Thematische Bibliographien / Origin of violin

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Auswahl der wissenschaftlichen Literatur zum Thema „Origin of violin“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Origin of violin"

Mihălcică, Mircea, Mariana Domnica Stanciu, Silviu Marian Nastac, et al. "Signature Modes of Old and New Violins with Symmetric Anatomical Wood Structure." Applied Sciences 11, no. 23 (2021): 11297. http://dx.doi.org/10.3390/app112311297.

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The paper aims to investigate old and new violins from the perspective of the correlation between the anatomical structure of spruce and maple wood, and the dynamic response of violins. Thus, in the first stage, for each violin, the characteristics of the annual rings were measured on the entire width of the top plate, determining the degree of symmetry of the face with respect to the longitudinal axis of the violin body. Then, each violin was dynamically tested with the impact hammer, determining its own frequency spectrum, mainly the so-called “signature” mode and quality factors. The most i

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ARSEL, Sıla, and Murat KARABULUT. "INVESTIGATION OF THE DEVELOPMENT PROCESS OF THE VIOLIN INSTRUMENT AND ITS USE IN MUSIC EDUCATION." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 1 (2023): 155–69. http://dx.doi.org/10.46291/zfwt/150112.

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Instruments reflect the characteristics of the societies they live in and their cultural heritage values. In this context, the horse and arrow-bow duo draws attention as the cultural heritage of Turkish culture. When the string instruments were researched in order to go down to the origins of the violin instrument, the ancient key of the Turkish hand; arrow and bow duo is reached. It is seen that the string instruments came to Anatolia from the Central Asian lands through the Nomadic Turks and then reached the European lands with the cultural sharing that took place during the silk Road trade.

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Ioniţă, Raluca Dobre. "14. Pablo De Sarasate - Andalusian Romance for Violin and Piano." Review of Artistic Education 25, no. 1 (2023): 94–100. http://dx.doi.org/10.2478/rae-2023-0014.

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Abstract Pablo de Sarasate was a famous violinist and composer of Spanish origin. In his creations, Sarasate highlighted to the maximum the technical and interpretative potential of the violin, composing both works for violin and orchestra (including fantasias on operatic themes) and musical miniatures for violin and piano. Sarasate’s musical language is mainly inspired by Spanish folklore.

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Raymaekers, Wim. "Bridge shapes of the violin and other bowed instruments, 1400–1900: the origin and evolution of their design." Early Music 48, no. 2 (2020): 225–50. http://dx.doi.org/10.1093/em/caaa027.

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Abstract As one goes back in time, the number of extant bowed instruments decreases gradually, and this is particularly true for loose parts such as bridges, pegs and tailpieces. The current article traces the development of bridges of instruments of the violin family, based on a study of extant instruments and around 800 iconographic sources. This study reveals the origins of the various elements of bridges found on modern instruments of the violin family, and reconstructs the different stages of their evolution. Many elements of the modern violin bridge were already present, sometimes hidden

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Vasylevych, Marta. "Ivan Khandoshko. Restitution of Ukrainian Cultural Heritage: Relevance of the Present." Folk art and ethnology, no. 2 (June 30, 2023): 39–45. http://dx.doi.org/10.15407/nte2023.02.039.

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The challenges of the present force us to delve as deeply as possible into our past, bringing back from oblivion everything that will help us to restore historical justice and enrich Ukrainian culture. The article is dedicated to the description of the figure of the virtuoso violinist Ivan Yevstakhiiovych Khandoshkin in the light of his Ukrainian origin. He has been considered as the founder of Russian violin school until recently. The heritage of I. Khandoshkin has been still interpreted by Russian researchers exclusively as a component of Russian musical culture and all the details of his wo

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Macedo, Tahysa Mota, Cecília Gonçalves Costa, Haroldo Cavalcante de Lima, and Claudia Franca Barros. "Wood anatomy of historic French violin bows made of Pernambuco wood." IAWA Journal 41, no. 3 (2020): 320–32. http://dx.doi.org/10.1163/22941932-bja10011.

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Abstract Paubrasilia echinata is recognized as the best wood in the manufacture of high-quality bows for string instruments. The wood anatomy of five historic French violin bows of the 19th and 20th century made of Pernambuco wood were investigated in order to reveal the wood anatomic features of these historical bows, to determine which P. echinata morphotype (arruda, café or laranja) was used in their manufacture and to identify the state of origin of the wood. Five bow samples were compared to 33 P. echinata specimens from the Brazilian states of Rio de Janeiro, Bahia, Paraíba and Rio Grand

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Fang, Fang. "A Brief Analysis of Brahms Violin Concerto in D Major, Op.77." Arts Studies and Criticism 4, no. 2 (2023): 42. http://dx.doi.org/10.32629/asc.v4i2.1459.

