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Thematische Bibliographien / Poetry Wales / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Poetry Wales“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Martindale, Kym. "Poetry, Geography, Gender: Women Rewriting Contemporary Wales." Contemporary Women's Writing 9, no. 2 (2014): 302–3. http://dx.doi.org/10.1093/cww/vpu024.

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2

Shipilova, Natalia Vitalyevna. "Returning to Wales: Lynette Roberts’s poetry in the 1940s." Philology. Issues of Theory and Practice 17, no. 1 (2024): 6–11. http://dx.doi.org/10.30853/phil20240001.

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The paper examines the poetry of Lynette Roberts (1909-1995), one of the most significant but little-studied authors of the late modernism era. A native of Argentina and Welsh by birth, in the 1940s, Roberts carried out a creative experiment, trying to reconstruct the Welsh heritage in her lyrical poetry based not only on traditional myth, but also on direct personal experience. This project resulted in the 1944 collection “Poems” analyzed in the paper. The aim of the research is to determine the specifics of Roberts’s 1940s poetry in the context of the poet’s search for her national identity.

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Pryce, Mark. "Women, identity and religion in wales: theology, poetry, story." Practical Theology 11, no. 5 (2018): 492–93. http://dx.doi.org/10.1080/1756073x.2018.1537572.

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4

Griffiths, Leslie. "‘As Kingfishers Catch Fire.’ The 2024 Hopkins Lecture at the University of Roehampton." Journal of Religious History, Literature and Culture 11, no. 1 (2025): 57–67. https://doi.org/10.16922/jrhlc.11.1.4.

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This article is the text of the 2024 Hopkins Lecture given at Southlands College, University of Roehampton. It adopts an experimental narrative form that connects Gerard Manley Hopkins’s life with his poetry. It also engages with those contemporary influences which inspired and shaped Hopkins’s poetry. It moves between an examination of the style and the religious substance of Hopkins’s life and poetry. Touching on Hopkins’s adoption of Wales, it concludes with his work as a source of inspiration for the author’s own life and work as a Methodist minister.

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Firchow, Peter, and David L. Lloyd. "The Urgency of Identity: Contemporary English-Language Poetry from Wales." World Literature Today 69, no. 3 (1995): 591. http://dx.doi.org/10.2307/40151473.

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6

Bureu, Nela. "The poetry of Judith Wright: Inventing Australia, Inventing the Self." Miscelánea: A Journal of English and American Studies 16 (December 31, 1995): 65–80. https://doi.org/10.26754/ojs_misc/mj.199511677.

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The poetry of Judith Arundel Wright, a contemporary Australian artist born in Armidale, New South Wales in 1915, offers us an interesting poetic reading of Australia's past and a deep meditation on the meaning and value of life.

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Breeze, Andrew. "Kathryn Hurlock, Medieval Welsh Pilgrimage c. 1100–1500. Basingstoke: Palgrave Macmillan, 2018, xvi, 262 pp." Mediaevistik 32, no. 1 (2020): 292–94. http://dx.doi.org/10.3726/med.2019.01.33.

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Pilgrimage in and beyond Wales is the concern of this New Middle Ages study. Well-written and with an attractive subject, it is a first-class addition to the series. It deals with the pious men and women who made their way to Bardsey out in the Irish Sea or St Davids on the Atlantic coast or Holywell in north-east Wales, while others were journeying to Santiago de Compostela or Rome or even Jerusalem, as shown by Welsh poetry and the like.

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Williams, Mark. "Astrological Poetry in late medieval Wales: the case of Dafydd Nanmor’s ‘To God and the planet Saturn’." Culture and Cosmos 12, no. 02 (2008): 3–22. http://dx.doi.org/10.46472/cc.0212.0203.

