Thematische Bibliographien / Postcolonial Displacement

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Auswahl der wissenschaftlichen Literatur zum Thema „Postcolonial Displacement“

Autor: Grafiati

Veröffentlicht am 7. Juni 2025

Zuletzt aktualisiert am 2. August 2025

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Zeitschriftenartikel zum Thema "Postcolonial Displacement"

Veracini, Lorenzo. "Postcolonial Garibaldi?" Modern Italy 24, no. 1 (2018): 99–112. http://dx.doi.org/10.1017/mit.2018.44.

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This paper offers an original interpretation of Garibaldi’s political style and imaginary. The aim is to account for Garibaldi’s sustained engagement with the possibility of displacement as an alternative to revolution. It begins in an afternoon on a remote small island between two oceans. Garibaldi was considering his options. When he returned to Italy, he had seriously reflected on the possibility of colonising other places. Colonising had entered the picture. It was a postcolonial Garibaldi.

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Zain ul abdin, Rahma Afzal, Iqra Arshad, and Sayyed Muhammad Huzaifa Hasan. "POSTCOLONIAL TRANSNATIONAL DISPLACEMENT AND THE RECONSTRUCTION OF IDENTITY IN EXIT WEST AND BY THE SEA." Contemporary Journal of Social Science Review 3, no. 2 (2025): 2563–73. https://doi.org/10.63878/cjssr.v3i2.880.

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This study explores the complex dynamics of transnational displacement and identity reconstruction in Mohsin Hamid’s Exit West and Abdulrazak Gurnah’s By the Sea, situating both novels within a postcolonial framework. Through a comparative analysis, it examines how forced migration acts as both a physical and psychological rupture, reshaping individual identities amid cultural dissonance, trauma, and the legacies of colonialism. Hamid’s use of magical realism dismantles traditional notions of borders and nationhood, presenting migration as a fluid and transformative experience, while Gurnah’s

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Redclift, Victoria. "Displacement, integration and identity in the postcolonial world." Identities 23, no. 2 (2015): 117–35. http://dx.doi.org/10.1080/1070289x.2015.1008001.

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Hamza, Ahsan, Muhammad Touseef, and Muhammad Sulman. "Sweet Rice and Postcolonialism: Uncovering the Layers of Identity, Cultural Hybridity, and Self-independence in Amir Hussain's Short Story." Praxis International Journal of Social Science and Literature 6, no. 6 (2023): 68–74. http://dx.doi.org/10.51879/pijssl/060610.

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Amir Hussain's stories challenge dominant narratives and explore postcolonial identity. His recipe for sweet rice offers insights into cultural assimilation and the importance of self-discovery. We applied a postcolonial approach whichseek to develop their literary voices in regions once described in colonialism as “primitive” or “savage”. They explore themes of self-independence and cultural displacement, offering critiques of colonialism and its ongoing effects on individual agency and identity. Objectives of this paper include a systematic analysis of the story to unwrap the elements of ide

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Masroor, Unnabi Bhat. "DISPLACEMENT AND FRACTURED IDENTITY IN BRICK LANE." DISPLACEMENT AND FRACTURED IDENTITY IN BRICK LANE 8, no. 3 (2024): 129–32. https://doi.org/10.36993/ RJOE.2023.8.3.132.

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Every post-colonial communitystruggles with the issue of identity, it wouldnot be exaggeration to say that this is themost controversial and important topic tocome out of the post-colonial age andliterature. The crisis came to the surface dueto the circumstances of the post-colonialage and the challenging situations thatchallenge newly emancipated nations andcountries in their search for andconstruction of self-identity. The issue ofidentity is not a clear and fixed concept as itmay be imagined. The Oxford EnglishDictionary defines "identity" as the fact ofbeing who or what a person or thing i

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GUERMIT, Djihad, Mohamed AFKIR, and Ibtissam TOUHAMI. "The Examination of Stuart Hall’s Postcolonial Perspective on Displacement and Identity Discontinuity in Fadia Faqir’s The Cry of the Dove (2007)." ALTRALANG Journal 5, no. 3 (2023): 230–41. http://dx.doi.org/10.52919/altralang.v5i3.364.

