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Zeitschriftenartikel zum Thema "Paris (France) – History – 1940-1944"

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Charmley, John. "Duff Cooper and Western European union, 1944–47." Review of International Studies 11, no. 1 (1985): 53–64. http://dx.doi.org/10.1017/s0260210500114366.

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Duff Cooper fell in love with France during his first visit to Paris in 1900 and he remained faithful to her for the rest of his life. The fact that Paris in 1900 was deeply Anglophobic, because of the Boer war, had no effect upon Cooper's feelings for the city. His affection for France was no fair-weather plant. It was deepened by the experience of nine months in the trenches in the Great War and was, thereafter, proof against all discouragements. As a young Foreign Office clerk in 1923 he did not join in the fashionable disparagement of France inspired by the French occupation of the Ruhr. A
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Joly, Laurent. "The Parisian Police and the Holocaust: Control, Round-ups, Hunt, 1940–4." Journal of Contemporary History 55, no. 3 (2019): 557–78. http://dx.doi.org/10.1177/0022009419839774.

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Slightly more than half of the 74,150 Jews deported from France between 1942 and 1944 were arrested in Paris and its close suburbs. For the large majority of these 38,500 men, women, and children, their arrest was carried out by ordinary policemen belonging to the Paris Police Prefecture. The objective of this article is to propose a complete and synthetic analysis of the role of this institution and its agents in the Holocaust. In Paris, unlike anywhere else in Europe, the implementation of the ‘final solution’ was entrusted to the traditional administration. These police officers were compet
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Dubiński, Krzysztof, and Ewa Katarzyna Świetlicka. "LEOPOLD BINENTAL AND THE HISTORY OF HIS COLLECTION." Muzealnictwo 58, no. 1 (2017): 109–22. http://dx.doi.org/10.5604/01.3001.0010.1024.

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Leopold Jan Binental (1886–1944) was a musicologist and journalist, and an indefatigable promoter of Frederic Chopin’s compositions and researcher into his life story in the inter-war period. He wrote and published a great deal in professional periodicals as well as in the national and foreign popular press, mainly in France and Germany. Until 1939, he was a regular music critic for "Kurier Warszawski". He was thought to be a competent and respected Chopinologist, and his reputation in Europe was confirmed by the monograph Chopin published in Warsaw (1930 and 1937) and in Paris (1934) and the
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Hilaire, Yves-Marie. "Sylvie Bernay , L’Église de France face à la persécution des Juifs, 1940-1944 , Paris, CNRS éditions, 2012, 528 p., 25 €." Revue du Nord 396, no. 3 (2012): XXXVI. http://dx.doi.org/10.3917/rdn.396.0731aj.

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Franko, Mark. "French Interwar Dance Theory." Dance Research Journal 48, no. 2 (2016): 104–10. http://dx.doi.org/10.1017/s0149767716000188.

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Interwar French dance and the critical discourses responding to it have until recently been an underdeveloped research area in Anglo-American dance studies. Despite common patterns during the first half of the twentieth century that may be observed between the dance capitals of Berlin, Paris, and New York, some noteworthy differences set the French dance world apart from that of Germany or North America. Whereas in Germany and the United States modern dance asserted itself incontrovertibly in the persons of two key figures—Mary Wigman and Martha Graham, respectively—no such iconic nativist mod
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Trukhina, Olga. "THE ODDITY OF THE RUSSIAN TURGENEV LIBRARY (PARIS, FRANCE)." Proceedings of Altai State Academy of Culture and Arts 4 (2020): 77–85. http://dx.doi.org/10.32340/2414-9101-2020-4-77-85.

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The paper briefly describes a history of establishing Russian Public Library in Paris, 1875, by an initiative of Russian politician German Lopatin; now, the Library is considered as the oldest Russian language book collection formed outside Russia. Ivan Turgenev's personal library took as a basis of the memorial document collection that gradually became a center of cultural life for the first wave of Russian revolution emigration to France. The article discloses content of the document collection by type of issues, calls its sources until it was seized by Nazi occupational administration in 19
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Jackson, Julian. "General De Gaulle and his Enemies: Antigaullism in France Since 1940." Transactions of the Royal Historical Society 9 (December 1999): 43–65. http://dx.doi.org/10.2307/3679392.