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This paper examines the major astrological poem which survives from late medieval Wales, Dafydd Nanmor’s ‘Cywydd to God and the planet Saturn’. A close reading of the poem suggests that actual horoscopes, rather than just a vague knowledge of astrology, were accessible in Wales at the end of the Middle Ages. As a result, Dafydd Nanmor’s poem can now be dated to September 1479. This is set in the context of the sociology of English astrology at the end of the Middle Ages; by the middle of the 15th century, astrology was percolating down from the court an universities into the cultural life of t

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Alghanem, Alanoud Abdulaziz Alghanem. "Predicting Future Events in Poetry." International Journal of Language and Literary Studies 6, no. 4 (2024): 398–407. https://doi.org/10.36892/ijlls.v6i4.1907.

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Few research studies on poetical works unintentionally revealed prophetic qualities, in contrast to many novels that have foreseen future events. The goal of this study, therefore, is to investigate two poems as representative examples of prophetic poetry: predictive aspects can be traced in the poem “My Last Duchess” by the Victorian poet Robert Browning, which parallels the story of Diana, Princess of Wales. Similar connections can also be seen between “September 1, 1939” by the modern British-American poet W. H. Auden and the events of the terrorist attack of 11 September 2001. Through text

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Olson, Katharine K. "‘Y Ganrif Fawr’? Piety, Literature and Patronage in Fifteenth- and Sixteenth-Century Wales." Studies in Church History 48 (2012): 107–23. http://dx.doi.org/10.1017/s0424208400001261.

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This essay offers a reconsideration of the idea of ‘The Great Century’ of Welsh literature (1435–1535) and related assumptions of periodization for understanding the development of lay piety and literature in fifteenth- and sixteenth-century Wales. It focuses on the origins of these ideas in (and their debt to) modern Welsh nationalist and Protestant and Catholic confessional thought, and their significance for the interpretation of Welsh literature and history. In addition, it questions their accuracy and usefulness in the light of contemporary patterns of manuscript production, patronage and

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Constantine, Mary-Ann, and Rhys Kaminski-Jones. ""Excuse the Spelling Which is Probably Wrong": Wordsworth and Tourism's Welsh Languages." Studies in Romanticism 63, no. 2 (2024): 117–41. http://dx.doi.org/10.1353/srm.2024.a931778.

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Abstract: This essay places poetry from Wordsworth's Welsh tours within the wider context of Romantic tourism's encounter with the Welsh language. Welsh played a key part in Romantic-period tour literature: anxiety and prejudice were characteristic of this contact zone, but it also inspired supra-linguistic communion and a co-created 'tourist Welsh.' Similar themes abound in Wordsworth's poetry, from the sentimental communication of "Simon Lee," to the topographical lacunae and ersatz-Welsh experiments of later Welsh-set sonnets. Wordsworth's 'Welsh' was sometimes a hindrance, an annoyance, or

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Breeze, Andrew. "Place-Names in Three Prophecies from the «Book of Taliesin»." Memoria y Civilización 24 (December 14, 2021): 341–57. http://dx.doi.org/10.15581/001.24.024.

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The Book of Taliesin (now at the National Library of Wales, Aberystwyth) is a fourteenth-century manuscript of Welsh poetry, with some of its material going back to the late sixth century. But it includes poems of later date. Amongst them are three political prophecies: 'Taliesin's Verdant Song'; 'The Contention of Gwynedd and Deheubarth'; 'A Short Poem About Lludd's Discussion'. The first two are of the tenth century, the last of the eleventh. What follows deals with place-names in each. The first can be shown to allude to the English victory over Vikings and Scots at Brunanburh, near Durham,

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Philippovsky, German Y. "N. A. Nekrasov and the English pre-Romanticists (to the origins of the poetic motif of Night)." Verhnevolzhski Philological Bulletin 2, no. 25 (2021): 8–18. http://dx.doi.org/10.20323/2499-9679-2021-2-25-8-18.

