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Thematische Bibliographien / Philosophy, Modern – 20th century – Congresses / Dissertationen

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Dissertationen zum Thema „Philosophy, Modern – 20th century – Congresses“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

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1

Costello, Paul. "The goals of the world historians : paradigms in world history in twentieth century." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74629.

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Following Nietzsche, Oswald Spengler posed the central problems of the cyclical history of civilization in the twentieth century. Subsequent world historical theorists have attempted to answer Spengler's nihilistic perspective on the destined rise and fall of all cultures by rescuing a progressive movement which transcended the downfall of civilizations. World history since Spengler has been written in pursuit of an answer to the crises of modernism: to the 'Death of God,' the problem of progress, the emergent technological order with its bureaucratic management of society, and the need sensed

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2

Terakawa, Toru. "History and tradition in modern Japan : translation and commentary upon the texts of Sei'ichi Shirai." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32822.

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This thesis examines the concepts of history and tradition in modern Japan, with an emphasis on the writings of Sei'ichi Shirai (1905--1983). Although Shirai has been considered as one of the most important architects of 20th century Japan, he has also been treated as an obscure figure, no doubt partly because of the enigmatic quality of his writings. A major element that contributed to his obscure status and set him apart from his contemporaries was his understanding of history and tradition.<br>The introductory essay examines the concept of tradition prevalent around Shirai's time: how it wa

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3

Tavel, Jose Enrique. "A theory of architecture based on the synthesis of bricolage and linguistic devices." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21742.

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4

Boetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.

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This dissertation considers the aesthetic strategies and ethical implications of contemporary earth art. Drawing from feminist and ecological critiques of phenomenology, it posits that an ethical preoccupation with the earth is identifiable in works that stage the artist's inability to condense natural phenomena into an intelligible art object thereby evidencing the earth's excess beyond the field of perception. Contemporary earth art has the paradoxical goal of evoking the sensorial plenitude of the earth without representing it as such. The first chapter analyzes Robert Smithson's monumental

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5

Thorpe, Josh. "Here hear my recent compositions in a context of philosophy and western 20th century experimental art /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59209.pdf.

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6

Pinkoski, Nathan. "Postmodern Aristotles : Arendt, Strauss, and MacIntyre, and the recovery of political philosophy." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:b4d728b9-8bb4-47e6-ac01-16dcc9f6f314.

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What is political philosophy? Aristotle pursues that question by asking what the good is. If Nietzsche's postmodern diagnosis that modern philosophical rationalism has exhausted itself is true, it is unclear if an answer to that question is possible. Yet given the prevalence of extremist ideologies in 20th century politics, and the politically irresponsible support of philosophers for these ideologies, there is an urgent need for an answer. This thesis examines how, in these philosophical circumstances, Hannah Arendt, Leo Strauss, and Alasdair MacIntyre conclude that a key resource in the reco

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Botha, Estelle. "Where dance and drama meet again : aspects of the expressive body in the 20th century." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1704.

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Thesis (MDram (Drama))—University of Stellenbosch, 2006.<br>Acknowledging theatrical styles such as physical theatre, Tanztheater and poor theatre as forms of ‘total theatre’, and recognizing that there has been a prolonged process of development to reach such a point, the first chapter investigates the historical divide between dramatic dance and drama as starting point. Subsequently, in considering the body as expressive medium, the impact of content and form on the training of the performers’ body for the theatrical context is also evaluated.

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Symons, Suellen, University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Design. "Rememories/imagetexts." THESIS_FPFAD_SD_Symons_S.xml, 1997. http://handle.uws.edu.au:8081/1959.7/731.

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This research paper places the three Research Projects 2 DIVINE, CARNIVAL, and HER STORIES: THE WENTWORTH WOMEN against the background of memory, remaking history, play, as well as hermeneutics. It is argued that the understanding of a work of art involves participation in its meaning by the audience which is not so much a mere receiver of information as a catalyst of the work's content. This Research Paper also attempts to place the three Research Projects, which when combined are entitled REMEMORIES/IMAGETEXTS, into a feminist remaking of history (in Barbara Kruger's sense), realigning the m

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9

Horton, Mary Therese. "The cultural status of objects." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/35867/1/35867_Horton_1996.pdf.

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This paper addresses the cultural status of objects. The discussion focuses on domestic objects. It is proposed that functional domestic objects are cultural artefacts which have significance beyond that of useful commodity. Their cultural status is explored by considering the nature and influence of the Marxist critique; examining the 'aesthetic dimension' of useful objects; and by experimenting with a range of written forms which draw upon three sources: i) concepts investigated through the first two chapters; ii) ideas being cultivated through my studio practice; and iii) issues raised th

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10

McFeat, Lin Gillian. "The architecture of colonisation : the concept of depiction : Colon : the colonisation of a(a)rchitecture : the depiction of the concept." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09PH/09phm1432.pdf.

