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Auswahl der wissenschaftlichen Literatur zum Thema „Palazzo Medici“
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Zeitschriftenartikel zum Thema "Palazzo Medici"
Strehlke, Carl Brandon. „Pontormo, Alessandro de' Medici, and the Palazzo Pazzi“. Philadelphia Museum of Art Bulletin 81, Nr. 348 (1985): 3. http://dx.doi.org/10.2307/3795338.
Der volle Inhalt der QuelleAmes-Lewis, Francis. „Donatello's bronze David and the Palazzo Medici courtyard“. Renaissance Studies 3, Nr. 3 (September 1989): 235–51. http://dx.doi.org/10.1111/j.1477-4658.1989.tb00186.x.
Der volle Inhalt der QuelleAmes-Lewis, Francis. „Donatello's Bronze David and the Palazzo Medici Courtyard“. Renaissance Studies 3, Nr. 3 (September 1989): 235–51. http://dx.doi.org/10.1111/1477-4658.00072.
Der volle Inhalt der QuelleStones, Anthony. „‘Venus and Cupid’: a relief carving by Michelangelo?“ Papers of the British School at Rome 61 (November 1993): 245–61. http://dx.doi.org/10.1017/s0068246200009995.
Der volle Inhalt der QuelleGáldy, Andrea M. „Spectacular Antiquities: power and display of anticaglie at the court of Cosimo I de' Medici“. Renaissance and Reformation 41, Nr. 1 (01.01.2005): 45–57. http://dx.doi.org/10.33137/rr.v41i1.9071.
Der volle Inhalt der QuelleFarneti, Fauzia. „Il quadraturismo in Pallazzo Pitti da Cosimo II a Cosimo III de' Medici“. Varia Historia 24, Nr. 40 (Dezember 2008): 369–86. http://dx.doi.org/10.1590/s0104-87752008000200002.
Der volle Inhalt der QuelleBrown, Beverly Louise. „An Enthusiastic Amateur: Lorenzo de' Medici as Architect“. Renaissance Quarterly 46, Nr. 1 (1993): 1–22. http://dx.doi.org/10.2307/3039145.
Der volle Inhalt der QuelleLuccas, Luís Henrique Haas. „Patrimônio e intervenção em preexistências no renascimento italiano: três casos exemplares“. Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP 25, Nr. 46 (09.08.2018): 134–49. http://dx.doi.org/10.11606/issn.2317-2762.v25i46p134-149.
Der volle Inhalt der QuelleBonacchi, Andrea, Antonella Ferrari, Lelio Camilleri und Francesca Chiesi. „Multidisciplinary Psychosomatic Assessment for UX Design Evaluation“. Studies in Digital Heritage 2, Nr. 1 (10.02.2019): 106–20. http://dx.doi.org/10.14434/sdh.v2i1.25652.
Der volle Inhalt der QuelleCooper, James G. „Michelangelo's Laurentian Library: Drawings and Design Process“. Architectural History 54 (2011): 49–90. http://dx.doi.org/10.1017/s0066622x00004007.
Der volle Inhalt der QuelleDissertationen zum Thema "Palazzo Medici"
Bailie, Lindsey Leigh. „Staging Privacy: Art and Architecture of the Palazzo Medici“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11049.
Der volle Inhalt der QuelleThe Palazzo Medici was a site of significant social and political representation for the Medici. Access to much of the interior was limited, ostensibly, to the family. In republican Florence, however, visitors were a crucial component in the maintenance of a political faction. Consequently, the "private" spaces of the Palazzo Medici were designed and decorated with guests in mind. Visitor accounts reveal that the path and destination of each visitor differed according to his status and significance to the family. The common citizen waited, sometimes for great lengths, in the courtyard, taking in the anti-tyrannical message of the space. The privileged guest, who had more to provide the Medici, was given access to the more private spaces of the residence. Surrounded by art and architecture that demonstrated the faith, education, and wealth of the Medici, he was assured that his support of the family was beneficial to his own pursuits.
Committee in charge: James Harper, Chairperson; Jim Tice, Member; Jeff Hurwit, Member
Thieryung, Lisa Morgan. „The Palazzo Medici and its Polyvalent Message: Cosimo de Medici Navigates the Shifting Meaning of Pride“. Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/7099.