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The paper investigates the literary roots of «night-motifs» in N. Nekrasov`s epic «Who is Happy in Russia?» and his «night» poems «Knight for an Hour» and «Railroad» down to English poetry of XVII–XVIII cc.: metaphysical poetry by H. Vaughan (XVII c.) and greater didactic poem by E. Young (XVIII c.). Both mythological and lyrical «night» motifs of H. Vaughan`s poetry owed to ancient folk traditions of the poet`s Motherland – Wales, with its archaic Celtic language, rituals and sacred festivals (such as Samhein). E. Young`s poem «Complaint or night thoughts on life, death and immortality» (1743

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Hopwood, Llewelyn. "Creative Bilingualism in Late-Medieval Welsh Poetry." Studia Celtica 55, no. 1 (2021): 97–120. http://dx.doi.org/10.16922/sc.55.5.

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This article considers why bilingual poets from medieval Wales exploited their various languages as avenues of creativity. It discusses five poems from the fifteenth and sixteenth centuries that synthesize Welsh and either English or Latin to varying degrees. The article untangles the conscious and often complex linguistic integration, using the term 'extralinguistic bilingualism' to do so with two exclusively English poems that nonetheless use Welsh strict metre and 'orthography'. One of these is a series of once anonymous English englynion recently found to be the work of prolific poet Tudur

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Goethals, Helen. "Poetry and Punishment: The Unacknowledged Legislators of Botany Bay." Global Nineteenth-Century Studies 3, no. 1 (2024): 77–93. http://dx.doi.org/10.3828/gncs.2024.6.

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This paper explores the relationship between the poetic and the decidedly unpoetic forms of justice at large in the Australian convict colonies of New South Wales and Van Diemen’s Land in the first half of the nineteenth century. The argument is divided into three parts. The first draws on Robert Hughes’s The Fatal Shore (1986) to give the general context of the extreme violence of the penal system, and to suggest that the enduring success of Hughes’s account is due to its consistent use of poems and ballads as documentary sources. The second part shows how Hughes’s sweeping historical view is

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Salter, Leah Karen, and Kieran Vivien-Byrne. "Passing it on – oral traditions and future orientations in a learning community." Murmurations: Journal of Transformative Systemic Practice 7, no. 1 (2024): 84–97. http://dx.doi.org/10.28963/7.1.7.

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This paper is written in/as dialogue by two colleagues who have shared connections with (the plus fifty-year history of) The Family Institute, Wales, and the (newer) Centre for Systemic Studies (CSS). CSS, a Community Interest Company, now provides a home for The Family Institute since its separation from The University of South Wales in 2020. The authors offer reflections on the developments over time within and around this community of practice and their hopes for the future. The core themes are of teaching and learning as relational activity and Systemic practice as both situated within cul

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Breeze, Andrew. "The Germanic Hero Wade and Wat's Dyke, Wales." Language Culture Politics International Journal 1, no. 1/2023 (2023): 117–28. http://dx.doi.org/10.54515/lcp.2023.1.117-128.

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Wat's Dyke is an earthwork running along the border of England and Wales, like its western neighbour Offa's Dyke. But it is the shorter of the two, stretching a mere thirty-eight miles (62 kilometres) from the coast of the Dee Estuary to the environs of Old Oswestry, an Iron Age fortress in Shropshire, England. Although Wat's Dyke is now dated to the early ninth century (some decades later than Offa's Dyke), its name has remained obscure. A solution is yet possible. It can be related to the legendary Germanic hero Wade, who figures in Old and Middle English verse (including that of Chaucer), O

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18

Harper, Sally. "An Elizabethan Tune List from Lleweni Hall, North Wales." Royal Musical Association Research Chronicle 38 (2005): 45–98. http://dx.doi.org/10.1080/14723808.2005.10541009.

