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Zeitschriftenartikel zum Thema „Poetics“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 25. Juli 2025

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1

Mills, Philip. "Nietzsche's Poethics: Poetry as a Way of Life in 'The Gay Science'." Labyrinth 26, no. 1 (2024): 221–39. https://doi.org/10.25180/lj.v26i1.362.

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The notion of poethics has been used to approach the way in which forms of language and forms of life are interdependent and to reveal the ethical dimension of poetics. However, the interaction must go both ways; there must not only be an ethical dimension to poetics, but also a poetic dimension to ethics. To what extent is ethics dependent on poetics? In this essay, I argue that Nietzsche’s life-affirming ethics can be understood only in this poethical framework. The specificity of Nietzsche’s ethics, and why it is so difficult to locate on the spectrum of ethical theories, lies in the fact t

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Khalil Shukri Hayas and Marwa Mohamad Najeeb. "Rhetoric Of The Question, The Dialogue Of Poetic Vision, A Reading Of Samples From The Collection Of "Sukrat Al - Qamar " By Amal Al-Qasim." Morfologi: Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya 2, no. 5 (2024): 265–75. http://dx.doi.org/10.61132/morfologi.v2i5.969.

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The poetic question is a subject that is expanding in critical studies to the extent, which is formed a private critical space. The poetic question was able to excrete during the reading a remarkable aesthetic and rhetorical aesthetic. It doubled the interest of critics and creators together and created dialogues between text and its recipients. Here in this research, the Dialogic means is not in the concept of the Bakhtni that depends on the intersexuality, but in its communicative concept for searching to the effectiveness of the poet in creating interactive dialogue between him and the impl

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Keen, Catherine. "Lutto, silenzi e omissioni: la 'Vita nova' fra vissuto e poetato." Quaderni di Gargnano, no. 5 (December 7, 2022): 1–18. http://dx.doi.org/10.54103/quadernidigargnano-05-03.

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This essay reflects on Dante's exploration of the theme of mourning in the Vita nova. It draws on critical approaches proposed by Giorgio Agamben, on the challenges of concluding poetic works, and by Nicola Gardini, on the eloquence of the unsaid, to review how Dante's organization of a unified narrative text still leaves space for inarticulacy, silences and omissions that together underline the difficulty of voicing sorrow in poetic form. As the ending of the Vita nova projects Dante's "book of memory" forward towards future as well as past experiences, biographical and poetic, his poetics of

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Nykyforuk, Tetyana, and Valeriyа Andriyets. "Literary reception of the poetics of S. Vorobkevych's poetic works through the prism of Osip Makovey's research." Current issues of social sciences and history of medicine, no. 1 (August 14, 2023): 139–41. http://dx.doi.org/10.24061/2411-6181.1.2023.392.

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Literary reception of the poetics of S. Vorobkevych's poetic works through the prism of Osip Makovey's research. Goal. In the segment of the study of the literary reception of the poetics of S. Vorobkevich's poetic works, analyze the literary and critical materials of O. Makovey (“Literary heritage according to Izidor Vorobkevich”, “Izidor Vorobkevich”, “General notes on the poetry of Izidor Vorobkevich”), published in the first few decades after the writer's death. Research methods are predetermined by the purpose and tasks of the work, the object of research and are complex. The hermeneutic

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Miller, Peter. "Prosody, Media, and the Poetry of Edgar Allan Poe." PMLA/Publications of the Modern Language Association of America 135, no. 2 (2020): 315–28. http://dx.doi.org/10.1632/pmla.2020.135.2.315.

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Edgar Allan Poe's poetry and poetic theory maintain an awkward standing in anglophone literary criticism but offer a valuable resource to scholars of historical poetics and, more specifically, historical prosody. In poems such as “The Raven” and “The Bells” and essays such as “The Rationale of Verse,” Poe pre sents prosodic structure as a kind of palimpsest of jostling sound media (e.g., phonetic script, meter, scansion, musical form, nonhuman voices), which obey different prosodic logics when engaged by different readers, both within and across periods. In this way, Poe's poetics challenges b

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Kulnieks, Andrejs, and Kelly Young. "Ekphrastic Poetics: Fostering a Curriculum of Ecological Awareness Through Poetic Inquiry." in education 20, no. 2 (2014): 78–89. http://dx.doi.org/10.37119/ojs2014.v20i2.199.