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Brahms is a giant in the era of romantic music, his works contain complex and delicate ideological changes in the hearts of the characters. His creative inspiration is deeply influenced by Schumann and other musicians, and the musical language expression in his works is sometimes tactful and sometimes obscure. Brahms has composed a large number of musical works throughout his life, including a large number of orchestral works, piano ensemble works, string ensemble works, solo piano songs, piano four-hand joint play, vocal duets, chorus, and solo works. Brahms's violin concerto consists of thre

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Thomson, George. "Early Gravestone Morphologies and Their Origin with Reference to Discoid-, Mushroom-, and Violin-Shaped Gravemarkers." Markers: Annual Journal of the Association for Gravestone Studies 40, no. 1 (2025): 98–122. https://doi.org/10.1353/mrk.2025.a957068.

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Yang, Wenbo. "The Evolution and Integration of the Chinese Dulcimer: A Study of Cross-Cultural Musical Fusion." Communications in Humanities Research 62, no. 1 (2025): None. https://doi.org/10.54254/2753-7064/2025.20902.

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The Chinese dulcimer (yangqin) is an instrument of Western origin (Persian origin) that was originally known as the board zither. It was introduced to China through the Silk Road, either by land or ocean during the Ming and Qing dynasties. The Chinese dulcimer has been integrated into Chinese traditional opera as an accompaniment instrument and it is also played by local bands in various cities in China. Consequently, the Chinese dulcimer has gradually become a traditional symbol of Chinese music and has become a representative instrument of Chinese traditional music abroad, despite its Wester

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Kao, Josephine Amber. "The Intrinsic Duality of Movement and Sound: Investigating the Intersections of Dance and Music Through Bach." Congress on Research in Dance Conference Proceedings 2012 (2012): 85–89. http://dx.doi.org/10.1017/cor.2012.10.

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To the musician, the polyphony inherent within Bach's music offers multiple interpretations for a persuasive performance. “Which measures are climactic? Which phrases deserve rubato?” These notations of a violin score translate into movements of the bow arm and fingering for the left hand, which then convey intentions and emotions. The score does not merely imply the music to be played, but instead describes how a body moves in order to play the music and, thus, in the case of Bach, express emotion. How might the relation of polyphony and space be conceptualized through the embodiment of music

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Dissertationen zum Thema "Origin of violin"

Yu, Tao-Chang. "Spanish dances for violin their origin and Influences /." College Park, Md.: University of Maryland, 2006. http://hdl.handle.net/1903/3847.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006. Thesis research directed by: Music. Title from t.p. of PDF. Includes discussion of the Spanish dances by Pablo de Sarasate, Introduction and rondo capriccioso, op. 28 by Camille Saint-Saëns, Symphonie espagnole, op. 21 by Édouard Lalo, Spanish dance in E minor by Granados, transcribed by Kreisler, Tango by Albeníz, and Carmen fantasie by Waxman. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Lawson, Sonya Ruth. "The origins and development of the use of violins, violas, and cellos in jazz in the United States of America /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3080590.

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Corvo, Kenneth N. "Attachment and violence in the families of origin of domestically violent men." Case Western Reserve University School of Graduate Studies / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=case1056726244.

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Estades, Basavilbaso Gualberto 1928. "Origens e desenvolvimento tecnico da viola." [s.n.], 1995. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284249.

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Orientador: Lafayette de Moraes Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes Made available in DSpace on 2018-07-20T10:11:45Z (GMT). No. of bitstreams: 1 EstadesBasavilbaso_Gualberto_D.pdf: 8178465 bytes, checksum: 5005859f1017b993543cfd9d3f18f87c (MD5) Previous issue date: 1995 No informado Not informed. Doutorado Doutor em Artes

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Destribois, Clemence Theodora. "Examining the Origins of the Late Baroque Monothematic Fugue:A Study of Seventeenth-Century Fugue in Italian Violin Music." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3350.

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Paul M. Walker points out the importance of three seventeenth-century manuscripts which, according to him, reflect the origins of the late Baroque monothematic fugue. The documents present a new "model" with specific criteria to write monothematic fugues. Walker suggests that the criteria presented in these manuscripts are first found in seventeenth-century Italian violin ensemble fugues. This thesis traces the development of seventeenth-century monothematic fugues and how they compare with the criteria presented in the manuscripts, with a particular emphasis on Italian violin ensemble fugues

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Nordström, Annika. "Violent offenders with schizophrenia : quantitative and qualitative studies focusing on the family of origin." Doctoral thesis, Umeå universitet, Psykiatri, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-298.