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On the centenary of General de Gaulle's birth in November 1990, hundreds of historians, politicians and statesmen gathered in Paris to discuss his life. Their deliberations were published in seven volumes running to several thousand pages. The participants included former opponents who now declared themselves ‘posthumous Gaullists’ or ‘remorseful’ ones. The whole occasion seemed to fulfil André Malraux's prediction: ‘Everyone is, has been or will become Gaullist.’ Of those who were not, never had been, or would never become Gaullist, little was said.
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Linder, Daniel. "(Self)Censored at Home and Away: Richard Wright’s Native Son (1940) in Spanish." Mutatis Mutandis. Revista Latinoamericana de Traducción 16, no. 2 (2023): 405–28. http://dx.doi.org/10.17533/udea.mut/v16n2a08.

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Native Son (Harper & Brothers, 1940), by Richard Wright (1908, Roxie, Mississippi–1960, Paris, France), contained a scene rewritten by the author to satisfy the Book of the Month Club, which had selected a Black author for the first time. In the censored scene, the main character, Bigger Thomas, engages in a lewd sexual act; other potentially offensive contents, however, were not subjected to the same treatment. The first Spanish translation, Sangre negra (Sudamericana, 1941), was banned in Spain twice (1944 and 1953) when the Argentinian publishers attempted to import it into the strongly
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Morange, Michel. "François Jacob. 17 June 1920 — 19 April 2013." Biographical Memoirs of Fellows of the Royal Society 63 (January 2017): 345–61. http://dx.doi.org/10.1098/rsbm.2016.0021.

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Biological research was a late vocation for François Jacob, who entered the laboratory of André Lwoff at the Institut Pasteur in Paris at the age of 30. Ten years before, in 1940, he had abruptly left France, after the German troops entered Paris, and joined the Free French Forces organized by de Gaulle in London. He served as a medic in battles against the German troops in Africa, and was severely wounded in Normandy in August 1944. He could no longer be a surgeon as he had expected, and his return to a civilian life was difficult. Fifteen years after he entered the Institut Pasteur, in 1965,
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Perrin, Cédric. "Fabrice Grenard . ? La France du marché noir (1940-1949) . Paris, Payot, 2008, 351 pages." Le Mouvement Social 226, no. 1 (2009): XVII. http://dx.doi.org/10.3917/lms.226.0079q.

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Dissertationen zum Thema "Paris (France) – History – 1940-1944"

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Leenaerts, Danielle. "Analyse historique et artistique du magazine Vu (1928-1940), hebdomadaire d'informations générales illustré par la photographie." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211383.

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Blanchard, Emmanuel. "Encadrer des "citoyens diminués" : la police des Algériens en région parisienne (1944-1962)." Phd thesis, Université de Bourgogne, 2008. http://tel.archives-ouvertes.fr/tel-00624302.

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Cette thèse est consacrée à l'étude des pratiques des services de police active (police judiciaire, renseignements généraux, sécurité urbaine) à l'égard des " Français musulmans d'Algérie " émigrés en région parisienne entre 1944 et 1962. Ce gouvernement policier est analysé comme une modalité de l'inscription métropolitaine de la " situation coloniale ". Le répertoire d'action policier est étudié en regard de l'histoire des polices métropolitaines et des dispositifs appliqués à d'autres groupes de " citoyens diminués " (vagabonds, prostituées, homosexuels). Les matériaux analysés (archives de
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Claveau, Cylvie. "L'autre dans les Cahiers des droits de l'homme, 1920-1940 : une sélection universaliste de l'altérité à la Ligue des droits de l'homme et du Citoyen en France." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37604.

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This doctoral dissertation examines the position of the Other with regard to the Ligue des Droits de l'Homme et du Citoyen (LDH) in France during the interwar period of the twentieth century. A key institution of French political and intellectual life, the Ligue des Droits de l'Homme et du Citoyen exemplified the confrontation and contradiction between theory, discourse, and reality. The dissertation is divided into two parts: the first part introduces Them, the members of the Ligue; while the second part describes (or identifies) the Other, the colonized migrants, the foreigners, the politica
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Richard, Guillaume. "Enseigner le droit public à Paris sous la Troisième République." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100156/document.