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A little-known list of some 80 Elizabethan tune titles, probably copied during the 1590s at Lleweni Hall, near Denbigh in north Wales, is preserved in the library archive of the University of Wales, Bangor: MS Gwyneddon 4, a composite volume of late medieval Welsh poetry (p. 130 / f. 71v; see Illustration 1 and Figure 1 for parallel transcription). The list has neither heading nor notation, and was apparently written out at speed in random order. It has received little attention to date, although a transcription was published by Ifor Williams in 1937, and John Ward noted concordances with some

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19

Birbalsingh, Frank. "History and the West Indian nation." New West Indian Guide / Nieuwe West-Indische Gids 72, no. 3-4 (1998): 283–89. http://dx.doi.org/10.1163/13822373-90002594.

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[First paragraph]The Art of Kamau Brathwaite. STEWART BROWN (ed.). Bridgend, Wales: Seren/Poetry Wales Press, 1995. 275 pp. (Cloth US$ 50.00, Paper US$ 22.95)Atlantic Passages: History, Community, and Language in the Fiction of Sam Selvon. MARK LOOKER. New York: Peter Lang, 1996. x + 243 pp. (Cloth n.p.)Caliban's Curse: George Lamming and the Revisioning of History. SUPRIYA NAIR. Ann Arbor: University of Michigan Press, 1996. viii + 171 pp. (Cloth US$ 34.50)Phyllis Shand Allfrey: A Caribbean Life. LlZABETH PARAVISINI-GEBERT. New Brunswick NJ: Rutgers University Press, 1996. xii + 335 pp. (Clot

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20

Ryan, John Charles. "Towards an Indigenous Hydropoetics: Human-River Interdependencies in Aboriginal Australian Poetry." Trumpeter 40, no. 1 (2024): 2–21. http://dx.doi.org/10.7202/1113553ar.

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This article delineates the idea of an Indigenous hydropoetics as an ancestral outlook on rivers grounded in Aboriginal cultural traditions of, and everyday interactions with, rivers. In particular, two features—embodiment and relationality—prove integral to conceptualising Indigenous hydropoetics in response to the hydrological precarities of the present. Recognising rivers' capacity for agency, the idea is developed in relation to contemporary Aboriginal Australian poetry narrating long-standing human interdependencies with rivers. The hydropoetic verse of Jack Davis, Samuel Wagan Watson, an

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21

Forward, Stephanie. "Angers, Fantasies and Ghostly Fears: Nineteenth-Century Women from Wales and English-Language Poetry by Catherine Brennan (review)." Modern Language Review 100, no. 3 (2005): 791–92. http://dx.doi.org/10.1353/mlr.2005.a826678.

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22

Rosser, Siwan. "Welsh Poetry of the French Revolution, 1789-1805. By Cathryn Charnell-White. Cardiff: University of Wales Press. 2012. xxi + 474 p. £24.99 (pb). ISBN 978-0-7083-2528-5.English-Language Poetry from Wales, 1789-1806. By Elizabeth Edwards. Cardiff: Universit." Journal for Eighteenth-Century Studies 38, no. 2 (2015): 312–13. http://dx.doi.org/10.1111/1754-0208.12240.

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Rosser, Siwan. "Welsh Poetry of the French Revolution, 1789-1805. By Cathryn Charnell-White. Cardiff: University of Wales Press. 2012. xxi + 474 p. £24.99 (pb). ISBN 978-0-7083-2528-5. English-Language Poetry from Wales, 1789-1806. By Elizabeth Edwards. Cardiff: Universi." Journal for Eighteenth-Century Studies 39, no. 3 (2016): 454–56. http://dx.doi.org/10.1111/1754-0208.12312.

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24

Taylor, Cheryl. "‘The Mighty Byronian Olympus’: Queensland, the Romantic Sublime and Archibald Meston." Queensland Review 11, no. 1 (2004): 1–16. http://dx.doi.org/10.1017/s1321816600003524.

