Thematische Bibliographien / Nikolay Fyodorov / Zeitschriftenartikel
Um die anderen Arten von Veröffentlichungen zu diesem Thema anzuzeigen, folgen Sie diesem Link: Nikolay Fyodorov.

Zeitschriftenartikel zum Thema „Nikolay Fyodorov“

Autor: Grafiati
Veröffentlicht am 7. Juni 2025
Zuletzt aktualisiert am 2. August 2025

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "Nikolay Fyodorov" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.

1

Titarenko, E. M. "Reign and ritual: crowning of the tsaraesthetics in the interpretation of N.F. Fyodorov." Solov’evskie issledovaniya, no. 2 (June 30, 2020): 178–90. http://dx.doi.org/10.17588/2076-9210.2020.2.178-190.

Der volle Inhalt der Quelle
Annotation:
The article is dedicated to the semiosis of the tsar’s crowning ritual in Nikolay Fyodorovich Fyodorov’s «Philosophy of the Common Task». This problem has never been an object of a special research but it helps to get closer to the understanding of ontology of Fyodorov’s aesthetic supramoralism project. His philosophical works «Monarchy», «Aesthetic Supramoralism», «Easter in the Kremlin with Coronation», «About the Kremlin Walls Paintings», «About the Monument to Alexander III…», «For the Forthcoming Coronation» are analyzed in the article. The interpretation particularities of the coronation
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Martynova, Svetlana A. "Nikolay Fyodorov’s Attempt to Link Aristotelian and Kantian Natural Teleology to the Project of Nature Regulation." Kantian journal 43, no. 2 (2024): 123–51. http://dx.doi.org/10.5922/0207-6918-2024-2-4.

Der volle Inhalt der Quelle
Annotation:
The key thesis of natural teleology is that the products of nature should be judged by the goal of their existence or they should be explained as if such a goal existed. The prevailing view in the literature is that there are two main stages in the development of teleology in the framework of philosophical knowledge: the classicaland the non­classical. The isolation of these stages is based on the conviction that at a certain period of time finalism is supplanted by the notion of the goal engendered by the developing whole. I submit that we can talk about non­classical teleology in yet another
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Yarkova, Elena Nikolaevna, Abdusalam Abdulkerimovich Guseinov, Ruben Grantovich Apresyan, et al. "Tyumen ethical-philosophical tradition: research methodology (round table materials)." Философская мысль, no. 8 (August 2021): 1–24. http://dx.doi.org/10.25136/2409-8728.2021.8.36095.

Der volle Inhalt der Quelle
Annotation:
The subject of this research is the works of Tyumen ethicists: the founder of the concept of rationalistic ethics that was a milestone in the history of Soviet ethics Fedor Andreevich Selivanov; the pioneer of the applied ethics in Russia Vladimir Iosifovich Bakshtanovsky; the author of the original anthropocosmist concept of morality Yuri Mikhailovich Fyodorov; the developer of the concept of regional ethos Mikhail Grigorievich Ganopolskyl; the adherent of dialogical ethics Nikolay Dmitrievich Zotov, and others. The article discusses the scientific justification of studying the works of Tyume
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Lipatova, Antonina P. "Variation of Proper Names in Nikola Znamensky by Fyodor Reshetnikov." Вопросы Ономастики 20, no. 2 (2023): 270–87. http://dx.doi.org/10.15826/vopr_onom.2023.20.2.023.

Der volle Inhalt der Quelle
Annotation:
The paper explores the variety of onomastic strategies in the short story Nikola Znamensky by Fyodor Reshetnikov, a follower of the ethnographic movement in the Russian literature of 1860s. It is typical for his works to omit the use of first names in the titles (Glumovs, Aunt Oparikh, Gossip Mironikh, Ilyich, Maxya, Yashka) whilst they play an important role in the stories. For example, the Doctor’s story begins with the first name and so it ends. The name suggests that the protagonist (albeit not openly) opposes himself to the official church position. Apart from that, the character himself cl
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Lesourd, Françoise. "Современный взгляд на личность и творчество Николая Фёдорова". Kultura Słowian Rocznik Komisji Kultury Słowian PAU 17 (2021): 143–58. http://dx.doi.org/10.4467/25439561ksr.21.007.14418.

Der volle Inhalt der Quelle
Annotation:
В настоящий момент во Франции переводится и готовится к первой публикации Философия общего дела Николая Фёдорова. Данная статья – о том впечатлении, которое испытывает читатель, сталкиваясь с такой необычной творческой личностью, и о трудностях, которые возникают при переводе. Грандиозный проект Фёдорова – воскрешение отцов и население других планет – поражает своей «фантастичностью» (по словам Вл. Соловьёва). Однако он ставит на первый план созидательные возможности человека, и в этом предваряет ранние интеллектуальные тенденции советского времени. С другой стороны, озабоченность Фёдорова ист
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Sizov, S. E. "Nikolai Fyodorov’s philosophy in the context of Orthodox soteriology." Ekonomicheskie i sotsial’no-gumanitarnye issledovaniya, no. 1(29) (2021): 96–104. http://dx.doi.org/10.24151/2409-1073-2021-1-96-104.

