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Zeitschriftenartikel zum Thema „P. Frink (Firm)“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Fink, Lyndsay. "Film Night-Dr. Frank Harrap "Of Creek and Billabong" and "Who's a Clever Bird"." Ballarat Naturalist (1989:Aug) (August 1989): 4–5. http://dx.doi.org/10.5962/p.384010.

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Rahmawati, Erni, and Gustaman Saragih. "WHITE SUPREMACY AND STRUCTURAL RACISM IN “THE SHAWSHANK REDEMPTION” BY FRANK DARABONT." INFERENCE: Journal of English Language Teaching 3, no. 3 (2020): 216. http://dx.doi.org/10.30998/inference.v3i3.5788.

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<p>The purpose of this study was to analyze white supremacy and structural racism in the film "The Shawshank Redemption". The method used is descriptive-qualitative to describe white supremacy and structural racism in the film. Data is obtained, analyzed and explained based on dialogues contained in the film, namely: 1) white supremacy that is analyzed from a) the appearances of the character using a sequence table, and b) visible glorification and invisible glorification using glorification dialogue table, and 2) structural racism, using binary opposition, namely positive and negative c

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Maron, Marcin. "Filmowa neoawangarda i początki sztuki video." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 15, no. 2 (2018): 37. http://dx.doi.org/10.17951/l.2017.15.2.37.

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<p>Artykuł w syntetyczny sposób omawia najważniejsze zjawiska filmu eksperymentalnego w kontekście pojęcia i praktyki sztuki neoawangardowej od II połowy lat 60. do połowy lat 70. XX wieku. Na początku przypomniana została pierwsza i druga faza rozwoju filmu eksperymentalnego w związku z istnieniem tzw. Wielkiej Awangardy oraz z działalnością jej kontynuatorów po Ii wojnie światowej w USA. Nastepnie zdefiniowane zostało pojęcie neoawangardy w odniesieniu do ujęcia, które zparoponował Frank Popper. W dalszej części artykułu jego autor omawia zasady oraz najważniejsze przykłady filmów neoa

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Mantarci, Asim, and Mutlu Kundakçi. "Role of RF power on physical properties of RF magnetron sputtered GaN/p-Si(1 0 0) thin film." Materials Science-Poland 37, no. 3 (2019): 454–64. http://dx.doi.org/10.2478/msp-2019-0052.

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AbstractGaN thin films were deposited on p-Si(1 0 0) substrates using RF magnetron sputtering at various RF powers. Influence of RF power on morphological, optical and structural properties of GaN thin films were investigated and presented in detail. XRD results proved that the films were polycrystalline in structure with (1 0 0) and (1 1 0) planes of hexagonal GaN. It was found that increasing RF power led to deterioration of crystal structure of the films due to increased decomposition of GaN. Stress in GaN thin films was calculated from XRD measurements and the reasons for this stress were

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Ribberink, Anneke, Tiina Kinnunen, Kirsti Niskanen, and Angelika Schaser. "Introduction: GENDER AND POLITICS IN AUTO/BIOGRAPHIES." European Journal of Life Writing 5 (December 28, 2016): GP1—GP8. http://dx.doi.org/10.5463/ejlw.5.205.

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Politicians all over Europe used to write about their lives, and keep doing so. Like other well-known persons they are “unusual biographical subjects”, because the biographical activity concerning their lives often starts while they are still alive. (Frank 1999). On the one hand, classical autobiographies written by politicians themselves (and their co-authors or ghost-writers) are published widely and are not only an important part of the memory politics and the construction of national history, but also a contribution to the stabilization of gender conceptions.(Depkat 2014, p .247-265; Ulbri

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Gemme, Paola. "Rewriting the Indian Tale: Science, Politics, and the Evolution of Ann S. Stephens's Indian Romances." Prospects 19 (October 1994): 375–87. http://dx.doi.org/10.1017/s0361233300005159.

