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Thematische Bibliographien / Poetry Wales / Dissertationen

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Dissertationen zum Thema „Poetry Wales“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Schoales, Elizabeth. "Praise and propaganda : prophetic poetry in Wales." Thesis, University of Wales Trinity Saint David, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683199.

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2

Smith, Kieron. "John Ormond and the BBC Wales Film Unit : poetry, documentary, nation." Thesis, Swansea University, 2014. https://cronfa.swan.ac.uk/Record/cronfa42379.

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This thesis is a detailed examination of the films of Swansea-born poet and BBC Wales documentary filmmaker John Ormond. It examines the uses of the documentary form within the context of a broadcasting institution that many have argued has been one of the central agents in the political and cultural development of this small nation. Given that the thesis is concerned with the work a decidedly creative figure, it seeks throughout to keep in focus Ormond's unique contribution to the documentary form. It begins with an interpretation of Ormond's broad cultural and philosophical framework as embo

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3

Messem, Catherine. "'Angers, fantasies and ghostly fears' : nineteenth century women from Wales and English-language poetry." Thesis, Aberystwyth University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364769.

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4

Huw, Maredudd ap. "A critical examination of Welsh poetry relating to the native saints of North Wales (c. 1350-1670)." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391018.

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5

Evans, Donald. "Egwyddorion beirniadol awdl yr eisteddfod genedlaethol 1950-1999." Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683334.

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6

Dadswell, Richard David. "'England's Islands three': regional variations in the poetry of Chartism from the South Midlands, London, Scotland and Wales." Thesis, University of Buckingham, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.645207.

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7

Anderson, Crystal Lee. "The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html.

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This doctoral thesis involves two components, a book length collection of poems and a critical study of ‘Herbert White’ and ‘Ellen West’ by Frank Bidart. The collection of poems, The Coagulate, consists of four parts: 1) Semi-personal poems focusing on nature both in a general sense and in specific reference to the natural British landscape. 2) Poems that explore the nature-based myths and contemporary social idiosyncrasies of Japan.3) Poems that explore the social perception of mental illness and the individual voices that exist in spite psychological classification.4) Poems by an alter-ego a

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8

Cooley, Shevaun. "Homing : poetry ; &, An essay on the poetic leap in the late work of R.S. Thomas." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/850.

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Homing, as a collection, speaks to the capacity and yearning to navigate our way towards something we might call home. In animal behaviour, this seems like an instinct, hard-wired to the body. It is something I envy. By comparison, the instinct, in human behaviour, feels muffled and complicated. These poems move between two places in which I feel ‘at home’, whatever that means: the south-west of Western Australia, where I was born and raised, and the north-west of Wales, where I lived for a time, and find myself returning to, drawn not by blood, but by longing, and a deep affinity for the land

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9

El-Darwish, Leia. "Four Walls." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3870.

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10

Jenkins, Manon Bonner. "Aspects of the Welsh prophetic verse tradition in the Middle Ages : incorporating textual studies of poetry from 'Llyfr Coch Hergest' (Oxford, Jesus College, MS cxi) and 'Y Cwta Cyfarwydd' (Aberystwyth, National Library of Wales, MS Peniarth 50)." Thesis, University of Cambridge, 1990. https://www.repository.cam.ac.uk/handle/1810/283669.

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Much of the corpus of medieval Welsh prophetic poetry, comprising as it does diverse and complicated strands of political, mystical, religious, and legendary material, has not previously been systematically studied, or even printed. The introductory chapter of this thesis makes a preliminary exploration of the historical context of the prophecies, the nature of their propagators and audiences, and also the influences prevalent on the authors, be these intellectual and literary influences, or sub-conscious and psychological influences which fall into the realm of anthropology. There follow edit

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11

Kawalit, Alia'. "Across the walls (poetry collection) ; Home, alienation and re-homing in four migrant poets in London (dissertation)." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/49231/.

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This thesis investigates contemporary poetry of migrants and expatriates in the United Kingdom. The thesis starts with a collection of my poems that emerges as a correspondence to changing locations from Jordan, my homeland, to England, the host land. The second part is a dissertation that studies the work of four poets: Merle Collins and her Rotten Pomerack (1992); Amjad Nasser and Shepherd of Solitude (2009); Fathieh Saudi and Daughter of the Thames (2009); Sofia Buchuck and Orange Nights in Autumn (2008). The approach taken in this dissertation is through giving special attention to politic

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12

Dunlop, Lynn M. "Cities without walls : the politics of melancholy from Machaut to Lydgate." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389426.

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13

Schwartz, Alexandra T. "Warming Up in Waves." Cleveland State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=csu1556914327871456.

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14

Marshall, Bradley. "Hearing Through Walls." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etd/3391.

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The photographer discusses work in “Hearing Through Walls”, a Masters of Fine Arts thesis exhibit held at downtown Tipton Gallery from February 19th through March 2nd, 2018. The exhibition consists of 15 archival inkjet prints and one two-channel video piece, representing the artists three-year exploration into narrative forms in image making. Using non-traditional approaches to photographic portraiture and experimental exhibition layout, the artist forms questions around themes of domesticity, lost youth, and American masculinity. Among these themes is an investigation into photographic issue

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15

Pech, David. "“An Unfinished Phrase”: Philosophy of life and language in Virginia Woolf’s The Waves." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/27494.

