Einloggen

Thematische Bibliographien / Postcards in fiction / Zeitschriftenartikel

Um die anderen Arten von Veröffentlichungen zu diesem Thema anzuzeigen, folgen Sie diesem Link: Postcards in fiction.

Zeitschriftenartikel zum Thema „Postcards in fiction“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Machen Sie sich mit Top-38 Zeitschriftenartikel für die Forschung zum Thema "Postcards in fiction" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.

1

Bluher, Dominique. "Varda's Gift of Postcards." Área Abierta 19, no. 3 (2019): 287–306. http://dx.doi.org/10.5209/arab.62913.

Der volle Inhalt der Quelle

Annotation:

Postcards are prominent throughout Varda’s oeuvre and she has displayed parts of her postcard collections on several occasions in her films and video installations. Her movie in which postcards play the most important narrative role is One Sings, the Other Doesn’t (1976). As researchers in the field of postcard studies have pointed out, postcards are not only a means of communication, but also a sign of life or a confirmation of friendship, as well as a souvenir or a gift. The objective of this article is to reflect on how the self-contained episodes in some of Varda’s later non-fiction films,

APA, Harvard, Vancouver, ISO und andere Zitierweisen

2

Miller, Kristin. "Postcards from the future." Boom 3, no. 4 (2013): 12–26. http://dx.doi.org/10.1525/boom.2013.3.4.12.

Der volle Inhalt der Quelle

Annotation:

This article contemplates the way Northern and Southern California have been used in science fiction films since the 1970s. Continuing a trend the author traces to the 1940s novels Earth Abides and Ape and Essence, Northern California represents possible utopian futures while Southern California represents dystopia. The article includes a photo essay featuring science fiction film stills held up against their filming locations in Los Angeles and the Bay Area.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

3

Bukatman, Scott. "Postcards from the Posthuman Solar System." Science Fiction Studies 18, Part 3 (1991): 343–57. https://doi.org/10.1525/sfs.18.3.343.

Der volle Inhalt der Quelle

Annotation:

At the intersection of cybernetics and phenomenology, the body already operates as an interface between mind and experience, but in contemporary science fiction and horror, the body is also narrated as a site of exploration and transfiguration through which an interface with an electronically-based postmodern experience is inscribed. The obsessive restaging of the refiguration of the body posits a constant redefinition of the subject through the multiple superimposition of bio-technological apparatuses. In this epoch of human obsolescence, however, a remarkably consistent imaging/imagining of

APA, Harvard, Vancouver, ISO und andere Zitierweisen

4

Browarny, Wojciech. "„Kartki” Tadeusza Różewicza." Konteksty Kultury 18, no. 2 (2021): 259–75. http://dx.doi.org/10.4467/23531991kk.21.018.13696.

Der volle Inhalt der Quelle

Annotation:

Artykuł „Kartki” Tadeusza Różewicza opisuje prozę pisarza z perspektywy „kartek” jako formuły kompozycyjno-warsztatowej, związanej jednak ściśle z jego praktyką autobiograficzną. Autor artykułu śledzi obecność i przemiany „kartek” w utworach fabularnych Tadeusza Różewicza, ale przede wszystkim w jego mniej znanych dziełach: dzienniku, reportażach podróżniczych, szkicach wspomnieniowych i metaliterackich. Celem artykułu nie jest udowodnienie, że „kartki” występują w pisarstwie Różewicza od momentu jego debiutu do okresu dojrzałej twórczości, gdy nawet jej pobieżny przegląd potwierdza tę oczywis

APA, Harvard, Vancouver, ISO und andere Zitierweisen

5

Pappas, G. "Postcards from the edge: SARS-CoV-2 pandemic narratives in fiction film and documentaries." ACTA MICROBIOLOGICA HELLENICA 67, no. 2 (2022): 79–86. https://doi.org/10.5281/zenodo.10077481.