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In this article we outline the role of ekphrastic poetics in an ecological practice of poetic inquiry. Ekphrastic poetics, as a rhetorical device, involves one medium of art relating to another medium by unfolding its form and essence. Ultimately, our work involves a poetic response to an aesthetic form and it is through our ongoing collaborations that we are able to outline the importance of the poetic benefits of dwelling in natural places. We offer specific examples of how we engage in interpretive response activities that help to foster ecological habits of mind in teacher education. Keywo

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О., А. Москвичова. "МОДЕЛЬ СВІТУ В ПОЕТИЧНИХ ТВОРАХ". Лінгвістичні дослідження, № 49 (21 грудня 2018): 41–46. https://doi.org/10.5281/zenodo.2479481.

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<em>The article is dedicated to the embodiment of reality in the poetic picture of the world of the British poetry of the XIX-XXIth centuries by means of the linguistic and poetic analysis of tropes as the way to actualize cognitive processes of the formation of the picture of the world. By means of linguistic, poetic and cognitive analysis it is investigated the cognitive style of poets of the British romantic, modern and post-modern periods. From the position of cognitive linguistics and cognitive poetics poetry is analyzed in the article as the embodiment in the poetical work of the result

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Al-Issawi, Ban Jassim Mohammed, and Muzaffar Hashim Abdul Majeed Al-Ani. "The Poetics of Contrast Between Western and Arab Thought." KnE Social Sciences 10, no. 6 (2025): 155–73. https://doi.org/10.18502/kss.v10i6.18285.

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Researchers in literary circles frequently use the term ”poeticism”due to the ambiguity that often surrounds literary texts. This term clarifies the obscurities by offering explanation and reveals the underlying elements through the application of theory, analysis, and commentary. This paper presented to your academic conference aims to investigate the use of poetic contradiction on poetry, examining the impact of oppositions on poetry and identifying its effects through practical application. Early scholars paid significant attention to the poetry that dominated the scene at the time, startin

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Johnson, Kimberly. "Poetics/Praxis." Christianity & Literature 68, no. 3 (2019): 365–78. http://dx.doi.org/10.1177/0148333119827677.

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This Introduction to a special issue on “Poetics/Praxis” provides a brief overview of the shared investments of poetic texts and Christian practice. It offers a brief survey of exegetical writing on the incarnation in order to illustrate sympathies between early Christian thinking about the meaningfulness of materiality and theoretical accounts of poetic structure.

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Bartczak, Kacper. "Be Poetics of Plenitude and the Poet’s Biography: Self-Creation in Some Later Poems by John Ashbery." Polish Journal for American Studies, no. 9 (2015) (July 20, 2023): 51–74. http://dx.doi.org/10.7311/pjas.9/2015/4.

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Thee article deals with the status of biographical references in John Ashbery’s later poetry. It is an attempt to work out an approach that, while keeping the biographical in view, is an alternative to the way in which the biographical has functioned in recent Ashbery scholarship. In discussing Ashbery’s strategy, I use the neo-pragmatist idea of aesthetic self-creation, especially a version of it developed by Alexander Nehamas in his writings on aesthetic objects. The term I am developing to discuss the variety of self-creation in Ashbery is “the emerging self,” and I see it as a component of

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Liu, Dan. "The Impersonal Theory of Poetry in “Tradition and the Individual Talent” by TS Eliot." Journal of Contemporary Educational Research 8, no. 6 (2024): 104–9. http://dx.doi.org/10.26689/jcer.v8i6.7350.

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Eliot, an important poet, playwright, and literary critic of the nineteenth century in the United States, was the founder of Western modernism. He pioneered the modern poetic criticism. His practice of modernist poetry is the transition from traditionalist poetics to modernist poetics in the 20th century. His famous poetics theory declaration “Tradition and the Individual Talent” is an immortal classic in the field of poetics theory, in which he proposed the concept of “Traditional,” the theory of “Impersonal” poetry, “Objective Correlative,” and so on. All had a profound influence on the 20th

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Pavlovna, Natalia. "POETIC DISCOURSE IN A TIME OF CRISIS: THE CONCEPT OF LYRICISM." Grail of Science, no. 18-19 (September 4, 2022): 222–34. http://dx.doi.org/10.36074/grail-of-science.26.08.2022.40.