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Virginia Woolf’s novel, The Waves, is an expression and exploration of an authorial and philosophical crisis. The crisis is authorial, in that Woolf expresses deep uncertainty about the relation of the act and product of writing to life, and the crisis is philosophical, in that Woolf grapples with problems that are epistemological, ontological, aesthetic, and linguistic. Woolf’s authorial and philosophical crisis can be understood as part of the broader crisis of modernity. I argue that the crisis of modernity can be read as a crisis of “imaginaries,” and that the project of Woolf and the Mode

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16

Bonet, Cruz Marisabel P. "Piedra entre olas = Rocks amidst waves." Honors in the Major Thesis, University of Central Florida, 2000. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/186.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>English

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17

Lee, Eunji (Jubee). "After the big wind stops I see gentle waves." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5367.

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This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have bee

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18

Hale, David. "Death and commemoration in late medieval Wales." Thesis, University of South Wales, 2018. https://pure.southwales.ac.uk/en/studentthesis/death-and-commemoration-in-late-medieval-wales(7d14b42e-a69b-4968-9398-aad3b96748e0).html.

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This study examines the attitudes to, and commemoration of, death in Wales in the period between the end of the thirteenth century and the middle of the sixteenth century by analysis of the poetical work produced during this period. In so doing, this is placed in the wider context of death and commemoration in Europe. Although there are a number of memorial tombs and some evidence of religious visual art in Wales which has survived from the late medieval period, in comparison with that to be found in many other European countries, this is often neither so commonplace nor so imposing. However,

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19

Miner, Lauren. "The “Man Walks Outside Time Now”: Verbal Representations of Photographic Images in the Poems of Larry Levis." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/402.

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The poet Larry Levis often employed ekphrasis as an elegiac device—particularly with his verbal descriptions of photographic images—to explore human suffering and reconcile feelings of loss. Through the ekphrastic mode, Levis could juxtapose otherwise disparate images, manipulating their temporal and spatial relationships, to achieve what he conceived an authentic portrait of the human experience. The poet, through his verbal descriptions of photographic images, does not try to evade the pain or joy of being human; instead, he confronts his grief directly and, in so doing, transcends that suff

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20

Wyatt, Helen. "WEARING THE MARKS OF PLACE: Wearable Objects as Vehicles for a Poetic Exploration of Edges, Walls and Fences." Thesis, Griffith University, 2019. http://hdl.handle.net/10072/386232.

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Places undergoing transition where the built environment, changing economic value, and uncontrolled nature intersect are often rich in decay and growth. Predominantly fallow, ignored or discarded sites, they are contested locations. Edges, walls and fences in such places (with their associated openings and closed-off paths) are expressions of the marginal and are true ‘edgelands’. These places embody histories, and stories are implied when one takes an archaeologist’s eye to their details and traces. The ideas, marks, qualities, and relationships discovered in these locations are the subject m

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21

López, Peña Laura. "Beyond the Walls-Potentiality Aborted. The Politics of Intersubjective Universalism in Herman Melville’s Clarel." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/128332.

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This dissertation argues that Herman Melville’s Clarel: A Poem and Pilgrimage in the Holy Land (1876) is a universalist poem which analyzes the necessity, political potentiality, and challenges of intersubjectivity to the creation of more democratic human relationships beyond the walls of individualism and of traditional communities such as those organized around the notions of nation-state, ‘race’, culture, religious affiliation, or sexual identities. My argument is that, in Clarel, Melville conceives what I have termed ‘intersubjective universalism’ as an ethicopolitical process subjected to

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22

Cain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.

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This paper presents the lives and early feminist works of two modernist era poets, Laura Riding Jackson and Muriel Rukeyser. Despite differences of style, the two poets shared a common theme of essentialist feminism before its popularization by 1950s and 60s second wave feminists. The two poets also endured periods of poetic silence or self censorship which can be attributed to modernism, McCarthyism, and rising conservatism. Analysis of their poems helps to remedy their exclusion from the common canon.

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23

Hall, William L. "The In Pulse." Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1225066283.

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24

Gonçalves, Diego Antonio Falceta. ""Plasmas empoeirados: ventos estelares e o meio interestelar"." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/14/14131/tde-10082006-193654/.

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Neste trabalho primeiramente estudamos os efeitos na propagação de ondas de Alfvén em plasmas empoeirados encontrados em inúmeros ambientes astrofísicos. A relação de dispersão da onda é modificada apresentando novos mecanismos de amortecimento. Há na literatura dados observacionais que indicam a existência de condições para crescimento de partículas de poeira na base da atmosfera de estrelas gigantes e supergigantes frias. Construímos um modelo de perda de massa para essas estrelas no qual mostramos que um fluxo de ondas de Alfvén, amortecido pela presença de poeira, pode contribuir para a ge

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25

Thomas, Owen. "Ailddarlleniadau o waith Dafydd ap Gwilym /." 2008. http://ora.ouls.ox.ac.uk/objects/uuid:01243099-54e4-4298-b804ddb28d83aed2.

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26

Lin, Li-Min, and 林立民. "Desire walks into poetry: Self-interpretations of Lin, Li-Min's Ceramic Creations." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/6vz74u.

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碩士<br>國立臺灣藝術大學<br>工藝設計學系<br>103<br>Living reveals existence, however, I would like to pursue and understand the purpose of existence. To understand existence, the source from which existence manifests itself must be explored. Human feels existence because of behavior, which originates from desire that lurks in the heart of human. Existence and desire are actually two sides of one coin, and are the cause and effect of each other. Although a person exists continuously, existence can be felt only after the occurrence of behavior, which is driven by desire. Thus, existence and desire happen upon e

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27

Post, Andy. "Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801)." 2014. http://hdl.handle.net/10222/50412.

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In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthu

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