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On June 9, 1860, the publishing firm of Irving P. Beadle and Company announced in the New York Daily Tribune the publication of their first dime novel, Ann S. Stephens's Malaeska: The Indian Wife of the White Hunter. The narrative was advertised as “the best story of the day,” and its writer as “the star of American authors.” Stephens, whose name is familiar today only to scholars of the dime novel, was indeed well known to the reading public around the mid-19th Century. She was on the editorial board of several magazines, including the illustrious Graham's Magazine. She had published her own

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Lucero, Dario Sebastian Arcos, Maria Lucila Agudelo Motta, Andrés Camilo González Gómez, et al. "Ecoepidemiología de protozoos intestinales en la población infantil de cuatro municipios de Boyacá – Colombia." Brazilian Journal of Health Review 5, no. 5 (2022): 20490–508. http://dx.doi.org/10.34119/bjhrv5n5-217.

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Introducción: La parasitosis intestinal infantil por protozoarios patógenos se asocia en gran medida con contaminación medioambiental con excretas humana o animal, donde las condiciones básicas de saneamiento y salubridad son deficientes. Objetivo: Se determinó la frecuencia y las variables con posible asociación para protozoos intestinales patógenos en población en edad pre-escolar y escolar de los municipios de Arcabuco, Toca, Sogamoso y Garagoa, del departamento de Boyacá-Colombia, empleando las técnicas de concentración formol-gasolina y Ziehl Neelsen modificado. Metodología: Se realizó un

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Borazanci, Erkut, Gayle S. Jameson, Sunil Sharma, et al. "Abstract PR-002: A phase II pilot trial of nivolumab (N) + albumin bound paclitaxel (AP) + paricalcitol (P) + cisplatin (C) + gemcitabine (G) (NAPPCG) in patients with previously untreated metastatic pancreatic ductal adenocarcinoma (PDAC)." Cancer Research 81, no. 22_Supplement (2021): PR—002—PR—002. http://dx.doi.org/10.1158/1538-7445.panca21-pr-002.

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Abstract Background: Effective therapy for the treatment of PDAC remains one of the greatest unmet oncology clinical needs. The addition of C to G and AP has shown 71% ORR in a previously reported study [JAMA Oncol. 2019 Oct 3;6(1):125-32]. In preclinical work, vitamin D (Vit D) analog therapy decreases myeloid derived suppressor cells and regulatory T cells, turning PDAC into a more immune favorable microenvironment. This trial combines AP/C/G with Vit D analog P and the anti-PD-1 antibody N as a combination therapy for patients with previously untreated metastatic PDAC. This trial evaluates

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Ahmed, Saber El-Sisi, El-Sattar Mohamed Gapr Abd, and Kamaly K.M. "Use of Chitosan as an Edible Coating in RAS Cheese." Biolife 3, no. 2 (2022): 564–70. https://doi.org/10.5281/zenodo.7270674.

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<strong>ABSTRACT</strong> Ras cheese was coated by chitosan at different concentrations ranged from 0.5 to 2%.The moisture content of cheese significantly (p< 0.05) affected with chitosan treatment and progression of ripening. Fat and total nitrogen contents of experimental Ras cheeses were comparable with those of the controls and were not significantly different (p>0.05). The change in acidity and TVFA was significantly (P < 0.05) higher in chitosan-coated cheeses. Soluble nitrogen / total nitrogen (SN/TN) of Ras cheese increased significantly (p<0.05) with Chitosan treatment and

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Gangloff, Tilmann P. "Nachgefragt: Warum tauchen Menschen mit Behinderungen in Filmen und Serien nach wie vor viel zu selten auf?" merz | medien + erziehung 66, no. 4 (2022): 6–7. https://doi.org/10.21240/merz/2022.4.6.