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Includes bibliography. This thesis examines deconstructive writings, employing those strategies as a basis for re-forming approaches to architecture. A theory is posited that a distinction must be made between architecture as idiom and architecture as medium, expressed as a separation between architecture as a built form, Architecture the Idea and A(a)rchitecture as a new direction for framing an approach to its discourse.

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周嘉耀. "內聖外王？: 第三期儒家人文主義的現代轉向-對民主與科學之一回應 = Neisheng-waiwang? : the modern turn of Confucian humanism at its third period - a response to democracy and science". HKBU Institutional Repository, 2009. http://repository.hkbu.edu.hk/etd_ra/1111.

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12

Jolly, Edouard. "Les ombres du monde: Anders et le refus du nihilisme." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209306.

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13

Botha, Catherine Frances. "Heidegger : technology, truth and language." Diss., University of Pretoria, 2001. http://hdl.handle.net/2263/30416.

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14

Potter, Eugenie Ann Conser. "The linguistic turn in philosophy of education: An historical study of selected factors affecting an academic discipline." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184401.

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From the late 1950s to about 1970, philosophers of education began to adopt a mode of philosophizing characterized as "the linguistic turn," after a similar change in general philosophy. This involved a move away from the older "isms" approach rooted in metaphysics towards linguistic and conceptual analysis. The linguistic turn has been attributed to intellectual history--the influence of ideas on a field. The central argument of this study, however, is that during the 1950s, factors external to academia, but acting upon it, interacted with concerns by educational philosophers themselves to cr

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Hamman, J. N. (Johannes Nicolaas). "Poststructural ethics and the possibility of a general ethical theory." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51883.

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Thesis (MPhil)--University of Stellenbosch, 2000.<br>ENGLISH ABSTRACT: This study is concerned with the possibility and characterisation of poststructural ethics and the ethics of general theories. It contains a review of selected readings on Modernity and provides a "snapshot" of an ethical system that is essentially rule based and privileges rationality. Some of the problems with such a system, such as inflexibility, tolerance based on superiority and force and the privileging of male gender is explored. It proceeds by perusing some literature on postmodernity as an open ethical syst

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Spičanović, Vladimir. "Beyond the anti-aesthetic." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20473.

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This thesis is a critical examination of postmodernist pedagogy currently used in the education of visual artists. It is particularly concerned with the teaching of the traditional disciplines of painting and drawing within a postmodern context. My hypothesis is that the teaching of visual arts within a postmodern orientation more or less relies on an anti-aesthetic stance that is content-centered, with an insistence on critically and politically aware art. The overall objective of this thesis is twofold: First, to generate some questions and ideas that could be of assistance to post-secondary

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Brice, Dusty A. "The Lawrentian Woman: Monsters in the Margins of 20th-Century British Literature." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2612.

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Despite his own conservative values, D.H. Lawrence writes sexually liberated female characters. The most subversive female characters in Lawrence’s oeuvre are the Brangwens of The Rainbow. The Brangwens are prototypical models of a form of femininity that connects women to Nature while distancing them from society; his women are cast as monsters, but are strengthened from their link with Nature. They represent what I am calling the Lawrentian-Woman. The Lawrentian-Woman has proven influential for contemporary British authors. I examine the Lawrentian-Woman’s adoption by later writers and her e

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Engelbrecht, Schalk Willem Petrus. "Utopie, filosofie en hermeneutiek : 'n verkenning van die denke van Gianni Vattimo." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53708.

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Thesis (MA)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: Utopia, Philosophy and Hermeneutics Exploring the thought of Gianni Vattimo Article I: The End of Utopia An explanation for the rise of distopia in popular culture with reference to the ideas of Gianni Vattimo In this article the development of utopianism is described by tracing it back to its original classical form, following it through its modernistic form and finally describing distopia as the postmodern form of utopia. Using the ideas of Gianni Vattimo, distopia is interpreted as the creative embodiment of the "cou

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MacKenzie, Garry Ross. "Landscapes in modern poetry : gardens, forests, rivers, islands." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5910.