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Le droit public est un élément structurant l’organisation des facultés de droit depuis la fin du XIXe siècle en France. Pourtant, la notion reste bien souvent problématique : l’objet de cette étude est d’en préciser la portée dans l’enseignement, à partir de l’exemple de la Faculté de droit de Paris. Celle-ci, par ses effectifs, sa proximité avec les institutions politiques et la concurrence directe d’autres établissements d’enseignement supérieur joue un rôle de premier plan dans l’élaboration et la mise en œuvre des réformes qui conduisent sous la IIIe République à la généralisation du droit
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Porcher, Pierre. "Une masse de granit en République. Les lycées de garçons et de jeunes filles de l'académie de Paris sous la Troisième République." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL017.

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Entre « tout-puissant Empire du Milieu » de la fin du XIXe siècle, décrit avec nostalgie par Lucien Febvre, et les « lycées somnolents » de la fin de l'Entre-deux-guerres, évoqués avec gravité par Marc Bloch, s'étendent les 70 ans de la Troisième République. Les lycées sont le fleuron de l'enseignement secondaire et offrent une très grande variété de formations, des jardins d'enfants aux classes préparatoires, enseignements classique, moderne, technique et agricole compris. Ceux de l'académie de Paris, ressort qui couvre une large partie du Bassin parisien (9 départements), forment un ensemble
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Fournier, Patrick. "La délation des Juifs à Paris pendant l’Occupation, 1940-1944." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35316.

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Cette thèse de doctorat vise à étendre l’étude de la délation antisémite à Paris pendant l’Occupation allemande en explorant plus en détail les contextes institutionnels et sociaux du phénomène de la délation afin de mieux mesurer leur importance dans le Paris occupé. Dans un premier temps, elle explore les différents mécanismes institutionnels qui contribuèrent, d’une part, à l’introduction d’une réglementation antisémite d’origine allemande et française, et d’autre part à entretenir un climat propice au développement de la délation dans le cadre de cette réglementation, notamment à travers l
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Thériault, Mark J. "Art as propaganda in Vichy France, 1940-1944." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112592.

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The French government under Philippe Petain, based at Vichy, simultaneously collaborated with the Germans and promoted French patriotism. French artists and designers produced an abundance of posters, paintings, sculptures and other objets d'art, examples of which are included here, to promote the values of the "new order." Although Christian symbols were common, fascist symbols among the mass-produced images support the idea that the Vichy regime was not merely authoritarian, but parafascist.<br>The fine arts were purged of "foreign" influences, yet the German Arno Breker was invited to exhib
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Leteux, Sylvain. "Libéralisme et corporatisme chez les bouchers parisiens (1776-1944)." Lille 3, 2005. http://www.theses.fr/2005LIL30012.

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Depuis l'expérience libérale de Turgot en 1776 jusqu'à la restauration d'un régime corporatiste dirigiste sous Vichy, la question de la part de liberté ou de réglementation que l'Etat doit apporter en ce qui concerne le commerce de la boucherie à Paris a été débattue avec force, la satisfaction alimentaire des consommateurs de la capitale étant un enjeu politique important pour les régimes succesifs. Malgré l'éphémère tentative libérale de la décennie révolutionnaire (1789-1799), la tendance réglementaire est dominante jusqu'au Second Empire. Ce n'est qu'à partir de 1858 que la corporation des
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Norton, Mason. "Resistance in Upper Normandy, 1940-1944." Thesis, Edge Hill University, 2017. http://repository.edgehill.ac.uk/10030/.