Der volle Inhalt der Quelle
Annotation:
The author studies Nikolai Fyodorov’s teaching about resurrection of the dead in the context of Orthodox theology. The undertaken comparative analysis is aimed at making specific conclusions about whether it is fair to see between these two intellectual systems a continuity with respect to the key element of the supramoralism system - the doctrine of the resurrection. The author examines the concepts of sin, redemption, resurrection, and the coming celestial kingdom in the philosophical system of Nikolai Fedorov and in а traditional Orthodox dogmatic.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Moon, Joonil. "Russian Cosmism and Nikolai Fyodorov’s Thought of Immortality." Journal of Humanities and Social sciences 21 12, no. 1 (2021): 2807–18. http://dx.doi.org/10.22143/hss21.12.1.199.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Podosokorsky, Nikolay N. "Nikolay Karamzin’s History in Fyodor Dostoevsky’s Novel The Idiot." Dostoevsky and World Culture. Philological journal, no. 3 (27) (2024): 31–63. http://dx.doi.org/10.22455/2619-0311-2024-3-31-63.

Der volle Inhalt der Quelle
Annotation:
The article explores the influence of Nikolay Karamzin’s History of the Russian State (1818–1829) on Fyodor Dostoevsky’s novel The Idiot (1868–1869). Karamzin’s historical and literary work significantly shaped Dostoevsky’s worldview from childhood and remained highly valued by him in adulthood. Dostoevsky owned a copy of Karamzin’s multi-volume work in his library and, according to acquaintances, knew it “almost by heart.” The article demonstrates that the mention of Karamzin’s History in the opening scene of The Idiot should be understood in the context of the heightened public interest in K
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Lebedev, Yuriy V. ""A Spring’s Tale" "The Snow Maiden" by Alexander Ostrovsky in the 1870s literary process." Vestnik of Kostroma State University, no. 2 (2019): 124–29. http://dx.doi.org/10.34216/1998-0817-2019-25-2-124-129.

Der volle Inhalt der Quelle
Annotation:
Organic connection of perspective and poetics of "The Snow Maiden" by Alexander Ostrovsky with spiritual search of his contemporaries, the 1870s writers, is shown in the article, and the playwright's aesthetic position originality – going beyond the limits of poetic schools which were at enmity with each other, and overcoming contradiction between them in new artistic synthesis – comes to light. Fragility of human communications, disappearance of attachment to family life from daily communication is very characteristic of that time, that found refl ection in Leo Tolstoy's, and Fyodor Dostoevsk
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Buchneva, Daria. "Fyodor Dostoevsky and Nikolay Danilevsky: a Dispute About Russia and Europe." Неизвестный Достоевский 12, no. 1 (2025): 179–94. https://doi.org/10.15393/j10.art.2025.7761.

Der volle Inhalt der Quelle
Annotation:
n April 1867, Dostoevsky left Russia on a voyage. The writer had a hard time coping with his forced stay abroad for several years. His friends and comrades, A. N. Maikov and N. N. Strakhov, helped him cope with the difficulties. They kept in touch with Dostoevsky through correspondence, informing him about the events in Russia, and news related to Russian literature and journalism. The writer responded with enthusiasm to the news of the release of the new magazine “Zarya” (1869–1872), published by V. V. Kashpirev and edited by N. N. Strakhov. The trademark of the publication was N. Ya. Danilev
APA, Harvard, Vancouver, ISO und andere Zitierweisen
11

Stryjakowska, Anna. "Процесс индивидуации как ключ к интерпретации главного героя романа Федора Достоевского „Бесы”". Kultury Wschodniosłowiańskie - Oblicza i Dialog, № 6 (22 вересня 2018): 235–44. http://dx.doi.org/10.14746/kw.2016.6.19.

Der volle Inhalt der Quelle
Annotation:
The article is an attempt to interpret Nikolay Stavrogin, the main character of Fyodor Dostoyevsky’s novel The Possessed, in the key of the analytical psychology. It is argued that Stavrogin may be undergoing the process of individuation by dealing with the collective unconscious. The attention is drawn particularly to the character of Matryosha, who can be perceived as the protagonist’s anima, showing him the way out of the tragic impasse.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
12

Pugachev, Oleg S., and Svyatoslav S. Gorbunov. "The “Open Letters” about Goodness for the World." Ethical Thought 22, no. 1 (2022): 81–88. http://dx.doi.org/10.21146/2074-4870-2022-22-1-81-88.

Der volle Inhalt der Quelle
Annotation:
The article is a preface to the translation of two Strasbourg sermons on reverence for life de­livered by Albert Schweitzer in the midst of a difficult time, harsh both for himself and the world. Schweitzer’s return from Africa and internment, the Paris Peace Conference and the eve of the Versailles Treaty went along with fear of new means of destruction. In Feb­ruary 1919 sermons, Schweitzer tries to rehabilitate Christian morality, which has been reduced to nothingness. In response to Nietzsche’s “God is dead”, Dr. Schweitzer speaks of perception based on true reason and true heart, referrin
APA, Harvard, Vancouver, ISO und andere Zitierweisen
13

Gantsovskaya, Nina S. "Folkish Language Programme, named in honour of Aleksey Shakhmatov: Nikolay Pokrovskiy on Kostroma patois near the village of Krasnoye." Vestnik of Kostroma State University 31, no. 1 (2025): 24–31. https://doi.org/10.34216/1998-0817-2025-31-1-24-31.