Der volle Inhalt der QuelleEdwards, Karen Victoria. „Rethinking the reinstallation of the studiolo of Francesco I de' Medici in the Palazzo Vecchio“. online version, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=case1175875929.
Der volle Inhalt der QuelleCapobianchi, Livia. „Diagnostica delle strutture storiche: il caso di studio del Palazzo Malvezzi De' Medici in Bologna“. Master's thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amslaurea.unibo.it/578/.
Der volle Inhalt der QuellePisa, Veronica. „Le ragioni del Restauro nella Prevenzione Incendi: il caso di studio di Palazzo Medici-Riccardi-Servadio-Pinucci a Firenze“. Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.
Den vollen Inhalt der Quelle findenManucci, Carole. „I Ragionamenti de Giorgio Vasari ou l’édifice de la Mémoire“. Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3110.
Der volle Inhalt der QuelleGiorgio Vasari was born on 30 July 1511 ; he died on 27 June 1574. At the end of 1554, he starts to be on the service of Cosimo I de' Medici, the Duke of Florence and he quickly sees himself entrusted with the transformation works of the seigneurial palace into a ducal one. The artist delivers the reading guides of the pictorial cycle deployed on the ceilings and the walls of the famous Florentine monument known as Palazzo Vecchio, in Ragionamenti del Sig. Cavaliere Giorgio Vasari, pittore e architetto aretino, sopra le invenzioni da lui dipinte in Firenze nel Palazzo di loro Altezze Serenissime, a little-known and little-studied work. Written between 1558 and 1567, but only posthumous published in 1588, this text stages Giorgio Vasari and Prince Francesco I de' Medici, the elder son of Cosimo I and Eleonora di Toledo. Under a descriptive hand, in which the word and the image unite, the artist composes a dialogue spread over three days and lead in three emblematic places of the palace: the Elements Area, the Leo X Quarter and the Cinquecento Room. The interest of this work lies in the different reading levels as in the different "dialogues" that it means to suggest. If the rewriting of some mythological episodes, directly viewed in relation to the history of the Medici dysnasty, contributes to the official aim of the work - namely the ducal glorification - the myth preludes, owing to its belonging to an esoteric world, a hidden reading of the Vasarian text that, beyond serving the Medici reign, reveals a memory aura inviting us to comprehend Giorgio Vasari's Ragionamenti as an edifice of Memory
Deibel, Danielle Marie. „The Piazza della Signoria: The Visualization of Political Discourse through Sculpture“. Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent149298059548259.
Der volle Inhalt der QuelleBallerini, Giulia. „Ardengo Soffici : la grande mostra del 1920 (Firenze, Palazzo Horne, 27 maggio-15 giugno) /“. Prato : Pentalinea, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016223420&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuelleMiyake, Mônica Aidar Menon. „"Efeitos da infusão de Luffa operculata sobre o epitélio e a atividade mucociliar do palato isolado de rã"“. Universidade de São Paulo, 2004. http://www.teses.usp.br/teses/disponiveis/5/5143/tde-20102005-113139/.
Der volle Inhalt der QuelleLuffa operculata is a medicinal plant popularly used for treatment of rhinitis and rhinosinusitis. Its dry fruit infusion is used into the nose, delivering profuse mucous secretion, but may cause nasal mucosa irritation, epistaxis or anosmia. We evaluated the effects of different concentrations of Luffa operculata dry fruit infusion on mucociliary transport velocity (MTV), ciliary beat frequency (CBF), transepithelial potential difference (TPD) and epithelial morphology (light and electron transmission microscopy) of the isolated frog palate preparation. Results pointed to dose-dependent epithelial damage on mucociliary epithelium, suggesting that it is potentially noxious to the human nasal mucosa
Teng, Hui-Wen, und 鄧慧雯. „A Study on Frescos “Procession of the Magi ”in the Palazzo Medici-Riccardi of Florence“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/99j5ju.