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Archibald Meston (b. 1851) is remembered as the framer in Queensland of the 1897 Aboriginal Protection Act, legislation which he later helped to implement as Southern Protector. From 1870 until his death in 1924, he published hundreds of articles, stories, poems and letters in Queensland and New South Wales newspapers. While by no means distinguished as literature, this mass of material invites attention not only for its diverse discourses on Indigenous people, but also because it helped to shape the idea of Queensland held by residents and outsiders. The state's history, natural history and g

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Marchetti, Elena, and Debbie Bargallie. "Life as an Australian Aboriginal and Torres Strait Islander Male Prisoner: Poems of Grief, Trauma, Hope, and Resistance." Canadian Journal of Law and Society / Revue Canadienne Droit et Société 35, no. 3 (2020): 499–519. http://dx.doi.org/10.1017/cls.2020.25.

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AbstractFor Australia’s Aboriginal and Torres Strait Islander people, writing is predominantly about articulating their cultural belonging and identity. Published creative writing, which is a relatively new art form among Aboriginal and Torres Strait Islander prisoners, has not been used as an outlet to the same extent as other forms of art. This is, however, changing as more Aboriginal and Torres Strait Islander rappers and story-writers emerge, and as creative writing is used as a way to express Aboriginal and Torres Strait Islander empowerment and resistance against discriminatory and oppre

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Sams, Hannah. "Finding their Voices: The Young-Adult Poets of the Urdd National Eisteddfod." International Journal of Young Adult Literature 5, no. 1 (2024): 1–23. https://doi.org/10.24877/ijyal.138.

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Very little scholarly research has been undertaken on literary competitions for children and young people despite their potential in shaping and developing young writers, a process which is especially important in ensuring the vitality of minority languages. In the Welsh language, like other minority languages, published literature by young authors is often generated and celebrated through literary competitions. One such competition is the Chair competition held at the Urdd National Eisteddfod, a Welsh-language youth festival attracting around 100,000 visitors annually. The Chair competition i

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Burley, Mikel. "Reproaching the Divine: Poetic Theologies of Protest as a Resource for Expanding the Philosophy of Religion." Journal of the American Academy of Religion 89, no. 4 (2021): 1229–55. http://dx.doi.org/10.1093/jaarel/lfab101.

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Abstract Engaging with works of poetry is one effective, yet hitherto underdeveloped, means of diversifying the philosophy of religion beyond the standard preoccupations with narrow formulations of theism. This article explores and exemplifies this potential in relation to two major poetic figures, namely R. S. Thomas and Rāmprasād Sen. Despite their locations in very different religious contexts—Anglican Christianity in twentieth-century Wales, in the one case, and Hindu Goddess devotion in eighteenth-century Bengal, in the other—each of these poets voices sentiments that are redolent of a th

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Yandell, Stephen. "Dissonant Neighbours: Narrative Progress in Early Welsh and English Poetry. David Callander. Cardiff: University of Wales Press, 2019. Pp. xii+258." Modern Philology 117, no. 4 (2020): E225—E227. http://dx.doi.org/10.1086/708244.

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Poppe, Erich. "Michaela Jacques: Grammar and Poetry in Late Medieval and Early Modern Wales. The Transmission and Reception of the Welsh Bardic Grammars." Zeitschrift für celtische Philologie 71, no. 1 (2024): 333–38. https://doi.org/10.1515/zcph-2024-0010.

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Ombres, Robert. "David Jones: The Maker Unmade by Jonathan Miles and Derek Shiel, Seren, Poetry Wales Press Ltd. Bridgend, 1995. 328 pp. £29.95." New Blackfriars 77, no. 908 (1996): 475–76. http://dx.doi.org/10.1017/s002842890004854x.

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31

Classen, Albrecht. "The Works of Gwerful Mechain, ed. and trans. Katie Gramich. Peterborough, Ont.: Broadview Press, 2018, pp. 157." Mediaevistik 31, no. 1 (2018): 449. http://dx.doi.org/10.3726/med012018_449.