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This thesis considers a selection of modern landscape poetry from an ecocritical perspective, arguing that this poetry demonstrates how the term landscape might be re-imagined in relation to contemporary environmental concerns. Each chapter discusses poetic responses to a different kind of landscape: gardens, forests, rivers and islands. Chapter One explores how, in the poetry of Ian Hamilton Finlay, Douglas Dunn, Louise Glück and David Harsent, gardens are culturally constructed landscapes in which ideas of self, society and environment are contemplated; I ask whether gardening provides a pos

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Gurciullo, Sebastian 1968. "Between art and philosophy : Adorno and Foucault as heirs and critics of Enlightenment." Monash University, School of Literary, Visual and Cultural Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/7662.

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Roodt, Vasti. "Amor fati, amor mundi : Nietzsche and Arendt on overcoming modernity." Thesis, Link to the online version, 2005. http://hdl.handle.net/10019.1/1230.

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22

de, Coorebyter Vincent. "Etude sur les fondements de la pensée de Sartre (1924-1934)." Doctoral thesis, Universite Libre de Bruxelles, 1998. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212040.

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23

Burniat, Patrick. "Le plan libre, syncrétisme de la modernité corbuséenne: essai de clarification du concept de plan libre dans l'oeuvre architectural de Le Corbusier." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210512.

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Le sujet de la thèse —la clarification du concept de plan libre dans l’œuvre architectural de Le Corbusier— s’inscrit dans un cadre général de recherches portant sur les modes de conception architecturale en contexte de modernité. Cette préoccupation prend comme horizon la compréhension des processus qui servent l’architecture comme construction d’idées et qui permettent d’en articuler les différentes phases, depuis l’amont des intentions exprimées par le concepteur, jusqu’à l’aval des expressions prises par la solution, en passant par les moyens qui, précisément, permettent d’articuler une pe

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Symons, Suellen. "Rememories/imagetexts." Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/731.

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This research paper places the three Research Projects 2 DIVINE, CARNIVAL, and HER STORIES: THE WENTWORTH WOMEN against the background of memory, remaking history, play, as well as hermeneutics. It is argued that the understanding of a work of art involves participation in its meaning by the audience which is not so much a mere receiver of information as a catalyst of the work's content. This Research Paper also attempts to place the three Research Projects, which when combined are entitled REMEMORIES/IMAGETEXTS, into a feminist remaking of history (in Barbara Kruger's sense), realigning the m

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Daskalakis, Konstantios. "Le concept répétition du possible: Heidegger, Kierkegaard, Nietzsche." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209715.

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A partir de 1919, Heidegger élabore plusieurs projets temporels grâce à une phénoménologie herméneutique caractérisée par la fonction méthodique de l’indication formelle, dont la dernière communication date de 1930. Dans ces projets, on trouve à plusieurs reprises la notion de répétition. Plusieurs commentateurs considèrent Kierkegaard comme source de la répétition heideggérienne tandis que d’autres se réfèrent à Nietzsche. Heidegger emploie le terme Wiederholung, Kierkegaard la notion Gjentagelse, et Nietzsche les notions Wiederkehr, Wiederkunft et Wiederholung. L’expression précise « répétit

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Lindley, Anne Hollinger. "Relating to relational aesthetics." Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.

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This thesis will examine the practice of relational aesthetics as it involves the viewer, as well as the way in which it plays out within and outside of the institutional setting of the museum. I will focus primarily on two unique projects: that of The Machine Project Field Guide at Los Angeles County Museum of Art on November 15, 2008, produced by Machine Project, a social project operated out of a storefront gallery in Echo Park; and David Michalek's Slow Dancing at the Lincoln Center Festival in New York City, July 12-29 2007.

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Peeters, Marc. "Discrépance et simulacre: la métaphysique de Kant dans la Critique de la raison pure et les systèmes logiques de Stanislaw Lesniewski (ontologie et méréologie)." Doctoral thesis, Universite Libre de Bruxelles, 1998. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212001.

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Kabisa, Bular Pawen Jean-Baptiste. "L'idée weilienne de l'état mondial: un procès de légitimation d'un ordre social supranational." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212123.

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Marbehant, Sylvain. "Concevoir le contexte de l'architecture: réalité habitée et réalité projetée dans trois doctrines du 20e siècle." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209176.

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Cette thèse de doctorat développe un questionnement de nature épistémologique à propos du domaine architectural et des connaissances qui lui sont associées. La théorie architecturale se distingue par la grande diversité de ses formes, par la multiplicité des acteurs qui la mobilisent et surtout par la grande complexité de l'objet qu'elle vise :l'œuvre architecturale. Pour pouvoir aborder de manière lucide ces différents filtres, nous proposons d'en décoder les origines pour une notion théorique particulière: le contexte de l'œuvre architecturale.<p>Le contexte d'une œuvre rassemble l'ensemble

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Courtois, Fleur. "Arts de la ruse: pour une expérimentation tactique des sciences humaines à partir de Michel de Certeau." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210363.