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In deutschen TV-Filmen und Serien lassen sich deutliche Veränderungen beobachten. Ärztinnen oder Schulleiterinnen werden von dunkelhäutigen Schauspielerinnen verkörpert, Männer mit türkischen Namen sind nicht mehr automatisch auf Kriminelle, in vielen Serien gibt es homosexuelle Paare. Auch das Fernsehen ist also endlich in der Wirklichkeit angekommen und spiegelt das wahre Leben wider – mit einer Ausnahme: Menschen mit sichtbarer Behinderung sind genauso selten wie vor 20 Jahren schwarze Akademikerinnen. Hat die Film- und Fernsehbranche diese Gruppe vergessen? Tilmann P. Gangloff hat Expert*i

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Pujante González, Domingo. "Ouverture: Connais-toi toi-même." HYBRIDA, no. 3 (December 31, 2021): 3. http://dx.doi.org/10.7203/hybrida.3.22917.

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"Comme Barthes qui pensait que la littérature devait céder la place à l’auto-écriture de tous, je pense que tout le monde devrait faire la même chose : raconter sa vie. Connais-toi toi-même. Mets-toi en forme. Mets-toi en ordre". Dustan, Guillaume (1999). Nicolas Pages (p. 400). Balland.  Guillaume Dustan et sa particulière vision de la littérature (« en littérature, soit c’est soi, soit c’est du bidon », Dustan, 1999, p. 384) me permettent de commencer cette Ouverture du troisième numéro de la revue HYBRIDA. Revue scientifique sur les hybridations culturelles et les identité

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Alan, Nazli Sila, Katsiaryna Salavei Bardos, and Natalya Y. Shelkova. "CEO-to-employee pay ratio and CEO diversity." Managerial Finance ahead-of-print, ahead-of-print (2020). http://dx.doi.org/10.1108/mf-03-2020-0107.

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PurposeThe motivation behind Section 953(b) of Dodd–Frank Act was the increasing pay inequality and supposed CEOs' rent extraction. It required public companies to disclose CEO-to-employee pay ratios. Using the ratios reported by S&P 1500 firms in 2017–18, this paper examines whether companies led by women and minority CEOs have lower ratios than those led by white male CEOs.Design/methodology/approachThis paper uses multivariate regression along with a matched sample analysis to examine whether female and minority CEOs have higher CEO-to-employee pay ratios compared to male and white CEOs

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Jung, Sun Moon, Natalie Kyung Won Kim, Han Seong Ryu, and Jae Yong Shin. "Why do firms utilize the flexibility allowed in CEO-employee pay ratio disclosure? Evidence from Dodd-Frank Act Section 953 (b)." Accounting Horizons, October 27, 2020. http://dx.doi.org/10.2308/horizons-19-053.

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Section 953 (b) of the Dodd-Frank Act requires all listed firms to disclose a CEO-employee pay ratio. Firms are given the flexibility to use permitted discretions in their required pay ratio calculation and to disclose a supplementary pay ratio if necessary. We explore this unique regulatory setting and analyze the CEO-employee pay ratio data of S&P 1500 firms with fiscal year ends from December 31, 2017, through December 31, 2018. We find that both informational and opportunistic motives affect firms' supplementary pay ratio disclosure, while informational motives appear to dominate firms

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Perez-Batres, Luis A., Abu S. Amin, Len J. Treviño, and Khawaja A. Mamun. "<p><span>Aligning Firm Capabilities and Business Environment in a Managerial Context: Evidence from the 2016 Presidential Election and Dodd-Frank Rollback.</span></p>." SSRN Electronic Journal, 2025. https://doi.org/10.2139/ssrn.5086327.

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Romero, Escrivá Rebeca, and Javier Alcoriza. "Imaginar la identidad: de la comedia de Molière a la screwball comedy de Howard Hawks y Frank Capra. Trasvases entre la literatura y el cine, 5, 11-30. ISSN-e 2695-639X." June 7, 2023. https://doi.org/10.24310/Trasvasestlc.vi5.14524.

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La comedia le hace el juego a la trascendencia de la identidad. Ser consciente de la interpretación dramática es un punto de partida para afirmar el derecho natural a la búsqueda de la felicidad. El trasvase de identidades funciona tanto en el seno de las relaciones tradicionales como en la indeterminación social de la democracia. Este texto plantea la lectura comparada de ciertos aspectos de dos comedias de Molière, <em>El avaro </em>y<em> El enfermo imaginario</em>, y las películas con las que arranca el género de la <em>screwba

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Carmago, Sandy. "'Mind the Gap'." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1981.

