Auswahl der wissenschaftlichen Literatur zum Thema „PN transition“

Ho, Woon Tai. Transition: The Story of PN Balji. Marshall Cavendish International (Asia) Private Limited, 2022.

Davis, F. A. NIC/PN-RN Transition Students: North Idaho College. Davis Company, F. A., 2021.

Davis, F. A. NIC/PN-RN Transition Students -Print: North Idaho College. Davis Company, F. A., 2022.

Pressprich, Mark Robert. Incommensurate phases, phase transitions and structural chemistry of [Pn(CH₃)₄]₂MX₄ salts. 1990.

Jaillant, Lise. "PN Review, Feminism and the Arts Council of Great Britain." In New Directions in Book History. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-84154-5_5.

Marjanić, Suzana. "Labin ili izvedba undergrounda kao jedan od modusa otpora izolaciji/periferiji." In Periferno u hrvatskom jeziku, kulturi i društvu / Peryferie w języku chorwackim, kulturze i społeczeństwie. University of Silesia Press, 2021. http://dx.doi.org/10.31261/pn.4038.28.

Barnett, R. N., P. J. Reynolds, and W. A. Lester. "Computation of transition dipole moments by Monte Carlo." In Quantum Monte Carlo. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195310108.003.0084.

Potapchuk, Svitlana. "PHRASEOLOGISATION OF PRECEDENT PHENOMENA IN THE ENGLISH AND UKRAINIAN LANGUAGES." In Theoretical and practical aspects of science development. Publishing House “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-355-2-22.

Bulatov, Vasily, and Wei Cai. "Kinetic Monte Carlo Method." In Computer Simulations of Dislocations. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780198526148.003.0014.

"PN: It reminds me that in the story called ‘Madame Realism’, the narrator decides that ‘Anything can be a transitional object. No one spoke of limits, they spoke of boundaries. And my boundaries shift, she thought, like ones do after a war when countries lose or gain depending on having won or lost’ (MR, 39). The reference to Winnicott’s concept of ‘transitional objects’ seems to have a relevance to your sense of how fiction operates—perhaps as (to use another concept from Winnicott) a ‘potential space’ somewhere between psyche and world where a certain ‘play’ can take place? LT: In criticism you always have to make one argument, and you have to support that argument against other arguments. In writing a novel or a short story there are arguments going on too, but there you have the possibility of different voices and different characters. You don’t have to argue as if there’s one truth, or one way to see something, you can allow for a lot of ambivalence. In some way writing fiction for me is about anxiety and being extremely insecure, and having between me—and maybe this is Winnicottian—between me and the world a space where I say, this is not me, and it is me, ambivalently, but this is also not Truth. PN: Motion Sickness suggests that national identity is like armour; in Haunted Houses are we meant to conclude that gender is similarly a kind of defence and constraint? LT: Yes, I think I very much felt that when I wrote Haunted Houses. All my books are in a way about limits, and about fighting those limits. Haunted Houses definitely was about the limits of gender and of being a girl, how you took it on, how you wrestled with it; then with Motion Sickness it was national identity and nationalism. But you never want to celebrate your limits, you don’t want to celebrate being an American, to celebrate being a woman. That’s making a virtue out of something that’s neither a vice nor a virtue. It’s a given. You’re born into something and it’s a matter of what you do with that. PN: Relations between self and other seem to be played out visually a lot of the time—in Haunted Houses, for example: ‘there was a chance of being looked at, which was better than being spoken to: it was as if she were being taken, unaware and involuntarily, and not taken’ (H, 62). LT: Being looked at—again this would be an interesting argument that pornography is not rape—looking at something and having a fantasy is different from being thrown into the bushes and raped. This could also lead into a discussion about aspects of female desire and whether a woman’s desire to be looked at is passive or active. I tend to feel those terms, ‘passive’ and ‘active’, are—well,." In Textual Practice. Routledge, 2005. http://dx.doi.org/10.4324/9780203986219-22.