Der volle Inhalt der Quelle國立臺北藝術大學
美術史研究所
99
The aim of this paper is to investigate the frescoes Procession of the Magi made in the chapel of Palazzo Medici-Riccardi in Florence by the fifteenth-century artist Benozzo Gozzoli (1421-1497) during 1459-60. By studying the figure layout, theme, form, style and image of these works, the features of these frescoes, the origin of styles and the fusion of styles are examined; the artistic taste of Italians in the fifteenth century is reviewed, and the art style development in Florence in the fifteenth century is elaborated. Apparently, these works of Gozzoli made in the beginning of the Renaissance show a strong sense of decoration in a delicate, rich and lustrous style under harmony. This is different from his contemporaries Masaccio (1401-1428) and Piero della Francesca (ca 1415-1492) who exploited lineal perspective and 3 dimensions to express the new simplistic and rational style of the Renaissance. Although Gozzoli already showed mastery perspective techniques in his works made in the 1450s, a preference to the multipoint perspective landscape as found in the Middle Age reveals in the Procession of the Magi. This is probably because of the special aesthetics flavor in the fifteenth-century Florence based on which he developed such a kind of integrated style. In addition to investigating the form, content and theme, this paper focuses on the rich creativity and decorative expressions in these frescoes. This includes an in-depth analysis of the details of the animals, people and landscapes depicted in the frescoes in order to facilitate the understanding of the features of these works. Also, by studying these frescoes, the trend of style integration of Gozzoli presented in his works is examined in order to delineate the demand for luxury and sophisticated decorative beauty of nobles and privileged people in Florence in the fifteenth century as reflected in the Procession of the Magi.
Bücher zum Thema "Palazzo Medici"
Ada, Gunnella, und Saladino V, Hrsg. Le antichità di Palazzo Medici Riccardi. Firenze: L.S. Olschki, 1998.
Den vollen Inhalt der Quelle findenBorchgrave, Isabelle De. I Medici: Il sogno ritorna : Isabelle de Borchgrave a Palazzo Medici Riccardi. Herausgegeben von D'Ursel Laetitia und Palazzo Medici Riccardi. Florence, Italy]: Alias, 2009.
Den vollen Inhalt der Quelle finden1951-, Acidini Luchinat Cristina, und Ricciardi Lucia, Hrsg. The Chapel of the Magi in Palazzo Medici. Firenze: Mandragora, 2001.
Den vollen Inhalt der Quelle findenGozzoli, Benozzo. The chapel of the Magi: Benozzo Gozzoli's frescoes in the Palazzo Medici-Riccardi, Florence. London: Thames & Hudson, 1994.
Den vollen Inhalt der Quelle findenLa cavalcata d'Oriente: I Magi di Benozzo a Palazzo Medici. Roma: Tomo edizioni, 1991.
Den vollen Inhalt der Quelle findenM, Fileti. Eredità del cardinale Leopoldo de' Medici: 1675-1676. Pisa: Scuola normale superiore, 1997.
Den vollen Inhalt der Quelle findenThe Chapel of the Magi: Benozzo Gozzoli's frescoes in the Palazzo Medici-Riccardi Florence. [London: Thames and Hudson, 1994.
Den vollen Inhalt der Quelle findenAnna Maria Luisa de' Medici, elettrice palatina: Atti delle celebrazioni, 2005-2008, Palazzo Vecchio, Firenze. Firenze: Edizioni Polistampa, 2009.
Den vollen Inhalt der Quelle findenL'architettura contesa: Federico da Montefeltro, Lorenzo de' Medici, gli Sforza e Palazzo Salvatico a Milano. Milano: Bruno Mondadori, 2008.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Palazzo Medici"
Betti, Marco. „Amori proibiti in palazzo Mondragone Carnesecchi. Un’inedita cupola di Antonio Puglieschi e una memoria medicea“. In Studi e saggi, 147–64. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.09.
Der volle Inhalt der Quelle„CHAPTER TWELVE. COSIMO DE' MEDICI, A NEW MOSES“. In Bronzino’s Chapel of Eleonora in the Palazzo Vecchio, 294–319. University of California Press, 1993. http://dx.doi.org/10.1525/9780520375994-016.
Der volle Inhalt der QuelleSchofield, Richard. „A local Renaissance: Florentine Quattrocento palaces and all’antica styles1“. In Local antiquities, local identities, 13–36. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.003.0002.