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The study of poetic discourse received great impetus from the beginning of the twentieth century onward with the rise of general linguistics (Linguistic Poetics), and sociology (Sociological Poetics). As for Linguistic Poetics, presented in the framework of Roman Jakobson, it had exhausted its potential for theoretical inquiry. Sociological Poetics, on the contrary, has not yet received the attention it deserves. This paper provides a brief account of two projects of Sociological Poetics devised by Voloshinov/Bakhtin, and T. Adorno. It offers schematic conceptualization of the notion of lyrici

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Stougaard-Nielsen, Jakob. "Tidens rytmik." K&K - Kultur og Klasse 34, no. 102 (2006): 108–28. http://dx.doi.org/10.7146/kok.v34i102.22319.

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Dante Alighieri, William Carlos Williams’ prosodi og Michel Serres Rhythm of TimeThe article discusses William Carlos Williams’s poetics and his particular conception of a modern prosody as expressed in the essay »Speech Rhythm« (1913) and as materialized in his experiments with a poetic form he himself termed »the variable foot« in »the triadic verse«. The article suggests that Williams’s poetics should be conceived as both an attempt to reinvigorate a typographically governed poetic language, his reaction to free verse, and as a larger figure for a poetic project which attempts to offer a po

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Schweppenhäuser, Jakob. "Poetikkens kunstformer: Om forholdet mellem poesi og poetik i Niels Lyngsøs MORFEUS." K&K - Kultur og Klasse 37, no. 108 (2009): 160–87. http://dx.doi.org/10.7146/kok.v37i108.22002.

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Art Forms in Poetics: On the Relationship between Poetry and Poetics in Niels Lyngsø’s MORFEUS:In Denmark, the genre of poetics has to a high degree developed into poets’ own reflections on their literary work and working process. This turn has resulted in a textual hybridity, restlessly oscillating between essayistic-theoretical orientation and poetic discourse. It has been pointed out that scholars have generally failed to pay attention to the artistic elements of such poetological writings. This is where this article takes its point of departure, probing Danish poet Niels Lyngsø’s abundant,

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WADA, Yugen. "Poetical Defects (dosa) in Sanskrit Poetics:." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 61, no. 1 (2012): 289–86. http://dx.doi.org/10.4259/ibk.61.1_289.

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Kalmykova, Vera V. "Osip Mandelstam as the author of the unwritten “Poetics”." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 61–72. http://dx.doi.org/10.20339/phs.5-22.061.

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In Russia 1910–20s — the time of the formation of poetics as a scientific discipline. Poetics as a science also attracted the attention of O.E. Mandelstam, who correlate his poetic practice with the current state of philology. N.S. Gumilev assumed that Mandelstam would write a study on poetics. In the articles and essays of the 1910 –30s, many categories of poetics were comprehended by Mandelstam: poet and poetry, art and reality, author, reader, the theme of a work of art, language and speech, etc. The original terminology of Mandelstam, which has no scientific character (“omitted links”, “me

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GRIGORIU, Iulian. "Orice filosofie este o poetică (I) Asemănări de familie. Filosofie şi poezie." Annals of “Dunarea de Jos” University of Galati. Fascicle XVIII: Philosophy, no. 14 (May 22, 2025): 13–30. https://doi.org/10.35219/philosophy.2024.02.

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This article is part of a broader study examining the relationship between philosophy and poetry, focusing on the fact that both disciplines create language and employ natural language in a creative manner. The relationship between poetry and philosophy—specifically, between language and knowledge—is explored within a discussion of poetic ontology and gnoseology. Poetry is deconstructed here along two dimensions, ontological and gnoseological, into the Poetic and Poetics, and is regarded as a source of philosophy, science, art, and the sacred. The article advances the following key ideas:-The

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Takacs, Axel Marc Oaks. "Transposing Metaphors and Poetics from Text to World." Journal of Sufi Studies 9, no. 1 (2021): 106–44. http://dx.doi.org/10.1163/22105956-bja10008.

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Abstract This article examines the use of Sufi lexicons (iṣṭilāḥāt) through the relatively unknown Mystical Commentary of the Love Lyrics of Ḥāƒiẓ by Abū al-Ḥasan Khatamī Lāhūrī. It resituates the iṣṭilāḥāt within the context of the philosophical-Sufi tradition, engaging theories of metaphor, imagination, poetry, and imaginaries from Ricœur, Castoriadis, Lakoff and Johnson, and Caputo. Rather than employing the iṣṭilāḥāt to produce a static correspondence between poetic terms and metaphysical realities, Lāhūrī’s theo-poetics transposes the metaphors and poetics of the poems into metaphors and

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Sharma, Amrita. "Innovation and the Poetic Discourse: Reading Experimental Trends in Post-War American Poetry." SMART MOVES JOURNAL IJELLH 8, no. 1 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i1.10371.