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The structuring of a film's plot as the trajectory of the goals and desires of a single protagonist can be seen as the most critical development in cinematic narrative. In addition to its commodity implications via the star system and its centrality to a range of important film theories about fantasy and pleasure, the single protagonist is the linchpin of the cinema's ability to transmit messages that confirm the most basic myths about the power of the individual in society. While Hollywood's use of the single protagonist as a model for the self is particularly detrimental in the United States

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Feldman, Hope A., Naifa L. Busaidy, Andres Tame‐Elorduy, et al. "Clinical course of atypical parathyroid neoplasm with soft tissue extension." Journal of Surgical Oncology, August 19, 2024. http://dx.doi.org/10.1002/jso.27829.

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AbstractBackground and ObjectivesThe American Joint Committee on Cancer (AJCC) TNM staging system defines atypical parathyroid neoplasia (APN) as tumor in situ (Tis) and reserves the definition of parathyroid carcinoma (PC) to parathyroid tumor with invasion into surrounding structures. Because the parathyroid gland has no true capsule, “extension” with APN versus microscopic “invasion” of surrounding soft tissue can be difficult and confusing for clinicians. We aimed to determine the clinical course of atypical parathyroid neoplasm with and without soft tissue extension and parathyroid carcin

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Ingham, Valerie. "Decisions on Fire." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2667.

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   Introduction Decision making on the fireground is a complex activity reflected in the cultural image of fire in contemporary Western societies, the expertise of firefighters and the public demand for response to fire. The split second decisions that must be made by incident commanders on the fireground demonstrate that the dominant models of rational, logical argument and naturalistic decision making are incapable of dealing with this complexity. Twelve senior ranking Australian fire officers participated in the investigation from which I propose that fireground incident c

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Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of

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Schlotterbeck, Jesse. "Non-Urban Noirs: Rural Space in Moonrise, On Dangerous Ground, Thieves’ Highway, and They Live by Night." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.69.

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Despite the now-traditional tendency of noir scholarship to call attention to the retrospective and constructed nature of this genre— James Naremore argues that film noir is best regarded as a “mythology”— one feature that has rarely come under question is its association with the city (2). Despite the existence of numerous rural noirs, the depiction of urban space is associated with this genre more consistently than any other element. Even in critical accounts that attempt to deconstruct the solidity of the noir genre, the city is left as an implicit inclusion, and the country, an implict exc

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Lindop, Samantha Jane. "Carmilla, Camilla: The Influence of the Gothic on David Lynch's Mulholland Drive." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.844.

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It is widely acknowledged among film scholars that Lynch’s 2001 neo-noir Mulholland Drive is richly infused with intertextual references and homages — most notably to Charles Vidor’s Gilda (1946), Billy Wilder’s Sunset Boulevard (1950), Alfred Hitchcock’s Vertigo (1958), and Ingmar Bergman’s Persona (1966). What is less recognised is the extent to which J. Sheridan Le Fanu’s 1872 Gothic novella Carmilla has also influenced Mulholland Drive. This article focuses on the dynamics of the relationship between Carmilla and Mulholland Drive, particularly the formation of femme fatale Camilla Rhodes (

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B2042171003, ALFIAN YUDA PRASETIYO. "EFEK MEDIASI KEPUASAN KERJA PADA PENGARUH PRAKTEK SUMBER DAYA MANUSIA TERHADAP KINERJA KARYAWAN." Equator Journal of Management and Entrepreneurship (EJME) 7, no. 4 (2019). http://dx.doi.org/10.26418/ejme.v7i4.32889.

