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Thematische Bibliographien / Politisk teater

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Dissertationen

Auswahl der wissenschaftlichen Literatur zum Thema „Politisk teater“

Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

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Dissertationen zum Thema "Politisk teater"

1

Falcone, Maria Giovanna. "Verso una nuova (?) definizione di teatro politico: Strategie di scrittura scenica nelle creazioni multidiscilplinari di Motus." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/328412.

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In questo studio ci proponiamo di esplorare la definizione di “politico” nel teatro, applicandola all'intero percorso della compagnia italiana di teatro sperimentale Motus. L'ipotesi è rinvenire nell'opera del gruppo la “politicità” insita in vari livelli della sua produzione: in primis quello organizzativo, esplorato sin dal debutto nella scena contemporanea, in cui la definiamo insieme ad altri gruppi delle sua generazione come “isole nella rete”, fino alla recente occupazione di spazi come il teatro Valle a Roma e Macao a Milano. Nel primo segmento d'analisi esploreremo le opere degl

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2

Rocha, Roberto Ferreira da. "Politics and performance." Florianópolis, SC, 2003. http://repositorio.ufsc.br/xmlui/handle/123456789/86271.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente.<br>Made available in DSpace on 2012-10-21T05:20:10Z (GMT). No. of bitstreams: 0<br>O tópico desta tese é o contexto político e estético de três produções contemporâneas de Coriolano (circa 1608), última tragédia romana de William Shakespeare (1564-1616). O principal enfoque da análise é o contexto político e estético da encenação, pelo Berliner Ensemble (1964), da adaptação feita por Bertolt Brecht do texto de Shakespeare, da mon

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3

Baumgärtel, Stephan Arnulf. "Body politics between sublimation and subversion." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/101974.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente.<br>Made available in DSpace on 2013-07-15T23:42:10Z (GMT). No. of bitstreams: 1 213573.pdf: 7651016 bytes, checksum: 6e7082f468baf776f8a3190fde751d92 (MD5)

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4

Zamperini, Enrica. "Politica e corporeità sulla scena del teatro tragico: prospettive storico-religiose e antropologiche." Doctoral thesis, Università degli studi di Padova, 2017. http://hdl.handle.net/11577/3426332.

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The idea that there is an analogical relationship between the human body and the body of the polis and that the relationship takes the form of a city as a living organism, healthy or diseased, arises in the ancient Greek texts, both in the epic poems and in the lyric compositions. The focus of this research is on those tragedies in which the relationship between the hero’s diseased body and the body of the city corrupted by the stasis is more evident. In those tragic plays, the relationship is stressed by the analogy between stasis and nosos, between the civic strife and the disorder of the bo

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5

Monforte, Enric. "Gender, Politics, Subjectivity: Reading Caryl Churchill." Doctoral thesis, Universitat de Barcelona, 2000. http://hdl.handle.net/10803/1659.

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This doctoral dissertation approaches three plays written by British playwright Caryl Churchill (1938- ): <i>Cloud Nine</i> (1979), <i>Top Girls</i> (1982), and <i>Blue Heart</i> (1997). Her plays deal mainly with systems of oppression and their effects on the individual or on groups of people. These systems of oppression, reminiscent of the Foucauldian power structures, exert their restrictive power over the dispossessed -the working class, women, or gays and lesbians. <br/><br/>The main objective of this dissertation is to demonostrate how a gender and politics-oriented approach to theatre c

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6

Vaccaro, Luca <1987&gt. " e : Francesco Maria Vialardi, fra filosofia, storia, politica e teatro." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8614/1/Luca%20Vaccaro.%20Tesi%20di%20dottorato%20in%20Culture%20letterarie%20e%20filologiche.%20Ciclo%20XXX.pdf.

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Questo lavoro ha l’obiettivo di descrivere la poco conosciuta biografia e attività letteraria del vercellese Francesco Maria Vialardi, attraverso documenti nuovi ed inediti. L’organizzazione formale dell’elaborato è suddivisa in tre parti: Una vita immaginata nella gloria dell’araldica imperiale (Parte I), Gli anni prima e dopo il carcere (Parte. II) e Lei che «spia sin quel, che si fa nel globo della Luna». Un esploratore del mondo sociale e politico (Parte. III). La prima prima parte del lavoro racchiude la descrizione degli anni dalla nascita alla maturità dell’autore. La seconda parte

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7

Said, Ana Maria. "O projeto politico-pedagogico do Teatro de Arena de São Paulo." [s.n.], 1989. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252232.

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Orientador: Evaldo A. Vieira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-07-13T21:21:13Z (GMT). No. of bitstreams: 1 Said_AnaMaria_M.pdf: 7236029 bytes, checksum: 90cbffd910aeac201982a939a71bd63d (MD5) Previous issue date: 1989<br>Mestrado

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8

Hackman, Julia. ""We're none of us at peace" : Creating resistance through theatre." Thesis, Försvarshögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-4501.

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This essay aims to begin to fill a potential gap in previous research when it comes to studying the political content of specific cultural practices, in this case the Freedom Theatre in Jenin. The theatre expressively refers to itself as a political theatre, calling themselves freedom fighters and places itself at the forefront of they call "cultural resistance". The creation of this cultural resistance is investigated here. This essay aims to explores, through examining the theatre's methods of practice, how cultural resistance could be transformed into political action and what problems that

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9

Fonseca, Alexandre Torres. "Paulo Francis, do teatro à politica: "perdoa-me por me traíres"." Universidade Federal de Minas Gerais, 2001. http://hdl.handle.net/1843/VCSA-6UZQQ4.

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This work analyzes, with a political focus, the role of the Brazilian intellectual Paulo Francis in the period between the end of the 1950s and the beginning of the 1960s, until the military coup of 1964. Paulo Francis had a daily column in a major Brazilian newspaper, the Última Hora. First the concept of what it means to be an intellectual is discussed. Then Paulo Francis is shown as an intellectual during three different historical periods. First, at the beginning of his career as a journalist while working as a theater critic he built a cultural model to be followed and also influenced a c

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10

Rodríguez, Morales Verónica. "Globalisation in David Greig’s Theatre Space, Ethics and the Spectator." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/401097.

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The present PhD thesis, entitled “Globalisation in David Greig’s Theatre: Space, Ethics and the Spectator”, aims to contribute to the field of contemporary British drama and theatre studies in the form of an extended monographic study of Greig’s theatre and globalisation with a particular focus on a triad of elements: space, ethics and the spectator. The thesis’s corpus spans two decades, from the 1990s to the present time. It examines Europe (1994), One Way Street (1995) [both under “Europe Plays”], The Architect (1996), The Cosmonaut’s Last Message to the Woman He Once Loved in the Former So

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