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Thematische Bibliographien / Patriarchs (Bible) in art / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Patriarchs (Bible) in art“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Driver, Daniel R. "Genesis by the Numbers: A Reassessment of the Years of the Patriarchs, Beginning with the Joseph Story." Journal of the Bible and its Reception 6, no. 1 (2019): 67–95. http://dx.doi.org/10.1515/jbr-2019-1003.

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AbstractDo the numbers of years in Genesis add up? Biblical scholars have learned to attend to the art of biblical narrative. Is there also an art of biblical numbers? If so, could its rediscovery lead to a better understanding of the contours of the biblical text, and its complex meanings, as well as its reception history prior to the Enlightenment? This article’s provisional answer to these questions is yes. It looks at two key numbers associated with the Joseph Story: a span of twenty-two years, which a variety of readers calculate as the time that Joseph lived away from his family in Egypt

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Rubel, V. "«NEOLITHIC REVOLUTION» IN BIBLICAL DESCRIPTION: ATTEMPT OF GEOGRAPHICAL AND CHRONOLOGICAL IDENTIFICATION." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 136 (2018): 63–66. http://dx.doi.org/10.17721/1728-2640.2018.136.1.13.

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The stories of paradise garden, first men living in it, their fall and exile from Eden are fixed in the Bible and considered a sphere of religious and mythological, but not a historical component of the Holy Scripture. Textual analysis of the second chapter of «The Book of Genesis» gives grounds to consider Eden a real geographical object, which limits correspond to the territories of today’s Tabriz Valley. Description of paradise garden, where Adam, created by God, was not aware of death and was richly fed, not making any additional efforts, is a peculiar human memory of an era of early pre-N

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Enmarch, Roland. "Book Review: Sinuhe, the Bible, and the Patriarchs." Journal of Egyptian Archaeology 91, no. 1 (2005): 219–20. http://dx.doi.org/10.1177/030751330509100123.

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4

Weiler, Joseph H. H. "Love and marriage: Revisiting patriarchy and matriarchy in biblical narrative." Studia Iuridica, no. 90 (June 27, 2022): 204–20. http://dx.doi.org/10.31338/2544-3135.si.2022-90.12.

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The article deals with various patterns of marriage relationships which were depicted in the Old Testament (Book of Genesis). Three types of marriages are distinguished there based, inter alia, upon the love relationships of the patriarchs: Abraham, Isaac and Jacob. Those patterns are founded upon the realism of the Bible narrative which provides for different, sometimes difficult and “loveless”, relationships among the couples. The article also argues that gender was not always determinative of the functional and even public role of the Patriarchs and Matriarchs where, for example, Rebecca, n

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Malina, Artur. "Why Does the Epistle to the Hebrews Evoke the Desires of the Patriarchs?" Collectanea Theologica 90, no. 5 (2021): 463–76. http://dx.doi.org/10.21697/ct.2020.90.5.19.

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The Pontifical Biblical Commission’s document The Jewish People and their Sacred Scriptures in the Christian Bible, calls attention to a threefold connection between the two parts of the Christian Bible: continuity, discontinuity, and newness. The paper offers an analysis of a passage as an example of this relationship. The Epistle to the Hebrews (11:8–22) gives a particular emphasis to the desires of the patriarchs among other attitudes of the heroes of faith. They were looking for what was promised to them and desired by them: a city with the solid foundations planned and built by God. Now t

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6

Blais, Gérard. "Bible et art." Tangence, no. 35 (1992): 105. http://dx.doi.org/10.7202/025702ar.

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7

Cottin, Jérôme. "Bible et art." Études théologiques et religieuses 67, no. 2 (1992): 259–64. http://dx.doi.org/10.3406/ether.1992.3196.

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8

Klimova, Veronika. "The Rape of Dinah: Motives for Incorporation in the History of the Patriarchs." Verbum Vitae 42, no. 4 (2024): 927–40. https://doi.org/10.31743/vv.17260.