Der volle Inhalt der Quelle
Annotation:
The material of the answers of Professor Nikolay Pokrovskiy to the questions of the first part of the «Programme for the Collection of Peculiarities of Folkish Vocabularies», which was published by the Department of Russian Language and Literature of the Imperial Academy of Sciences and was unofficially named after Aleksey Shakhmatov, is analysed in the article; phonetics and grammar of the patois of the district of Krasnoye village near Kostroma (Kostroma Province) are described there. Similar studies of other patois of this province – south of the Volga River (Fyodor Pokrovskiy, Nikolay Soko
APA, Harvard, Vancouver, ISO und andere Zitierweisen
14

Safonov, D. V. "Nikolay Lisovoy: “I am a Conservative!” (Review of Nikolay Lisovoy’s Work in the Soviet Period)." Orthodoxia, no. 4 (January 10, 2024): 58–89. http://dx.doi.org/10.53822/2712-9276-2023-4-58-89.

Der volle Inhalt der Quelle
Annotation:
This article delves into the works of Nikolay Nikolayevich Lisovoy (1946–2019) during the initial 45 years of his life, which coincided with the Soviet era. It was during this period that the main concepts of his creativity were formulated: the Orthodox Empire and its relation to the Church, the history of Russian theology, the history of the Russian Church and its saints, Russian conservative journalism from the late 19th to the early 20th century, and the Russian spiritual and political presence in the East. Nikolay Lisovoy’s youth was marked by the peak of his poetic creativity, and he prim
APA, Harvard, Vancouver, ISO und andere Zitierweisen
15

Popiel-Machnicki, Wawrzyniec. "Русская тема в творческих размышлениях Януша Гловацкого". Studia Rossica Posnaniensia, № 38 (1 січня 2013): 213–22. http://dx.doi.org/10.14746/strp.2013.38.16.

Der volle Inhalt der Quelle
Annotation:
The works of the Polish prose writer, playwright, scriptwriter and columnist Janusz Głowacki are characterized by frequent references to Russian literature. This article analyzes works which refer to the artistic activity of Fyodor Dostoyevsky, Nikolai Gogol, Anton Chekhov and Maxim Gorky. Głowacki’s postmodern achievements, which are imbued with grotesque and irony, are an example of careful, even photographic reflection on present-day Poland, America and Russia.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
16

Olkhov, Pavel A., Elena N. Motovnikova, and Larisa E. Kuskova. "Immanuel Kant in the Conversations and Reflections of Nikolay Strakhov." Kantian journal 42, no. 4 (2023): 69–85. http://dx.doi.org/10.5922/0207-6918-2023-4-4.

Der volle Inhalt der Quelle
Annotation:
The place occupied by Kant’s philosophical ideas in the reflections of the Russian philosopher, Nikolay Strakhov, needs further study. The material for a historical-philosophical reconstruction of Strakhov’s reception of Kant’s philosophy is the Russian thinker’s home library catalogue, his correspondence and his own philosophical works. Among Strakhov’s interlocutors were not only philosophers and natural scientists, but also writers, including Fyodor Dostoevsky, Leo Tolstoy and Afanasy Fet, who in many ways determined the cultural and intellectual horizon of the epoch. The many years of corr
APA, Harvard, Vancouver, ISO und andere Zitierweisen
17

Sukhov, A. D. "The Interconnections between Russian Philosophy and Other Realms of Public Consciousness." Russian Journal of Philosophical Sciences, no. 8 (November 28, 2018): 108–24. http://dx.doi.org/10.30727/0235-1188-2018-8-108-124.

Der volle Inhalt der Quelle
Annotation:
Among the characteristic features of Russian philosophy, there is its openness and connections with other realms of public consciousness. In the Middle Ages Orthodox religion (i.e. theology as theoretical part of it) was trying to take over the main functions of Russian philosophy. Philosophy was not just under the aegis of religion, as it was in Western Europe and Byzantium, but in its depths. Active philosophical life manifested itself under non-philosophical covers. Russian literature also is involved in philosophy. A plenty of a philosophical writers could doubtlessly be called great. They
APA, Harvard, Vancouver, ISO und andere Zitierweisen
18

Walczak, Dorota. "The Icon and the Hatchet. The Motif of Aggression Against Icons in Russian Literature before the Revolution." Ikonotheka 27 (July 10, 2018): 93–108. http://dx.doi.org/10.5604/01.3001.0012.2319.

Der volle Inhalt der Quelle
Annotation:
The present work focuses on the motif of aggression against icons introduced in the works by many Russian writers before the Revolution. Analysed material includes the works of Nikolai Gogol, Fyodor Dostoyevsky, Nikolai Leskov, Lev Tolstoy, Dmitri Merezhkovsky and Vsevolod Krestovsky. The main aim of the article is to define how the authors imagined an act of imagebreaking and to determine who played the role of an iconoclast and what the presented motivation of such actions were. It attempts to answer the question of why so many authors felt the need to incorporate the motif of aggression aga
APA, Harvard, Vancouver, ISO und andere Zitierweisen
19

Kibalnik, Sergei A. "Solving the riddle of a writer's defamation: Why did Nikolay Strakhov slander Fyodor Dostoevsky?" Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 55 (October 1, 2018): 191–211. http://dx.doi.org/10.17223/19986645/55/13.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
20

Sergei KIBALNIK. "Solving the Riddle of a Writer's Defamation: Why Did Nikolay Strakhov Slander Fyodor Dostoyevsky?" Social Sciences 50, no. 003 (2019): 115–34. http://dx.doi.org/10.21557/ssc.56018740.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
21

Magaril-Il’iaeva, Tatiana G. "“The Dream of a Ridiculous Man” in Contemporary Theatrical Productions." Dostoevsky and World Culture. Philological journal, no. 1 (2022): 158–66. http://dx.doi.org/10.22455/2619-0311-2022-1-158-166.