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The focus of the thesis is on violent offenders with schizophrenia and their relatives. The aims were to explore incidence of violent crimes, the extent to which family members were victims, to investigate individual background factors among violent offenders, and to identify psychotic symptoms and triggering factors associated with fatal violence. In addition, parents were interviewed to build an understanding of their experiences and emotional reactions. One study examined all 369 male individuals who had committed a violent crime (assault, homicide or attempt to any of these crimes), who in

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Nordström, Annika. "Violent offenders with schizophrenia : quantitative and qualitative studies focusing on the family of origin /." Umeå : Dept. of Clinical Sciences, Univ, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-298.

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Damas, Carlos Alexandre Mourão de Carvalho e. "Violino e tecnologia: origem e evolução tecnológica entre os séculos XV e XXI." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2012. http://hdl.handle.net/10362/8310.

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Dissertação de mestrado para obtenção do Grau de Mestre em Artes Musicais – Estudos em Música e Tecnologias A evolução tecnológica que o violino foi sofrendo ao longo dos séculos, poderá ser justificada por necessidades artísticas e técnicas dos intérpretes, o fator estético e a beleza do instrumento, foram também, focos de interesse para colecionadores e fabricantes. No presente trabalho, consideramos que o violino é um instrumento de corda friccionada com arco, assim, teremos em consideração não só a origem do violino em si, mas também a origem do arco - visto que, no contexto que defini

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Isaacs-Martin, Wendy Jane. "A violent origin : a Girardian analysis of the scapegoating of Ali ibn Abu Talib in Shi'ite tradition." Doctoral thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8197.

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Includes abstract. Includes bibliographical references (leaves 182-192). This dissertation applies Rene Girard's theory of the scapegoat mechanism to prove that Ali ibn Abu Talib appears in Shi'ite traditions as an innocent victim. The aim is to investigate Girard's substantial body of work to determine whether Ali was a scapegoat and a victim of a conspiracy within his community. Girard's theory is founded in mimetic desire, where he incorporated external and internal mediation to form an analysis of mimetic rivalry. Using various texts to develop his theory and support his concepts, he

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Taylor, Georgina M. "Ground for common action Violet McNaughton's agrarian feminism and the origins of the farm women's movement in Canada /." Ottawa : Library and Archives Canada, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp03/NQ26870.pdf.

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Bücher zum Thema "Origin of violin"

1931-, Burkert Walter, Girard René 1923-, Smith Jonathan Z, and Hamerton-Kelly Robert, eds. Violent origins. Stanford University Press, 1987.

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Boyden, David Dodge. The history of violin playing from its origins to 1761: And its relationship to the violin and violin music. Clarendon Press, 1990.

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Sârbu, Ion. Vioara și maeștrii ei: De la origini până azi. Info-Team, 1995.

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Alvergnat, Corinne. L' alto depuis son origine. Bellier, 1999.

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Sariti, David Joseph. The Austro-German violin sonata, c. 1650: Its style and origins. University of Hartford, 2005.

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Alejandro, Moreno Olmedo, ed. Tiros en la cara: El delincuente violento de origen popular. Ediciones IESA, 2008.

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Göran, Burenhult, and American Museum of Natural History., eds. The First humans: Human origins and history to 10,000 BC. HarperSanFrancisco, 1993.

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Fazioni, Nicolò, Michael J. Kelly, and Arthur Rose, eds. Journal of Badiou Studies 3. punctum books, 2014. https://doi.org/10.21983/p3.0070.1.00.

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Journal of Badiou Studies (General Editors: Michael J. Kelly and Arthur James Rose) is a multilingual, peer-reviewed journal dedicated to the philosophy and thought of, and surrounding, the philosopher, playwright, novelist, and poet Alain Badiou. Badiou Studies is dedicated to original, critical and challenging arguments that directly engage with the conditions and circumstances of Badiou’s thought. We aim to identify pertinent intellectual discourses, ideas, historiographies, and concepts, and seek articles that situate these theories within emerging events in politics, science, art and love

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The origin and evolution of violin as a musical instrument and its contribution to the progressive flow of Indian classical music. Ramakrisna Vedanta Math, 2010.

