Thematische Bibliographien / Patriarchal Critique

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Auswahl der wissenschaftlichen Literatur zum Thema „Patriarchal Critique“

Autor: Grafiati

Veröffentlicht am 7. Juni 2025

Zuletzt aktualisiert am 2. August 2025

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Zeitschriftenartikel zum Thema "Patriarchal Critique"

Mufidah, Eni, and Zaini Dahlan. "Digital Feminism and Patriarchal Resistance: Gita Savitri’s Critique of Patriarchy on YouTube." Journal of Islamic Philosophy and Contemporary Thought 1, no. 2 (2023): 208–27. https://doi.org/10.15642/jipct.2023.1.2.208-227.

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Patriarchy is a social structure deeply rooted in Indonesian culture, influencing various aspects of life, including education, economy, and politics. This study aims to analyze how Gita Savitri, through her YouTube channel, constructs a critical discourse against patriarchal culture, using Qāsim Amīn's feminist paradigm as a framework for analysis. This research uses qualitative methods through a literature review and critical discourse analysis of the video content produced by Gita. The results show that Gita utilizes digital media as an alternative space to voice gender equality and critici

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Shubhangi M. Hiwarkhedka and Dr. Anshu Sharma. "Patriarchal Dominance in English Literature." International Research Journal on Advanced Engineering and Management (IRJAEM) 2, no. 04 (2024): 1228–31. http://dx.doi.org/10.47392/irjaem.2024.0165.

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Patriarchal dominance has been a prevalent theme in English literature throughout its history. Many literary works reflect and critique the societal norms and power structures that have historically favored men over women. Patriarchal norms prescribe rigid gender roles and expectations for men and women, reinforcing stereotypes and inequalities. Women are often relegated to traditional roles as caregivers, homemakers, and subordinate members of the family, while men are expected to be the primary breadwinners and decision-makers. These gender roles perpetuate unequal power dynamics and limit w

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Fikri, Ahmad Rifat, Ashadi Ashadi, and Sulis Triyono. "A Critique of Patriarchal Oppression of Women in The Yellow Wallpaper: A Feminism Literary Criticism." Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra 9, no. 1 (2025): 79. https://doi.org/10.26858/eralingua.v9i1.68861.

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Abstract. The research on Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) is motivated by the social reality of patriarchal oppression in marriage. This research uses a descriptive qualitative method. The study examines the critique of patriarchal oppression—the state in which societies grant men more power and privilege than women. The figure of John portrays patriarchal oppression as a husband who oppresses the narrator as a wife. The study reveals the effects of patriarchal oppression on the narrator’s life. There is also the narrator’s resistance to patriarchal oppression. This re

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Heim, Leah. "On Fungi, Future, and Feminism." Digital Literature Review 5 (January 13, 2018): 84–98. http://dx.doi.org/10.33043/dlr.5.0.84-98.

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This paper examines M.R. Carey’s fascinating zombie novel, The Girl with All the Gifts. While scholars question whether or not a female-oriented apocalypse narrative can exist, as thegenre is essentially rooted in imbalanced gender dynamics of ancient texts, this paper uses an ecofeminist critique to posit that the zombie apocalypse represented by Carey is a challenge toward the patriarchal values running rampant in the genre. This ecofeminist critique, while superficially offering a comforting message about female empowerment, actually offers a serious warning in regards to the insidious patr

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Edmeads, Luke. "“Splendid Failures”: Inclination, Slow Regicide, and Performative Critique." Res Publica. Revista de Historia de las Ideas Políticas 27, no. 1 (2024): 51–56. http://dx.doi.org/10.5209/rpub.91416.

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This paper focuses on Honig’s critical reworking of the concept of inclination and her concept of “slow regicide”. With “slow regicide” Honig describes a performative critique of the violence of the patriarchal order. However, what Honig underestimates, I argue, is that this intervention must itself be non-violent if it is not to reinstate patriarchal violence. My suggestion is that paying closer attention to the performativity of inclination shows how “slow regicide” enables a non-violent refusal in which the normativity of patriarchy is frustrated and fails.

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Smith, Rogers M. "Response to Karen Orren." Journal of Policy History 8, no. 4 (1996): 479–90. http://dx.doi.org/10.1017/s0898030600005431.