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This article presents a philological analysis of the tragic story of Dinah, the daughter of the patriarch Jacob, as described in Gen 34. A comprehensive analysis of the literary text in the context of the Bible as a whole reveals a number of contradictory elements within the narrative, which contribute to the heterogeneity and multi-layeredness of the biblical text. These elements indicate that the story underwent an earlier form and that the rape of Dinah was deliberately included in the narrative of the patriarchs. This article aims to elucidate the rationale behind the deliberate incorporat

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9

Stavely, Keith W. F. "Roger Williams: Bible politics and Bible art." Prose Studies 14, no. 3 (1991): 76–91. http://dx.doi.org/10.1080/01440359108586447.

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10

TILBURY, CLARE. "The Heraldry of the Twelve Tribes of Israel: An English Reformation Subject for Church Decoration." Journal of Ecclesiastical History 63, no. 2 (2012): 274–305. http://dx.doi.org/10.1017/s0022046910003039.

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This paper claims the heraldry of the twelve tribes of Israel as a distinct iconographic invention in post-Reformation England. It is argued that the theme became popular during the reign of King James, a period usually regarded as iconophobic. Little-studied examples of church wall-painting are understood in relation to analogous bible illustrations and writings which have been ignored by historians of this period. The depictions of the twelve patriarchs themselves, part of a ‘Laudian’ beautification of Burton Latimer church in the 1630s, during the incumbency of Robert Sibthorpe allows explo

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11

Cohen, Ariel. "Teaching The Astronomical Visualization Used For The Explanation Of The Ancient Ein-Gedi Archaeological Zodiac And Its Related Inscription." Journal of Astronomy & Earth Sciences Education (JAESE) 9, no. 2 (2022): 25–38. http://dx.doi.org/10.19030/jaese.v9i2.10415.

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In teaching the history of astronomy, mosaics found at ancient synagogues in the Middle East are invaluable. The ancient Zodiac signs forming such mosaics are related to the seasons indicating the fact that the precession of the Earth axis had been neglected or even unknown. We demonstrate that the sage’s derivations of the patriarch’s ages in the chronology of the Septuagint version of the bible correspond to the signs of the zodiac, an assumption supported, for example, by the inscription found in the ruins of the Jewish synagogue in Ein-Gedi. Through our astronomical calculations we solve t

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12

Gordon, R. P., and S. Bar-Efrat. "Narrative Art in the Bible." Vetus Testamentum 41, no. 3 (1991): 371. http://dx.doi.org/10.2307/1519087.

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13

Liu, Yingmei. "The Art of Bible Translation." Translation Review 108, no. 1 (2020): 111–15. http://dx.doi.org/10.1080/07374836.2020.1826148.

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14

Mooney, Sharon Fish. "Poetry, Art, and the Bible." Journal of Christian Nursing 34, no. 4 (2017): 256. http://dx.doi.org/10.1097/cnj.0000000000000422.

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15

Zawanowska, Marzena. "In the Border-Land of Literalism: Interpretative Scripture Alterations in Medieval Karaite Translations of the Bible into Arabic." Intellectual History of the Islamicate World 1, no. 1-2 (2013): 179–202. http://dx.doi.org/10.1163/2212943x-20130108.

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With a perfectly faithful translation being but a pipe dream, every interpreter exercises certain degree of freedom in choosing what he perceives as the most appropriate representation of the source text in the target language. This flexible dimension is discernible also in overall literalistic approach of medieval Karaite translators of the Hebrew Bible into Arabic. The article focuses on non-theological alterations demonstrated in their renderings of scriptural verses, which are intended to modify rather than clarify the original meanings. It pays special attention to distinct ways in which

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Schroeder, Joy A. "Elizabeth Wilson, the Bible, and the Legal Rights of Women in the Nineteenth Century." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 5, no. 2 (2011): 219–32. http://dx.doi.org/10.1558/post.v5i2.219.