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Burkert, Walter, René Girard, and Jonathan Z. Smith. Violent Origins. Edited by Robert G. Hamerton-Kelly. Stanford University Press, 1987. http://dx.doi.org/10.1515/9780804766265.

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Buchteile zum Thema "Origin of violin"

Bestock, Laurel. "The origins of violent imagery." In Violence and Power in Ancient Egypt. Routledge, 2017. http://dx.doi.org/10.4324/9781315543505-2.

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Baumgartner, Mary Pat. "Violent networks: The origin and management of domestic conflict." In Aggression and violence: Social interactionist perspectives. American Psychological Association, 1993. http://dx.doi.org/10.1037/10123-009.

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Taylor Porter, Nancy. "From Alpha to Omega Women: Ancient Greek Origins and Contemporary Re-visions." In Violent Women in Contemporary Theatres. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57006-8_3.

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Dunlap, Alexander, and Jostein Jakobsen. "Studying the Worldeater(s): Political Ecology and Critical Agrarian Studies and Their Origins, Differences and Convergence." In The Violent Technologies of Extraction. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26852-7_3.

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Lo, Sonny Shiu-Hing, Steven Chung-Fun Hung, and Jeff Hai-Chi Loo. "The Legal and Political Origins of the Extradition Bill." In The Dynamics of Peaceful and Violent Protests in Hong Kong. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6712-4_2.

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Boyden, David D. "The Origin and Development of the Early Violin 1520-50." In The History of Violin Playing from its Origins to 1761 and its Relationship to the Violin and Violin Music. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198161837.003.0006.

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Abstract Most accounts of the ‘inventor’ of the violin and the precise date and place of its origin bog down in the quagmires of history and terminology. The earliest stages of the violin’s emergence are obscured by a process of evolution from earlier instruments, and the date of origin depends on a somewhat arbitrary definition of what a violin is. What structural features must it have? How many strings? And so on. If, among other things, a violin is defined as having four strings, one approximate set of dates may be assigned to its origin; but if three strings will satisfy the definition, an

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Boyden, David D. "Violin Music in the Sixteenth Century." In The History of Violin Playing from its Origins to 1761 and its Relationship to the Violin and Violin Music. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198161837.003.0008.

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Abstract Much of the specific information about the origin and development of the violin, related in the first two chapters, raises provocative and tantalizing questions. What kind of music was composed for the violin during the first century of its existence? Who played it, how was it performed, and under what conditions? Was the music written for the early violin of three strings different from that for the four-stringed violin after 155o-or, for that matter, from music for the viols? Was the violin used to accompany voices in such prevailing forms as the masses, motets, chansons, and madrig

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Reiter, Walter S. "Rhetoric." In The Baroque Violin & Viola. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190922696.003.0023.

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The origin and purpose of rhetoric is explained and the strong links between rhetoric and music, mentioned by writers from the ancient world to modern times, detailed. Much Baroque music is not melodic, multiple sources tell us, but is written “in the manner of a discourse,” the aim being to influence the emotions of the listener through the many purposeful details of which it is formed. To be effective, music composed in this way must be played with this in mind: seeking to impose a lyrical way of playing appropriate to later musical styles will be ineffective. Readers are encouraged to exami

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Holman, Peter. "‘Quagmires of History and Terminology’The Origin of the Violin." In Four and Twenty Fiddlers. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198161455.003.0001.

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Abstract The early history of the violin is a notoriously difficult subject. In 1875 George Hart wrote that it remained ‘more hopelessly obscured than the identity of the “Man in the Iron Mask”‘, while Gerald Hayes observed in 1930 that the violin was ‘one of the very few important instruments of which it can be said that at a given date it was not at all, and shortly afterwards it is found fully-fledged in active life’; as late as 1965 David Boyden was moved to remark that ‘most accounts of the “inventor” of the violin and the precise date and place of its origin bog down in the quagmires of

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"Exploring Bowed-String Sound." In Advances in Early Childhood and K-12 Education. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3359-8.ch002.

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Bowed-string instruments contain a wealth of exploratory opportunities and illustrate the framework to apply flow theory to strings teaching and learning. In this chapter, the author analyzes how strings students, including very young children, experience flow by listening and exploring the sound of strings. The author also investigates the origin of bowed-strings instrument historically and illustrates violin pedagogy in a historical context. The chapter discusses Leopold Mozart, Auer, Flesh, Ivan Galamian, and Ruggero Ricci with a special emphasis on their sound production.