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Karen Orren's critique wages more war with itself than it does with my main arguments and evidence, most of which she does not engage directly. The bulk of my essay was devoted to textual critiques of Tocqueville, Myrdal, Hartz, and a number of more recent authors. I argued that their assumptions that liberal democratic traditions formed the core of American political culture led to inadequate accounts of major systems of ascriptive hierarchy, especially racist, nativist, and patriarchal ones. Orren mentions none of the authors I critiqued except Carol Pateman, whom she invokes in a paragraph

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Neimneh, Shadi. "“Castration or Decapitation?” A Feminist Reading of Two Stories by Angela Carter." International Journal of Linguistics, Literature and Translation 4, no. 5 (2021): 90–98. http://dx.doi.org/10.32996/ijllt.2021.4.5.8.

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This article examines two stories by Angela Carter, “The Bloody Chamber” (1979) and “The Executioner’s Beautiful Daughter” (1974) to account for Carter’s unique and ambivalent dismantling of patriarchal myths. Carter conflates two patriarchal tropes, castration and decapitation, to figure the oppression of women while allowing for an avenue of resistance. Using the French version of feminism, the work of Hélène Cixous in particular, the psychoanalytic theories of Freud and Lacan, and the postmodern critique of Linda Hutcheon, the article contends that Carter uses the trope of decapitation to l

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Foster, David. "Taming the Father: John Locke's Critique of Patriarchal Fatherhood." Review of Politics 56, no. 4 (1994): 641–70. http://dx.doi.org/10.1017/s0034670500019112.

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This article demonstrates the radical character of Locke's attack on patriarchalism in the TwoTreatises of Government, in part by showing that that attack implies the rejection of the natural and divine order to which patriarchalism appealed to justify itself. In this way, Locke's attack on patriarchalism, which prepared the way for his individualistic liberal politics, is also shown to be an important part of his solution to the political problem of religion. Special attention is given to Locke's disagreement with the Bible concerning the family and its place in political life.

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Sani, Fina Falahu. "Kritik terhadap Wacana Patriarki dalam Novel La Civilisation, ma Mère !... Karya Driss Chraïbi." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 6, no. 2 (2023): 573–96. http://dx.doi.org/10.30872/diglosia.v6i2.646.

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Moroccan francophone literature raises various criticisms, especially the issues of colonialism and gender. Driss Chraïbi is a Moroccan writer who investigated these issues in La Civilisation, ma Mère !.... This novel is told from the male perspective of a mother’s struggle in fighting gender discrimination in the French Protectorate, which later gives rise to a critique. This article aims to analyse how the critique of the patriarchal discourse is constructed in the novel. The method being used is qualitative and is supported by Roland Barthes’s narrative structure theory, A.J. Greimas’ actan

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A.Harrin, Ashney, and Milcah S.Praiselin. "A Critique on Mahasweta Devi's Bayen." Shanlax International Journal of English 7, no. 1 (2019): 118–21. https://doi.org/10.5281/zenodo.3457031.

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This paper is an attempt to critically analyse the play Bayen by Mahasweta Devi. It deals with the theme of ‘Gender Discrimination’ and spots out the ways in which the social position as a ‘Bayen’ is imposed through continuous abuse and vicious humiliations. Mahasweta Devi speaks about the subjugation of women in patriarchal society. While forcing a woman of her duties, her right to live her life is repeatedly buried in the Patriarchal Society. Chandidasi, the protagonist, is presented as a ‘Bayen’ and is separated from her husband, Malindar and her son, Bha

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Dissertationen zum Thema "Patriarchal Critique"

Meneses, Sandra. "Cultural Critique in a Patriarchal World : Revolutionary Suicide in Sylvia Plath's "Lady Lazarus", "Daddy" and The Bell Jar." Thesis, Södertörn University College, School of Culture and Communication, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3196.