Der volle Inhalt der Quelle

Annotation:

Public perception about infectious diseases, science, and public health policies can be affected by exposure to related works of art, including film, and may modify one's actions during a pandemic. An increasing number of fiction films and documentaries are inspired from the SARS-CoV-2 pandemic. Major narratives include: the inadequate early response of governments and international organizations, the heroic actions of healthcare practitioners, the social effect of lockdown (both as a spirit-raising inducer of togetherness and as a disproportionately harsh burden on minorities and underprivile

APA, Harvard, Vancouver, ISO und andere Zitierweisen

6

Blom, Ivo. "Picturesque Pictures: Italian Early Non-fiction Films within Modern Aesthetic Visions." Acta Universitatis Sapientiae, Film and Media Studies 19, no. 1 (2021): 49–65. http://dx.doi.org/10.2478/ausfm-2021-0004.

Der volle Inhalt der Quelle

Annotation:

Abstract Within early non-fiction film, the Italian travel or scenic films of the 1910s may be considered the most picturesque. They are remarkable for their presentation of landscapes and cityscapes, their co-existence of modernity and nostalgia, their accent on beauty – at times at the expense of geographic veracity and indexicality – and their focus on the transformed gaze through the use of special masks, split-screens, and other devices. The transmedial roots for this aestheticization can be found both in art (painting) and popular culture (postcards, magic lanterns, etc.). While the auth

APA, Harvard, Vancouver, ISO und andere Zitierweisen

7

Andraș, Sonia D. "FASHION, CINEMA, AND GERMAN-AMERICAN PROPAGANDA IN 1930s BUCHAREST." ANUARUL INSTITUTULUI DE CERCETĂRI SOCIO-UMANE „GHEORGHE ŞINCAI” 25 (April 1, 2022): 211–35. http://dx.doi.org/10.59277/icsugh.sincai.25.16.

Der volle Inhalt der Quelle

Annotation:

This paper explores how Bucharest’s cinema-going public perceived the Nazi influence on Hollywood in the 1930s. The aim is to identify how Nazi propaganda was disseminated and consumed in interwar Bucharest and its similarities to the idea of glamour, relevant both to fashion and cinema. Considering the links between Goebbels’ propaganda machine and certain entities or individuals in Hollywood, US cinematography becomes a more complex medium of dissemination beyond a mere promoter of modernity’s technological and consumerist ideas. Romania’s situation in the 1930s, especially the increasing le

APA, Harvard, Vancouver, ISO und andere Zitierweisen

8

Zvereva, Galina I. "COLLECTIVE MEMORY OF THE SOVIET PAST ON YOUTUBE: TECHNIQUES FOR AUDIOVISUAL CONSTRUCTION BY ORDINARY VIDEO BLOGGERS." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 8 (2020): 133–47. http://dx.doi.org/10.28995/2686-7249-2020-8-133-147.

Der volle Inhalt der Quelle

Annotation:

The YouTube platform hosts a multitude of video clips that contain various media representations of the collective memory of Soviet history. In this array of multimedia products, videos created by ordinary bloggers take their own place. Videos with themes about the recent Past are formed on the basis of digitized fragments of documentary and fiction films, photographs, posters, postcards, drawings, etc. Verbal comments of viewers-users to videos expand and change their semantic content. The purpose of the article is to reveal in the videos of ordinary bloggers various techniques for audiovisua

APA, Harvard, Vancouver, ISO und andere Zitierweisen

9

Bevel, Felicia. "Traveling Topsy: Uncle Tom's Cabin and Representations of Aboriginal Australian Children in Twentieth-Century Australia." Mississippi Quarterly 76, no. 4 (2024): 481–509. https://doi.org/10.1353/mss.2024.a953238.

Der volle Inhalt der Quelle

Annotation:

ABSTRACT: This article examines the circulation of Topsy from Harriet Beecher Stowe's Uncle Tom's Cabin in Australian popular culture during the early-to-mid twentieth century. From playing with Topsy dolls to watching white actresses impersonating Topsy on stage, white Australians of all ages engaged with various iterations of Topsy and attached new meaning to the fictional character. Drawing from newspaper articles, photographs, postcards, and other archival material, I argue that white Australians used Topsy to make sense of Aboriginal children within the larger settler colonial context of

APA, Harvard, Vancouver, ISO und andere Zitierweisen

10

Zheltikova, Inga V. "Conservative Elements in the Artistic Images of the Future of Russia." Almanac “Essays on Conservatism” 64 (June 30, 2021): 311–21. http://dx.doi.org/10.24030/24092517-2021-0-2-311-321.