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Displacement is a key concept in postcolonial Diaspora literature that interprets the transition from the motherland, native culture, traditions, and native language to a different setting. Such geographical, cultural and psychological transitions result in an identity crisis, fragmentation and discontinuity. The objective of this study is to investigate, in Fadia Faqir's The Cry of the Dove, the process of identity development amid displacement of a female Arab Muslim in a postcolonial setting. Using Stuart Hall's theory of Cultural Identity and Diaspora, this article applies a postmodern rea

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Saima Yousaf Khan, Saman Salah, and Rubina Masum. "Ecocriticism and the Postcolonial Landscape: War, Displacement, and Environmental Devastation in Kamila Shamsie’s Burnt Shadows." Journal of Arts and Linguistics Studies 3, no. 1 (2025): 307–23. https://doi.org/10.71281/jals.v3i1.223.

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Emerging Through an ecocritical and postcolonial perspective this research studies how war together with colonialism and forced migration led to environmental destruction in Kamila Shamsie’s Burnt Shadows (2009). Through the linked historical narratives of Japan, India, Pakistan and Afghanistan the novel explores how nuclear warfare and imperial expansion, and geopolitical tensions continuously damage human lives together with natural geographical environments. The research explains how the novel displays war-devastated environments to illustrate how environmental destruction mirrors the traum

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Kanojia, Atul Kumar. "Postcolonial Literature in World Cinema: A Review of Themes, Representation, and Cultural Translation." Integrated Journal for Research in Arts and Humanities 5, no. 2 (2025): 311–14. https://doi.org/10.55544/ijrah.5.2.42.

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Postcolonial literature has emerged as a significant mode of expression for nations and communities recovering from colonial domination. When such literature is adapted into world cinema, the narratives are not only transformed into visual media but also undergo cultural translation, reframing local struggles for global audiences. This literature review analyzes how themes from postcolonial texts—such as identity, hybridity, resistance, marginality, and cultural displacement—are portrayed in world cinema. By reviewing critical literature and case studies, this paper examines how filmmakers bal

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Dwivedi, Akhilesh Kumar, and Brajesh Verma. "Identity Crises and Culture Displacement in Arundhati Roy's and Ruth Prawer Jhabvala's Fiction." International Journal for Social Studies 11, no. 2 (2025): 1–6. https://doi.org/10.5281/zenodo.14962209.

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The impact of cultural dislocation and the quest for identity are major themes in Ruth Prawer Jhabvala’s and Arundhati Roy’s writing. The psychological and social upheaval of people torn between opposing cultural influences, colonial legacies, and evolving ideas of selfhood is explored in their novels. This study looks at how shattered identities are portrayed in The God of Small Things and Heat and Dust, emphasizing the conflict between modernity and tradition, as well as between alienation and belonging. Through a comparative analysis, the study reveals how both writ

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Dissertationen zum Thema "Postcolonial Displacement"

Apap, Anabel. "La migration et le déplacement comme manifestations de la violence dans la littérature et le cinéma méditerranéens et sub-sahariens francophones (1990-2010)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL045.

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La migration est l’une des questions les plus troublantes dans le monde contemporain. Elle expose la fragilité de l’être humain qui se trouve dans une situation de changement radical et de transition tumultueuse. À cause de la violence qui est impliquée dans ce processus, le sujet plonge dans une position de vulnérabilité aiguë et la représentation de cet aspect dans la littérature et le cinéma francophones est saisissante et puissante. Notre travail considère le vécu difficile du migrant et la violence qui est exercée sur ce dernier à partir de trois grands axes ; le point de départ, le voyag

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Adebjörk, Linnea. "Developing forced displacement within the World Bank - A critical discourse analysis of the forcibly displaced, host communities and the role of the World Bank." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23522.

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The forced displacement situations have, for a considerable time, emerged as an important development challenge on the international cooperation agenda. While the policies and practices of international organizations have gained much scrutiny, what they are saying and what discourses they are producing is less visible in academia. With the World Bank in focus, as an actor with a new role within the international refugee protection regime, this study seeks to explore this production and shaping of discourse. Further, the aim also seeks to examine the influence of power and hegemony in relation

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Farber, Leora Naomi. "Representation of displacement in the exhibition Dis-Location/Re-Location." Thesis, University of Pretoria, 2012. http://hdl.handle.net/2263/23070.