Der volle Inhalt der Quelle
Annotation:
The article is dedicated to three solo performances based on Fyodor Dostoevsky’s fantastic story “The Dream of a Ridiculous Man”, currently running on Italian and Russian stages (the first show is produced by OUT-OFF Theatre in Milan, Italy, starring Mario Sala, and premiered in 2019; the second by the Nikitsky Gate Theatre, directed by and starring Nikolay Ringburg, premiered in 2021; the third by Piotr Fomenko Workshop Theatre, directed by and starring Fyodor Malyshev, premiered in 2015). Particular attention is given to the analysis of staging solutions used in the hero’s description of the
APA, Harvard, Vancouver, ISO und andere Zitierweisen
22

Abramova, Veronika I. "F.M. Dostoevky’s image in the Russian lyrics of the 19th – 20th centuries." Vestnik of Kostroma State University 28, no. 2 (2022): 147–54. http://dx.doi.org/10.34216/1998-0817-2022-28-2-147-154.

Der volle Inhalt der Quelle
Annotation:
The subject of research in this article includes Fyodor Dostoevsky’s image created in works of Russian 19th – 20th century poets (Konstantin Sluchevsky, Dmitry Merezhkovsky, Valery Bryusov, Sasha Chorny, Max Voloshin, Georgy Ivanov, Vladimir Mayakovsky, Nikolai Aseyev, Pavel Antokolsky, Boris Slutsky, Мikhail A. Svetlov, Yevgeny Rein, Yevgeny Yevtushenko, etc.). The genius image has not been examined by scientists in the aforesaid contexts so far. This determines the novelty of this research. Analysis of lyric texts, in which Fyodor Dostoevsky is mentioned, has allowed to identify the aspects
APA, Harvard, Vancouver, ISO und andere Zitierweisen
23

Sokolov, Boris V. "Fyodor Dostoevsky vs. Nikolai Kostomarov: genesis of Smerdyakov's сharacter in The Brothers Karamazov". RUDN Journal of Studies in Literature and Journalism 28, № 1 (2023): 21–29. http://dx.doi.org/10.22363/2312-9220-2023-28-1-21-29.

Der volle Inhalt der Quelle
Annotation:
The author examines one of the episodes of N.I. Kostomarov's Autobiography - the circumstances of his father's murder as the main source of Smerdyakov's image in F.M. Dostoevsky's novel The Brothers Karamazov and its correlation with Dostoevsky's criticism of the idea “If there is no God, then everything is allowed!”. It is proved that Dostoevsky could have learned this episode in an oral transmission either personally from Kostomarov, or through mutual acquaintances with him. The connection is traced through the common Turkic origin of the surnames Kostomarov and Karamazov. It is proved that
APA, Harvard, Vancouver, ISO und andere Zitierweisen
24

Potemkina, Ekaterina, and Igor Ruzhitskiy. "Homo Increpans: Abusive Vocabulary of Personages in Fyodor Dostoevsky’s and Nikolay Leskov’s Works. The First Article." Stephanos. Peer reviewed multilanguage scientific journal 35, no. 3 (2019): 78–89. http://dx.doi.org/10.24249/2309-9917-2019-35-3-78-89.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
25

Ruzhitskiy, Igor, and Ekaterina Potemkina. "Homo Increpans: Abusive Vocabulary of Personages in Fyodor Dostoevsky’s and Nikolay Leskov’s Works. The Second Article." Stephanos. Peer reviewed multilanguage scientific journal 36, no. 4 (2019): 119–39. http://dx.doi.org/10.24249/2309-9917-2019-36-4-119-139.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
26

Fedorova, Elena. "Mikhail Semevsky and Fyodor Dostoevsky." Неизвестный Достоевский 8, no. 4 (2021): 91–111. http://dx.doi.org/10.15393/j10.art.2021.5861.

Der volle Inhalt der Quelle
Annotation:
The article presents the history of business and friendly relations between F. M. Dostoevsky and M. I. Semevsky, an employee of the “Vremya” journal and the editor of “Russkaya Starina”, the largest historical journal of the 19th century. Semevsky most likely met Dostoevsky in the early 1860s, when the former became a contributing author of the “Vremya” journal and wrote two large-scale historical essays for the publication: “Tsarina Praskovya” and “The Mons Family.” Dostoevsky was familiar with Semevsky’s works even prior to their personal meetings and intended to polemize with his concept of
APA, Harvard, Vancouver, ISO und andere Zitierweisen
27

Pospíšil, Ivo. "Pozapomenutá linie ruské literatury: kataklyzmatický kosmismus, jinakost a identita." Новая русистика, no. 2 (2024): 49–57. https://doi.org/10.5817/nr2024-2-5.