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This paper aims at analysing the rise of innovative and experimental poetics within the American poetic grounds and the factors that remain extremely influential in establishing an alternate poetic culture that emerged with the rise of modernism within poetic circles. With influential and significant American poetic voices like Ezra Pound, T.S. Eliot and innovative women poets like Gertrude Stein popularising the use of ‘experimental’ techniques within the processes of poetic construction, the American poetic culture witnessed the rapid growth of an alternate realm of poetic activity that part

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Thorsen, Bengerd Juul. "Baumgarten’s Meditationes as a Commentary on Horace’s Ars Poetica." Philosophica: International Journal for the History of Philosophy 22, no. 44 (2014): 9–25. http://dx.doi.org/10.5840/philosophica2014224415.

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In his first work, the poetics Meditationes philosophicae de nonnullis ad poema pertinentibus. Baumgarten frequently cites Horace’s Ars Poetica. Horace was highly esteemed by Baumgarten and his contemporaries, especially in the fields of poetics and art theory. Baumgarten uses Ars Poetica throughout Meditationes. but it is especially in the paragraphs introducing some of the key concepts of his philosophy that there is a significant amount of excerpts from Horace’s poetics. In this article, I examine if and how contemporary scholarly interpretations may have influenced these uses of Horace’s t

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Takacs, Axel Marc Oaks. "Theological Aporia and the Cultivation of Desire: Reading Eriugena’s Creatio Ex Nihilo through an Islamic Theo-Poetics." Theological Studies 84, no. 4 (2023): 679–707. http://dx.doi.org/10.1177/00405639231209055.

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This comparative theological article expands on John Thiel’s article on aporias in theological method. Through an Islamic theo-poetics, it complements the import of hermeneutics in theological method with poetics. In an Islamic theo-poetics, aporias are inverted: they are not impassable walls, but “liminal spaces” through which creative imagination and revelation emerge. Reading Eriugena’s Periphyseon through two Persian love lyrics by Ḥāfiẓ (and a later commentary) draws out the poetics of the former, a dialogue often described as an exercise in dialectical reasoning. Attention to the poetics

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Nykyforuk, Tetyana. "Sydir Vorobkevych on poetics: theme, idea." Current issues of social sciences and history of medicine 29, no. 1 (2021): 98–100. http://dx.doi.org/10.24061/2411-6181.1.2021.252.

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The purpose of the article. To analyze the scientific literature related to the study of the elements of poetics of poetic works of S. Vorobkevych. To study the author's views on the form of a poetic text. Research methods are predetermined by the purpose and tasks of the work, the object of research and are complex. The hermeneutic method and comparative and comparative historical, biographical method makes it possible to find out the dependence of S. Vorobkevych’s views on poetics on the life basis. Scientific novelty. The realization of this task is also connected with the study of the writ

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Bartczak, Kacper. "The Poetics of Plenitude in Peter Gizzi’s Recent Poetry." Polish Journal for American Studies, no. 11 (Autumn 2017) (2023): 391–407. http://dx.doi.org/10.7311/pjas.11/2/2017.11.

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This article continues my earlier exploration of an aesthetic, poetic, and cognitive phenomenon that I am calling “the poetics of plenitude.” Here, I trace this poetics in Peter Gizzi’s more recent volumes, with special attention given to his 2015 collection Archeophonics. In my discussion, I show how the term “plenitude,” which I distinguish against a number of other uses of this concept, evolves in Gizzi’s poems toward an emergence of a subjectivity. Such emergence is triggered within the space of a poem working as a device that modulates a specifically understood excess of externality. The

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Majeed AL-Nasiry, Nahida Taha, and Shatha Kathim AL-Saadi. "Cognitive Poetics and Teaching Poetry." Journal of Tikrit University for Humanities 27, no. 9 (2020): 1–14. http://dx.doi.org/10.25130/jtuh.27.9.2020.24.