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In 1849, Elizabeth Wilson (fl. 1849-1850) published an impassioned defense of women’s rights entitled A Scriptural View of Woman’s Rights and Duties. Her work critiques patriarchy in church and society, arguing in favor of women’s social and legal rights within marriage. Challenging prominent male biblical commentators, Wilson asserted that male and female were created as equal co-sovereigns over creation. She claimed that biblical patriarchs and matriarchs exercised equal authority within the marriage relationship. Wilson’s most striking example is Abigail, who distributed household property,

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Salmanu, Rahel, Febby Nancy Patty, and Marlen T. Alakaman. "“Aku Yang Bisu Telah Bersuara”: Tafsir Feminis Terhadap Yohanes 7:53-8:1-11." DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani 5, no. 2 (2021): 195–209. http://dx.doi.org/10.30648/dun.v5i2.302.

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Abstract. Theviolence and injustice that often occurs toward women is partly due tobiased Bible texts interpretation and sometimes androcentric. For example, John 7: 53-8: 1-11, about a woman who was committed an adultery,the interpretation, by the traditional approach, emphasizes on Jesus’ act of love and forgiveness toward the woman. This article aimed to explore the narration from the perspective of feminist by using E.S. Fiorenza methodology to uncover the woman's silence in the text. Through this study, it was found that the silence act of the women is for describing a patriarchal culture

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Aston, Margaret. "The Bishops’ Bible Illustrations." Studies in Church History 28 (1992): 267–85. http://dx.doi.org/10.1017/s0424208400012493.

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The illustrations in the Bishops’ Bible have received more attention from art historians than from historians, though their story—which turns out to have been remarkably complicated—calls for the skills of both disciplines. The tale, which I can only outline here, throws interesting light on the state of the arts and art censorship in the early Elizabethan Church, at a time when there was much interrelationship between England and continental artists and craftsmen.

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Fraser, Sarah E., and Shuman Chen. "Encounters with Chan." Archives of Asian Art 75, no. 1 (2025): 29–48. https://doi.org/10.1215/00666637-11696802.

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Abstract The handscroll Tales of the Eight Eminent Monks 八高僧故事圖卷, attributed to Liang Kai 梁楷 (fl. 1201–4), is a collection of eight alternating pictorial scenes and eight texts. The texts are largely excerpts from Transmission of the Lamp (dated 1004), which emphasizes adepts’ biographies, recorded sayings, and other nonconventional enlightenment literature. The scenes and text are encounter narratives 禪會 (chanhui) that depict meetings between travelers and masters on the diverse nature of circumstances leading to enlightenment. Disparate in nature—the synoptic narrative paintings include depi

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Price, David H. "Hans Holbein the Younger and Reformation Bible Production." Church History 86, no. 4 (2017): 998–1040. http://dx.doi.org/10.1017/s0009640717002086.

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Hans Holbein the Younger produced a large corpus of illustrations that appeared in an astonishing variety of Bibles, including Latin Vulgate editions, Desiderius Erasmus's Greek New Testament, rival German translations by Martin Luther and Ulrich Zwingli, the English Coverdale Bible, as well as in Holbein's profoundly influential Icones veteris testamenti (Images of the Old Testament)—to name only his better-known contributions. This essay discusses strategies that the artist developed for accommodating the heterogeneity of the various humanist and Reformation Bibles. For Erasmus's innovative

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21

Kader, Themina. "The Bible of Art History: Gardner's "Art Through the Ages"." Studies in Art Education 41, no. 2 (2000): 164. http://dx.doi.org/10.2307/1320661.

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22

Lindstrom, Naomi. "Jenny Asse Chayo: Gender Fluidity, Visionary Discourse, and Biblical Narrative." Latin American Jewish Studies 2, no. 2 (2024): 31–42. https://doi.org/10.26613/lajs/2.2.37.