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Identity always presupposes a sense of location and a relationship with others and the representation of identity most often occurs precisely at the point when there has been a displacement (Bhabha cited in Papastergiadis 1995:17, emphasis added). In this study I focus on the condition of displacement, placing emphasis on the disjunctures of identity arising from temporal and physical dislocations and relocations in historical and postapartheid South African contexts. Displacement, and the attendant senses of dislocation and alienation it may evoke, is explored with reference to three selected

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Alenzi, Suad A. H. S. M. "'I am neither there, nor here' : an analysis of formulations of post-colonial identity in the work of Edward W. Said and Mahmoud Darwish : a thematic and stylistic analytical approach." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/i-am-neither-there-nor-herean-analysis-of-formulations-of-postcolonial-identity-in-the-work-of-edward-w-said-and-mahmoud-darwisha-thematic-and-stylistic-analytical-approach(da190801-ecd1-4a38-a121-c688ed6c1da8).html.

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This thesis examines the work of two of the twentieth century’s foremost cultural figures, the Palestinian-American literary critic Edward Said (1935-2003) and the Palestinian poet Mahmoud Darwish (1941-2008), and focuses specifically on the formulation and representation in their respective work of the theme of identity. It explores the depictions of this concept in their writing; comparing and contrasting their personal viewpoints on the various facets of their own identity as Palestinian Arabs and cosmopolitan global citizens expressed through their chosen literary medium, prose for Said an

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Smit, Susanna Johanna. ""Placing" the farm novel : space and place in female identity formation in Olive Schreiner's The story of an African farm and J.M. Coetzee's Disgrace / S.J. Smit." Thesis, North-West University, 2005. http://hdl.handle.net/10394/873.

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Ramgolam, Judy. "Identity, place and displacement in the visual art of female artists at the Vaal University of Technology (VUT), 1994-2004." Thesis, 2011. http://hdl.handle.net/2263/24942.

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The first ten years of democracy (1994-2004) in South Africa was an important period marked by a plethora of research activities in South Africa. The 2004 exhibition of artworks by academic staff from the Vaal University of Technology (VUT) was an example of one such event. A critical reading of these artworks exhibited diverse representations of their world views and also informed the initial research for this study. All the artworks on exhibition illustrated a commonality of purpose in the artists’ interrogation and representation of their fragmented identities in a transforming political la

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Radhamony, Manu Manjeesh Laal Vazhooreth. "Translation as a creative act: cultural hybridity as a concept in selected contemporary artworks." Diss., 2018. http://hdl.handle.net/10500/25549.

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Text in English with abstracts in English, Afrikaans and Setswana. Translated titles in Afrikaans and Setswana supplied Dataset link: https://doi.org/10.25399/UnisaData.14101913.v1 The gap between diverse cultures living in a globalized world is not intransigent nor unassumingly flexible. This space is an arena of dissimilarities and correlations, which result in interactions that incite unusual expectations. ‘Cultural hybridity’ is clearly mirrored within contemporary society. New methods and approaches are required to comprehend the lived experiences of escalating displacement. This

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Bücher zum Thema "Postcolonial Displacement"

Gyan, Prakash, ed. After colonialism: Imperial histories and postcolonial displacements. Princeton University Press, 1994.

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1952-, Prakash Gyan, ed. After colonialism: Imperial histories and postcolonial displacements. Princeton University Press, 1995.

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Robinson, Douglas. Displacement and the Somatics of Postcolonial Culture. Ohio State University Press, 2013.

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Robinson, Douglas. Displacement and the Somatics of Postcolonial Culture. Ohio State University Press, 2017.

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Displacement and the Somatics of Postcolonial Culture. Ohio State University Press, 2013.

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Myadar, Orhon. Mobility and Displacement: Nomadism, Identity and Postcolonial Narratives in Mongolia. Routledge, Chapman & Hall, Incorporated, 2021.

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Myadar, Orhon. Mobility and Displacement: Nomadism, Identity and Postcolonial Narratives in Mongolia. Taylor & Francis Group, 2020.

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Mobility and Displacement: Nomadism, Identity and Postcolonial Narratives in Mongolia. Taylor & Francis Group, 2020.

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Myadar, Orhon. Mobility and Displacement: Nomadism, Identity and Postcolonial Narratives in Mongolia. Taylor & Francis Group, 2020.