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Penelitian ini dilakukan untuk menguji dan menganalisis implikasi dari praktek sumber daya manusia yang terdiri dari perencanaan karir, pelatihan dan penilaian kinerja terhadap kepuasan kerja dan kinerja karyawan pada Kantor Distrik Navigasi Kelas III Pontianak. Penelitian ini menggunakan metode kuantitatif dengan pendekatan korelasi, atau juga penelitian yang dirancang untuk menentukan tingkat hubungan variabel-variabel yang berbeda dalam suatu populasi. Sampel dari penelitian ini berjumlah 130 responden dari karyawan pada Kantor Distrik Navigasi Kelas III Pontianak. Metode pengambilan sampel

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Killeen, Padraic. "Ecology, Materialism, and Transfiguration." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3173.

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Introduction An ecologically responsive parable about biological mutation in a post-apocalyptic environment, David Cronenberg’s Crimes of the Future (2022) was hailed on release as a “dream-noir” (Ehrlich), a “sci-fi noir” (Oller), and a “body-noir” (“Crimes”). The use of the term ‘noir’ here is enigmatic. As is often the case, the term is deployed to address a quality that otherwise resists easy identification. Noir has, of course, acquired a multitude of connotations and aesthetic legacies over the years. As I have observed elsewhere, one of those legacies is a concern with the physicality o

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Nichols, L. Dugan. "Generational Detectives." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3136.

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Introduction This article examines American Conspiracy: The Octopus Murders (2024), a four-part documentary released on Netflix. Directed by Zachary Treitz, the documentary follows young photojournalist Christian Hansen as he tries to solve the mysterious death of Danny Casolaro. In 1991, Casolaro was found deceased in a hotel room while tracking officials in the CIA and former Reagan White House. He had planned to write an explosive book about what he termed “The Octopus”, an octuplet of overlapping conspiracies that transpired in the 1980s. At the time, local officials ruled Casolaro’s death

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Davies, Alex, and Alexandra Lara Crosby. "Art Is Magic." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3003.

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Magic and art are products of human connection with the universe, offering answers to questions of meaning and working in interstices between fiction and reality. Magic can and does permeate all forms of media and is depicted as both entertaining and dangerous, as shaping world views, and as practised by a vast array of individuals and groups across cultures. Creative practices in cinema, radio, and installation art suggest that deceptive illusions created through magic techniques can be an effective means of creating compelling and engaging media experiences. It is not surprising, then, that

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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th

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Kaur, Jasleen. "Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1153.

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Introduction Tiffany and Co. is an American luxury jewellery and specialty retailer with its headquarters in New York City. Each piece of jewellery, symbolically packaged in a blue box and tied with a white bow, encapsulates the brand’s unique diamond pieces, symbolic origin story, branded historical contributions and representations in culture. Cultural brands are those that live and thrive in the minds of consumers (Holt). Their brand promise inspires loyalty and trust. These brands offer experiences, products, and personalities and spark emotional connotations within consumers (Arvidsson).

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"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 47, Issue 3 47, no. 3 (2020): 465–590. http://dx.doi.org/10.3790/zhf.47.3.465.

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Classen, Albrecht (Hrsg.), Travel, Time, and Space in the Middle Ages and Early Modern Time. Explorations of World Perceptions and Processes of Identity Formation (Fundamentals of Medieval and Early Modern Culture, 22), Boston / Berlin 2018, de Gruyter, XIX u. 704 S. / Abb., € 138,95. (Stefan Schröder, Helsinki) Orthmann, Eva / Anna Kollatz (Hrsg.), The Ceremonial of Audience. Transcultural Approaches (Macht und Herrschaft, 2), Göttingen 2019, V&amp;R unipress / Bonn University Press, 207 S. / Abb., € 40,00. (Benedikt Fausch, Münster) Bagge, Sverre H., State Formation in Europe, 843 – 1789

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Schonig, Jordan. "The Pornification of Everything." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3081.

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Introduction In recent years, the word “porn” has been increasingly used as a kind of descriptive suffix in aesthetic categories like “food porn”, “nature porn,” “trauma porn”, and “inspiration porn”. Some scholars in Porn Studies have commented on the phenomenon as a notable expansion of the concept of porn, noting the striking fact that almost none of the porn-suffix categories contain representations of sex. Thus, an obvious puzzle emerges: what is it exactly that makes food porn, nature porn, or trauma porn pornographic? While a number of scholarly publications have examined the sociocultu

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Sánchez, Rebecca. "Hart Crane’s Speaking Bodies: New Perspectives on Modernism and Deafness." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.258.