Der volle Inhalt der Quelle„CHAPTER ELEVEN. COSIMO DE' MEDICI AS AN OLD TESTAMENT HERO“. In Bronzino’s Chapel of Eleonora in the Palazzo Vecchio, 282–93. University of California Press, 1993. http://dx.doi.org/10.1525/9780520375994-015.
Der volle Inhalt der QuelleTerry-Fritsch, Allie. „Staging Gendered Authority: Donatello’s Judith, Lucrezia Tornabuoni de’Medici’s sacra storia, and the Somaesthetics of Justice“. In Somaesthetic Experience and the Viewer in Medicean Florence. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722216_ch03.
Der volle Inhalt der QuelleTerry-Fritsch, Allie. „Mobilizing Visitors: Political Persuasion and the Somaesthetics of Belonging in the Chapel of the Magi“. In Somaesthetic Experience and the Viewer in Medicean Florence. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722216_ch02.
Der volle Inhalt der Quelle„8. Embodied temporality: Lucrezia Tornabuoni de’ Medici’s sacra storia, Donatello’s Judith, and the performance of gendered authority in Palazzo Medici, Florence“. In Gendered Temporalities in the Early Modern World, 187–212. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048535262-009.
Der volle Inhalt der QuelleSpadafora, Giovanna. „Geometry and Drama in Borromini's Architectural Details“. In Advances in Media, Entertainment, and the Arts, 666–93. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0029-2.ch027.
Der volle Inhalt der Quelle„CHAPTER NINE. HISTORY, MYTH , AND PROPAGANDA IN COSIMO DE' MEDICI'S EARLY ART“. In Bronzino’s Chapel of Eleonora in the Palazzo Vecchio, 250–59. University of California Press, 1993. http://dx.doi.org/10.1525/9780520375994-013.
Der volle Inhalt der QuellePorfiri, Francesca. „Interpretative Reading of an Illusory Painted Wall“. In Advances in Media, Entertainment, and the Arts, 403–19. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0029-2.ch017.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Palazzo Medici"
Fantozzi, F., F. Leccese, G. Salvadori, M. Rocca und I. Capranelli. „Opportunities for energy savings with interventions on the lighting systems of historical buildings: The case of “Palazzo Medici” in Pisa, Italy“. In 2016 IEEE 16th International Conference on Environment and Electrical Engineering (EEEIC). IEEE, 2016. http://dx.doi.org/10.1109/eeeic.2016.7555569.
Der volle Inhalt der QuelleFalvo, Perla Gianni. „In the mirror of the wonder of Luca Giordano: Multisensory experience itinerary with impact assessment at Palazzo Medici Riccardi (Florence, Italy)“. In 2012 18th International Conference on Virtual Systems and Multimedia (VSMM). IEEE, 2012. http://dx.doi.org/10.1109/vsmm.2012.6365901.
Der volle Inhalt der QuelleFalvo, Perla Gianni, Antonello Grippo, Tiziana Atzori, Giampiero Cicalini, Lelio Camilleri, Francesca Chiesi, Alessandro Toccafondi und Andrea Bonacchi. „Workshop with impact assessment in the chapel of the Magi in Palazzo Medici Riccardi, Florence Augmented reality with multimedia and cognitive technologies“. In 2014 International Conference on Virtual Systems & Multimedia (VSMM). IEEE, 2014. http://dx.doi.org/10.1109/vsmm.2014.7136677.
Der volle Inhalt der QuelleFalvo, Perla Gianni. „Exhibit design with multimedia and cognitive technologies impact assessment on Luca Giordano, Raphael and the Chapel of the Magi in Palazzo Medici Riccardi, Florence“. In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419569.
Der volle Inhalt der QuelleVelasquez Hernández, Víctor Hugo. „Los dibujos para el Palacio“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.678.
Der volle Inhalt der QuelleSoriano-Colchero, Jose-Antonio, und Inmaculada López-Vílchez. „La práctica artística como medio de representación de los modos de percibir la realidad espacial en el occidente contemporáneo. Un análisis teórico del proyecto plástico y visual No Vanishing Point ;).“ In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9223.
Der volle Inhalt der QuelleGARCÍA CLARIANA, INÉS. „Render-punctum: El efecto de la imagen en el pensamiento y la gestión de la ciudad“. In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6978.
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