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Thematische Bibliographien / Post-Soviet Online Cultures / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Post-Soviet Online Cultures“

Autor: Grafiati

Veröffentlicht am 7. Juni 2025

Zuletzt aktualisiert am 2. August 2025

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1

Martinez, Francisco, Eva-Maria Walther, Anita Agostini, et al. "Review Essay: Waiting Cultures, Temporal Marginality, and the Politics of Stillness." Anthropological Journal of European Cultures 28, no. 2 (2019): 108–27. http://dx.doi.org/10.3167/ajec.2019.280211.

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Andreas Bandak and Manpreet Janeja (eds) (2018), Ethnographies of Waiting: Doubt, Hope and Uncertainty (London: Bloomsbury), 232 pp., €90.46. ISBN 9781474280280.Liene Ozoliņa (2019), Politics of Waiting: Workfare, Post-Soviet Austerity and the Ethics of Freedom (Manchester: Manchester University Press), 160 pp., £80. ISBN 9781526126252.Giulia Evolvi (2018), Blogging My Religion: Secular, Muslim, and Catholic Media Spaces in Europe (London and New York: Routledge), 174 pp., £110, ISBN 9781138562110.Valdimar Tr. Hafstein (2018), Making Intangible Heritage: El Condor Pasa and Other Stories from U

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Kalinina, Ekaterina, and Manuel Menke. "Negotiating the past in hyperconnected memory cultures: Post-Soviet nostalgia and national identity in Russian online communities." International Journal of Media & Cultural Politics 12, no. 1 (2016): 59–74. http://dx.doi.org/10.1386/macp.12.1.59_1.

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Mykhailenko, Olena, Todd Blayone, Irena Žogla, and Velta Lubkina. "USING ACTIVITY THEORY FOR MODELLING TRANSFORMATIVE DIGITAL LEARNING." ENVIRONMENT. TECHNOLOGIES. RESOURCES. Proceedings of the International Scientific and Practical Conference 2 (June 20, 2019): 222. http://dx.doi.org/10.17770/etr2019vol2.4044.

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In support of ongoing educational transformation in post-Soviet nations, this article positions activity theory (in the tradition of Engeström) as a framework for modelling changes towards innovative forms of collabo-rative, fully online digital learning. A strength of activi-ty theory is that it adopts a holistic socio-technical per-spective in which teachers, learners, technologies, peda-gogical values, roles/identities and rules/cultures are considered together as interdependent elements of col-lective activity. An illustrative example is offered to model a current and envisioned (target) a

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Podlesnaia, Mariia, and Ilona Ilina. "Heroism through the prism of reflections on the country and its future: assessments by generations." Sociologicheskaja nauka i social'naja praktika 11, no. 4 (2023): 53–77. http://dx.doi.org/10.19181/snsp.2023.11.4.3.

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The phenomenon of heroism is multifaceted, and it can be viewed as representations of collective memory or through the lens of attitudes towards the country and its future. The theoretical foundation of this research is based, on the one hand, on a philosophical analysis of the semantic meanings of the concepts «hero» and «heroism», including variations in different cultures, and it defines the constants of the national semantics of heroism. On the other hand, it relies on the sociological theory of N. K. Mikhailovsky and the theory of social action, particularly the affective (borderline) the

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Bodrunova, Svetlana S. "Social Media and Political Dissent in Russia and Belarus: An Introduction to the Special Issue." Social Media + Society 7, no. 4 (2021): 205630512110634. http://dx.doi.org/10.1177/20563051211063470.

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The special issue focuses on the roles of socially mediated communication in expressing, aggregating, and shaping political dissent and discontent in Russia and Belarus at the borderline between the 2010s and 2020s. Lately, these post-Soviet countries have demonstrated the growth of restrictive trends in both politics and the public sphere reciprocated by increasing street protest and online polarization. The six papers of the special issue come from the Seventh Annual Conference “Comparative Media Studies in Today’s World” of April 2019. They address the differences between autocracies and de

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Kudaibergenova, Diana T. "Misunderstanding Abai and the legacy of the canon: “Neponyatnii” and “Neponyatii” Abai in contemporary Kazakhstan." Journal of Eurasian Studies 9, no. 1 (2018): 20–29. http://dx.doi.org/10.1016/j.euras.2017.12.007.

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The Soviet canonisation of Abai, the nineteenth-century Kazakh poet and enlightener became a problematic theme for local intellectuals in the 2010s after the Occupy Abai movement in Moscow raised concerns over the heritage of Abai as a Sovietised canon and as an independent non-Soviet thinker. In 2012 oppositional leaders in Russia occupied Abai monument in Moscow and the leader of the opposition Alexey Navalny, called for his supporters to gather around the monument to unknown strange Kazakh guy using the Russian slang word – neponyatnii Kazakh. Local audience in Kazakhstan at first responded

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Heinrich, Andreas, Felix Herrmann, and Heiko Pleines. "Transparency and quality assessment of research data in post-Soviet area studies: The potential of an interactive online platform." Journal of Eurasian Studies 10, no. 2 (2019): 136–46. http://dx.doi.org/10.1177/1879366519850698.