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Abstract Jenny Asse Chayo (b. Mexico, 1963) is known for her visionary poetry, full of references to the Hebrew Bible, magical Jewish folk beliefs, and Kabbalah. Her 2004 collection Es sed de morir el paraíso reconfigures familiar narratives from Genesis and Exodus concerning the patriarchs and other significant figures. The most notable modification is the fluidity of the gender of biblical protagonists. Isaac becomes the daughter of Abraham, and Joseph the daughter of Jacob. Asse’s version of the Abraham-God encounter shifts the themes away from the characteristically patriarchal preoccupati

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23

Spittler, Janet. "Picturing the bible the earliest christian art." Material Religion 5, no. 2 (2009): 249–50. http://dx.doi.org/10.2752/174322009x12448040552124.

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24

Sawyer, John F. A. "Robert Alter, The Art of Bible Translation." Theology 122, no. 5 (2019): 370–71. http://dx.doi.org/10.1177/0040571x19858952.

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25

Mason, Rex. "Book Review: Narrative Art in the Bible." Theology 92, no. 748 (1989): 303–4. http://dx.doi.org/10.1177/0040571x8909200413.

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26

Good, Deirdre. "Bible, Art, Gallery, edited by Martin O’Kane." Relegere: Studies in Religion and Reception 4, no. 2 (2015): 301. http://dx.doi.org/10.11157/rsrr4-2-664.

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27

Tov, Emanuel. "Europe and the Jewish-Christian Bible." Sabornost, no. 14 (2020): 1–12. http://dx.doi.org/10.5937/sabornost2014001t.

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The aim of this paper is to illustrate the influence of the Bible on European culture in three main aspects: language (translation), art and name-giving. Considering the vast impact of the Bible, this influence may be compared with that of classical culture. Fist part of the paper examines the influence of the Hebrew biblical expressions on the European languages in which Bible was translated into and then it continues with an analysis of the influence of the biblical characters, stories and motifs on European art. The last part researches the influence of the Hebrew names on the name-giving t

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Dinkler, Michal Beth. "Influence: On Rhetoric and Biblical Interpretation." Brill Research Perspectives in Biblical Interpretation 4, no. 3 (2021): 1–105. http://dx.doi.org/10.1163/24057657-12340017.

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Abstract The influence of the Bible in human history is staggering. Biblical texts have inspired grand social advancements, intellectual inquiries, and aesthetic achievements. Yet, the Bible has also given rise to hatred, violence, and oppression—often with deadly consequences. How does the Bible exert such extraordinary influence? The short answer is rhetoric. In Influence: On Rhetoric and Biblical Interpretation, Michal Beth Dinkler demonstrates that, contrary to popular opinion, rhetoric is not inherently “empty” or disingenuous. Rhetoric refers to the art of persuasion. Dinkler argues that

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Bair, Lynda E. "The Art and Science of Medieval Manuscripts." Journal of Interdisciplinary Studies 5, no. 1 (1993): 25–44. http://dx.doi.org/10.5840/jis199351/23.

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The University of Paris could lay claim to being the center of scholarship and theology in thirteenth-century Europe. Around this center, a community of craftsmen gathered to fulfill many needs of the University population. One of these needs was for a portable pocket Bible. This essay explores a preeminent craft associated with the University of Paris, that of the manuscript workshop. Exemplar leaves are examined with respect to the production steps of the Parisian pocket Bible. Conclusions reached concern the planned book layout and artist involvement in its production, including a reconstru

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Bair, Lynda E. "The Art and Science of Medieval Manuscripts." Journal of Interdisciplinary Studies 5, no. 1 (1993): 25–44. http://dx.doi.org/10.5840/jis199351/23.

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The University of Paris could lay claim to being the center of scholarship and theology in thirteenth-century Europe. Around this center, a community of craftsmen gathered to fulfill many needs of the University population. One of these needs was for a portable pocket Bible. This essay explores a preeminent craft associated with the University of Paris, that of the manuscript workshop. Exemplar leaves are examined with respect to the production steps of the Parisian pocket Bible. Conclusions reached concern the planned book layout and artist involvement in its production, including a reconstru

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31

Mitri, Monica. "“Then He Stabbed Me with a Spear”: Aggressive Sacred Images and Interreligious Polemics." Method & Theory in the Study of Religion 34, no. 1-2 (2021): 86–104. http://dx.doi.org/10.1163/15700682-12341532.