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I. The early twentieth century may seem, at first glance, a strange place to begin a survey of attitudes towards deafness. At this point, the American Deaf community was just forming, American Sign Language was not yet recognised as a language, and most Americans who did consider deafness thought of it as a disability, an affliction to be pitied. As I will demonstrate, however, modernist writers actually had a great deal of insight into issues central to the experience of many deaf people: physical and visual language. While these writers were not thinking of such language in relation to deafn

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Stauff, Markus. "Non-Fiction Transmedia: Seriality and Forensics in Media Sport." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1372.

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At last year’s Tour de France—the three-week cycling race—the winner of one stage was disqualified for allegedly obstructing a competitor. In newspapers and on social media, cycling fans immediately started a heated debate about the decision and about the actual course of events. They uploaded photographs and videos, which they had often edited and augmented with graphics to support their interpretation of the situation or to direct attention to some neglected detail (Simpson; "Tour de France").Due to their competitive character and their audience’s partisanship, modern media sports continuous

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Allatson, Paul. "The Virtualization of Elián González." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2449.

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For seven months in 1999/2000, six-year old Cuban Elián González was embroiled in a family feud plotted along rival national and ideological lines, and relayed televisually as soap opera across the planet. In Miami, apparitions of the Virgin Mary were reported after Elián’s arrival; adherents of Afro-Cuban santería similarly regarded Elián as divinely touched. In Cuba, Elián’s “kidnapping” briefly reinvigorated a torpid revolutionary project. He was hailed by Fidel Castro as the symbolic descendant of José Martí and Che Guevara, and of the patriotic rigour they embodied. Cubans massed to deman

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Gantley, Michael J., and James P. Carney. "Grave Matters: Mediating Corporeal Objects and Subjects through Mortuary Practices." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1058.

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IntroductionThe common origin of the adjective “corporeal” and the noun “corpse” in the Latin root corpus points to the value of mortuary practices for investigating how the human body is objectified. In post-mortem rituals, the body—formerly the manipulator of objects—becomes itself the object that is manipulated. Thus, these funerary rituals provide a type of double reflexivity, where the object and subject of manipulation can be used to reciprocally illuminate one another. To this extent, any consideration of corporeality can only benefit from a discussion of how the body is objectified thr

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Guimont, Edward. "Megalodon." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2793.

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In 1999, the TV movie Shark Attack depicted an attack by mutant great white sharks on the population of Cape Town. By the time the third entry in the series, Shark Attack 3, aired in 2002, mutant great whites had lost their lustre and were replaced as antagonists with the megalodon: a giant shark originating not in any laboratory, but history, having lived from approximately 23 to 3.6 million years ago. The megalodon was resurrected again in May 2021 through a trifecta of events. A video of a basking shark encounter in the Atlantic went viral on the social media platform TikTok, due to users m

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Sedzielarz, Aleksander, and Meiru Liu. "“I felt the borders of my self blur”." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3124.

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Introduction The 2022 video games Signalis and Citizen Sleeper invite players into artificial bodies and worlds. In both, gameplay prompts reflection on how artificiality induces integration between self and world, while also illuminating experiential awareness through features of gameplay and game environment that show the player and game as part of an ongoing process of mutual construction of self. This article first discusses how incorporation into artificiality has gradually become a central focus in video game studies as a condition of intellectual reflection, emotional response, and the

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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos

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Qatawneh. "EFFICIENT PREDICTION OF DNA-BINDING PROTEINS USING MACHINE LEARNING." June 29, 2012. https://doi.org/10.5121/ijbb.2012.2201.