Der volle Inhalt der Quelle

Annotation:

The concept of future is an integral part of the present of any culture. The focus of this article is how strongly the expectation of the future is associated with innovations, what is the meaning of the conservative features present in the images of future, which conservative elements are thought to be part of the images of future. The author analyzes the images of the future of Russia on the basis of such material as fictional prose, postcards and films of the last two centuries, and identifies several parameters of life, which are transferred into the future from the present and even from t

APA, Harvard, Vancouver, ISO und andere Zitierweisen

11

Izdebska, Agnieszka. "Łódź „retro” w kryminałach historycznych." Białostockie Studia Literaturoznawcze, no. 22 (2023): 67–83. http://dx.doi.org/10.15290/bsl.2023.22.04.

Der volle Inhalt der Quelle

Annotation:

The article analyzes the way of constructing the image of the city in historical crime fiction set in Łódź. The texts analyzed in the article are the novel Perkalowy dybuk [Percale dybbuk] by Konrad T. Lewandowski about the events of 1929, Tramwaj Tanfaniego [Tanfani’s tram] by Marcin Andrzejewski, a novel set in 1905, and Krzysztof Beśka’s trilogy Trzeci brzeg Styksu [The Third Shore of Styx] Pocztówka z Londynu [A Postcard from London] and Dolina popiołów [Valley of Ashes], novels set in the years 1892–1893. All the texts provide an point of departure for showing the image of Łódź at the tur

APA, Harvard, Vancouver, ISO und andere Zitierweisen

12

Svilāns, Andrejs, Daina Roze, and Valentīns Lukaševičs. "PLANTS AS A SIGN OF LATGALIAN IDENTITY IN CULTURAL LANDSCAPE, WRITING AND STORIES." Via Latgalica, no. 4 (December 31, 2012): 53. http://dx.doi.org/10.17770/latg2012.4.1692.

Der volle Inhalt der Quelle

Annotation:

<p>Mass settlement of Latvian rural inhabitants in towns and cities started just a little more than a hundred years ago, therefore bond with nature is a specifically Latvian identity sign. Studying the peculiarities of a nation, garden and plants give an opportunity to see and understand what is hard to get in a direct way as garden reveals the hidden and open processes that have taken place and are still happening in the economic, political, and social life of an individual person or the whole society. To form a perspective on the plants existing in the cultural environment as a sociall

APA, Harvard, Vancouver, ISO und andere Zitierweisen

13

Woods Peiró, Eva. "Paratexts as Portals." Feminist Media Histories 9, no. 3 (2023): 4–14. http://dx.doi.org/10.1525/fmh.2023.9.3.4.

Der volle Inhalt der Quelle

Annotation:

In an understudied cluster of films from the 1920s in Spain that feature the tumultuous lives of female music-hall entertainers, posters, postcards, and magazines not only mirror the shape of windows, doors and thresholds, but also direct the flow of circulating images of women. These portable, paper media immobilize or propel women’s bodies into motion, constituting portals that enable or disrupt fame, security and “happiness.” Rectangular artifacts both don the walls, windows, and cabinets in these films' mise-en-scène, and drive the story, character development, and the production of gender

APA, Harvard, Vancouver, ISO und andere Zitierweisen

14

Carmel, Raj. D. "Wisdom (Sophia) in the Philosophical Train." Vidyankur: Journal of Philosophical and Theological Studies. XX/1, Jan-June 2018 (2021): 5–18. https://doi.org/10.5281/zenodo.4739962.

Der volle Inhalt der Quelle

Annotation:

<em>Sophie’s World </em>is a philosophical and mystery novel that takes one on a historical journey beginning from ancient western philosophy up to the 20<sup>th</sup> century. The article revolves around a fourteen-year-old school girl, Sophie Amundsen. Another major character in the novel is Alberto Knox. A kind and brilliant philosopher, he also holds a mysterious and secretive demeanour. Unknown to everyone he seems to be non-existent to the eyes of the living world. Both of them embark on the study of philosophy, only to discover that they are nothing more than the fictional charact

APA, Harvard, Vancouver, ISO und andere Zitierweisen

15

Di Bernardo, Francesco. "‘We want what you have’: Faustian Finance in The Terrible Privacy of Maxwell Sim and Capital." Excursions Journal 4, no. 2 (2020): 66–77. http://dx.doi.org/10.20919/exs.4.2013.185.