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This work studies three texts by Sylvia Plath: “Lady Lazarus”, “Daddy” and The Bell Jar from a feminist, gender and cultural perspective. I investigate how the texts take a stand regarding the motive and meaning of the representations of suicide in these works through the theoretical framework of African-American activist Huey Newton. The Black Panther party cofounder Newton redefines the concept of suicide. First and foremost he views suicide as a reaction to social conditions, coining the terms Reactionary Suicide and Revolutionary Suicide. Revolutionary Suicide is fueled by hope

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Lawton, Amy. "Blaming the victim : patriarchal anthropology and the legal culpability of female rape victims." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1039.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information. Bachelors Arts and Humanities Interdisciplinary Studies

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Durham, Paula Hope. "Patriarchy and self-hate, Mary Daly's psychological assessment of patriarchal religion appraised and critiqued in the context of Karen Horney's psychoanalytic theory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21967.pdf.

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Gallion, Alexis Ryan Marie. "Her Name is Blood: Situating Gertrude Blood Within the Flaneuse, and Walking Virtually." University of Dayton / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1619708258772437.

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Nilsson, Birgitta. "Deux générations d’écrivaines africaines. Les femmes qui se conforment aux normes et les femmes qui font du bruit. Mariama Bâ et Calixthe Beyala." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-33864.

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The title of this paper is "Two generations of African writers: Women who conform to norms, and women who make noise. Mariama Bâ and Calixthe Beyala”. In this study we analyze two novels, Une si longue lettre by Mariama Bâ (1979) and Assèze l’Africaine by Calixthe Beyala (1994). We examine the similarities and differences in expression, style and themes. Our objective is to determine whether Bâ and Beyala are representing two different groups of African female writers. We have combined a postcolonial approach with a comparative method. Our hypothesis is that the two novels stand in contrast to

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Roemer, Denise L. "Women Animal Foster Care Workers: An Ecofeminist Critique." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000473.

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Tyrrell, Delia Ley. "An Ecofeminist Critique of the Alternative Food Movement." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/797.

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The alternative food movement is often viewed as a more moral or ethical choice compared to the industrialized food system. Because the horrors of the industrialized food system have entered public knowledge through numerous documentaries and books, consumers are looking for an alternative. Purchasing local, organic, seasonal, and fresh produce is marketed as a solution. This thesis critiques the alternative food movement for its numerous flaws using an ecofeminist lens.

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Kakavelakis, Nikolaos. "La vie et l'oeuvre du patriarche Cyrille Loucaris : 1570-1638." Université Marc Bloch (Strasbourg) (1971-2008), 2007. http://www.theses.fr/2007STR20033.

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Cyrille Loucaris (1570-1638), patriarche d’Alexandrie de 1602 à 1620 et ensuite patriarche de Constantinople jusqu’à 1638, fut sans doute le personnage ecclésiastique orthodoxe le plus ambigu des temps modernes. Pour certains ce fut un héros national, pour d’autres un patriarche charismatique, tandis que d’autres voix le condamnent comme hérétique, ennemi de la foi orthodoxe… Qui a raison ? Qui était vraiment le patriarche Cyrille Loucaris ? Qu’envisageait-il de faire ? Par quels moyens ? Et quelles furent les conséquences ?La recherche de cette thèse s’étend sur une période très conflictuelle

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Tulloch, Elspeth. "The transmutation of feminist critique from novel to film : the case of Les fous de Bassan." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ61864.pdf.

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Le, Guellec Léa. "Frontières et entre-deux : traduire et comprendre les "lignes" dans trois recueils d'Alice Munro." Electronic Thesis or Diss., Normandie, 2022. http://www.theses.fr/2022NORMR073.

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L’œuvre de la nouvelliste canadienne Alice Munro, striée de lignes, est parcourue de multiples tensions. Dans cette thèse, je propose de traduire trois de ses recueils (Lives of Girls and Women [1971], Something I’ve Been Meaning to Tell You [1974] et Who Do You Think You Are? [1978]) et d’étudier ce passage vers le français au prisme de la ligne, qui s’inscrit ici dans une troisième voie possible, entre traductions sourcière et cibliste. Il s’agit de retranscrire ces textes tout en suggestions et non-dits, sans dénaturer l’univers de l’autrice par un trop-plein d’explicitations, et de trouver

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Bücher zum Thema "Patriarchal Critique"

Evans, Arthur, and Arthur Evans. Critique of patriarchal reason. White Crane Press, 1997.