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The social sciences are increasingly addressing the quality of research data and debating ways to improve data transparency, that is, the availability of original research data to corroborate claims made in academic publications. This article offers a systematic discussion of related problems and challenges with the example of post-Soviet area studies. It goes on to examine ways to improve data transparency. Although the Internet has a huge potential for linking research with resulting publications and underlying data as well as for organizing a collective discussion around the research, curre

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Sharov, Konstantin S. "The Neoimperial Motif in Russian Historical Movies of the 2000s-2010s and the Phenomenon of Orthodox Cinematographic Sermon." Imagologiya i komparativistika, no. 16 (2021): 269–91. http://dx.doi.org/10.17223/24099554/16/16.

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During the last two decades, the topic of imperial consciousness and the ideological construction of a neo-imperial approach to contemporary Russian history within the narrative of post-Soviet “neo-imperialism” has been increasingly revived in Russian cinema. It has not much about developing the idea of Great Russia with a highest world mission. There are hardly more Slavophile motives here than Westernisers’ ones. The new historical movies shot mainly by the Russian state or Church request construct a parable about a great supranational historical empire, which unites all ethnic groups, peopl

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Iannilli, Valeria Maria, and Alessandra Spagnoli. "Conscious Fashion Culture." Fashion Highlight, no. 3 (July 18, 2024): 8–15. http://dx.doi.org/10.36253/fh-2875.

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By its very nature, fashion consumption assumes a diverse and updated relevance in light of social, cultural, and economic transformations. The global fashion industry is undergoing a paradigm shift driven by rapid technological advances (Bertola & Teunissen, 2018; Lee, 2022), increased awareness of environmental sustainability (Heim & Hopper, 2022; Mishra et al., 2020), and the changing values of individuals (Bürklin, 2018; Camacho-Otero et al., 2020; Domingos et al., 2022). These transformations are forcing creative, production, distribution and communication systems and, not least,

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Tatiana, I. OKONNIKOVA, M. BERESTOVA Ekaterina, and V. AKATIEVA Larisa. "Street art in the cultural landscape of Izhevsk." Service plus 16, no. 3 (2022): 136–47. https://doi.org/10.5281/zenodo.7380009.

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Throughout its history, the cultural landscape of Izhevsk changed along with the changes that took place in the country and in the world. At the modern post-Soviet stage of the development of the city, its cultural landscape was replenished with a significant number of street art objects. This article contains systematic and iconographic analysis of street art objects of Izhevsk and their role in creating the cultural landscape of the city and its attraction for tourists and citizens. The systematization of street art objects made in the article led to the conclusion that the street art of Izh

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Zhambalova, Sesegma G., та Marina Ts Tsyrenova. "В «образе Другого»: буряты в русской массовой литературе XXI в." Монголоведение (Монгол судлал) 15, № 2 (2023): 240–52. http://dx.doi.org/10.22162/2500-1523-2023-2-240-252.

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Introduction. Contemporary Russian popular literature shows a trend to depict non-Russian citizens as minor and negative characters, the malign features proper being often somewhat attributed to race and ethnicity. Goals. The study provides an insight into the image of Buryats in Russian popular literature of the twenty first century, since some of the identified narratives can artificially ignite xenophobia in Russian society. Materials and methods. The article examines a variety of literary and research material, published field data collected by S. Zhambalova and N. Igaue, online sources. T

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Zhambalova, Sesegma G., та Marina Ts Tsyrenova. "В «образе Другого»: буряты в русской массовой литературе XXI в." Монголоведение (Монгол судлал) 15, № 2 (2023): 82–94. http://dx.doi.org/10.22162/2500-1523-2023-2-82-94.

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Introduction. Contemporary Russian popular literature shows a trend to depict non-Russian citizens as minor and negative characters, the malign features proper being often somewhat attributed to race and ethnicity. Goals. The study provides an insight into the image of Buryats in Russian popular literature of the twenty first century, since some of the identified narratives can artificially ignite xenophobia in Russian society. Materials and methods. The article examines a variety of literary and research material, published field data collected by S. Zhambalova and N. Igaue, online sources. T

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Laužikas, Rimvydas, and Donata Armakauskaitė. ""Išmemorialinti", uždaryti ar palikti: Venclovų namų-muziejaus veikimas interneto erdvėje." Tiltai 89, no. 2 (2022): 140–58. https://doi.org/10.15181/tbb.v88i1.2502.

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After the restoration of independence in 1990, Lithuania faced political, economic, social and innovation transformations that took the country from being a post-Soviet republic to a full member of the European Union. At the same time, society faced many challenges (globalisation, the development of information and communication technologies, migration, demographic changes), which, according to some sociologists, allow us to talk about the formation of a digital culture and network society (Castells, 2005; van Dijk, 2006). Therefore, when examining the operation of the museum nowadays, we shou

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Panasiuk, Mariia. "We All Shine Like Supernovas: Emo Revival, Digital Mourning, and the Aesthetics of Damage in Post-Soviet Online Cultures." Media&Aesthetique Journal, May 11, 2025. https://doi.org/10.5281/zenodo.15383804.