Der volle Inhalt der Quelle

Annotation:

‘We want what you have’ is the most emblematic sentence in Lanchester’s Capital: it is printed on a postcard left in the houses of Pepys Road and evokes the spectre of house repossessions followed by the 2008 financial crisis. Conversely, in literature the repossession by definition is that of Faust’s soul by Mephistopheles. Ian Watts (2006) tracing the origins of the Faustian myth recounts the historical and fictional roots of the myth and affirms that that Faust represents the ‘unrepentant individualist’. Faust’s unstoppable desire to achieve his own interests by any means is eventually the

APA, Harvard, Vancouver, ISO und andere Zitierweisen

16

Foster, Hal. "Dailiness According to Demand." October 158 (October 2016): 100–112. http://dx.doi.org/10.1162/octo_a_00272.

Der volle Inhalt der Quelle

Annotation:

Thomas Demand's Dailies (2008–) are visual aperçus, yet often they trigger a sense of déjà vu, and this paradoxical combination of the fresh and the familiar is typical of Demand. “The images that come to me,” he tells Alexander Kluge in an extraordinary conversation, “some are very banal, others greatly laden with meaning, but actually they are all things I know.” And we know them too, or think we do. In part, this is because Demand builds his images from prior representations, such as news photos, postcards, and iPhone snaps. Yet this doubling is not performed in the interest of a postmodern

APA, Harvard, Vancouver, ISO und andere Zitierweisen

17

Mª, Pilar Pinchart Saavedra. "Una visión tridimensional emergiendo de la ciudad = A three-dimensional vision emerging from the city." rita_ Revista Indexada de Textos Académicos, no. 6 (October 5, 2016): 142–47. https://doi.org/10.24192/2386-7027(2016)(v6)(11).

Der volle Inhalt der Quelle

Annotation:

Las primeras décadas del siglo XX comienzan a mostrarnos la postal que detona el gran paradigma metropolitano del siglo: Nueva York y la altura de sus edificaciones, una ruptura total con el concepto de ciudad conocido por los europeos, al tiempo que la distopía nace como crítica literaria a la revolución rusa y derivará en imágenes de ciencia ficción producidas por el rascacielos que llevarán al urbanismo a nuevos niveles de planificación. Una visión tridimensional de la ciudad más allá del plano, al tiempo qu

APA, Harvard, Vancouver, ISO und andere Zitierweisen

18

Botaș, Adina. "BOOK REVIEW Paul Nanu and Emilia Ivancu (Eds.) Limba română ca limbă străină. Metodologie și aplicabilitate culturală. Turun yliopisto, 2018. Pp. 1-169. ISBN: 978-951-29-7035-3 (Print) ISBN: 978-951-29-7036-0 (PDF)." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 12, no. 3 (2019): 161–66. http://dx.doi.org/10.29302/jolie.2019.12.3.11.

Der volle Inhalt der Quelle

Annotation:

Increasing preoccupations and interest manifested for the Romanian language as a foreign language compose a focused and clear expression in the volume “Romanian as a foreign language. Methodology and cultural applicability”, launched at the Turku University publishing house, Finland (2018). The editors, Paul Nanu (Department of Romanian Language and Culture, University of Turku, Finland) and Emilia Ivancu (Department of Romanian Studies of the Adam Mickiewicz University of Poznań, Poland) with this volume, continue a series of activities dedicated to the promotion of the Romanian language and

APA, Harvard, Vancouver, ISO und andere Zitierweisen

19

Duthoy, Leander. "A Three-Dimensional Jigsaw Made of Pliable Bits: Analysing Adolescent Identity as an Intertextual Construct in Aidan Chambers’ Postcards from No Man’s Land (1999)." Children's Literature in Education, July 11, 2020. http://dx.doi.org/10.1007/s10583-020-09418-5.