"PN: We’ve talked quite a bit about narrative; maybe we should think too about tone and about your exploitation of particular figures of speech. Cast in Doubt is tonally rich, of course, but that’s partly parodic. Other books, particularly Haunted Houses, seem to cultivate a certain lack of tone; sometimes the style reminded me of forms of naturalism. Whole passages of flat, short sentences which made me think of Dos Passos in the way one thing or event is simply placed against another. An emphasis on the local and contiguous rather than on some overall structure or plot, perhaps…? LT: I don’t think of the style of Haunted Houses as flat. It’s angular, sharp. The edges between sentences are tough—take no prisoners. The structure too is angular—three characters who never meet, three chapters for each of the five sections, no greased transitions. I was interested in how gaps make meanings, how juxtapositions work. I’m always involved in that, pushing one set of ideas up against another. That’s maybe what you think of as naturalistic. And all that makes strange disturbances. Haunted Houses is grimly funny sometimes. Motion Sickness is more fluid, playing off a stream of words, associations; its structure is almost circular, with the first chapter, to my mind, a trailer for the upcoming feature. Cast in Doubt is arch, even toying with being precious. The structure is filled with holes, anxious ones. Each work is supposed to have its own integrity. PN: And the style is always aware of itself, of the effects it’s aiming for. At first glance it just seems witty, but there’s another layer where you start stripping away the cottonwool of metaphor: ‘She chooses a piece of silverware as if it were a weapon. But she does not attack her food’ (A, 106). This kind of effect reminds me of Brecht’s advice to his actors, to speak their lines as if they were bracketed within quotation marks. LT: Books are made of words, characters are made of words. I like to call attention to that. To me it’s pleasurable. It’s like watching a movie. If the film-maker isn’t using the camera well, using that medium as if there weren’t a camera, or if the editing isn’t really interesting, what are you watching? You’re not actually watching something that’s taking advantage of the medium. PN: What I called ‘bracketing’ is also something that I think you’ve explored in your work with film. In an interview about Committed you say that you ‘used certain narrative codes but then veered away from them sharply and used other, more avant-garde ones— deliberately going back and forth.’ There’s certainly an emphasis." In Textual Practice. Routledge, 2005. http://dx.doi.org/10.4324/9780203986219-28.

Hammadi, M., and M. Z. Alam. "Design of a Fano Resonance Based Microring Modulator Using Phase Transition of Vanadium Oxide." In 2024 Photonics North (PN). IEEE, 2024. http://dx.doi.org/10.1109/pn62551.2024.10621811.

Mozafar, Omid, Varun Sharma, R. Margoth Córdova-Castro, Akbar Safari, Jeremy Upham, and Robert W. Boyd. "Straightforward Measurement of Saturation Intensity of Doppler-Broadened Transitions: Application to Rubidium Vapour." In 2024 Photonics North (PN). IEEE, 2024. http://dx.doi.org/10.1109/pn62551.2024.10621806.

Monfared, Yashar E., and Mita Dasog. "Group 4 Transition Metal Nitride Nanoparticles for Visible/Near-IR Plasmonic Applications." In 2020 Photonics North (PN). IEEE, 2020. http://dx.doi.org/10.1109/pn50013.2020.9167007.

Exir, Hourieh, and Arnaud Weck. "Insights into the Superhydrophilic to Superhydrophobic Transition of Femtosecond Laser-Induced Periodic Surface Structures on Titanium under Ambient Conditions." In 2019 Photonics North (PN). IEEE, 2019. http://dx.doi.org/10.1109/pn.2019.8819588.

Aleksandrova, O. A., D. S. Mazing, L. B. Matyushkin, et al. "Synthesis of transition metal doped zinc selenide nanoparticles for bioimaging." In 2015 Photonics North. IEEE, 2015. http://dx.doi.org/10.1109/pn.2015.7292477.

Amano, Toshihiko, Satoshi Igi, Takahiro Sakimoto, Takehiro Inoue, and Shuji Aihara. "Fracture Behavior in West Jefferson Test Under Low-Temperature Condition for X65 Steel Pipe With High Charpy Energy: Current Activities in HLP Committee, Japan, Report 1." In 2016 11th International Pipeline Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/ipc2016-64308.

Yang, T., W. Jin, and W. Chen. "GS3.2 - Temperature-Modulated pn-Transition Gas Response of ZnO Nanorod Arrays for Selective Detection of CO." In 17th International Meeting on Chemical Sensors - IMCS 2018. AMA Service GmbH, Von-Münchhausen-Str. 49, 31515 Wunstorf, Germany, 2018. http://dx.doi.org/10.5162/imcs2018/gs3.2.

Liu, Yaodong, Mingli Liu, Zhentao He, et al. "Experimental Investigation of Hydrogen or Methane Injection in Active Pre-Chamber on a Lean Combustion Gasoline Engine." In SAE 2024 Vehicle Powertrain Diversification Technology Forum. SAE International, 2025. https://doi.org/10.4271/2025-01-7106.

Discher, Dennis E., and Colin Johnson. "Alternative Splicing for Mechanical Resilience: The Softening Effect of Filamin’s Hinge." In ASME 2007 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2007. http://dx.doi.org/10.1115/sbc2007-176751.

Tombling, C., M. M. Stallard, and J. S. Roberts. "Modulation of Excitonic Quenching in a Selectively Doped Single Quantum Well." In Quantum Wells for Optics and Opto-Electronics. Optica Publishing Group, 1989. http://dx.doi.org/10.1364/qwoe.1989.pd3.