Thematische Bibliographien / Preaching in art

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Preaching in art“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Preaching in art"

1

Dawami, Iqbal. "Drama Sebagai Media Dakwah." TASAMUH: Jurnal Studi Islam 10, no. 1 (2018): 215–39. http://dx.doi.org/10.47945/tasamuh.v10i1.71.

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Realization of preaching does not only attempt to increase the understanding in behavior and perspective but also to aim the broader target. By the complicated problem of preaching, preaching must be role to aim toward implementation of Islam more overall and share the kinds of life aspect. The preaching media is used for religious teacher to convey the preaching’s messages must be appropriate with condition of society. This matter causes the media of traditional preaching still existing in the center of modern media for present day. One of the traditional preaching media is still used until p
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Mumford, Debra J., and Africa S. Hands. "Preaching Justice through Art." Homiletic 45, no. 2 (2020): 14–24. http://dx.doi.org/10.15695/hmltc.v45i2.4997.

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As the saying goes, “A picture is worth a thousand words.” However, the printed word—more specifically, scripture—has been the traditional base of the sermon. Through a personal experience reflection, this paper advocates using artwork as the foundational text for sermons, and presents an approach to art exegesis based on the practical method of art criticism. Employing art historian and educator Edmund Burke Feldman’s approach to art criticism, the authors present a step-by-step exegesis of an artwork that mirrors the exegesis of biblical texts, including selecting an artwork, exegeting the a
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Bolwell, Brian J. "The Art of Preaching." Oncology Times 39, no. 22 (2017): 24. http://dx.doi.org/10.1097/01.cot.0000527366.52535.36.

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4

Csinos, David M. "Light Art, Street Art, and the Art of Preaching: Sound-and-Light Shows as Public Proclamation." International Journal of Homiletics 4, no. 1 (2020): 74–87. http://dx.doi.org/10.21827/ijh.2020.39506.

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This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from
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Kater, M. J. "Er staat wat op het spel in de prediking. Het spel en de prediker als homo ludens in Bohrens Homiletik." Theologia Reformata 65, no. 4 (2022): 338–53. http://dx.doi.org/10.21827/tr.65.4.338-353.

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The German homiletician Rudolf Bohren speaks of “preaching as play, a play which must be qualified because preaching is a serious act. This essay reviews Bohren’s view of the art and nature of the ‘preaching game’ and how this influences the writing of sermons. It then examines elements of this game as discussed by Johan Huizinga in his Homo ludens, in order to uncover the contributions of ‘preaching as play’ to Reformed homiletics. The essay ends with an evaluation of the preacher as ‘homo ludens’, the sermon preparation as play, and preaching itself as play. It concludes by suggesting that p
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Rahmayani, Nur, Fatmawati Fatmawati, and Mohammad Nur Ahsan. "SENI SEBAGAI MEDIA DAKWAH PADA ANAK USIA DINI." Al-Mishbah | Jurnal Ilmu Dakwah dan Komunikasi 12, no. 2 (2017): 271. http://dx.doi.org/10.24239/al-mishbah.vol12.iss2.74.

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This paper deals with the art as media of preaching in early childhood at the Early Childhood Education Institution of Kabelo Singgah-Singgani, Palu. The questions include (1) How does art become media of preaching in early childhood at this institution? (2) How is the implementation of art as media of preaching in early childhood at this institution? The result showed that, first, the art which is categorized as media of preaching is one which contains Islamic values. This Islamic art which is taught in this educational institution includes dances such as Kaili’s local dance called momonte, q
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Hooke, Ruthanna B. "The Preacher as Artist: An Exploration of Sermon Creation as Art-Making." Religions 15, no. 5 (2024): 604. http://dx.doi.org/10.3390/rel15050604.