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Cognitive poetics is a brand-new field which comes into existence since the mid-seventies. The aim of the study is to theoretically explicate the relationship between cognitive poetics and literary genres.This study highlights the prominent ideas that cognitive poetics assists in teaching any literary genre especially, poetry. These ideas are exploiting metaphor in discussing aesthetically and cognitively any literary genre like poetry.The selected poem entitled Little Jonny‟s Confession by the British Liverpool poet Brian Patten is explained and discussed briefly to show the effect of cogniti

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Rohrbach, Emily. "Keats’s Vanishing Books." Romanticism 28, no. 2 (2022): 165–74. http://dx.doi.org/10.3366/rom.2022.0552.

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Keats’s poems written in the years leading up to his annus mirabilis, 1819, frequently feature books, but those references and images vanish from his poetic production in 1819 and the subsequent publication of that verse in his 1820 volume. This essay attempts to account for that shift in his poetics by exploring Keats’s relation to his friend and mentor Leigh Hunt, proposing that this poetic shift attends Keats’s political departure from Hunt’s privatised, metropolitan imagination in favour of a more public and egalitarian poetics of dispossession.

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Davis, Megan. "Exiled Poetics." Art/Research International: A Transdisciplinary Journal 7, no. 2 (2022): 351–68. http://dx.doi.org/10.18432/ari29676.

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Taking up the writings of Louise Glück and Mahmoud Darwish, this essay (re)searches the place and potential of a transnational, Edenic imagination as a vision of belonging amidst the alienation of modern life. Where a transnational poetics rejects ossified borders and boundaries, seeking porosity and imaginative possibilities that work across, around, through, and in-between, an Edenic imagination embraces a consciousness that simultaneously holds holy memory alongside longing for transcendence; so too do these ways of reading and seeing refract in the art-making I attempt as I seek the invisi

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Pizza, Joseph. ""At once intimate and impossibly distant": The Blues Poetics of Lorenzo Thomas and Harryette Mullen." African American Review 57, no. 2 (2024): 155–73. https://doi.org/10.1353/afa.2024.a947711.

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Abstract: This essay explores blues-based poetics in the work of Lorenzo Thomas and Harryette Mullen. Drawing on the rich tradition of African American music, these poets developed important adaptations of blues concepts as both an extension of and challenge to debates surrounding postmodern poetics. For Thomas, this involved transplanting key elements of Black Arts poetics to the cultural traditions of African American communities in the South. Meanwhile, for Mullen, the approach has allowed her to counter the gendered stereotypes inherent in much of the blues, and Western poetic, traditions,

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Hart, Jonathan Locke, and Ming Xie. "World Poetics and Comparative Poetics." University of Toronto Quarterly 88, no. 2 (2019): 91–100. http://dx.doi.org/10.3138/utq.88.2.01.

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Kemal, Salim. "ARABIC POETICS AND ARISTOTLE'S POETICS." British Journal of Aesthetics 26, no. 2 (1986): 112–23. http://dx.doi.org/10.1093/bjaesthetics/26.2.112.

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Danylenko, Iryna. "TARAS SHEVCHENKO'S PERSON IN LINA KOSTENKO'S PERCEPTION: FROM POETICS TO WORLD VIEW." Shevchenko Studies, no. 1 (27) (2024): 132–54. https://doi.org/10.17721/2410-4094.2024.1(27).1/132-154.

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I n t r o d u c t i o n . Despite the fact that Lina Kostenko's poetic Shevchenkiana has already attracted the attention of scientists, today it is not described fully enough: firstly, because not all of Kostenko's poems about Taras Shevchenko were taken into account, and secondly, because the poetics of these works (especially their verse specificity) were studied episodically. The purpose of the article. 1) to reveal the peculiarities of the poetic reception of Shevchenko's person in the lyrics of L. Kostenko, taking into account the poetics of her Shevchenkiana motivated by the artistic ide

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Ogle. "Poetic “being-with”: A Case for Relational Poetics." Interdisciplinary Literary Studies 23, no. 1 (2021): 69. http://dx.doi.org/10.5325/intelitestud.23.1.0069.

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Shvets, Alla. "FRANKO’S POETIC CYCLE “MOURNING SONGS”: ASPECTS OF POETICS." Слово і Час, no. 5 (October 11, 2021): 3–21. http://dx.doi.org/10.33608/0236-1477.2021.05.3-21.