Der volle Inhalt der Quelle
Annotation:
The author of the present article deals with the so-called Russian cosmism, now the extremely popular phenomenon analysed in special books, anthologies, and studies all over the world, which is usually connected with the philosophy of Nikolay Fedorov and his Russian followers, writers and scientists, such as Leo Tolstoy, Fyodor Dostoevsky, Vladimir Vernadsky, Konstantin Tsiolkovsky, even the French neothomist Teilhard de Chardin and others. The main goal of this treatise is to manifest dominant thematic and conceptual layers of the Russian lyric poetry of the end of the 18th- and the first thi
APA, Harvard, Vancouver, ISO und andere Zitierweisen
28

Emme-Kreile, Serafima A. "Dualism of the Image of the Sun in Chevengur as a Reflection of Nikolai Fyodorov’s Philosophy." Studia Litterarum 10 (2025): 124–33. https://doi.org/10.22455/2500-4247-2025-10-1-124-133.

Der volle Inhalt der Quelle
Annotation:
The article conducts textual and intertextual analysis of the image of the sun as a secondary but significant figure in Andrei Platonov’s novel Chevengur. A comparison of the sun’s characteristics reveals a striking contrast between its portrayal inside and outside the city of Chevengur. The source of this antithetical duality can be traced back to Nikolai Fedorov’s Philosophy of the Common Task. His teachings define the “common task” as the regulation of nature, both external and internal, transforming this blind, destructive force into something rational and life-giving. The sun in Chevengur
APA, Harvard, Vancouver, ISO und andere Zitierweisen
29

Kudryavtseva, Elena M. "Reader and Writer: Poor Liza (1792) by Nikolay Karamzin and Notes from Underground (1864) by Fyodor Dostoevsky." Dostoevsky and World Culture. Philological journal, no. 1 (25) (2024): 62–91. http://dx.doi.org/10.22455/2619-0311-2024-1-62-91.

Der volle Inhalt der Quelle
Annotation:
The article analyses the image of homo legens in Poor Liza by Nikolay Karamzin and Notes from Underground by Fyodor Dostoevsky. The novelist considers Karamzin’s short story as a part of the process of the knowledge of the human being in the 19th century. In contrast to positivist philosophical knowledge, which, according to Dostoevsky, simplifies the phenomenon of the person, the writer, with the help of Karamzin’s artistic discoveries in the short story Poor Liza, creates the image of the Underground Man as a person who both reads and writes. Typologically, the encounter of the dreamer with
APA, Harvard, Vancouver, ISO und andere Zitierweisen
30

Zvereva, Ekaterina E., and Sergey A. Kutia. "Simferopol God-pleasing institutions during the Crimean War over 1853–1856." HEALTH CARE OF THE RUSSIAN FEDERATION 68, no. 6 (2024): 543–48. https://doi.org/10.47470/0044-197x-2024-68-6-543-548.

Der volle Inhalt der Quelle
Annotation:
This article for the first time covers previously unknown pages of the history of the Simferopol God-pleasing institutions related to the period of the Crimean War. Thanks to the search among the unique materials of the State Archive of the Republic of Crimea, memoirs of contemporaries, funds of Crimean libraries and museums of Simferopol, it was possible to restore the chronicle of the terrible war days in the fate of the hospital and revive the names of forgotten doctors. The God-pleasing institutions, the largest civilian medical institution of the Taurida province, immediately after the be
APA, Harvard, Vancouver, ISO und andere Zitierweisen
31

Kosych, Galina. "«Современные записки» о «неканонизированном» писателе Н.С. Лескове". Новая русистика, № 1 (2023): 5–14. http://dx.doi.org/10.5817/nr2023-1-1.

Der volle Inhalt der Quelle
Annotation:
The purpose of this article is to answer the questions: how the publications of the magazine Current Notes considered the work of N. S. Leskov and why his name appeared on the pages of this magazine mainly "in special cases". Current Notes magazine was published from 1920 to 1940 in Paris, the city that became the capital of Russia’s culture in the period of "national dispersal". The readers and authors of the magazine recognized its unique role as "the guardian of legacy" and "treasure house of Russian culture". The magazine included several sections related to the issues of literature, arts,
APA, Harvard, Vancouver, ISO und andere Zitierweisen
32

Borisova, Valentina V. "Images of Books in Fyodor Dostoevsky’s Novel The Idiot. Review of the Collective Monograph: Kasatkina, Tatiana A., Corbella, Caterina, Magaril-Il’iaeva, Tatiana G., and Nikolay N. Podosokorsky. Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot. Ed. T.A. Kasatkina. Moscow, IWL RAS Publ., 2024. 392 p." Dostoevsky and World Culture. Philological journal, no. 2 (30) (2025): 370–83. https://doi.org/10.22455/2619-0311-2025-2-370-383.

Der volle Inhalt der Quelle
Annotation:
The review examines the collective monograph by Tatiana Kasatkina, Caterina Corbella, Tatiana Magaril-Il’iaeva, and Nikolay Podosokorsky titled Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot (Ed. T.A. Kasatkina. Moscow, IWL RAS, 2024. 392 p.). The work reviewed represents a perspective of research that has actively developed in recent years, characterized by a new terminological thesaurus and a new methodology for studying the role and image of books-within-books, which is fundamentally different from the traditional intertextual approach. The authors’ pr
APA, Harvard, Vancouver, ISO und andere Zitierweisen
33

Tikhomirov, Vladimir V. "Ivan Aksakov as a literary critic." Vestnik of Kostroma State University, no. 4 (2019): 88–94. http://dx.doi.org/10.34216/1998-0817-2019-25-4-88-94.