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Two desiderata in Medieval Studies continue to be rather troublesome because they have not been tackled effectively by many scholars. First, most of us are not familiar with medieval Welsh language and literature; second, we are still rather uncertain about the actual contribution by women to medieval poetry, for instance. But our Welsh colleagues have already determined for quite some time that the late medieval Gwerful Mechain was a powerful voice and offered many intriguing perspectives as a woman, addressing also sexuality in a rather shockingly open manner. She was the daughter of Hywel F

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Lydon, Jane. "Pity, Love or Justice? Seeing 1830s Australian Colonial Violence." Emotions: History, Culture, Society 1, no. 2 (2017): 109–30. http://dx.doi.org/10.1163/2208522x-00102007.

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During the 1830s, humanitarian concern for the plight of the British Empire’s Indigenous peoples reached its height, coinciding with colonists’ rapid encroachment upon Indigenous land in New South Wales. Increasing frontier violence culminated in the shocking Myall Creek Massacre of June 1838, prompting heated debates regarding the treatment of Australian Aboriginal people. Humanitarians and colonists deployed intensely emotive strategies seeking to direct compassion towards their very different objects via newspapers, the pulpit, prose, poetry and imagery. The landmark sermon delivered in lat

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Hanley, Natalia, and Elena Marchetti. "Dreaming Inside: An evaluation of a creative writing program for Aboriginal and Torres Strait Islander men in prison." Australian & New Zealand Journal of Criminology 53, no. 2 (2020): 285–302. http://dx.doi.org/10.1177/0004865820905894.

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Arts-based prison programs are often viewed as hobbies or as activities that have little impact on prisoner rehabilitation according to conventional understandings of the term. This is despite growing evidence that arts-based programs can assist with learning retention and can improve self-confidence and ways of coping with emotions. Generally, arts practices have been found to assist Aboriginal and Torres Strait Islander people who have grown up or live in urban areas with asserting and strengthening their cultural identity, but we know little about the effects of arts-based prison programs o

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Hardie, Philip. "Poetry Underpinning Power: Vergil’s “Aeneid”; The Epic for Emperor Augustus. By Hans-Peter Stahl. Swansea: The Classical Press of Wales, 2015. Pp. [xii] + 488." Classical Philology 113, no. 1 (2018): 88–92. http://dx.doi.org/10.1086/695502.

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Porter, Janette, and Kay Standing. "My Perfect Partner: Using Creative Methods to Address Gender Based Violence." International Conference on Gender Research 7, no. 1 (2024): 321–30. http://dx.doi.org/10.34190/icgr.7.1.2315.

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Young people aged 16-24 are most at risk of relationship abuse and intimate partner violence, The UK definition of domestic violence includes incidences of abuse between people aged 16 or over, but young people below the age of 16 are also at risk of relationship abuse. Relationship education became compulsory in schools in England and Wales in September 2020. There is increasing recognition of the need for whole school approaches to prevent gender-based violence from happening in the first place, and for equipping schools to teach relationship education and to feel more confident supporting y

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Brenton, Howard. "The Red Theatre under the Bed." New Theatre Quarterly 3, no. 11 (1987): 195–201. http://dx.doi.org/10.1017/s0266464x00015165.

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Howard Brenton began his theatrical career in the late 'sixties as one of the ‘Portable playwrights’, but quickly felt the need to utilize the resources available on larger stages-without compromising the political impact of his plays. Now established as one of the leading playwrights of his generation, Brenton works regularly with the National Theatre, and in the interview which follows the discussion ranges from his feelings about the ‘scandal’ worked up by the production there of The Romans in Britain to how his feelings about Brecht were affected by preparing their version of The Life of G

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Trigg, Christopher. "Thomas Prince’s Travels and the Invention of Britain." Early American Studies: An Interdisciplinary Journal 21, no. 4 (2023): 507–56. http://dx.doi.org/10.1353/eam.2023.a912120.