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J, Richards David A., ed. Patriarchal religion, sexuality, and gender: A critique of new natural law. Cambridge University Press, 2008.

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Moberly, R. W. L. The Old Testament of the Old Testament: Patriarchal narratives and Mosaic Yahwism. Fortress Press, 1992.

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Carlson, Brown Joanne, and Bohn Carole R, eds. Christianity, patriarchy, and abuse: A feminist critique. Pilgrim Press, 1989.

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Hearn, Jeff. The gender of oppression: Men, masculinity, and the critique of Marxism. St. Martin's Press, 1987.

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Hearn, Jeff. The gender of oppression: Men, masculinity and the critique of Marxism. Wheatsheaf, 1987.

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Pateman, Carole. El contrato sexual. Anthropos, 1995.

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Zając, Marta. The feminine of difference: Gilles Deleuze, Hélène Cixous, and contemporary critique of the Marquis de Sade. P. Lang, 2002.

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Jonge, Marinus de. Pseudepigrapha of the Old Testament as part of Christian literature: The case of the Testaments of the Twelve Patriarchs and the Greek Life of Adam and Eve. Brill, 2003.

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Grüneberg, Keith N. Abraham, blessing, and the nations: A philological and exegetical study of Genesis 12:3 in its narrative context. Walter de Gruyter, 2003.

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Buchteile zum Thema "Patriarchal Critique"

Ussher, Jane M. "Women’s Mental Health: A Critique of Hetero-Patriarchal Power and Pathologization." In The Palgrave Handbook of Power, Gender, and Psychology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-41531-9_24.

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Reardon, Betty A. "Women and Human Security: A Feminist Framework and Critique of the Prevailing Patriarchal Security System." In Betty A. Reardon: Key Texts in Gender and Peace. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11809-3_8.

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Ruggiu, Ilenia. "Intersections and critiques." In The Roots of Patriarchy. Routledge, 2024. http://dx.doi.org/10.4324/9781003512691-5.

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Rakow, Lana F. "Feminist approaches to popular culture: Giving patriarchy its due." In Feminst Critiques of Popular Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315074955-2.

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Stones, Rob. "Exemplary Critiques of Sociological Modernism II: The Flying Sorcery of Sylvia Walby’s Patriarchal Systems." In Sociological Reasoning. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24737-0_10.

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Sikand, Yoginder. "An Islamic Critique of Patriarchy: Mawlana Sayyed Kalbe Sadiq's Approach to Gender Relations." In The Blackwell Companion to Contemporary Islamic Thought. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996188.ch37.

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Hall, Kim Q. "Queer Breasted Experience." In “You’ve Changed”. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195385717.003.0008.

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Abstract One of the great achievements of feminist theory and activism is its critique of the patriarchal medicalization of the female body, a critique that bears some similarity to the critique of the medical model by disability studies, queer theory, and both queer and disability rights movements. From the perspective of feminism, queer theory, and disability studies, medical models have made visible, categorized, observed, pathologized, and exerted control over the body in ways that have been harmful for all marginalized groups. For example, just as feminists have criticized the medical com

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Booth, Marilyn. "Violent Romances: The Bodily Drama of Patriarchal Trauma." In Classes of Ladies of Cloistered Spaces. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694860.003.0008.

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This chapter considers the presence of violence in a volume of women’s biography, linking it to a critique of patriarchy that undergirds Fawwaz’s project as a public intellectual. It assesses the volume’s use of tragic romance as a political feminist strategy, drawing on work by Joan Wallach Scott, Helene Moglen, and others and theorizing a concept of ‘patriarchal trauma’. It focuses on biographies of the Egyptian singer Almas (or Almaz), Persian Babi activist Qurrat al-‘Ayn, legendary Frenchwoman Genevieve de Brabant, Cleopatra VII, Jane Digby, a Sicilian princess named Diya’, and others.

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Grafius, Brandon. "Readings." In The Witch. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781800348356.003.0006.

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Starting with an exploration of the title, the chapter brings together the background work and character discussion to offer a reading of the film as a whole. Through an exploration of Thomasin’s laugh (and a comparison of the final shot of Witchfinder General), the chapter argues for the film as a critique of religious anxiety and patriarchal family structures. Thomasin’s concluding laughter represents her freedom from patriarchy, even though this freedom has come at the cost of her family.