Der volle Inhalt der Quelle
Annotation:
It is noted in the article that Ivan Aksakov would continue the line of his Slavophile predecessors - Ivan Kireyevsky's, Aleksey Khomyakov's, Konstantin Aksakov's, Yuri Samarin's - literary criticism development and he would significantly change the principles and approaches to analysis of Russian literature. He was less categorical in terms of requirements for Russian writers' allegiance to Orthodox foundations; this is the writer 's interest in the Russian people, their traditions, in Russian history which is of greatest importance in his opinion. The author of the article states that Ivan A
APA, Harvard, Vancouver, ISO und andere Zitierweisen
34

Gacheva, Anastasia G. "“Restoring the Kinship”: the Novel The Adolescent as a Prologue to the Dialogue Between Nikolay Fedorov and Fyodor Dostoevsky." Dostoevsky and World Culture. Philological journal, no. 4 (2021): 58–87. http://dx.doi.org/10.22455/2619-0311-2021-4-58-87.

Der volle Inhalt der Quelle
Annotation:
The article is an attempt to read the novel The Adolescent in the light of the spiritual and creative dialogue between the philosopher of the common task Nikolay Fedorov and Fyodor Dostoevsky. Although The Adolescent was written and published three years before Fedorov’s student N. Peterson presented his teacher’s ideas to the writer in the article “What should a people’s school be?”, the novel can be considered as a prologue to the topic that eventually became the subject of Fedorov’s main work The question of brotherhood or kinship, about the causes of the non-fraternal, unrelated, i.e. non-
APA, Harvard, Vancouver, ISO und andere Zitierweisen
35

Hertler, Steven C. "Psychological Perceptiveness in Pushkin’s Poetry and Prose." Janus Head 16, no. 2 (2018): 54–79. http://dx.doi.org/10.5840/jh201816213.

Der volle Inhalt der Quelle
Annotation:
This is the first of five papers celebrating the psychological complexity of nineteenth century Russian novels authored by Alexander Sergeyevich Pushkin, Nikolai Vasilievich Gogol, Lev Nikolayevich Tolstoy, Fyodor Mikhailovich Dostoyevsky, and Ivan Sergeyevich Turgenev. Using biography, letters, narratives, and literary criticism, the life and writings of each author will be reviewed as they contribute to the understanding of the human mind and the apperception of the human condition. More subtly than the case study, more fully than the clinical anecdote, more profoundly than the apt example,
APA, Harvard, Vancouver, ISO und andere Zitierweisen
36

Rarot, Halina. "The philosophical idea of a new Christian civilization in Russian Religious Philosophy." Studia z Historii Filozofii 14, no. 3 (2023): 59–77. http://dx.doi.org/10.12775/szhf.2023.021.

Der volle Inhalt der Quelle
Annotation:
The article argues, using the thought of Fyodor Dostoevsky and Nikolai Berdyaev as an example, that the search for the genesis of the current political ideology, guiding the armed conflict launched by Russia in Ukraine, in the thought represented by Russian religious philosophers of the second half of the 19th and early 20th centuries, i.e., the founders of a strictly national philosophy, is quite superficial and essentially unfounded. For the idea of a new Christian civilization with a new state order and a new role for the Orthodox Church, which they formulated, was an idea of such a Christi
APA, Harvard, Vancouver, ISO und andere Zitierweisen
37

Petrov, Valery. "“Here Geometry Becomes a Religion”: Metaphorics of non-Euclidean Geometry in Dmitry Merezhkovsky’s Theoretical Reasoning." Otechestvennaya Filosofiya 2, no. 1 (2024): 19–36. http://dx.doi.org/10.21146/2949-3102-2024-2-1-19-36.

Der volle Inhalt der Quelle
Annotation:
The article examines Dmitry Merezhkovsky’s tendency – previously unnoticed, but variously shown – to present his theoretical reasoning through images and concepts referring to non-Euclidean geometry, as well as through the concepts of multidimensional spaces, mystically interpreted. It is shown that such an approach is a stable figurative-theoretical method of Dmitry Merezhkovsky, to which he resorts in a large number of works – from the earliest to the lates. Geometric and spatial metaphorics dating back to Fyodor Dostoevsky and Vladimir Solovyov, and actively engaged by his contemporaries, i
APA, Harvard, Vancouver, ISO und andere Zitierweisen
38

Ozer, Saiana. "Gogol’s Vestmental Term “Shinel (The Overcoat)” as “Daguerreotype” of Mediocrity." SHS Web of Conferences 50 (2018): 01125. http://dx.doi.org/10.1051/shsconf/20185001125.

Der volle Inhalt der Quelle
Annotation:
In the first half of the 19th century, the theme of ‘a small’ man, an ordinary and inconspicuous person, appeared in the literature. Different writers described the daily unremarkable life of mediocre people in detail. Such writers as Anton Chekhov, Alexander Kuprin, Maxim Gorky, Leonid Andreyev, Fyodor Sologub, Arkady Averchenko, Konstantin Trenyov, Ivan Shmelyov, Semyon Yushkevich, etc. dwelled later on the same topic. Under the guise of criticism of philistine life, Mikhail Zoshchenko, Mikhail Bulgakov, Vladimir Voinovich continued the tradition of “the small man’s menology” during the era
APA, Harvard, Vancouver, ISO und andere Zitierweisen
39

Ozer, Saiana. "Gogol’s Vestmental Term “Shinel (The Overcoat)” as “Daguerreotype” of Mediocrity." SHS Web of Conferences 50 (2018): 01239. http://dx.doi.org/10.1051/shsconf/20185001239.