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This thesis aims to make an original contribution to knowledge by looking at the phenomenon of resistance in the French region of Upper Normandy between 1940 and 1944 from a perspective of ‘history from below’, by looking principally at the testimonies of former resisters, and demonstrating a political history of resistance. The introduction defines what is meant by Upper Normandy and justifies its choice as a region for this study, before analysing both the historiography and the epistemology of resistance, both locally and nationally, and then giving a justification and an analysis of the me
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Bertrand-Dorléac, Laurence. "Art, culture et société : l'exemple des arts plastiques à Paris entre 1940 et 1944." Paris, Institut d'études politiques, 1990. http://www.theses.fr/1990IEPP0015.

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L'occupation allemande et le régime de Vichy font culminer en France la crise des valeurs humanistes. En art, la situation doit beaucoup à l'héritage de l'avant-guerre, mais des ruptures d'intensité et de nature modifient la scène artistique. L'art, objet d'orgueil patriotique, est accusé de refléter et d'alimenter la décadence moderne : l'absence d'idéal, l'individualisme et la démocratie. Sous la révolution nationale, il devient un instrument privilégié de redressement et de rénovation, après un retour à l'ordre et à la tradition. Le Secrétariat général des beaux-arts envisage une politique
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Bücher zum Thema "Paris (France) – History – 1940-1944"

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Glass, Charles. Americans in Paris: Life and death under Nazi occupation, 1940-1944. HarperPress, 2009.

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Glass, Charles. Americans in Paris: Life and death under Nazi occupation, 1940-1944. HarperPress, 2009.

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Glass, Charles. Americans in Paris: Life and death under Nazi occupation, 1940-1944. HarperPress, 2009.

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Beevor, Antony. Paris after the liberation, 1944-1949. Doubleday, 1994.

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Beevor, Antony. Paris after the Liberation, 1944-1949. Penguin, 1995.

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Beevor, Antony. Paris after the liberation, 1944-1949. Doubleday, 1994.

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Beevor, Antony. Paris After the Liberation 1944-1949. Penguin USA, Inc., 2010.

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Beevor, Antony. Paris after the Liberation, 1944-1949. Penguin Books, 2004.

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Lottman, Herbert R. The fall of Paris: June 1940. HarperCollins Publishers, 1992.

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Lottman, Herbert R. The fall of Paris: June 1940. Sinclair-Stevenson, 1992.

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Buchteile zum Thema "Paris (France) – History – 1940-1944"

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Ginoux, Jean-Marc. "The First International Conference on Nonlinear Processes: Paris 1933." In History of Nonlinear Oscillations Theory in France (1880-1940). Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55239-2_7.

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Roden, Dimitri. "‘Ich habe noch nie sterben gesehen, wie man in Belgien stirbt’: Military Chaplain Otto Gramann and the Execution of Hostages and Convicts in German-Occupied Belgium and Northern France (1940–1944)." In Studies in the History of Law and Justice. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72050-6_8.

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Gildea, Robert. "Crisis of Empire." In France since 1945. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780192801319.003.0002.

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Abstract In 1945 France was a great power that had come within an ace of extinction. In 1940 it had suffered the worst defeat in its history, overwhelmed within the space of six weeks. It had been occupied by the Germans (and in small part by the Italians) for four years, the so-called unoccupied zone in the south itself invaded in November 1942. Despite the internal Resistance and combats of the Free French, it was liberated only with the help of the Allies, and was lucky to escape an Allied military administration of the kind that was imposed ort Germany. Defeat was compounded by the time th
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Gordon, Bertram M. "German Tourism in Occupied France, 1940–1944." In War Tourism. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501715877.003.0004.

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For German Occupation personnel France became a place to exercise the tourism imaginary that had developed over the preceding generations in Germany as elsewhere. The Deutsche Wegleiter, a bi-weekly guide, offered tourism tips for German soldiers. Hitler set the tone with his tour of Paris, where he was famously photographed standing before the Eiffel Tower. The army organized tours for tens of thousands of German personnel. Sex tourism and gastronomic tourism featured prominently, with selected brothels and elite restaurants made available to German personnel. Tourist images of France may hav
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Garrison, Leonard. "Paris During the Occupation." In Gaston Crunelle and Flute Playing in Twentieth-Century France. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197778579.003.0005.

