Thematische Bibliographien / Palacio de Hierro (Mexico City, Mexico)

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  1. Zeitschriftenartikel
  2. Bücher
  3. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Palacio de Hierro (Mexico City, Mexico)“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Palacio de Hierro (Mexico City, Mexico)"

1

Vázquez Pinacho, Yadira. "México y Puebla; del centro comercial a la ciudad. La construcción de nuevos territorios urbanos." Revista Trace, no. 51 (July 10, 2018): 56. http://dx.doi.org/10.22134/trace.51.2007.407.

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El siglo XX fue quizás el del consumo y una gran parte de los espacios que se edificaron fue consagrada a esta actividad. El centro comercial, una creación estadounidense, fue rápidamente aceptado por los grupos comerciales mexicanos, quienes construyeron los primeros malls en la Ciudad de México a finales de los años 60. A partir de esa década, estos espacios se multiplicaron siguiendo las estrategias de expansión de las empresas. El gobierno controla este crecimiento a través de los permisos de construcción y funcionamiento. Sin embargo los grandes proyectos privados no están siempre ligados
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2

APARICIO, Cecilia GARCÍA-MUÑOZ. "PALACIO DE HIERRO: A SUSTAINABLE ORGANIZATION." Sociálno-ekonomická revue 21, no. 1 (2023): 38–48. http://dx.doi.org/10.52665/ser20230105.

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This article describes an analysis of the sustainability of the Palacio de Hierro, an economic group, which, through strategies and business leadership, stands out as the first department store and the most sophisticated in Mexico to date, characterized by presenting a luxurious style of living. A documentary-type methodology and longitudinal study was used with a descriptive thematic analysis; A bibliographical review was carried out consisting of articles, books, news, and the web, on the sustainability of the organization, whose objective was to analyze the way in which its sustainable stra
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3

Flores-Marcial, Xóchitl M. "Getting Community Engagement Right." Latin American and Latinx Visual Culture 3, no. 1 (2021): 98–108. http://dx.doi.org/10.1525/lavc.2021.3.1.98.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h
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Vargas-Santiago, Luis. "Emiliano." Latin American and Latinx Visual Culture 3, no. 1 (2021): 109–19. http://dx.doi.org/10.1525/lavc.2021.3.1.109.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h
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Ortiz-Torres, Rubén. "Mexicos and Americas." Latin American and Latinx Visual Culture 3, no. 1 (2021): 70–79. http://dx.doi.org/10.1525/lavc.2021.3.1.70.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h
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6

Bargellini, Clara. "Looking Back at The Arts of the Missions of Northern New Spain, 1600–1821." Latin American and Latinx Visual Culture 3, no. 1 (2021): 80–87. http://dx.doi.org/10.1525/lavc.2021.3.1.80.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h
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Richter, Kim N. "Golden Kingdoms at Getty." Latin American and Latinx Visual Culture 3, no. 1 (2021): 88–97. http://dx.doi.org/10.1525/lavc.2021.3.1.88.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h
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8

Josten, Jennifer. "Dialogues." Latin American and Latinx Visual Culture 3, no. 1 (2021): 60–69. http://dx.doi.org/10.1525/lavc.2021.3.1.60.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h
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9

García Corona, León F. "Duke Ellington, El Rey del Jazz and the Mexico City Massacre of 1968." Journal of the Society for American Music 16, no. 1 (2022): 69–91. http://dx.doi.org/10.1017/s1752196321000481.

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AbstractFrom September 24 to October 2, 1968, two apparently unrelated events took place in an area of less than two square miles in downtown Mexico City: Duke Ellington performed in the Palacio de Bellas Artes, and the Mexican army massacred hundreds of protesting students. The student-driven movement of 1968 attracted people from different backgrounds in Mexican society. Their desire for freedom of speech and civil liberties echoed the struggles of the Civil Rights movement in the United States. Received as El rey del jazz (the King of Jazz), Ellington's visit to Mexico constituted a musical
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Meléndez Escalante, Tanya. "El Arte de la Indumentaria y la Moda en México, 1940–2015, Palacio de Cultura Banamex-Palacio de Iturbide, Mexico City, May 4–September 25, 2016." Fashion Theory 24, no. 2 (2018): 265–71. http://dx.doi.org/10.1080/1362704x.2018.1499195.

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Bücher zum Thema "Palacio de Hierro (Mexico City, Mexico)"

1

Fuentes, Carlos. Palacio Nacional. Presidencia de la República, Dirección General de Comunicación Social, 1986.

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2

R, Gómez Marte, Pani Alberto J. 1878-1955, and Mariscal Federico 1881-1971, eds. El Palacio de Bellas Artes. Consejo Nacional para la Cultura y las Artes, 2007.

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3

Raquel, Tibol, and Instituto Nacional de Bellas Artes (Mexico), eds. Los Murales del Palacio Nacional. Instituto Nacional de Bellas Artes, 1997.

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4

Portilla, Miguel León, Arturo Chapa, and Patricia Flores Elizondo. The National Palace of Mexico. Presidencia de la República, 2007.

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5

Morales, Efraín Castro. Palacio Nacional de México: Historia de su arquitectura. Museo Mexicano, 2003.

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6

Instituto Nacional de Bellas Artes (Mexico), ed. 50 años de artes plásticas: Palacio de Bellas Artes. Instituto Nacional de Bellas Artes, Secretaría de Educación Pública, 1988.

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7

Cordero, Francisco Arturo H. Schroeder. Entorno a la Plaza y Palacio de Minería. Facultad de Arquitectura, División de Estudios de Posgrado, Universidad Nacional Autónoma de México, 1988.

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8

Carlos, Díaz Du-Pond, and Instituto Nacional de Bellas Artes (Mexico), eds. 50 años de ópera: Palacio de Bellas Artes. Instituto Nacional de Bellas Artes, Secretaría de Educación Pública, 1986.

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9

(Mexico), Distrito Federal, ed. Los Recintos en Palacio Nacional. El Departamento, 1985.

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10

Archivo General de la Nación (Mexico), ed. Lecumberri: Un palacio lleno de historia. Secretaría de Gobernación, Archivo General de la Nación, 1994.

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Buchteile zum Thema "Palacio de Hierro (Mexico City, Mexico)"

1

Forest, Marion. "Arqueología en El Palacio:." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.7.

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2

Forest, Marion. "Architecture and urbanism at El Palacio." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.9.

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3

"2 Gustavo Sainz’s La princesa del Palacio de Hierro: Comedy and the Female Character in Transnational Mexico." In Hybrid Identity and the Utopian Impulse in the Postmodern Spanish-American Comic Novel. Boydell and Brewer, 2015. http://dx.doi.org/10.1515/9781782045601-003.

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4

Darras, Véronique. "La obsidiana del sitio Mich. 23 “El Palacio”." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.12.

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5

Jadot, Elsa, and Marion Forest. "Siete años de investigación en El Palacio (2010–2017):." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.8.

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6

Ragsdale, Corey S. "Population structure of El Palacio based on dental morphological data." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.16.

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7

Manin, Aurélie. "Un acercamiento diacrónico a la economía animal en El Palacio." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.13.

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8

Pereira, Grégory, and Isaac Barrientos Juárez. "Evidencias de cremación en el sitio de El Palacio, Zacapu, Michoacán." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.15.

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9

Jadot, Elsa. "Las vasijas de cerámica del final del Epiclásico y del Posclásico temprano:." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.10.

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10

Forest, Marion. "Introduction." In El Palacio: Historiography and new perspectives on a pre-Tarascan city of northern Michoacán, Mexico. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm23b.5.

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