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Franko’s poetic cycle “Mourning Songs” became the third in his collection “From the Heights and Lowlands” (1893), however, this cycle was not included in the first edition of the collection in 1887. Nine lyrical poems of the cycle “Mourning Songs” mainly belong to the genre of reflective-meditative lyrics, in which the author (lyrical subject) reflects on social structure, ontological and existential problems. The articulation of the mental state of the lyrical hero, his inner suffering, loneliness, social vacuum, feeling of being unwanted in the world are important motives here. Franko

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Chang, Tsung Chi. "Unsettling Irish poetic tradition: Eavan Boland’s feminist poetics." Neohelicon 43, no. 2 (2016): 591–601. http://dx.doi.org/10.1007/s11059-016-0345-x.

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S.V., Zhilyakov. "POETICS OF POETIC "MEMORIES": THE MAIN GENRE ATTRIBUTES." Philologos 56, no. 1 (2023): 47–55. http://dx.doi.org/10.24888/2079-2638-2023-56-1-47-55.

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Reysner, Marina L. "Beauty in the Mirror of Poetics [Book review:] N.Yu. Chalisova. Of Persian Beauty. The Lovers’ Companion by Šaraf ad-Dīn Rāmī. Analysis, translation from Persian, commentary, indices, and appendix. Moscow: Higher School of Economics Publishing House; 2021. 430 с." Orientalistica 5, № 1 (2022): 147–56. http://dx.doi.org/10.31696/2618-7043-2022-5-1-147-156.

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The book under review is written by the renowned specialist in Iranian studies, the distinguished Russian scholar Natalia Yurievna Chalisova. She is known as the translator of the most significant and authoritative medieval Iranian treatises on poetics written in Classic Persian. The present book comprises a commented edition and translation of the poetical treatise by Sharaf ad-Din Rami under the title “Interlocutor of Lovers”, compiled in the 14th century. This is a unique work, which combines the features of the ‘ilm al-badi‘ (adornments of poetic speech) with the list of poetical hints and

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Младеновић, Јелена. "НЕОЛОГИЗАМ „ОНОЦВЕТНО” У АРИЉСКОМ АНЂЕЛУ БРАНКА МИЉКОВИЋА". PHILOLOGIA MEDIANA 14, № 1 (2022): 35–44. http://dx.doi.org/10.46630/phm.14.2022.02.

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“The Angel of Arilje”, a poem from Branko Miljković’s volume of poems Fire and Nothing (1960), is the poet’s another expression of transforming the metaphysical into poetical. All the significant questions in Miljković’s poetics, furthermore, in neosymbolist poetics are mirrored in it: the relation between poetry and reality, erasing of subject (oblivion), and the nature of poem. Within the image of an angel (a fresco and poetic imagery), Miljković has discovered the desired balance between the material and the spiritual. The relation between the realities of the former and the latter side of

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Merilai, Arne. "Poetics is in the Genes. A Manifesto." Interlitteraria 27, no. 2 (2022): 318–29. http://dx.doi.org/10.12697/il.2022.27.2.15.

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The manifesto “Poetics is in the Genes” reveals the commonality between poetics and genetics for the first time. Outside of cellular biology attempts have been made in both (text)linguistics and semiotics to describe the genome and its interactions as similar to language. However, the approach of this interpretation relies particularly on the poetic function of language and its underlying self-referentiality as the starting point. Poetic relevance reveals itself explicitly in its relationship to the cutting-edge concept of CRISPR (Clustered Regularly Interspaced Short Palindromic Repeats), whi

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Moskvichova, Oksana. "Poetical Text as the Specific Way of the Reflection of Reality." Studia Linguistica, no. 13 (2018): 215–27. http://dx.doi.org/10.17721/studling2018.13.215-227.

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The article is dedicated to the embodiment of reality in the poetic model of the world of the British poetry by means of the linguistic and poetic analysis of tropes as the way to actualize cognitive processes in the formation of the world model. By means of linguistic, poetic and cognitive analysis the cognitive aspect of the poetry of the British romantic, modern and post-modern periods is investigated. From the position of cognitive linguistics and cognitive poetics poetry is analyzed as the embodiment in the poetical works the result of cognition of a poet and his interpretation of reality

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Sharp, Zachary Daniel. "“Fitter to Please the Court Than the School”: Courtly and Paideutic Rhetoric in Elizabethan Poetics." Rhetorica 38, no. 1 (2020): 57–83. http://dx.doi.org/10.1525/rh.2020.38.1.57.