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Samson, Melanie. "Not at Our Disposal." In Waste as a Critique. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198907077.003.0014.

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Abstract Reclaimers who salvage recyclable and reusable materials are frequently upheld as emblematic of disposable ‘surplus populations’ considered superfluous to the contemporary capitalist economy and social and political life. Through analysis of how black reclaimers in South Africa revalue commodities that others have disposed as waste, this chapter exposes the patriarchal, white supremacist colonial assumption underpinning capital accumulation (which I argue has intensified in the current period of ‘disposability capitalism’) that subjugated people, nature, and commodities can be treated

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Konferenzberichte zum Thema "Patriarchal Critique"

Zarabadi, Ladan. "Appropriation of Space – Perpetuation of Patriarchy: A Feminist Critique on Public Space Design in Iran." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.149.

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This research uses a feminist lens to examine Iranian urban public parks designed for use by women only. The purpose of this paper is to reveal translations of patriarchal cultural values from an architectural micro scale to an urban macro scale and question the (over) contextualization of these parks’ design. Although this is a multifaceted topic that also merits ethnographic analysis, this particular paper primarily examines the physicality of the space. I draw on Henri Lefebvre’s theory of production of space, Stephen Graham’s urban militarization, and Jürgen Habermas’s and Nancy Fraser’s v

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Hassan Hamzah ALKATTEA, Fatimah. "FEMINISM AND SCIENCE FICTION: A READING OF THE WEREWOLF AS A SYMBOL OF RESISTANCE AND CHALLENGE." In IX. International Congress of Humanities and Educational Research. Rimar Academy, 2024. https://doi.org/10.47832/ijher.congress9-1.

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This research provides an analysis of the symbolism of the wolf in feminist literature, where the wolf is considered a powerful symbol of revolution, liberation, and empowerment that expresses a challenge to traditional social structures and an assertion of individual agency. The research examines the wild nature and the transformative capacity of the wolf as a symbol of resistance to restrictions and claiming the right to exist freely. The research also demonstrates how the representation of the wolf in feminist literature can shed light on issues of identity, agency, and feminist liberation.

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McEntee, Kate. "Communities of Practice: Doing Design Differently." In Pivot 2021 Dismantling/Reassembling: Tools for Alternative Futures. Design Research Society, 2021. http://dx.doi.org/10.21606/pluriversal.2021.0002.

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This paper reflects on the role of communities of practice in building and supporting critical alternatives to conventional, Dominant Design (Akama, 2021; Rosner, 2018). Dominant Design refers to design practices cultivated within our industrialised, imperialist, patriarchal, capitalist modernity. Discourses and practices addressing this include decolonising design, stemming from modernity/coloniality critique and Indigenous knowledge systems, and anti-oppressive frameworks for design, based in anti- racism and Black feminist scholarship. These discourses at the margins of the dominant discour

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Arierhi Ottuh, John. "The Depiction of Women in Pauline Corpus and Achebe’s Things Fall Apart: Modern African Womanist Criticism." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9034.

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Humanities scholars, especially those in African Biblical criticism have given much attention to themes arising from biblical and ecclesiastical boundaries in their critical variants. However, in spite of the impressive body of existing literature in this field, less has been done on the comparative study of biblical and African literature. Using the African method of biblical criticism (comparative and liberation hermeneutics), this study examines the depiction of women in Pauline corpus (New Testament literature) and Achebe’s Things Fall Apart (African literature) by arguing that, although P

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McFadden, Zari, and Lauren Alvarez. "Performative Ethics From Within the Ivory Tower: How CSPractitioners Uphold Systems of Oppression (Abstract Reprint)." In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/955.

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This paper analyzes where Artificial Intelligence (AI) Ethics research fails and breaks down the dangers of well-intentioned, but ultimately performative ethics research. A large majority of AI ethics research is critiqued for lacking a comprehensive analysis of how AI is interconnected with sociological systems of oppression and power. Our work contributes to the handful of research that presents intersectional, Western systems of oppression and power as a framework for examining AI ethics work and the complexities of building less harmful technology; directly connecting technology to named s

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