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International Journal on Bioinformatics & Biosciences (IJBB) Vol.2, No.2, June 2012 DOI : 10.5121/ijbb.2012.2201 1 EFFICIENT PREDICTION OF DNA-BINDING PROTEINS USING MACHINE LEARNING S. Qatawneh1 , A. Alneaimi1 , Th. Rawashdeh1 , M. Muhairat1 , R. Qahwaji2 and S. Ipson2 1Department of Software Engineering, Faculty of Science and Information Technology, Al-Zaytoonah University of Jordan, Amman, Jordan S.Qatawneh@zuj.edu.jo 2 Informatics Research Institute, School of Computing, Informatics & Media, University of Bradford, Richmond Road, Bradford, West Yorkshire, BD7 1DP, UK S.S.Ipson@Bra

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Brien, Donna Lee. "Demon Monsters or Misunderstood Casualties?" M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2845.

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Over the past century, many books for general readers have styled sharks as “monsters of the deep” (Steele). In recent decades, however, at least some writers have also turned to representing how sharks are seriously threatened by human activities. At a time when media coverage of shark sightings seems ever increasing in Australia, scholarship has begun to consider people’s attitudes to sharks and how these are formed, investigating the representation of sharks (Peschak; Ostrovski et al.) in films (Le Busque and Litchfield; Neff; Schwanebeck), newspaper reports (Muter et al.), and social media

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Klotz, Mathew. "Vanessa Tomlinson's <em>Sonic Dreams</em>." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3122.

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Utopia is an ideal, something that should mobilize us, push us forward. Utopia is not prescriptive; it renders potential blueprints of a world not quite here, a horizon of possibility, not a fixed schema. It is productive to think about utopia as flux, a temporal disorganization, as a moment when the here and the now is transcended by a then and a there that could be and should be. (Muñoz 97, emphasis in original) Imagine the sound of … (Tomlinson, Sonic 2) Utopian Beginnings One of the overall conceits of cultural theorist of colour José Esteban Muñoz’s Cruising Utopia is that hope forms an i

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Collins, Steve. "‘Property Talk’ and the Revival of Blackstonian Copyright." M/C Journal 9, no. 4 (2006). http://dx.doi.org/10.5204/mcj.2649.

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    Proponents of the free culture movement argue that contemporary, “over-zealous” copyright laws have an adverse affect on the freedoms of consumers and creators to make use of copyrighted materials. Lessig, McLeod, Vaidhyanathan, Demers, and Coombe, to name but a few, detail instances where creativity and consumer use have been hindered by copyright laws. The “intellectual land-grab” (Boyle, “Politics” 94), instigated by the increasing value of intangibles in the information age, has forced copyright owners to seek maximal protection for copyrighted materials. A prop

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Middlemost, Renee. "The Simpsons Do the Nineties." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1468.

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Now in its thirtieth season, in 2018, The Simpsons is a popular culture phenomenon. The series is known as much for its social commentary as its humour and celebrity appearances. Nonetheless, The Simpsons’ ratings have declined steadily since the early 2000s, and fans have grown more vocal in their calls for the program’s end. This article provides a case study of episode “That 90s Show” (S19, E11) as a flashpoint that exemplifies fan desires for the series’ conclusion. This episode is one of the most contentious in the program’s history, with online outrage at the retconning of canon and both

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Murphy, Ffion, and Richard Nile. "The Many Transformations of Albert Facey." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1132.

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In the last months of his life, 86-year-old Albert Facey became a best-selling author and revered cultural figure following the publication of his autobiography, A Fortunate Life. Released on Anzac Day 1981, it was praised for its “plain, unembellished, utterly sincere and un-self-pitying account of the privations of childhood and youth” (Semmler) and “extremely powerful description of Gallipoli” (Dutton 16). Within weeks, critic Nancy Keesing declared it an “Enduring Classic.” Within six months, it was announced as the winner of two prestigious non-fiction awards, with judges acknowledging Fa

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Sheu, Chingshun J. "Forced Excursion: Walking as Disability in Joshua Ferris’s The Unnamed." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1403.

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Introduction: Conceptualizing DisabilityThe two most prominent models for understanding disability are the medical model and the social model (“Disability”). The medical model locates disability in the person and emphasises the possibility of a cure, reinforcing the idea that disability is the fault of the disabled person, their body, their genes, and/or their upbringing. The social model, formulated as a response to the medical model, presents disability as a failure of the surrounding environment to accommodate differently abled bodies and minds. Closely linked to identity politics, the soci

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Burns, Alex. "'This Machine Is Obsolete'." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1805.