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This paper argues that Elizabethan handbooks on poetics enact two coevolving traditions in the history of rhetoric and poetics: one sees poetry as a rhetorical art of stylistic invention, while the other sees it as an object of study, analysis, and ethical training. To show this, I examine George Puttenham's Art of English Poesy and contrast it with William Scott's recently discovered Model of Poesy. Puttenham demonstrates how poetic style works as a tool of rhetorical invention; Scott, on the other hand, treats poetics as a method of literary critical analysis. Scott's poetics, I argue, is de

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Sharifi, Ahmad, and Mohammad Reza Hashemi. "A study of poetics in Coleman Barks’ translations of Rumi." FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 18, no. 2 (2020): 127–49. http://dx.doi.org/10.1075/forum.20004.has.

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Abstract Coleman Barks’ translations of Rumi’s works are astonishingly popular, especially among the American public. The study presented here deals particularly with the role of poetics in shaping the image and reception of Rumi’s works in the target language and culture. Thus, it describes and analyses Barks’ approach/strategies in rendering the poetic elements of Rumi’s poems, and examines Barks’ translation poetics in the context of the dominant poetics in the target literature. The corpus of the study is delimited to Barks’ renditions of the poems of the first book of the Masnavi included

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Shaytanov, Igor. "Comparative/Historical Poetics in an Age of Cultural Studies." Style 57, no. 1 (2023): 1–10. http://dx.doi.org/10.5325/style.57.1.0001.

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ABSTRACT “Comparative poetics” does not belong to the set of established terms. It was introduced by Earl Miner (1990) and might have heralded an ambitious project if not immediately undermined by the subtitle “An Intercultural Essay on Theories of Literature.” It did not take long to find that poetics did not easily agree with cultural studies as they were proposed. The word, reduced to a sign and viewed as a function, was cut off from its poetic significance. In search for a new poetics, a special interest has been recently demonstrated toward “historical poetics” only vaguely heard of befor

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Shidmehr, Nilofar. "Poetic Inquiry and Its Lyrical Potential for Research." in education 20, no. 2 (2014): 12–20. http://dx.doi.org/10.37119/ojs2014.v20i2.180.

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Including both discursive and lyrical inquiry as complementary sides of research and education, educational poetics is a way of re-imagining education that creates greater critical awareness of and ethical responsibility for our learning processes and inspires learners to employ their human potential for imagination and critical thinking to revise and remake "common sense."Keywords: education; educational poetics; pedagogy; poetic inquiry; the lyrical

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Humeniuk, Viktor I. "Figurative World of Poem by Taras Shevchenko “A Meditation (Water Is Flowing to the Blue Sea…)” and the Peculiarities of its Recreation in Crimean Tatar Translation." Studia Litterarum 7, no. 3 (2022): 280–97. http://dx.doi.org/10.22455/2500-4247-2022-7-3-280-297.

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Crimean Tatar translations of Taras Shevchenko’s poetic compositions are most perfectly represented in Simferopol publications as “Saylama sheerler” [“The elected Works”] (1940) and “Far and Near – Uzaq ve yaqyn – Shevchenko” (1999). A substantial contribution to this sphere was done particularly by such modern poets as Isa Abduraman, Yunus Kandym, Shakir Selim. Ablyaziz Veliyey is also among them, being the author of the poetical interpretations of such Shevchenko’s lyrics as “Don’t marry the rich one,” “Mother Gave Birth to Me” and also “A meditation (Water Is Flowing to the Blue Sea…).” The

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Nykyforuk, Tetyana, та Valeriyа Andriyets. "Literary reception of poetics of Sydir Vorobkevych’s poetic works in О. Makovei's literary and critical works". Current issues of social sciences and history of medicine, № 3 (31) (7 березня 2022): 49–51. http://dx.doi.org/10.24061/2411-6181.3.2021.292.

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This study is aimed to consider and systematize the literary and critical works of O. Makovei, to analyze the scientist’s thoughts about the poetics of S. Vorobkevych’s poetic works in terms of generics, metalogy, poetic syntax, phonics, versification, to outline the significance, value and objectivity of O. Makovei’s research. Research methods: analysis, synthesis, comparative and historical, comparative, descriptive, method of receptive poetics, biographical. Scientific novelty of the research. For the first time in Ukrainian literary criticism, the poetics of S. Vorobkevych's poetic works w

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Locke Hart, Jonathan. "The Culture of Poetics and the Poetics of Culture of Marshall McLuhan – Toronto and Canada, Text and Context." University of Toronto Quarterly 91, no. 4 (2022): 74–99. http://dx.doi.org/10.3138/utq.91.4.04.