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A travers l'oeuvre de Michel de Certeau, les manières de dire et de faire d'une part, dans le quotidien d'autre part dans les sciences humaines sont travaillées pour rendre compte d'une philosophie de la ruse. Sont mobilisés à cette occasion le constructivisme (Latour, Stengers), le pragmatisme (James), le structuralisme (Lacan, Barthes) et les philosophies de Deleuze et Foucaut.<br>Doctorat en Philosophie<br>info:eu-repo/semantics/nonPublished

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Marino, Mariana Cristina Pinto. "Fugere urbem et locus amoenus quaerere: uma análise ecocrítica de Marcovaldo ou As estações na cidade, de Italo Calvino." Universidade Tecnológica Federal do Paraná, 2018. http://repositorio.utfpr.edu.br/jspui/handle/1/3127.

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A presente pesquisa propôs a análise de todos os vinte contos que compõem a obra Marcovaldo ou As estações na cidade (2015 [1963]), de Italo Calvino. O foco das análises voltou-se para o protagonista, Marcovaldo, um trabalhador pobre e em permanente estado de desconforto com as mudanças ocorridas no contexto social pós-guerra, especialmente na Itália, no período de seu milagre econômico, que foi impulsionado pelo fim de medidas protecionistas na economia (GINSBORG, 2003). Ao tentar romper com esse cenário, buscando a beleza genuína da natureza, Marcovaldo vê-se experienciando situações que sem

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"Thinking otherwise: Nietzsche, Deleuze and the philosophy of difference." Chinese University of Hong Kong, 1991. http://library.cuhk.edu.hk/record=b5895371.

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by Wai-Shun Sodium Hung.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1991.<br>Bibliography: leaves 74-75.<br>Introduction --- p.1<br>Notes --- p.19<br>Chapter Part I: --- Nietzsche and Philosophy ´ؤNietzsche's Critical Philosophy --- p.22<br>Chapter 1. --- Introduction --- p.22<br>Chapter 2. --- Affirmation and Negation --- p.25<br>Chapter 3. --- Active and Reactive --- p.27<br>Chapter 4. --- The Eternal Return --- p.31<br>Chapter 5. --- "Eternal Return: The ""Scientific Proof"" of the Doctrine" --- p.34<br>Chapter 6. --- The Doctrine of Return as Selective Thought --- p.37<

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Salter, Mark B. "On barbarians : the discourse of ’civilization’ in international theory." Thesis, 1999. http://hdl.handle.net/2429/10090.

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Unsatisfied with critical responses to Huntington's "Clash of Civilizations?" this dissertation attempts to trace two central elements of his argument. First, "On Barbarians" traces the evolution of the civilized/ barbarian dichotomy from its origins in the nineteenth century to its recent incarnations in International Relations theory. The relevance of Europe's imperial heritage is emphasized, along with certain thematic threads in popular discourse: demography, surveillance, and the distinction between popular and elite culture. The ubiquitous self/other dichotomy, which is central to

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"實踐與理解: 伽達瑪論主體性與自我認識". Thesis, 2007. http://library.cuhk.edu.hk/record=b6074397.

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王耀航.<br>論文(哲學博士)--香港中文大學, 2007.<br>參考文獻(p. 200-203).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstracts in Chinese and English.<br>Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2007.<br>Can kao wen xian (p. 200-203).<br>Wang Yaohang.

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Skinner, Jane. "The ethical possibilities of postmodern pedagogy." Thesis, 1995. http://hdl.handle.net/10413/3234.

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The aims of modern education are largely Enlightenment-inspired - thus postmodernism finds an uneasy foothold within educational theory. But the needs of the present are not so much for universal reason and truth as for respect and non-violence (which it is argued are the "spirit" of postmodernity). This research report suggests that the usefulness of postmodern thought (and particularly of deconstruction) to education is not so much political as ethical. Drawing upon recent work of Jacques Derrida and commentaries upon his work by Simon Critchley and Johan Degenaar, it is argued that deconstr

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Clare, Julia. "Overcoming Nihilism : Nietzsche on self-creation, politics and morality." Thesis, 1994. http://hdl.handle.net/10413/6164.

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This thesis explores three of Nietzsche in terms of his conception of nihilism and his attempt to overcome it. It is argued that Nietzsche views modernity as being characterized by nihilism and in a state of crisis. Nietzsche responds to this crisis by offering both an aetiology of it, and a vision of a future beyond nihilism. It is Nietzsche's vision which is the primary concern of this work. Nietzsche's first attempt to overcome nihilism is found in Thus Spoke Zarathustra. In this book Nietzsche offers a solution of individual salvation which is elucidated in terms of a trio of ideas - the S

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Rowe, Amy Harrison, Jeffrey M. Dudiak, Nik Ansell, Steve Martin, and Stuart Williams. "Perspective vol. 24 no. 3 (Jun 1990)." 2013. http://hdl.handle.net/10756/251329.