Der volle Inhalt der Quelle
Annotation:
In the first half of the 19th century, the theme of ‘a small’ man, an ordinary and inconspicuous person, appeared in the literature. Different writers described the daily unremarkable life of mediocre people in detail. Such writers as Anton Chekhov, Alexander Kuprin, Maxim Gorky, Leonid Andreyev, Fyodor Sologub, Arkady Averchenko, Konstantin Trenyov, Ivan Shmelyov, Semyon Yushkevich, etc. dwelled later on the same topic. Under the guise of criticism of philistine life, Mikhail Zoshchenko, Mikhail Bulgakov, Vladimir Voinovich continued the tradition of “the small man’s menology” during the era
APA, Harvard, Vancouver, ISO und andere Zitierweisen
40

Liu, Yuanlin. "The Possessed: Dostoevsky’s Conscientious Monarchy." English Language and Literature Studies 11, no. 1 (2021): 31. http://dx.doi.org/10.5539/ells.v11n1p31.

Der volle Inhalt der Quelle
Annotation:
In the mock apocalypse of The Possessed, Fyodor Dostoevsky references biblical imagery to advocate for a conscientious monarchy as the ideal government to lead the Russian masses from deception. While Varvara Petrovna Stavrogin’s oppression of Stepan Trofimovich Verhovensky is similar to the Babylonian kings’ exploitation of the Jews in Daniel, the love between them and Dostoevsky’s eventual glorification of Stepan Trofimovich as the Russian prophet suggest the longevity of a conscientious monarchy, one in which the monarch takes responsibility for the welfare of
APA, Harvard, Vancouver, ISO und andere Zitierweisen
41

Bystrenkov, Dmitriy L., and Alexey A. Kazakov. "Russian dystopian tradition (Fyodor Dostoevsky, Yevgeny Zamyatin) and Aldous Huxley: The problem of Nikolai Berdyaev’s receptive mediation." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 78 (August 1, 2022): 99–113. http://dx.doi.org/10.17223/19986645/78/5.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
42

Gacheva, Anastasia G. "“I Have an Ideal, it Was Given me: Christ”: Dostoevsky’s Christology in the Context of the Tradition of Moral Interpretation of Dogma." Dostoevsky and world culture. Philological journal, no. 2 (2021): 37–64. http://dx.doi.org/10.22455/2541-7894-2021-2-37-64.

Der volle Inhalt der Quelle
Annotation:
The present article continues a series of studies devoted to the theology of Fyodor Dostoevsky in the context of the tradition of moral interpretation of dogma, which was developing in Russian thought during the 19th century and the first third of the 20th century. The article focuses on Dostoevsky’s Christology, presented through the prism of the idea of transforming dogma into a commandment. It is shown that Dostoevsky’s perception of Christ as the “ideal man in flesh” should be understood not in the context of utopian thought, but as a manifestation of the idea of the deification of man, as
APA, Harvard, Vancouver, ISO und andere Zitierweisen
43

Gacheva, Anastasia G. "“I Have an Ideal, it Was Given me: Christ”: Dostoevsky’s Christology in the Context of the Tradition of Moral Interpretation of Dogma." Dostoevsky and world culture. Philological journal, no. 2 (2021): 37–64. http://dx.doi.org/10.22455/2619-0311-2021-2-37-64.

Der volle Inhalt der Quelle
Annotation:
The present article continues a series of studies devoted to the theology of Fyodor Dostoevsky in the context of the tradition of moral interpretation of dogma, which was developing in Russian thought during the 19th century and the first third of the 20th century. The article focuses on Dostoevsky’s Christology, presented through the prism of the idea of transforming dogma into a commandment. It is shown that Dostoevsky’s perception of Christ as the “ideal man in flesh” should be understood not in the context of utopian thought, but as a manifestation of the idea of the deification of man, as
APA, Harvard, Vancouver, ISO und andere Zitierweisen
44

Apal'kova, Elizaveta S. "The Reflection of Dostoevsky’s Crime and Punishment in the Novel Imaginary Magnitudes by Nikolay Narokov: Narrative and Ideological Intersections." Dostoevsky and World Culture. Philological journal, no. 2 (22) (2023): 161–71. http://dx.doi.org/10.22455/2619-0311-2023-2-161-171.

Der volle Inhalt der Quelle
Annotation:
The article discusses the elements of continuity with Russian classics in Nikolay Narokov’s novel Imaginary Magnitudes, namely its orientation towards the work of Fyodor Dostoevsky and his novel Crime and Punishment. Parallels with Crime and Punishment in the plot, but also in the genre and ideological content, can be found in Narokov’s novel. The center of the novel is a Chekist hero obsessed with an idea, like Raskolnikov. He sees salvation in Eulalia, who represents the moral ideal, like Sonechka in Dostoevsky’s novel. Raskolnikov’s idea of people “who have the right” is brought to the limi
APA, Harvard, Vancouver, ISO und andere Zitierweisen
45

Duda, Katarzyna. "Wirtualna rzeczywistość świata postnowoczesnego (na przykładzie wybranych utworów współczesnej literatury rosyjskiej)." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 61, no. 4 (2024): 23–34. http://dx.doi.org/10.36770/bp.847.