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Abstract This paper studies Coptic communal identity in early Islamic Egypt by analyzing two hagiographical narratives from the Christian Copto-Arabic text The History of the Patriarchs of Alexandria. The narratives relate incidents of sacred images that become ‘aggressive’ when they retaliate against insults. Although the relation between religious violence and sacred art has merited much scholarly attention, the focus is usually on humans as the aggressors and sacred art as the victim. The reverse is scarcer, and its rarity means we miss an opportunity to rethink such narratives as communica

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Prior, Michael. "The State of the Art: Biblical Scholarship and the Holy Land." Holy Land Studies 1, no. 2 (2003): 192–218. http://dx.doi.org/10.3366/hls.2003.0003.

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Studying the Bible in Jerusalem raises unique exegetical questions. The establishment of the state-for-Jews (Judenstaat) inevitably led to the expulsion of Arabs, while Jerusalem itself remains a major issue of the Israeli-Palestinian dispute. The conflict has international implications also, highlighted since 11 September 2001. The killings on that day precipitated the ‘War on Terrorism’ and the USA's ‘Civilizing Crusade’, with more to come. The ‘Christian Right’ in the US, with its characteristic interpretation of the Bible, has considerable influence over US policy. The establishment biblic

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Seferyan, Sona. "Shakespeare and the Bible." Armenian Folia Anglistika 1, no. 1-2 (1) (2005): 113–15. http://dx.doi.org/10.46991/afa/2005.1.1-2.113.

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In the Armenian reality the translations of Shakespeare’s works have been studied from diverse perspectives – text equivalence, choice of words, fidelity to style and poeticism. The Armenian classical translator Hovhannes Massehian was the first who investigated the imagery of the original and Biblical allusions. He revealed the Biblical language of Shakespeare and used Armenian equivalents in his interpretations. The most successful translations of 12 Shakespearean works by Massehyan confirm the invaluable contribution that the Armenian translator made in the history of the art of translation

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Amar, Itzhak. "The Religious-Educational Function of the Patriarchs and the Perspective on Their Transgressions in R. Yeshua Shimeon Haim Ovadia’s Commentary on Genesis." Moreshet Israel 22, no. 1 (2024): 115–42. http://dx.doi.org/10.26351/mi/22-1/5.

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Across the ages, biblical commentators have consistently addressed the transgressions of their nation’s forebears. This endeavor stems primarily from the didactic purpose inherent in every interpretation, based on the belief that the Bible possesses inherent educational value. My aim in this article was to examine the approach of R. Shimeon Haim Ovadia, a Moroccan sage residing in Sefrou in the early 20th century. Living during the era of the French Protectorate, R. Ovadia adopted a compelling perspective wherein the actions of ancestors served as exemplars for his contemporaries, particularly

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Kolomiyets, Lada. "The Psycholinguistic Factors of Indirect Translation in Ukrainian Literary and Religious Contexts." East European Journal of Psycholinguistics 6, no. 2 (2019): 32–49. http://dx.doi.org/10.29038/eejpl.2019.6.2.kol.

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The study of indirect translations (IT) into Ukrainian, viewed from a psycholinguistic perspective, will contribute to a better understanding of Soviet national policies and the post-Soviet linguistic and cultural condition. The paper pioneers a discussion of the strategies and types of IT via Russian in the domains of literature and religion. In many cases the corresponding Russian translation, which serves as a source text for the Ukrainian one, cannot be established with confidence, and the “sticking-out ears” of Russian mediation may only be monitored at the level of sentence structure, wh

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Ghani, Bilquis, and Lucy Fiske. "‘Art is my language’: Afghan cultural production challenging Islamophobic stereotypes." Journal of Sociology 56, no. 1 (2019): 115–29. http://dx.doi.org/10.1177/1440783319882536.