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Rowe, Amy Harrison, Jeffrey M. Dudiak, Nicholas John Ansell, Steve Martin, and Stuart Williams. "Perspective vol. 24 no. 3 (Jun 1990)." 1990. http://hdl.handle.net/10756/277659.

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"Unseen vision." 1999. http://library.cuhk.edu.hk/record=b5895787.

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Chan Yuk Shing Brain.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report."<br>Includes bibliographical references.<br>Chapter 00 --- book<br>Chapter 00.1 --- brief ofbook<br>Chapter 002 --- design of the book´ؤbookof senses<br>Chapter 003 --- how to read<br>book [i]- writing<br>Chapter 01 --- foreplay<br>Chapter 01.1 --- acknowledgements<br>Chapter 01.2 --- preface<br>Chapter 02 --- prologue explains the thesis topic: unseen vision<br>Chapter 02.1 --- background study<br>Chapter 0211 --- sense study<br>sensation dialogue bet

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Yektaparast, Mahmoud R. "Rhythms of anger : Daoism and Chinese untrammelled painting, toward a counter-theorisation of avant-garde." Thesis, 2010. http://handle.uws.edu.au:8081/1959.7/496589.

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Philosophy, arts and politics share a passion for dissent. Avant-garde art, as that which mines the territories of the conventions and undermines the what is, has always existed as a social and highly political phenomenon. 'Rhythms of Anger' is, theoretically, an anti-colonial research that highlights the existence of Daoist texts, aesthetic theories and artistic styles in the Chinese paintings that antedate the European Modernist and Avant-garde impulses by at least a millennium. Thus, it opens ways for a counter-theorisation and re-theorisation of the predominantly Eurocentric, already exist

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Powell, Elisabeth. "A literature of modern suffering : suffering in the work of Feodor Dostoevsky, Albert Camus and Milan Kundera." Thesis, 2007. http://handle.uws.edu.au:8081/1959.7/15716.

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This thesis examines the treatment of the theme of suffering by three modern authors: Feodor Dostoevsky, Albert Camus, and Milan Kundera. The analysis proceeds through the identification and examination of three primary concepts which I will argue are at the heart of their work, and which provide the conceptual foundations for their depictions of suffering: the wretched, the absurd, and the banal. These concepts will be used as an avenue through which to explore and articulate their treatment of suffering. It will be argued further that the work of these three authors forms a conceptual series

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Allers, Christopher R. "Taking Hannah Arendt to Church: Toward a Renewed Appreciation of the Mutuality Between Moral Philosophy and Religious Life and Culture." Thesis, 2007. http://hdl.handle.net/10756/285095.

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In this study, I consider the possibility of extending Hannah Arendt's critiques of conformity and behavior and her insights on thinking and moral philosophy to Christian life and culture. With Arendt, I argue that the possibility to refrain from perpetrating great evils made possible by uncritical conformity resides within the activity of thinking itself, as she defines it. Furthermore, I argue, again with Arendt, that refraining from such evils is a moral decision which finds its ultimate standard in the self. Although she culls many helpful insights from religious traditions, Arendt refrain

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Giles, Clark Andrew. "Regime fatigue : a cognitive-psychological model for identifying a socialized negativity effect in U.S. Senatorial and Gubernatorial elections from 1960-2008." Thesis, 2014. http://hdl.handle.net/1805/4649.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>This research project proposes to try to isolate and measure the influence of “regime fatigue” on gubernatorial elections and senatorial elections in the United States where there is no incumbent running. The research begins with a review of the negativity effect and its potential influence on schema-based impression forming by voters. Applicable literature on the topics of social clustering and homophily is then highlighted as it provides the vehicle through which the negativity effect disseminates across collections of socially-clu

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Kulhánková, Vilma. "Antické inspirace, české výtvarné umění a škola - Sama v Aténách." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-312827.

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This thesis intends to assess various inspirations of Czech art of the nineteenth, mainly twentieth century by ancient Greek tradition. Special emphasis is given to following two viewpoints: travelling on the one side and body and physicallity on the other. The first part concerns itself with artists travelling south to discover new impulses for their work, the second one deals with various approaches to body and physicallity inspired by Greek art. The didactic section presents an application of these topics to the elementary school Art Education. The practical part consists of two series of p

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