Der volle Inhalt der Quelle

Annotation:

Abstract YA fiction is well known for a prevalence of narratives that explore identity and identity change. Critics have constructed multiple theoretical frameworks that help put into words the workings of adolescent identity in these novels. This article adds to that discussion by analysing Jacob, the main character of Aidan Chambers’ Postcards from No Man’s Land, (The Bodley Head, London, 1999), through the framework of Julia Kristeva’s intertextual theory, where any socio-cultural element can be an intertext, from a specific song to a political ideology. By returning to Kristeva’s original

APA, Harvard, Vancouver, ISO und andere Zitierweisen

20

Pappas, Georgios. "Postcards from the Edge: SARS-CoV-2 Pandemic Narratives in Fiction Film and Documentaries." SSRN Electronic Journal, 2022. http://dx.doi.org/10.2139/ssrn.4060577.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

21

Mercado, Monica L. "“Catholicism Is Getting to Be the Style”: White Women and the Making of Catholic Culture at the Catholic Summer School of America, 1892–1914." Religion and American Culture, November 25, 2022, 1–31. http://dx.doi.org/10.1017/rac.2022.8.

Der volle Inhalt der Quelle

Annotation:

ABSTRACT This article presents a new account of the Catholic Summer School of America (CSSA), founded in 1892 as the “Catholic Chautauqua.” Long relegated to the footnotes of book history and Catholic studies, the Summer School and its reading circle antecedents are here reclaimed for the study of women and American religion. As a Catholic institution, the Summer School was directed by clergy and laymen; men's names fill the published histories of the site as a religious and educational retreat. I argue, however, that it was Summer School women who nurtured a complementary vision of middle-cla

APA, Harvard, Vancouver, ISO und andere Zitierweisen

22

Kimberley, Maree. "Neuroscience and Young Adult Fiction: A Recipe for Trouble?" M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.371.

Der volle Inhalt der Quelle

Annotation:

Historically, science and medicine have been a great source of inspiration for fiction writers. Mary Shelley, in the 1831 introduction to her novel Frankenstein said she was been inspired, in part, by discussions about scientific experiments, including those of Darwin and Galvani. Shelley states “perhaps a corpse would be re-animated; galvanism had given token of such things: perhaps the component parts of a creature might be manufactured, brought together, and endued with vital warmth” (10). Countless other authors have followed her lead, from H.G. Wells, whose mad scientist Dr Moreau takes a

APA, Harvard, Vancouver, ISO und andere Zitierweisen

23

Pasterfield, Thomas. "Curiosity: The Story of a Mars Rover by M. Motum." Deakin Review of Children's Literature 8, no. 4 (2019). http://dx.doi.org/10.20361/dr29436.

Der volle Inhalt der Quelle

Annotation:

Motum, Markus. Curiosity: The Story of a Mars Rover. Candlewick Press, 2018. Curiosity: The Story of a Mars Rover, written and illustrated by Markus Motum, would be a welcome addition to any classroom’s library. With exceptional pacing and flow, Motum takes us through the true story of one of science’s great achievements: successfully landing a rover on Mars. Many young readers have an inherent interest in outer space and science fiction. In this book, Motum expounds the science of science fiction in detailing the story of how Curiosity ended up on Mars (where it still roves today)

APA, Harvard, Vancouver, ISO und andere Zitierweisen

24

Troyan, S., N. Nechaieva-Yuriichuk, and L. Alexiyevets. "The Great War 1914–1918 and Manipulation of Humans’ Consciousness in the Circumstances of the New World-System Birth: the Experience for XXI century. Consciousness in the Circumstances of the New World-System Birth: the Experience for XXI century." Modern Studies in German History, January 5, 2020, 91–100. http://dx.doi.org/10.15421/311910.

Der volle Inhalt der Quelle

Annotation:

The Great War of 1914-1918 went down in history as the first armed clash of two warring coalitions of States on a global scale. The centenary of the end of the First World War of 1914-1918 became a significant information occasion for a new unbiased view in the context of a retrospective analysis of the problems of war and peace, war and politics, war and diplomacy, war and society, war and culture and the like. During the Great War at the beginning of the XX century the governments of countries – participants of the war used different ways for manipulation of human consciousness like fiction,

APA, Harvard, Vancouver, ISO und andere Zitierweisen

25

Veijola, Soile, Emily Höckert, David Carlin, Ann Light, and Janne Säynäjäkangas. "The Conference Reimagined. Postcards, Letters, and Camping Together in Undressed Places." Digithum, no. 24 (July 1, 2019). http://dx.doi.org/10.7238/d.v0i24.3168.