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Konferenzberichte zum Thema "Origin of violin"

Biletska, Maryna, Tatiana Pidvarko, Lina Kotova, and Karina Oleksenko. "THE CREATIVE HERITAGE OF DAVID OISTRAKH IN THE MUSICAL ART OF THE XX CENTURY." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s08.21.

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The creation of D. Oistrakh is one of the highest achievements in the native musical art of the 20th century. D. Oistrakh�s impressive performing skills, the philosophical depth and the scale of his interpretations, the sensitivity to everything new were combined with the inspiration of the pedagogical work, the special care about the transformation of his great creative experience to the new generation of the violinists. Studying the creative heritage of D. Oistrakh, we can confirm that he has created the original pedagogical system that synthesized the most progressive methods of the native

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Ahadzade, M. B. "BASICS OF THE AZERBAIJAN VIOLIN SCHOOL: ORIGIN, DEVELOPMENT AND TRADITIONS." In IV International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Premier Publishing s.r.o., 2019. http://dx.doi.org/10.29013/iv-symposium-pp-4-8-11.

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Cojocaru, Daniela. "THE FOLKLORIC ORIGINS IN RUSTIC TRIO FOR VIOLIN, VIOLA AND CELLO BY ION GHIGA." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s15.055.

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Saulova, Inessa. "Peculiarities of the performing interpretation of the Sonata for violin and piano by Leonid Gurov." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.15.

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The article analyzes L. Gurov's Sonata for violin and piano from the point of view of its performing interpretation. The author aims to reveal the original features of this work, which are manifested in particular, in the use of folklore material. The intonation-thematic structure of the composition, the ratio between the parts of the violin and piano are analyzed in detail, methodical recommendations are given. It is concluded that the Sonata for violin and piano by L. Gurov is a typical example of the genre, and its innovation lies in the synthesis of the deep philosophical content, original

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Babu, K. Sowri. "Violet luminescence and its origin in ZnO nanoparticles prepared by co-precipitation method." In INTERNATIONAL CONFERENCE ON RENEWABLE ENERGY RESEARCH AND EDUCATION (RERE-2018). Author(s), 2018. http://dx.doi.org/10.1063/1.5047977.

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Trocinel, Daniela. "The echo of the forests cycle for violin and piano by Alexandr Mulear: composition peculiarities." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.05.

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The cycle Echo of the Forests, composed for the violin-piano instrumental duo, is one of the distinguished works in the compositional record of Master A. Mulear. According to the edited score, the work contains four parts: Echo of the Forests (Moderato assai), Hora (Tempo di hora), Ballad (Moderato assai), and Gagauz Dance (Allegro con brio). These parts are deeply rooted in the native folklore, being linked to the rural realm and captivated by the national identity of the music. The composition is notable for its original artistic approach, expressed through a subtle dialogue between the two

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Maruyama, Yoshihiro, and Mitsuru Ishikawa. "Ultrafast population transfer in ground states: evidence for two ground states of crystal violet." In Spectral Hole-Burning and Related Spectroscopies: Science and Applications. Optica Publishing Group, 1994. http://dx.doi.org/10.1364/shbs.1994.wd53.

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The presence of ground state conformers of crystal violet (CV) have been in dispute since 1942 when proposed by Lewis, Magel, and Lipkin.1 They suggested the two conformers in alcohols to explain the disappearance of a shoulder (~550 nm) and the enhancement of a peak (~590 nm) in the absorption spectrum at low temperature (114 K). The predominant conformer, which was assigned to the origin of the peak, was assumed D3 symmetry (propeller type) in which all phenyl groups are tilted in phase. The second conformer was supposed to have C2 symmetry (distorted propeller type), being sited as the orig

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Silva, Bárbara Thaís Pinheiro, Bruna Vitória Pires Amuy, Camila Alves Martins, et al. "Violent extremism and terrorism: conceptual and normative limitations." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-216.

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Terror is a weapon that has been widely used throughout history, whether for military, strategic, political or ideological purposes. Of Latin origin, this term, although dear to international relations, derives from a relevant and difficult-to-define theme: terrorism. In order to conceptualize it, we initially sought answers in its different guises in space-time. In order to analyze the phenomenon of modern terrorism historically, we will base ourselves on the assumptions of David C. Rapoport, based on the four waves of terrorism. From the perspective that waves are cycles of activity, charact

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Svetlichny, Aleksander, and Mikhail Khorev. "On the need to develop a unified terminological approach to the concept of ‘extremism’." In East – West: Practical Approaches to Countering Terrorism and Preventing Violent Extremism. Dela Press Publishing House, 2022. http://dx.doi.org/10.56199/dpcshss.uhvo1598.