Der volle Inhalt der Quelle
Annotation:
The aim of the article presented here is to define virtual reality in a post-modern world in which revolutionary technological transformations are taking place before our eyes. Thus, we are witnessing the implementation into our existence of new entities created in the first instance by the sciences including information technology, biotechnology, genetic engineering, and nanotechnology. The latter fields of knowledge have become our research object, with examples drawn from selected works of contemporary Russian literature. It turns out that transhumanism in Russia has its prehistory, for exa
APA, Harvard, Vancouver, ISO und andere Zitierweisen
46

Podosokorsky, Nikolay N. "Fyodor Dostoevsky and Hieronymus Bosch: The Haywain in the Novel Crime and Punishment." Dostoevsky and World Culture. Philological journal, no. 1 (29) (2025): 46–88. https://doi.org/10.22455/2619-0311-2025-1-46-88.

Der volle Inhalt der Quelle
Annotation:
The article compares the metaphysical works of Fyodor Dostoevsky and the Dutch artist Hieronymus Bosch (c. 1450–1516), who is famous for his depictions of surreal scenes of a world steeped in sin and filled with the most fantastic chimeras, often combining signs of the living and the inanimate. This characteristic of the artist immediately catches the eye when reading the first chapters of Crimes and Punishment, in which several characters are described through Raskolnikov’s painful perception in the spirit of Bosch’s hybrids. For example, it is noted that the thin and long neck of the old paw
APA, Harvard, Vancouver, ISO und andere Zitierweisen
47

Kozlov, Alexei E. "“Failed life” by Dmitry Grigorovich: towards the pragmatics of the fictional text." Sibirskiy filologicheskiy zhurnal, no. 1 (2022): 48–62. http://dx.doi.org/10.17223/18137083/78/4.

Der volle Inhalt der Quelle
Annotation:
In the early 1850s, political processes made the fiction of the journal “Otechestvennye Zapiski” change towards a compromise and numerous agreements between the author, the publisher, and the censor. One example is the story “Failures” (later “Failed life”) by Dmitry Grigorovich, which combines the techniques and ideas of the stories of Nikolai Gogol (“Portrait”) and Fyodor Dostoevsky (“Poor people,” “Weak heart,” “White nights”). In Russian literary criticism, this story is regarded as secondary and imitative, studied mainly in the context of other stories about artists projected onto the eve
APA, Harvard, Vancouver, ISO und andere Zitierweisen
48

Maguire, Muireann. "‘A Melmoth? a cosmopolitan? a patriot?’: Melmoth the Wanderer's Russian Epigones." Gothic Studies 26, no. 2 (2024): 148–64. http://dx.doi.org/10.3366/gothic.2024.0194.

Der volle Inhalt der Quelle
Annotation:
Maturin's Melmoth the Wanderer had immediate, rich, and enduring influence upon Russian literature: Aleksandr Pushkin, after reading it in French translation in 1823, cited it in his own 1833 novel-in-verse Eugene Onegin, introducing the adjective ‘ mel’moticheskii’ (‘Melmoth-like’) to Russian. The titular demon of Mikhail Lermontov's dramatic poem The Demon (c. 1838) emulates Melmoth, while Maturin's novel was significant both for Nikolai Gogol and Fyodor Dostoevsky. Maturin's novel was just as widely read and (sometimes) travestied within Russia as the work of other Gothic-fantastic authors,
APA, Harvard, Vancouver, ISO und andere Zitierweisen
49

Пашков, А. М. "At the origin of Folklore studies in Karelia: G.S. Epiphanov and his time." Диалог со временем, no. 77(77) (November 29, 2021): 197–209. http://dx.doi.org/10.21267/aquilo.2021.77.77.013.

Der volle Inhalt der Quelle
Annotation:
В статье рассматривается возникновение фольклористики в Олонецкой губернии (Карелии) во второй четверти XIX в. Первыми фольклористами были ссыльные поэт-декабрист Ф.Н. Глинка и друг М.Ю. Лермонтова С.А. Раевский, а также выпускник местной гимназии В.А. Дашков и учитель Г.С. Епифанов. Особое внимание уделено анализу публикации Г.С. Епифанова «Заметки об Олонецкой стороне», испытавшей влияние сочинений Н.В. Гоголя и В. Скотта. Сделан вывод, что в отличие от работ других фольклористов, написанных в русле казенного патриотизма, эта статья Г.С. Епифанова отражала более независимую и отчасти оппозиц
APA, Harvard, Vancouver, ISO und andere Zitierweisen
50

Azarova, Vasilisa N. "The Representation of Teachers and Students in Pre-Revolutionary Siberian Periodicals." Вестник Пермского университета. Российская и зарубежная филология 17, no. 1 (2025): 80–89. https://doi.org/10.17072/2073-6681-2025-1-80-89.

Der volle Inhalt der Quelle
Annotation:
An exploratory look into the images of teachers and students formed by public opinion and consciousness and presented therein can enrich the understanding of the education of the period, of the society’s norms and perceptions in matters of upbringing and pedagogy, and help create a picture of the educational reality. This study reveals the types and features of the images of teachers and students that were formed at the turn of the 19th – 20th centuries in Siberian pre-revolutionary periodicals, namely in the socio-political and student press (Sibirskaya Gazeta, Sibirskiy Vestnik, Sibirskaya Z
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!

Zur Bibliographie