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ABSTRACT: From 1709 to 1711, Thomas Prince (1687–1758), recent Harvard graduate and future minister of Boston’s Old South Church, traveled between Boston, Barbados, and London. His travel journal (now in the collections of the Massachusetts Historical Society) excerpted passages from English poetry and popular song from the previous five decades. By transcribing the works of a politically and religiously diverse range of authors (Whig and Tory, Nonconformist and Anglican), Prince made the case for a tolerant, patriotic, and cosmopolitan Britishness. In late February and early March 1710, while

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Burbidge, James. "H.-P. STAHL, POETRY UNDERPINNING POWER: VERGIL'S AENEID: THE EPIC FOR EMPEROR AUGUSTUS. Swansea: The Classical Press of Wales, 2015. Pp. xii + 488, illus. isbn9781910589045. £75.00." Journal of Roman Studies 108 (August 30, 2018): 272–73. http://dx.doi.org/10.1017/s0075435818000552.

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FANTHAM, ELAINE. "(M.) Gale (ed.) Latin Epic and Didactic Poetry. Genre, Tradition and Individuality. Pp. xxiv + 264. Swansea: The Classical Press of Wales, 2004. Cased. ISBN 0-9543845-6-3." Classical Review 56, no. 1 (2006): 104–6. http://dx.doi.org/10.1017/s0009840x05000545.

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Haft, Adele. "John Ogilby, Post-Roads, and the “Unmapped Savanna of Dumb Shades”: Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part Two." Cartographic Perspectives, no. 72 (June 1, 2012): 27–66. http://dx.doi.org/10.14714/cp72.424.

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Written by the acclaimed Australian poet Kenneth Slessor, “Post-roads” is the second poem of his sequence The Atlas and of his collection Cuckooz Contrey (1932), in which it debuted. Like the other four Atlas poems, “Post-roads” begins with a quote from a prominent seventeenth-century map-maker; in this case, John Ogilby (1600–1676)—the celebrated British publisher, surveyor, and cartographer. Slessor not only transformed Ogilby’s work (and portrait) into poetic images, but made Ogilby’s “tireless ghost” the central character of his poem. This article, part of the first full-scale examination

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Hermeston, Rod. "‘The Blaydon Races’: lads and lasses, song tradition, and the evolution of an anthem." Language and Literature: International Journal of Stylistics 20, no. 4 (2011): 269–82. http://dx.doi.org/10.1177/0963947011398281.

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In this article I examine the evolution of the Tyneside song, ‘The Blaydon Races’, into a local anthem, with a focus on the contribution of the plurals lads and lasses to this status. I consider the obstacles to the dialect song becoming an anthem, in particular its origins in non-respectable 19th-century music hall. Existing scholarship on 19th-century dialect song or poetry often sees such material as enhancing solidarity at the levels of class or region (Beal, 2000; Wales, 2002, 2006). Influenced by the work of Coupland (2006) and Eckert (2005), however, I posit a more fluid conception of i

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McMullen, A. Joseph. "David Callander, Dissonant Neighbours: Narrative Progress in Early Welsh and English Poetry. Cardiff: University of Wales Press, 2019. Pp. x, 258; 6 tables. £45. ISBN: 978-1-7868-3398-3." Speculum 96, no. 1 (2021): 190–91. http://dx.doi.org/10.1086/711743.

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Scully, Stephen. "(L.G.) CANEVARO and (D.) O’ROURKE (eds) Didactic Poetry of Greece, Rome and Beyond: Knowledge, Power, Tradition. Swansea: The Classical Press of Wales, 2019. Pp. vi + 307. £60. 9781910589793." Journal of Hellenic Studies 142 (November 2022): 387–88. http://dx.doi.org/10.1017/s0075426922000544.