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The article deals with the issues of understanding the term ‘extremism’. The research results showing that in society (among both ordinary citizens and representatives of law enforcement agencies), despite the existing bias against extremism, there is no clear understanding of the meaning of this term are presented. Consideration of extremism without taking into account the meaning and context of the term itself leads to a narrow understanding of the phenomenon and its consequences. This has led to extremism being described in such terms as ‘terrorism’ and ‘radicalisation’ or ‘polarisation’, w

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Soedarmo, Auzan Abirama, Eduardo Pereyra, and Cem Sarica. "Performance Mapping of Multiphase Flow Model – Connecting the Dots From Experimental Data." In Offshore Technology Conference. OTC, 2023. http://dx.doi.org/10.4043/32170-ms.

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Abstract The emergence of "big data" has encouraged the utilization of data from various origins to enhance the decision-making process. Unfortunately, multiphase flow studies are often performed in "silos" – within which specific experiments were performed and based on which certain model improvements were proposed. As such, it is easy to lose sight of the big picture of where we are in terms of our understanding and modeling capability. This disconnected approach has also produced an ever-growing, potentially unmanageable list of closure relationships, which can be counter-productive for mod

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Berichte der Organisationen zum Thema "Origin of violin"

Khalil, Lydia, Mark Duckworth, and Nell Bennett. Countering Extermism in a State of Emergency. Centre for Resilient and Inclusive Societies, 2025. https://doi.org/10.56311/mrsa7532.

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In Australia as elsewhere, violent extremist actors have exploited and instrumentalised a contested information environment during concurrent crises in 2020-2021 – including the COVID pandemic and natural disasters like the recent bushfires – to mobilise, plot and commit violent attacks, oppose government emergency responses and challenge or undermine social cohesion. Crises of this nature are likely to persist in one form or another; alongside evidence that natural disasters are on the rise (UN/CRED, 2020), there has been an equally unprecedented spread of misinformation and disinformation an

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Rekawek, Kacper, Bàrbara Molas, Sabrina Tripodi, Anne Craanen, and Thomas Renard. Anti-Government Threats and their Transnational Connections. ICCT, 2024. http://dx.doi.org/10.19165/2024.3834.

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Anti-Government Extremism (AGE) presents a complex and evolving security challenge, particularly in the transatlantic space. AGE is characterised by anti-system sentiments, and adherents propagate notions of an evil elite controlling societal mechanisms, adapting global conspiracy theories to local grievances. While predominantly non-violent, it harbours the potential for violence, posing a significant policy challenge. This report contributes a comprehensive exploration of AGE by utilising original data, including interviews with security officials and an exploration of AGE spaces online, foc

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Sprague, Joshua, David Kushner, James Grunden, Jamie McClain, Benjamin Grime, and Cullen Molitor. Channel Islands National Park Kelp Forest Monitoring Program: Annual report 2014. National Park Service, 2022. http://dx.doi.org/10.36967/2293855.

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Channel Islands National Park (CHIS) has conducted long-term ecological monitoring of the kelp forests around San Miguel, Santa Rosa, Santa Cruz, Anacapa and Santa Barbara Islands since 1982. The original permanent transects were established at 16 sites between 1981 and 1986 with the first sampling beginning in 1982, this being the 33rd year of monitoring. An additional site, Miracle Mile, was established at San Miguel Island in 2001 by a commercial fisherman with assistance from the park. Miracle Mile was partially monitored from 2002 to 2004, and then fully monitored (using all KFM protocols

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DERECHOS COLECTIVOS VULNERADOS: Sistematización y análisis de casos de violación de derechos colectivos de pueblos indígenas, afrodescendientes y comunidades locales de América Latina vinculados a proyectos extractivos e infraestructura en el periodo 2017 a 2019. Rights and Resources Initiative, 2022. http://dx.doi.org/10.53892/kyuw3320.

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El presente estudio evidencia que cuando un territorio colectivo es afectado existe un impacto multidimensional sobre las comunidades que lo habitan (en términos sociales, económicos y ambientales), pero, además, hay un efecto multiplicador al violar numerosos derechos simultáneo y al extender este impacto a las poblaciones adyacentes, con repercusiones a corto y largo plazo. Es así que las amenazas, el asesinato, el desplazamiento, la contaminación de las aguas o la falta de peces para la pesca, no son simples hechos aislados ni afectan solo a una persona o a una familia: el ataque hacia un i

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