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Preaching is one of the most creative things a pastor does. This essay explores how a theology of creativity, the imagination, and the arts can encourage preachers to embrace proclamation as creative work. The invitation to preachers to engage their creativity and imagination in preaching rests on the theological claim that creativity is intrinsic to human beings as made in the image of God the Creator. To create is to realize a core human vocation and to deepen knowledge of God. The imagination is a primary avenue to such knowledge, since the imagination is a faculty that allows for a holisti
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Lyter Bright, Laurie. "Woman in a Man’s Pulpit: Incarnating Feminism in a Black and White Collar." Feminist Theology 27, no. 1 (2018): 103–10. http://dx.doi.org/10.1177/0966735018794487.

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This article explores the potential applications of feminist pedagogy to the lived experience of weekly preaching from the perspective of a young, white, cis female, heterosexual faith community leader. When privilege is both obvious (whiteness, heterosexual, cis gender, middle class), but authority is simultaneously presumed and challenged based on historical constructs of theological role and presentation of gender, the act of preaching becomes a site of resistance. This article then discusses the act of homiletics – the art of interpretive storytelling, history teaching, persuasive speech,
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Bostic, Philmont Devon. "A Comedian in the Pulpit: Empowering the Use of Humor in Preaching." Religions 14, no. 9 (2023): 1155. http://dx.doi.org/10.3390/rel14091155.

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Each week, the preacher mounts the pulpit with many tools to deliver an impactful sermon. One element of preaching that the black church should embrace is humor. Humor and preaching may appear strange bedfellows, but humor is embedded in the art of black preaching. This study explores humor within the confines of the African Methodist Episcopal Zion Church.
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Farley, W. Edward. "Can Preaching Be Taught?" Theology Today 62, no. 2 (2005): 171–80. http://dx.doi.org/10.1177/004057360506200203.

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Preaching—defined as sermon writing, exegesis, or discursive skill—appears to be teachable. On the other hand, is preaching, defined as announcing the gospel, hence the mysteries of God and God's redemptive work, teachable? Preaching the gospel embodies and, at the same time, transforms the three primary features of aesthetic art: creativity, emotional world-engagement, and imagination. If these artistic features are gifts prior to any teaching, then we may doubt that pedagogy can facilitate preaching the gospel. At the same time, however, teachers of preaching can identify students' artistic
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Dissertationen zum Thema "Preaching in art"

1

Tull, Justin Wade. "The art of preaching rediscovered and realigned! /." Theological Research Exchange Network (TREN), 1985. http://www.tren.com/search.cfm?p100-0109.

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Mathewson, Steven D. "The art of preaching Old Testament narrative literature." Theological Research Exchange Network (TREN) Access this title online, 2000. http://www.tren.com/search.cfm?p068-0218.

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Nichol, Richard C. "The art and science of Messianic Jewish preaching." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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Csinos, David M. "Light Art, Street Art, and the Art of Preaching: Sound-and-Light Shows as Public Proclamation." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A72283.

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This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from
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Purdy, Charles Michael. "Informing preachers about the world of art." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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6

Boyd, Jason C. "Action research as a way of doing theology (ART) : transforming my practice of preaching the Bible with my congregation." Thesis, University of Chester, 2015. http://hdl.handle.net/10034/607244.

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This thesis explores action research as a way of doing theology (ART). The contours of ART emerged through a collaborative inquiry into my practice of preaching the Bible within the context of congregational worship. It began with a niggling question, “What was happening in the communication space between me and my congregation?” An action research pilot project (March-April 2006) with Cumnock Congregational Church (Minister, 1998 - 2008) prepared the ground for a collaborative inquiry with Witney Congregational Church (Minister, 2009 - present). With the latter congregation we developed Word
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Steiner, Mark G. "Military imagery in preaching an effective means of nurturing a Lutheran identity in the military /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Burghart, Marjorie. "Remploi textuel, invention et art de la mémoire : les Sermones ad status du franciscain Guibert de Tournai († 1284)." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20093.