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<strong>Introduction</strong> In the digital ruins of post-Soviet adolescence, a faint glow persists: the supernova of emo culture, not dead, not alive, but undead — returning in pixelated form, trauma-looped and ironically reborn. By 2025, what was once dismissed as teenage melodrama in black eyeliner has re-emerged, not as rebellion but as ritualized resignation. This article explores the online emo revival in contemporary Russian spaces through lyrical analysis, subcultural semiotics, and psychoanalytic theory. We trace the morphing aesthetics of despair as practiced by figures such a

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McDuie-Ra, Duncan. "The ludic lives of memoryscapes: Skateboarding post-Soviet peripheries." Memory Studies, February 22, 2021, 175069802199598. http://dx.doi.org/10.1177/1750698021995982.

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Post-Soviet cities vary dramatically yet share common elements desired by skateboarders and filmers as ‘spots’; assemblages of objects, obstacles and surfaces offering the chance to perform difficult skateboard tricks in public space. Memoryscapes are desired as spots for their scale, smooth surfaces, in-built obstacles and aesthetic appeal on video. As more skateboarders travel to post-Soviet cities in Central Asia and the Caucuses, their reinterpretation of memoryscapes reveal the ludic lives of memoryscapes, the interplay between memory and place, and the tension between hegemonic memory pr

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Panasiuk, Mariia. ""Damn It, Antoine!" or Performative Femininity in the Digital Steppes. Flowers, Filters, and Fury: The Grotesque Femininity of Post-Soviet Online Spaces." Le "Pilier Noir" Philosophique, May 4, 2025. https://doi.org/10.5281/zenodo.15337153.

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<strong>Abstract</strong> This article examines a curious and grotesque phenomenon of post-Soviet digital femininity as performed on VK Roleplay platforms: the theatrical fusion of hyper-feminine aesthetics (flowers, filters, evening gowns) with aggressive, masculinized verbal violence and online domination. In these cultural swamps of aesthetic kitsch and latent violence, a new female archetype has emerged—both Medea and TikTok waifu, part babushka, part online dominatrix. Drawing on theories of performativity, anti-feminism, psychoanalysis, and cultural critique, this essay investigate

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Panasiuk, Mariia. "A Boy in Tights Is Not a Transsexual: Yet Still a Carnival of Madness Lombroso, Lunatics in Love, and the Digital Theatre of Deviance." Le "Pilier Noir" Philosophique, May 3, 2025. https://doi.org/10.5281/zenodo.15333930.

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<strong>Abstract</strong>This paper investigates a grotesque digital romance between a “boy in tights” and a self-styled “witch-nurse” through the lenses of Cesare Lombroso’s theories on degeneracy, psychoanalytic constructions of desire, and contemporary critiques of feminized labor and atomized digital culture. The protagonists, digitally embodied through infantilized anime avatars and grayscale self-presentations, represent a contemporary pathology of loneliness, dislocation, and low-stakes deviance. This article situates their interaction within the aesthetics

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Akifeva, Raisa, Farida Fozdar, and Loretta Baldassar. "Experiences of culture and cultural negotiations among Russian-speaking migrants: National habitus and cultural continuity dilemmas in child-rearing." Ethnicities, January 11, 2023, 146879682211491. http://dx.doi.org/10.1177/14687968221149167.

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How migrants negotiate and adjust to new cultural settings and how they transmit culture to their children are key questions for migration researchers. This paper explores how culture is experienced and negotiated among Russian-speaking migrants, drawing on interviews and observation data collected in Perth, Australia, and Madrid, Spain, together with online forum data and documents. Analysis reveals that long-term socio-historical processes taking place within the post-Soviet space generate certain similarities among its inhabitants. These shared features, which Norbert Elias (1996) called ‘n

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Kananovich, Volha. "#presidentspartingwords at a Critical Juncture: Reclaiming the Autonomous Subject in Social Media Discourse on Coronavirus in Belarus." Journal of Communication Inquiry, November 2, 2021, 019685992110495. http://dx.doi.org/10.1177/01968599211049557.

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This study explores #presidentspartingwords, a viral hashtag that accompanied the eulogy-like posts that social media users created about themselves in spring 2020 by satirically emulating president Alexander Lukashenko’s patronizing remarks about the first coronavirus victims in Belarus, an authoritarian post-Soviet country. The study examines how the online public used these discursive sites to challenge the governmentally sanctioned subject positions, which construct Belarusians as inapt dependents of the state, by articulating themselves as efficacious,autonomous agents. The study argues t

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Marshall, P. David. "Thinking through New." M/C Journal 1, no. 1 (1998). http://dx.doi.org/10.5204/mcj.1696.

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A friend of mine once tried to capture the feeling that one gets from a new thing. He decided that there was no word to describe the sensation of having an unblemished eraser when you were in primary school, but nevertheless it produced a kind of fascinating awe in the apparent perfection of the new. A similar feeling captures the new car owner in smelling the interior's recently minted plastic. Used car dealers would doubtless love to bottle that smell because it produces the momentary pleasure of new ownership. And I am sure there are certain people who are addicted to that smell, and go tes

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