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This article discusses Marshall McLuhan’s idea of Canada and his work on poetry, poetics, humanities, and related subjects. McLuhan’s sense of poetry, poetics, technology, culture, and nature depends in part upon his view of Canada. He sees the connections between the United States and Canada while also admitting some distinctions. Britain, France, Canada, and the United States are interrelated in the forging of boundaries and identities. The article assumes that McLuhan’s contribution to the long-time debate on Canadian identity is thoughtful, poetic, far-reaching, and deserving of detailed a

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Tahmasebian, Kayvan, and Rebecca Ruth Gould. "The Translational Horizons of Iranian Modernism: Ahmad Shamlu’s Canon of the Global South." Twentieth-Century Literature 68, no. 1 (2022): 25–52. http://dx.doi.org/10.1215/0041462x-9668884.

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This article explores how the Iranian poet and translator Ahmad Shamlu (1925–2000) reconceives the configuration of world poetics. Working at the intersection of global modernism and translation studies, it traces the formation of a Persian modernist poetics of solidarity on the basis of translations from so-called third-world literatures and explores how Shamlu’s political aesthetic traverses national borders to embrace ignored and marginalized poetic traditions. Rather than relying on French and other European modernisms to reinvigorate his national literature, Shamlu made available to his I

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Al-Rayes, Hamad. "A Speculative Poetics of Tammuz: Myth, Sentiment, and Modernism in Twentieth Century Arabic Poetry." Labyrinth 22, no. 2 (2021): 156. http://dx.doi.org/10.25180/lj.v22i2.243.

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In this paper, I attempt to read the poetic principle behind the Tammuzi movement of modern Arabic poetry through the lens of speculative poetics. While speculative-poetic accounts of modern poetry, such as those provided by Allen Grossman, blazed new paths connecting poetry to personhood in modernity, their application to the development of modern poetry outside of Europe remains limited by their self-avowed focus on European history. This paper will outline a critical corrective to speculative poetics which, I argue, can be of value in extending its domain of application to Arabic projects o

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Moll, François. "Dissolution du sujet et specularite minerale dans la poetique de Roger Caillois." Studia Universitatis Babeș-Bolyai Philologia 67, no. 3 (2022): 287–302. http://dx.doi.org/10.24193/subbphilo.2022.3.28.

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"Dissolution of the Subject and Mineral Specularity in the Poetics of Roger Caillois. Heir to analogical thought – which is a scientific, philosophical and poetic thought of nature – Roger Caillois develops a demanding poetic ethics. Postulating, in his critical and poetic work, the necessary dissolution of the subject, Caillois only seeks to strengthen his presence, to ward off his fear of indistinction and to ensure, ultimately, his own scriptural legitimacy. In doing so, he chooses stone, which he opposes to the indecent volubility of the plant, as a literary model of sustainability, as the

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Al-Rayes, Hamad. "A Speculative Poetics of Tammuz: Myth, Sentiment, and Modernism in Twentieth Century Arabic Poetry." Labyrinth 22, no. 2 (2020): 156–76. http://dx.doi.org/10.25180/lj.v22i2.250.

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In this paper, I attempt to read the poetic principle behind the Tammuzi movement of modern Arabic poetry through the lens of speculative poetics. While speculative-poetic accounts of modern poetry, such as those provided by Allen Grossman, blazed new paths connecting poetry to personhood in modernity, their application to the development of modern poetry outside of Europe remains limited by their self-avowed focus on European history. This paper will outline a critical corrective to speculative poetics which, I argue, can be of value in extending its domain of application to Arabic projects o

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Martin, Richard P. "Hesiod's Metanastic Poetics." Ramus 21, no. 1 (1992): 11–33. http://dx.doi.org/10.1017/s0048671x00002654.

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The received wisdom about Hesiod's poetics is simple: he is no Homer. His poetry is supposedly rough, awkward, unsophisticated, repetitive, disjointed, a second-best versifier's striving after effect. Too often the rhetoric even of those who respect Hesiodic poetry damns it with faint praise. Readers of the Princeton Encyclopedia of Poetry and Poetics—to take just one easily available reference that students might consult—learn that Hesiod's ‘didactic epics’ were meant forthe peasant of Boeotia rather than the Ionian aristocrat, being concerned with the morality and beliefs of the small farmer

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