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Kołoczek, Bartosz Jan. "Lilah Grace Canevaro, Donncha O’Rourke (eds.), Didactic Poetry of Greece, Rome and Beyond: Knowledge, Power, Tradition, The Classical Press of Wales, Swansea 2019, 307 pp.; ISBN 978-1-910589-79-3." Electrum 27 (2020): 239–41. http://dx.doi.org/10.4467/20800909el.20.017.12807.

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Neilsen, Philip. "Jaya Savige, Latecomers, St Lucia: University of Queensland Press, 2005, ISBN 0 7022 3519 9, 112 pp., $22.95. - Winner of the New South Wales Premier's Literary Award, 2006 and the Kenneth Slessor Prize For Poetry 2006." Queensland Review 13, no. 2 (2006): 105–6. http://dx.doi.org/10.1017/s1321816600004451.

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Giusti, Elena. "‘RECOVERING’ THE MEANING OF THE AENEID - (H.-P.) Stahl Poetry Underpinning Power. Vergil's Aeneid: the Epic for Emperor Augustus. A Recovery Study. Pp. xii + 488, ill. Swansea: The Classical Press of Wales, 2016. Cased, £45. ISBN: 978-1-910589-04-5." Classical Review 68, no. 1 (2017): 89–91. http://dx.doi.org/10.1017/s0009840x17002335.

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Tuffaha, Lena Khalaf. "A Homeland Walks Home Alone." Ploughshares 51, no. 1 (2025): 122. https://doi.org/10.1353/plo.2025.a957322.

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Abstract: The Spring 2025 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Spring 2025 Issue, edited by Peggy Schumaker, features poetry and prose by Naomi Shihab Nye, Felicia Zamora, Tim Seibles, Lena Khalaf Tuffaha, Lia Purpura, Sonja Livingston, Marjorie Sandor, and more.

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Anna Jarmuszkiewicz, Anna Jarmuszkiewicz. "Dom versus ściana. Gesty uobecnienia Stanisława Barańczaka w przestrzeni Poznania." Poznańskie Studia Polonistyczne. Seria Literacka, no. 36 (June 15, 2019): 243–55. http://dx.doi.org/10.14746/pspsl.2019.36.15.

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The article discusses the presentations of Stanisław Barańczak and his poetry in Poznań’s urban space. The poet’s presentification is exemplified by the murals that have been created on the walls of buildings in Poznań after the writer’s death.

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Mehta, Brinda J. "The Painful Road to Freedom in Maram al-Masri’s Elle Va Nue la Liberté (Freedom Walks Naked)." Journal of Middle East Women's Studies 18, no. 2 (2022): 260–84. http://dx.doi.org/10.1215/15525864-9767884.

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Abstract This essay examines the poetry of the Francophone author Maram al-Masri, a diasporic feminist poet from Syria who has lived in exile in Paris since 1992. Elle va nue la liberté is an indictment of the regime of Bashar al-Assad and an ode to the creative resilience of ordinary people during the Syrian revolution (2011). This essay demonstrates how al-Masri’s poetry grafts landscapes of pain and resistance in a poetics of the gut that bears witness to horror, trauma, and resistance. It focuses on the trope of blood writing, documentary poetry or poésie-vérité, and the poet’s sense of ex

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Iran and the Caucasus, Editors. "Preliminary Material." Iran and the Caucasus 20, no. 1 (2016): i—vi. http://dx.doi.org/10.1163/1573384x-20160100.

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One of the central figures in the zurkhaneh of Iran is Pahlavan Mahmud Kharazmi, nicknamed Puria-ye-Wali (1247-1326). Pahlavan Mahmud symbolises the ideal warrior, and he is the embodiment of javanmardi, Iranian chivalry. The Pahlavan Mahmud Mausoleum in the city of Khiva, Uzbekistan, claims to be his burial site. The inner walls of the mausoleum are adorned with Pahlavan Mahmud’s poetry. Is there a resemblance between the Pahlavan Mahmud as it is presented by the poetry and the one which is the ideal warrior of the zurkhaneh?

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