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Afghans and Afghanistan have, since September 11, risen to prominence in Western popular imagination as a land of tradition, tribalism and violence. Afghan women are assumed to be silent, submissive, and terrorised by Afghan men, who are seen as violent patriarchs driven by an uncompromising mediaeval religion. These Islamophobic tropes also inform perceptions of Afghans seeking asylum. In transit, identities are further reduced; asylum seekers lose even a national identity and become a Muslim threat – criminals, terrorists or invaders. These narrative frames permeate political discourse, medi

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Williams, Peter J. "The Art of Bible Translation. By Robert Alter." Journal of Theological Studies 71, no. 1 (2020): 281–83. http://dx.doi.org/10.1093/jts/flaa022.

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Jones, Tom Devonshire. "Book Review: The Bible in Twentieth-Century Art." Theology 92, no. 745 (1989): 72–73. http://dx.doi.org/10.1177/0040571x8909200129.

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39

Backenroth, Ofra Arieli. "ART ANDRASHI: A PORTRAIT OF A BIBLE TEACHER." Religious Education 99, no. 2 (2004): 151–66. http://dx.doi.org/10.1080/00344080490433747.

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40

Eskenazi, Tamara Cohn. "The Bible in Politics and Politics in the Bible." Journal of Biblical Literature 144, no. 1 (2025): 6–19. https://doi.org/10.15699/jbl.1441.2025.1b.

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Abstract This essay has three goals. With the definition of politics as the art of learning to live together (Aristotle and Hannah Arendt), it aims (1) to highlight some reasons why the Bible should be part of our public political conversations at this time of turmoil; (2) to suggest what we, as scholars and members of the SBL, can contribute to such conversations; and (3) to touch on issues of ethics and interpretation, in particular as they pertain to the attitudes toward the Hebrew Bible and toward one another. I examine why renewed attention to placing the Bible in its own cultural and his

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Coogan, Jeremiah. "The reception of Jubilees in Greek catena manuscripts of Genesis." Journal for the Study of the Pseudepigrapha 31, no. 4 (2022): 264–86. http://dx.doi.org/10.1177/09518207211059474.

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Several Greek catena manuscripts preserve material from Jubilees, offering valuable witness to the largely lost Greek version of the book. Yet how did material from this Second Temple composition become part of a late ancient Christian anthology? This article interrogates the transmission of Jubilees material in catena manuscripts of Genesis. Rather than offering direct witness to Greek manuscripts of Jubilees, this material had already been appropriated and restructured before the compilers of catena manuscripts collected and reorganized it around the textual frame of Greek Genesis. Two condu

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Krawczyk, Roman. "Kulturowy, antropologiczny i teologiczny wymiar Biblii." Teologiczne Studia Siedleckie XIV (2017) 14, no. 2017 (2021): 21–36. https://doi.org/10.5281/zenodo.4723470.

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<strong>Cultural, anthropological and theological dimension of Bible</strong> Making an attempt to depict the Bible’s address, the Author limits hit efforts to presenting it from three points of view: cultural, anthropological and theological. The cultural aspect of the Bible has made it impact all fields of the world culture, i.e. literary, artistic, film, music and iconographic work, plastic art, etc. The richness of anthropological expression found in the Bible is narrowed by the Author to the statement that the humankind is created by God (Genesis 1,26). In that statement the Author

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Kseniia, Soshnikova. "Time and the Universe in the Iconography of the Guyart des Moulins’s “Bible Historiale”." ISTORIYA 14, no. 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840027013-3.

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This article is devoted to the study of Guyart des Moulins’s “Bible Historiale” (“Historical Bible”) illumination art on the example of two codices preserved in the National Library of Russia. The “Bible Historiale”, which combined the translation of the Vulgate and the “Historia Scholastica” by Peter Comestor into French, was one of the most popular translations of the Bible in France and preserved in numerous copies. The manuscripts from the National Library of Russia stand out among other surviving copies of the Guyart des Moulins’s work for their unusual iconography. The author examines th

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GAGU, Cristian. "ORTHODOX THEOLOGY AND SACRED ART IN THE BYZANTINE EMPIRE IN IX-XIII CENTURIES." Icoana Credintei 11, no. 21 (2025): 42–68. https://doi.org/10.26520/icoana.2025.21.11.42-68.