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La collection de sermons ad status du maître franciscain Guibert de Tournai († 1284), inscrite dans le nouvel art de prêcher qui se développe au XIIIe siècle, est surtout connue pour la particularité de son organisation, qui répartit les sermons selon les états de vie d'auditoires plutôt que selon les occasions du temps liturgique. Cette thèse réalise un bilan et une actualisation des connaissances sur l'auteur et la collection, ainsi qu'une analyse approfondie de cette œuvre, assortie d'une transcription intégrale. Elle ouvre également la voie d'une réinterprétation du remploi littéraire chez
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TOLA, FABRIZIO. "Parole e immagini nella ritualità della Settimana Santa in Sardegna. Fonti scritte e sculture lignee nella pratica rituale dell’epoca moderna." Doctoral thesis, Università degli Studi di Cagliari, 2016. http://hdl.handle.net/11584/266742.

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The thesis intends to demonstrate how in the seventeenth and eighteenth century Sardinia it was fundamental for the Church to use the preached word and meditative text along with the devotional image. These are the same tools for control and indoctrination for the faithful. This particular phenomenon, even more marked in the modern age, is realized in Sardinia especially in the rites of Holy Week still celebrated today, the function of the "Deposition" and devotion to the Mysteries of the Passion, reconstructing the origin and development of these rites. It outlines the historical and so
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Allder, Bruce George, and n/a. "Preaching in Context: The Role of Preaching in Nazarene Worship." Griffith University. School of Vocational, Technology and Arts Education, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060914.114727.

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This qualitative research study explores the role of the sermon in corporate Nazarene worship. The context of this study is located with the Christian, Protestant, evangelical, Wesleyan theological tradition as expressed through the Church of the Nazarene in Australia. The church is briefly described from a Wesleyan perspective. Seven features are identified as historically important within the worship experience of Nazarenes; Biblically centred, centrality of the sermon, connection with Christian tradition, the preacher's life, encounter with self and the divine, community, and practical and
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Bücher zum Thema "Preaching in art"

1

Lille, Alan of. The Art of Preaching. Edited by Gillian R. Evans. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218362.

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Alanus. The art of preaching. Gorgias Press, 2010.

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Schlafer, David J. Playing with fire: Preaching work as kindling art. Cowley Publications, 2004.

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1933-, Alling Roger, and Schlafer David J. 1944-, eds. Preaching as the art of sacred conversation. Morehouse Pub., 1997.

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1943-, Logan Samuel T., ed. The Preacher and preaching: Reviving the art in the twentieth century. Presbyterian and Reformed Pub. Co., 1986.

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F, Olford Stephen, and Olford David L, eds. A Passion for preaching: Reflections on the art of preaching : essays in honor of Stephen F. Olford. T. Nelson Publishers, 1989.

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Deenen, Jos. Art is like religion, preaching to people of the same faith. Edited by Holthuijsen Bert editor, Linneweber Wolfgang editor, Gates Barry editor, and Jacobs Elbert editor. VanSpijk/Rekafa Publishers, 2014.

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William, Perkins. The art of prophesying: And, The calling of the ministry. Banner of Truth Trust, 1996.

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Casa, Museo pinacoteca Santa, ed. Immagini della predicazione tra Quattrocento e Settecento: Crivelli, Lotto, Guercino. Silvana editoriale, 2017.

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W, Robinson Haddon, and Larson Craig Brian, eds. The art and craft of biblical preaching: A comprehensive resource for today's communicators. Zondervan, 2005.

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Buchteile zum Thema "Preaching in art"

1

Wallace, Isabelle Loring. "On Preaching, Performance Art, and Television." In Religion and Contemporary Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003326809-26.

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Debby, Nirit Ben-Aryeh. "Italian Pulpits: Preaching, Art, and Spectacle." In Charisma and Religious Authority. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.es-eb.3.3337.

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Ben-Aryeh Debby, Nirit. "Images of Franciscan Missionaries in Italian Art and Sermons *." In Preaching and New Worlds. Routledge, 2018. http://dx.doi.org/10.4324/9781315159119-13.

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Barclay, Katie, and François Soyer. "Erasmus (1469–1536), Ecclesiastes: on the Art of Preaching." In Emotions in Europe 1517–1914. Routledge, 2021. http://dx.doi.org/10.4324/9781003175384-25.