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'He did what the cipher could not, he rescued himself.' -- Alfred Bester, The Stars My Destination (23) On many levels, the new Nine Inch Nails album The Fragile is a gritty meditation about different types of End: the eternal relationship cycle of 'fragility, tension, ordeal, fragmentation' (adapted, with apologies to Wilhelm Reich); fin-de-siècle anxiety; post-millennium foreboding; a spectre of the alien discontinuity that heralds an on-rushing future vastly different from the one envisaged by Enlightenment Project architects. In retrospect, it's easy for this perspective to be dismissed as

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Ryan, Robin, and Uncle Ossie Cruse. "Welcome to the Peoples of the Mountains and the Sea: Evaluating an Inaugural Indigenous Cultural Festival." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1535.

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IntroductionFestivals, according to Chris Gibson and John Connell, are like “glue”, temporarily sticking together various stakeholders, economic transactions, and networks (9). Australia’s First Nations peoples see festivals as an opportunity to display cultural vitality (Henry 586), and to challenge a history which has rendered them absent (587). The 2017 Australia Council for the Arts Showcasing Creativity report indicates that performing arts by First Nations peoples are under-represented in Australia’s mainstream venues and festivals (1). Large Aboriginal cultural festivals have long thriv

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Pedersen, Isabel, and Kristen Aspevig. "Being Jacob: Young Children, Automedial Subjectivity, and Child Social Media Influencers." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1352.

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Introduction Children are not only born digital, they are fashioned toward a lifestyle that needs them to be digital all the time (Palfrey and Gasser). They click, tap, save, circulate, download, and upload the texts of their lives, their friends’ lives, and the anonymous lives of the people that surround them. They are socialised as Internet consumers ready to participate in digital services targeted to them as they age such as Snapchat, Instagram, and YouTube. But they are also fashioned as producers, whereby their lives are sold as content on these same markets. As commodities, the minutiae

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Roney, Lisa. "The Extreme Connection Between Bodies and Houses." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2684.

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   Perhaps nothing in media culture today makes clearer the connection between people’s bodies and their homes than the Emmy-winning reality TV program Extreme Makeover: Home Edition. Home Edition is a spin-off from the original Extreme Makeover, and that fact provides in fundamental form the strong connection that the show demonstrates between bodies and houses. The first EM, initially popular for its focus on cosmetic surgery, laser skin and hair treatments, dental work, cosmetics and wardrobe for mainly middle-aged and self-described unattractive participants, lagged after

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Meron, Yaron. "“What's the Brief?”." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2797.

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“What's the brief?” is an everyday question within the graphic design process. Moreover, the concept and importance of a design brief is overtly understood well beyond design practice itself—especially among stakeholders who work with designers and clients who commission design services. Indeed, a design brief is often an assumed and expected physical or metaphoric artefact for guiding the creative process. When a brief is lacking, incomplete or unclear, it can render an already ambiguous graphic design process and discipline even more fraught with misinterpretation. Nevertheless, even in wide

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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li

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Hernandez, George, Valeria Sandena, Sotonye Douglas, Amy Miyako Williams, and Anna-Leila Williams. "Partnership with a Theater Company to Amplify Voices of Underrepresented-in-Medicine Students." Voices in Bioethics 7 (August 24, 2021). http://dx.doi.org/10.52214/vib.v7i.8590.

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Photo by Sam McGhee on Unsplash ABSTRACT Medical education has a long history of discriminatory practices. Because of the hierarchy inherent in medical education, underrepresented-in-medicine (URiM) students are particularly vulnerable to discrimination and often feel they have limited recourse to respond without repercussions. URiM student leaders at a USA medical school needed their peers, faculty, and administration to know the institutional racism and other forms of discrimination they regularly experienced. The students wanted to share first-person narratives of their experiences; however

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