted, often in opposition to state policy, and far from united. But there was a common core among its various strands. Men such as Aleksandr Shishkov, Fyodor Rostopchin, Sergei Glinka, Aleksandr Sturdza, and Nikolai Karamzin fused reason and faith to support a form of enlightened autocracy unlimited by law but firmly bound by morality. They also shared a concern with creating a modern Russian culture and a strong state that would be able to unite the country and provide stability in the face of internal and e
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"25. LIVING THROUGH IDEAS: Nikolai Gogol, Ivan Turgenev, Fyodor Dostoyevsky, Leo Tolstoy." In The Novel. Harvard University Press, 2014. http://dx.doi.org/10.4159/harvard.9780674369054.c28.

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Marullo, Thomas Gaiton. "Spinning Circles." In Fyodor Dostoevsky-Darkness and Dawn (1848-1849). Cornell University Press, 2024. https://doi.org/10.7591/cornell/9781501778131.003.0003.

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This chapter examines the dynamics of the Petrashevsky circle, with spotlights on Mikhail Petrashevsky, Nikolai Speshnev, and Fyodor Dostoevsky himself. At the University of St. Petersburg, Petrashevsky attended lectures by Viktor Poroshin, a young professor of political economy and statistics who was a fan of the new socialism in Western Europe, particularly the theories of Fourier. Fourierism and its ideas—including the rapaciousness of capitalism, the immorality of private property, and the dignity of all individuals, regardless of status and wealth—filled a hole in his life. By 1845, Petra
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Konferenzberichte zum Thema "Nikolay Fyodorov"

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А.В., Корнилова. "ALEXANDER PUSHKIN AND ARTISTS." In АЛЕКСАНДР СЕРГЕЕВИЧ ПУШКИН КАК КУЛЬТУРНЫЙ ФЕНОМЕН. Crossref, 2024. https://doi.org/10.54874/9785605245797.2024.2.04.

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А.С. Пушкина всегда привлекал мир художников. Он позировал В.А. Тропинину и О.А. Кипренскому, посвящал стихотворные строки К.П. Брюллову, А.О. Орловскому, Д. Доу, в «Евгении Онегине» упоминал «чудотворную кисть» Ф.П. Толстого. Посещая академические выставки, он живо откликался на новые произведения скульпторов А.В. Логановского и Н.С. Пименова, оставил восторженный стихотворный отклик на картину «Последний день Помпеи» К.П. Брюллова и навещал художника в его мастерской. Порадовали Пушкина и иллюстрации к «Руслану и Людмиле», выполненные президентом Академии художеств А.Н. Олениным, заинтересов
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