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Johnson, Holly. "Fashioning Devotion: The Art of Good Friday Preaching in Chaucerian England." In Speculum Sermonis. Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.disput-eb.3.1626.

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Ibrahim, Mahmood. "Francis Preaching to the Sultan: Art and Literature in the Hagiography of the Saint." In Finding Saint Francis in Literature and Art. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_4.

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Boynton, Susan. "Chapter 27. Liturgy, drama, preaching, and narration." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.27boy.

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Medieval Latin liturgy, drama, and preaching are living, oral arts of performance as well as texts. They all constitute forms of storytelling and draw on narrative texts. In different yet related ways, liturgy, drama, and preaching are all exegetical in nature and share aspects of Biblical commentary. The written record offers insight into the performance of liturgy, drama, and preaching, which took on their full meaning in the moment of celebration and utterance.
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"The art of preaching." In The Thought of Gregory the Great. Cambridge University Press, 1986. http://dx.doi.org/10.1017/cbo9780511599484.010.

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"The Art Of Preaching." In Preaching, Sermon and Cultural Change in the Long Eighteenth Century. BRILL, 2009. http://dx.doi.org/10.1163/ej.9789004171558.i-414.19.

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"THE ART OF PREACHING." In The Art of Preaching, edited by Gillian R. Evans. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218362-003.

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Konferenzberichte zum Thema "Preaching in art"

1

YANG, LING, and SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.

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Successful opera art cannot be separated from literary elements, but also from the support of music. Opera scripts make up plots with words. Compared with emotional resonance directly from the senses, music can plasticize the abstract literary image from the perspective of sensibility. An excellent opera work can effectively promote the development of the drama plot through music design, and deepen the conflict of drama with the "ingenious leverage" of music. This article intends to analyze the music design of the famous opera, Mefistofele, and try to explore the fusion effect of music and dra
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Breviario, Álaze Gabriel do. "The preaching and teaching ministry of Jehovah's Witnesses: A bibliographical and narrative documentary review." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-187.

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The greatest biblical basis for carrying out the work of preaching and teaching by Christians is the command given by Jesus Christ before he ascended to heaven, and is recorded in Matthew 28:19, 20. The beginning of such a work of preaching/instruction and teaching was on the day of Pentecost in 33 of the Common Era (after Christ), and remains until today, as prophesied by Jesus in Matthew 24:14. This article aims to present and explain how the preaching and teaching ministry of Jehovah's Witnesses is carried out worldwide, refining them based on scientific understanding and the author's theol
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Portnykh, Valentin. "ON THE PREACHING OF THE HOLY CROSS: SOME NOTES ON THE FORTHCOMING CRITICAL EDITION OF THE TREATISE BY HUMBERT OF ROMANS." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b31/s10.048.

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Kotova, Dobriela. "Уводите и заключенията в Учителното евангелие: източници и вдъхновения". У Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.02.

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Constantine of Preslav’s Didactic Gospel is a collection of 51 preachings on the Sunday Gospel readings for the whole church year. All these orations follow the same structure: introduction, exposition, and conclusion. The earliest studies on the monument point out that the expositions were translated. The introductions and conclusions, however, have ever since been considered authored by Constantine of Preslav. Yet, on the basis of the recently gained knowledge about the Greek sources of these collection, it is now possible to refine the idea of how the introductory and concluding parts of th
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Dikova, Ekaterina. "Антропоними и интертекстуалност в Учителното евангелие на Константин Преславски /Personal Names and Intertextuality in Constantine of Preslav’s Didactic Gospel". У Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.05.

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The paper examines how personal names (including compound anthroponyms and nicknames that have acquired the meaning of proper nouns) are related to citation and construction of intertextual relations in Constantine of Preslav’s Didactic Gospel. Various contexts are observed, which illustrate the use of such nouns: in referring to biblical and patristic texts, in denoting an author evangelist or his interpreter, and in activating important episodes of the Holy Scripture in the minds of the perceivers. References to biblical and patristic texts are provided that have not been noted or commented
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