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Myadar, Orhon. Mobility and Displacement: Nomadism, Identity and Postcolonial Narratives in Mongolia. Taylor & Francis Group, 2020.

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Buchteile zum Thema "Postcolonial Displacement"

Tague, Joanna T. "Power in displacement." In Displaced Mozambicans in Postcolonial Tanzania. Routledge, 2018. http://dx.doi.org/10.4324/9780429461293-1.

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Canuday, Jose Jowel. "Conceptualising Postcolonial Displacement Beyond Aid and Protection." In The Handbook of Displacement. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47178-1_12.

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Fondo, Blossom Ngum. "America* in the Contemporary Postcolonial African Imagination." In Writing in Times of Displacement. Routledge India, 2022. http://dx.doi.org/10.4324/9781003333234-5.

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Redclift, Victoria. "Displacement, integration and identity in the postcolonial world1." In The 1947 Partition in The East. Routledge India, 2021. http://dx.doi.org/10.4324/9781003220008-6.

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Ramone, Jenni. "Indian Partition Literature: Reading Displacement—Partition Reading Patterns, and Trauma." In Postcolonial Literatures in the Local Literary Marketplace. Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-56934-9_2.

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Beier, Raffael, and Soufiane Chinig. "A Biography of Displacement: Living Through Rabat-Salé’s Postcolonial Transformation." In The Everydayness of Cities in Transition. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63414-7_2.

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Winkler, Kathrin. "Re-thinking Colonialism, Globalization, and the Displacement of Wild Thinking: Postcolonial and Indigenous Perspectives on Religious Education and Sustainability." In Intersections of Religion, Education, and a Sustainable World. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-81809-7_4.

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Abstract This chapter deals with the question, what conditions and knowledge are necessary to empower educator and learners to deal constructively with increasingly common sustainability-related emotions, such as fear, sadness, and hopelessness, to act from the value-based sources of religious traditions and develop an effective understanding of Education for Sustainable Development ESD? The contribution of religious education to sustainable development education is therefore explored in a three-step approach: In a first step, the connection between colonialism, mission, globalization, and the

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"Displacement:." In Place and Postcolonial Ecofeminism. UNP - Nebraska, 2019. http://dx.doi.org/10.2307/j.ctvhn0bk9.10.

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Green-Simms, Lindsey B. "Moving Pictures, Mired Cars: The Automobile in African Francophone Cinema." In Postcolonial Automobility. University of Minnesota Press, 2017. http://dx.doi.org/10.5749/minnesota/9781517901141.003.0004.

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Chapter 3 turns to Francophone cinema, discussing in detail Ousmane Sembene’s Xala and Jean-Pierre Bekolo’s Quartier Mozart. While media scholars like Kristin Ross have often focused on the shared qualities of film and cars—such as movement, image, standardization, mechanization, and displacement—this chapter discusses how African Francophone films reconfigure the link between the moving image and the moving vehicle by disallowing the automobile to represent a continuous, rational forward movement.

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"Protecting the Magical Possibilities of Black Movement." In Diaspora Without Displacement. Duke University Press, 2025. https://doi.org/10.1215/9781478060932-007.

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The concluding chapter reflects on the ethnography of West African capoeira as a demonstration of how coloniality structures Black performance interactions, but how innovation like writing capoeira songs blended with Islamic prayers continue to center African innovation. Capoeira becomes a mode through which to deal with personal issues like the death of a family member, providing community support and creative forms of healing. The conclusion also reflects on the imaginative possibilities of capoeira as a way of thinking through solutions to large-scale postcolonial political strife through t

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Konferenzberichte zum Thema "Postcolonial Displacement"

Issafi, Hamid. "New Trajectories in Postcolonial Narratives: The Predicament of the Immigrant in the Host Country in Laila Lalami’s The Other Americans." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8211.

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During the last few decades Postcolonial studies have evolved to a considerable extent. The abundance of Postcolonial writings and rising polemical debates among Postcolonial writers, scholars and critics are benchmarks that marked the evolvement of Postcolo-nialism in the realm of intelligentsia. Among the most prominent and innovative key-figures of Postcolonial and diaspora writers is Laila Lalami. This paper seeks to explore new routings in Postco-lonial writings. Therefore, the dynamic shift from locality to cosmo-politanism inscribed within Laila Lalami’s The Other Americans (2019) will

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