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Abstract This chapter details Gaston Crunelle’s myriad activities during the German Occupation of Paris from June 1940 to August 1944. The Paris Conservatory attempted to deal with the antisemitic policies of the occupying authorities, first by collaboration under director Henri Rabaud, and then by clandestine defiance under his successor Claude Delvincourt, a member of the French Resistance. Flute professor Marcel Moyse fled Paris, and the flute class was assigned to Crunelle. The latter continued to perform as principal flute in the Pasdeloup Orchestra and the Opéra-Comique, where he played
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"Esthétique et réception du dessin animé français sous l’occupation (1940–1944). L’émergence d’une école française?, Paris 2014." In »Alles Frankreich oder was?« - Die saarländische Frankreichstrategie im europäischen Kontext / »La France à toutes les sauces?« - La ›Stratégie France‹ de la Sarre dans le contexte européen. transcript-Verlag, 2017. http://dx.doi.org/10.14361/9783839437551-034.

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Mälzer, Nathalie. "Esthétique et réception du dessin animé français sous l’occupation (1940–1944). L’émergence d’une école française?, Paris 2014." In »Alles Frankreich oder was?« - Die saarländische Frankreichstrategie im europäischen Kontext / »La France à toutes les sauces?« - La 'Stratégie France' de la Sarre dans le contexte européen. transcript Verlag, 2017. http://dx.doi.org/10.1515/9783839437551-034.

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Johnson, Douglas. "General de Gaulle and the Restoration of the Republic." In The Jacobin Legacy in Modern France. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780199256464.003.0007.

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Abstract THOSE historians for whom General de Gaulle has been the center of their preoccupations have concentrated their studies on certain periods of his life. The creation of La France Libre in London and the broadcast of 18 June 1940; his entry into a Paris that had been liberated by the Resistance and by General Leclerc’s 2nd Armoured Division; his triumphal progress down the Champs Elysees on 26 August 1944; the return to power in 1958 and the creation of the Fifth Republic; the ending of the war in Algeria; the influence of de Gaulle in Europe and in the world. It is as if the historians
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Ingram, Norman. "Once More with Feeling?" In The War Guilt Problem and the Ligue des droits de l'homme, 1914-1944. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827993.003.0009.

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The Ligue des droits de l’homme went into freefall after 1937. It was not the Nazis who killed the Ligue, but rather the crisis which came to a head in 1937. In 1938 and 1939, the Ligue underwent a financial and membership crisis. The last two pre-war Congresses were rather tired affairs. The Munich crisis, the invasion of Prague, the question of Danzig, and the fall of France did not change the political/historical analysis of the minority which continued to explain the crises of 1938–40 through the lens of the Great War. The collaboration of some members of the minority during the Second Wor
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Cohen-Solal, Annie. "A Rebel and Subaltern Cosmopolitan? The Ironical Case of Pablo Ruiz Picasso in France (1900–1973)." In The Oxford Handbook of Cosmopolitanism. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197623022.003.0006.

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Abstract The experience of Picasso in France from 1900 to 1973 is here approached from a new angle—that of his status as a foreigner—and with a set of new archival documents. The chapter thus presents the encounter between the young cosmopolitan genius and a nationalist country, shaken by waves of xenophobia until 1945. Picasso entered Paris at the time of the 1900 Exposition Universelle through the back door and dedicated his first artistic productions to those who shared the same marginalized status as him—all kinds of underdogs: bohemians, beggars, prostitutes, acrobats, clowns, and saltimb
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Konferenzberichte zum Thema "Paris (France) – History – 1940-1944"

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Empler, Tommaso, and Ariana Caldarone. "L’Isola d’Elba nella Seconda guerra mondiale. Studi e riflessioni a 80 anni dallo sbarco del 17 giugno 1944." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20355.

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The contribution presents the results of research conducted on the military posts of World War II on the Island of Elba, a territory that has been contested since ancient times due to its mineral resources and strategic position in maritime commercial traffic. Following World War I, the renewed geopolitical scenario within the Kingdom of Italy identified France as a potential enemy to defend against in the event of an invasion. For this reason, a defense process was initiated between 1920 and 1930, leading to the first plans for the construction of eight coastal batteries on the island. With I
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