Der volle Inhalt der Quelle

Annotation:

In this paper, five authors account for the rethinking of a conference as a series of postcards, letters, rules and silent moments so that traditional hierarchies of knowledge could be overturned or, at least, sidelined. We recount how the place we convened was enlisted as an actor and the dramas and devices we applied to encounter it. We use this accounting to problematize the conventional practices of goal-oriented meetings and co-authored papers as forms of academic meaning-making. In finding a meeting point where expertise was disorientated and status undressed, we were able to investigate

APA, Harvard, Vancouver, ISO und andere Zitierweisen

26

Tanış, Fatma. "Urban Scenes of a Port City." Architecture and the Built Environment, 2022. http://dx.doi.org/10.59490/abe.2022.08.6483.

Der volle Inhalt der Quelle

Annotation:

This dissertation is an invitation to the reader to explore Güzel İzmir / Beautiful İzmir in Turkey. Through three different semi-fictional narratives, it aims to draw attention to specific and singular spaces as they were recorded and remembered through old postcards, black and white photographs, stories, and written travelogues in the past centuries and decades. Thus, it wants to discuss the specificity of an eastern Mediterranean port city by addressing it on eye-level through the experiences of a wanderer. By acknowledging the important role of narratives in building an image of the city,

APA, Harvard, Vancouver, ISO und andere Zitierweisen

27

Lopes, Denise Costa. "O transcinema de Lúcia Murat. Memórias dos anos 70 por meio da imersão e da coautoria com o espectador." AVANCA | CINEMA, May 10, 2020. http://dx.doi.org/10.37390/ac.v0i0.44.

Der volle Inhalt der Quelle

Annotation:

A long trip (2012), by Lúcia Murat, turns the screen into a postcard, video art, live cinema, installation, photo album, letter, map ... It works as a register of an era as ‘transcinema’. The film mixes past and present, reality and fiction, to recount the steps of Heitor, the filmmaker’s brother, who was sent abroad in 1969 by the family in fear that he would follow Lúcia’s footsteps in the armed struggle. It’s updates the cinematographic devices and turns the viewer into a co-author. Filled with hybrids, it enlarges the possibilities of the ‘cinema form’, expanding it. Digital features allow

APA, Harvard, Vancouver, ISO und andere Zitierweisen

28

Lobato, Ramon, and James Meese. "Kittens All the Way Down: Cute in Context." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.807.

Der volle Inhalt der Quelle

Annotation:

This issue of M/C Journal is devoted to all things cute – Internet animals and stuffed toys, cartoon characters and branded bears. In what follows our nine contributors scrutinise a diverse range of media objects, discussing everything from the economics of Grumpy Cat and the aesthetics of Furbys to Reddit’s intellectual property dramas and the ethics of kitten memes. The articles range across diverse sites, from China to Canada, and equally diverse disciplines, including cultural studies, evolutionary economics, media anthropology, film studies and socio-legal studies. But they share a common

APA, Harvard, Vancouver, ISO und andere Zitierweisen

29

Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1036.

Der volle Inhalt der Quelle

Annotation:

Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r

APA, Harvard, Vancouver, ISO und andere Zitierweisen

30

Bartlett, Alison. "Ambient Thinking: Or, Sweating over Theory." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.216.

Der volle Inhalt der Quelle

Annotation:

If Continental social theory emerges from a climate of intensely cold winters and short mild summers, how does Australia (or any nation defined by its large masses of aridity) function as an environment in which to produce critical theory and new knowledge? Climate and weather are intrinsic to ambience, but what impact might they have on the conditions of producing academic work? How is ambience relevant to thinking and writing and research? Is there an ambient epistemology? This paper argues that the ambient is an unacknowledged factor in the production of critical thinking, and draws on exam

APA, Harvard, Vancouver, ISO und andere Zitierweisen

31

Collins, Rebecca Louise. "Sound, Space and Bodies: Building Relations in the Work of Invisible Flock and Atelier Bildraum." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1222.

Der volle Inhalt der Quelle

Annotation:

IntroductionIn this article, I discuss the potential of sound to construct fictional spaces and build relations between bodies using two performance installations as case studies. The first is Invisible Flock’s 105+dB, a site-specific sound work which transports crowd recordings of a soccer match to alternative geographical locations. The second is Atelier Bildraum’s Bildraum, an installation performance using live photography, architectural models, and ambient sound. By writing through these two works, I question how sound builds relations between bodies and across space as well as questionin

APA, Harvard, Vancouver, ISO und andere Zitierweisen

32

Nile, Richard. "Post Memory Violence." M/C Journal 23, no. 2 (2020). http://dx.doi.org/10.5204/mcj.1613.