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The solemn proclamation of the triumph of the iconoclastic theology over the iconoclastic heresy on the first Sunday of Great Lent, in the year 843, did not represent the final defeat of the iconoclasts and did not bring church peace, much desired after more than a century of iconoclastic persecution. The essential role in the acquisition of this state of affairs fell to the Patriarch Photius, who had the wisdom to obtain from all the Eastern Patriarchs the proclamation of the Second Council of Constantinople as the VIIth Ecumenical Council, which led not only to the defeat definitive end of i

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Zwirn, Stephen R. "Exhibition Review: "Picturing the Bible: The Earliest Christian Art"." Gesta 47, no. 1 (2008): 67–76. http://dx.doi.org/10.2307/20648961.

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Sloan, Andrew C. "Book Review: Robert Alter, The Art of Bible Translation." Anglican Theological Review 103, no. 3 (2021): 363–64. http://dx.doi.org/10.1177/00033286211017124.

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Mau, Marthen. "Kajian Manfaat Alkitab Menurut 2 Timotius 3:16 Dan Implikasinya Bagi Orang Percaya Masa Kini." Manna Rafflesia 7, no. 2 (2021): 235–57. http://dx.doi.org/10.38091/man_raf.v7i2.144.

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The only special revelation is the Bible which God has breathed as the main source for human learning, so that it can organize his life responsibly in service and life every day. Today some people think that the Bible is outdated and of no longer useful to mankind because this is the age of science, technology, and art. However, some people still believe that the Bible is very useful for mankind, therefore the Bible must be studied carefully so that the contents of the Bible are understood as a whole. This paper aims to encourage and inspire new enthusiasm for believers to be active in studyin

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Beaumont, Sheona. "Engaging with the Bible in Visual Culture." Religion and the Arts 23, no. 4 (2019): 411–33. http://dx.doi.org/10.1163/15685292-02304004.

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Abstract Increasingly articulate contemporary art practices are engaging with biblical representation, revealing new relationships with religion through the availability of the word in image. Taking as exemplary the photographic publication of Adam Broomberg and Oliver Chanarin’s Holy Bible (2013), this essay considers the evidence for their hermeneutics between image and word that is characterized by open awareness of and expansive participation in the (rereading of the) Bible. Discussing this engagement, I explore imagistic readings of the Bible through the artists’ strategies of interpolati

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Seleznyov, Mikhail G., Anna A. Luppova, and Leonid V. Shulyakov. "Structure of Creation Narrative in Genesis Chapter 1." Vestnik RFFI. Gumanitarnye i obŝestvennye nauki 121, no. 2 (2025): 134–43. https://doi.org/10.22204/2587-8956-2025-121-02-134-143.

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The article provides a historical and philological commentary and analysis of the story describing God's creation of the world (Genesis 1:1–2:3). The story of Creation, or hexaemeron, sets the perspective for the entire narrative of the Genesis, from the prehistory of mankind to the cycle of the patriarchs. This story is distinguished by its precise composition and elevated style. The text, which is usually associated with the so-called priestly source, serves to express the most important theological ideas and can be called a liturgical hymn to the one God, His creative design and care for th

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Jose, Chiramel Paul. "Blake’s Songs, Their Introductions and the Bible." English Language and Literature Studies 7, no. 2 (2017): 43. http://dx.doi.org/10.5539/ells.v7n2p43.

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Although William Blake was highly eclectic and drawing from multifarious sources, religious system, philosophical thoughts and traditions, the Bible was Blake’s most predominant concern. Throughout his life of meticulous and tedious composite art Blake aimed at decoding the Bible as the Great Code of Art for helping people to be imaginative and visionary like Jesus Christ. Both in his complex and sophisticated prophetic works, meant for the illuminated people, and in his deceptively simple lyrics of the Songs of Innocence and of Experience, meant for the rank and file of society, Blake did kee

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