Der volle Inhalt der Quelle

Annotation:

Hundreds of thousands of Australian children were born in the shadow of the Great War, fathered by men who had enlisted between 1914 and 1918. Their lives could be and often were hard and unhappy, as Anzac historian Alistair Thomson observed of his father’s childhood in the 1920s and 1930s. David Thomson was son of a returned serviceman Hector Thomson who spent much of his adult life in and out of repatriation hospitals (257-259) and whose memory was subsequently expunged from Thomson family stories (299-267). These children of trauma fit within a pattern suggested by Marianne Hirsch in her in

APA, Harvard, Vancouver, ISO und andere Zitierweisen

33

Dean, Gabrielle. "Portrait of the Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1991.

Der volle Inhalt der Quelle

Annotation:

Let us work backwards from what we know, from personal experience: the photograph of which we have each been the subject. Roland Barthes says of this photograph that it transforms "the subject into object": one begins aping the mask one wants to assume, one begins, in other words, to make oneself conform in appearance to the disguise of an identity (Camera Lucida 11). A quick glance back at your most recent holiday gathering will no doubt confirm his diagnosis. Barthes gives to this subject-object the title of Spectrum in order to neatly join the idea of spectacle with the fearsome spectre, wh

APA, Harvard, Vancouver, ISO und andere Zitierweisen

34

Reed, Darren, and Malcolm Ashmore. "The Naturally-Occuring Chat Machine." M/C Journal 3, no. 4 (2000). http://dx.doi.org/10.5204/mcj.1860.

Der volle Inhalt der Quelle

Annotation:

Chat: pretty basic stuff; we can all recognise it and we can all do it. Yet when we come to define chat we have to make decisions about its character. For us, chat is defined by its 'informality' (not that we are capable of defining that), not its modality. Thus it names informal textual interaction as well as informal voiced interaction: holiday postcards, letters to friends and informal emails, along with telephone and dinner table conversation. However, in Conversation Analysis (CA) -- the pre-eminent mode of 'chat analysis' -- textually produced interaction is not considered an altogether

APA, Harvard, Vancouver, ISO und andere Zitierweisen

35

Aung Thin, Michelle Diane, and Khin May. "The Photograph, the Archive, and “Reinterpreting” the Past in a Time of Civil War." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3121.

Der volle Inhalt der Quelle

Annotation:

Introduction A note on the format: This article is written jointly by a contributor who lives in Myanmar and another who lives in Melbourne. To ensure the specific concerns of both writers are present in this work, at times, the paper quotes directly from one, rather than both authors. Authors are identified by place of origin in the paper rather than by name. In addition, I use the terms Burma and Burmese to refer to periods prior to the renaming of the country in 1989. The country is now known as Myanmar. In 2023, the Myanmar Photo Archive (MPA) and the Goethe-Institut Myanmar announced an o

APA, Harvard, Vancouver, ISO und andere Zitierweisen

36

Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

Der volle Inhalt der Quelle

Annotation:

Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl

APA, Harvard, Vancouver, ISO und andere Zitierweisen

37

Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

Der volle Inhalt der Quelle

Annotation:

   From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha

APA, Harvard, Vancouver, ISO und andere Zitierweisen

38

Lambert, Anthony, and Catherine Simpson. "Jindabyne’s Haunted Alpine Country: Producing (an) Australian Badland." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.81.

Der volle Inhalt der Quelle

Annotation:

“People live here, they die here so they must leave traces.” (Read 140) “Whatever colonialism was and is, it has made this place unsettling and unsettled.” (Gibson, Badland 2) Introduction What does it mean for [a] country to be haunted? In much theoretical work in film and Cultural Studies since the 1990s, the Australian continent, more often than not, bears traces of long suppressed traumas which inevitably resurface to haunt the present (Gelder and Jacobs; Gibson; Read; Collins and Davis). Felicity Collins and Therese Davis illuminate the ways Australian cinema acts as a public sphere, or “

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!