Bücher: „PRODUCT AND LOCATIONS IN MOVIES“

1

Murray, Tom E. Movies made in Humboldt County. [Eureka, Calif.?]: [s. n.], 1992.

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2

author, Billon Béatrice, Hrsg. The film lover's New York: Legendary addresses that inspired great movies. Paris: Chêne, 2014.

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3

A, Murray John. Cinema southwest: An illustrated guide to the movies and their locations. Flagstaff, AZ: Northland Publishing, 2000.

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4

Brosnan, Peter. Co-starring-- the Guadalupe Dunes: 85 years of Hollywood movies in the Guadalupe Dunes (1921-2006). [Los Angeles, Calif.]: P. Brosnan, 2006.

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5

Westerns of the Red Rock country: 43 movies filmed in Sedona. Sedona, Ariz: Bradshaw Color Studios, 1991.

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6

Holland, Dave. The Holland House presents "On location in Lone Pine": A pictorial guide to movies shot in and around California's Alabama Hills. Granada Hills, Calif: Holland House, 1990.

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7

New Orleans goes to the movies: Film sites in the French Quarter and beyond. Donaldsonville, LA: Margaret Media, 2008.

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8

Zenkoku eiga dorama rokechi jiten: Movies and television dramas location in Japan / compiled by Nichigai Associates, Inc. Tōkyō: Nichigai Asoshiētsu, 2011.

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9

Hollywood on the Potomac: How the movies view Washington, DC. Washington, DC: Friends of the SE Library, 2012.

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10

Eng, Robert. Survey of town gas and by-product production and locations in the U.S. (1880-1950). Research Triangle Park, NC: U.S. Environmental Protection Agency, Air and Energy Engineering Research Laboratory, 1985.

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11

Celluloid skyline: New York and the movies. New York: Alfred A. Knopf, 2002.

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12

Celluloid skyline: New York and the movies. London: Bloomsbury, 2002.

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13

Ōki, Masaaki. Ai to seigi no Nishi Kaigan eiga kōgi.: Love & justice with S.F. movies. Fukuoka-shi: Kaichōsha, 2006.

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14

Shot on this site: A travelers guide to the places and locations used to film famous movies and TV shows. Secaucus, N.J: Carol Pub. Group, 1995.

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15

Buscombe, Edward. 'Injuns!': Native Americans in the Movies (Locations). Reaktion Books, 2006.

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16

Cozad, W. Lee. More Magnificent Mountain Movies. Sunstroke Media, 2006.

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17

Cozad, W. Lee. More Magnificent Mountain Movies. Sunstroke Media, 2006.

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18

Movies made in New Mexico, 1898-1999. [Santa Fe]: New Mexico Film Office, New Mexico Economic Development Dept., 1999.

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19

Mendocino & the movies: Hollywood and television motion pictures filmed on the Mendocino coast. 2. Aufl. Mendocino, Calif: Pacific Transcriptions, 2001.

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20

Mendocino and the Movies : Hollywood and Television Motion Pictures Filmed on the Mendocino Coast. Pacific Transcriptions, 1998.

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21

Cinema Southwest: An illustrated Guide to the Movies and their Locations. Canyonlands Natural History Association, 2011.

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22

Fernandez, Susan J., und Robert P. Ingalls. Sunshine in the Dark: Florida in the Movies. University Press of Florida, 2022.

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23

Sunshine in the Dark: Florida in the Movies. University Press of Florida, 2006.

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24

Dc Goes to the Movies: A Unique Guide to the Reel Washington. Writers Club Press, 2003.

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25

Film Travel Traveling The World Through Your Favorite Movies. Museyon Guides, 2009.

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26

Barnhurst, Kevin G. Newscasters Appeared Closer. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040184.003.0011.

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This chapter analyzes the impact of location in network evening newscasts. The background surrounding newscasters is one indicator of location. Correspondents appear close to the action by going on location, where they stand before the scene itself. Or they can appear surrounded by the technology needed for direct transmission. Sitting in front of a simple backdrop or a typical TV studio set with a desk and chairs produces the impression of distance from events. Studio shots position the anchor at a vantage point for observing events dispassionately. The placement of the camera can also produce an impression of viewing newscasters up close or from a distance. Two main changes in the visual vocabulary of location were observed. Through a quarter century beginning in the 1960s, cameras moved in much closer on the faces of newscasters, conveying visually a sense of their proximity to the audience. Close-ups helped collapse the distance between the viewer and especially anchors. The other change involved the backgrounds. In the 1960s network news style amounted to a series of moderate shots of talking heads on a bland set. By the 1990s reporters began to appear on location more often than on any other backdrop.

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27

Film Travel Traveling The World Through Your Favorite Movies. Museyon Guides, 2009.

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28

Mallapragada, Madhavi. Desi Networks. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038631.003.0005.

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This chapter explores how desi activism reimagines the Indian immigrant location and seeks to mobilize the politics of citizenship around issues of race and class. Using drumnyc.org, the homepage of New York-based organization Desis Rising Up and Moving (DRUM), as a case study, it foregrounds a particular mode of citizenship among South Asian immigrants wherein belonging and rights are negotiated through technologies of race and immigration and through network cultures. The site represents its immigrant members as active political subjects in the U.S. homeland who craft a cultural location for themselves by engaging, resisting, and responding to the disciplinary strategies of the technologized racial state. In doing so, the activists of DRUM reveal how belonging is produced and enacted through the transnational online media and through immigrant, labor, and racial coalitions. Desi is here articulated to labor struggles, racial alliances, and immigrant collectives to produce desi networks as brown, working-class spaces of political leadership.

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29

Film Travel Traveling The World Through Your Favorite Movies. Museyon Guides, 2009.

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30

Us Army Retired James Staubach. Magic City Captured by Miami Vice, Scarface, Movies, and Burn Notice a Guide to 80s Locations and Culture. Lulu Press, Inc., 2015.

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31

Cavanagh, Patrick, Lorella Battelli und Alex Holcombe. Dynamic Attention. Herausgegeben von Anna C. (Kia) Nobre und Sabine Kastner. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199675111.013.016.

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The authors review how attention helps track and process dynamic events, selecting and integrating information across time and space to produce a continuing identity for a moving, changing target. Rather than a fixed ‘spotlight’ that helps identify a static target, attention needs a mobile window or ‘pointer’ to track a moving target, picking up pieces of evidence along the way to determine not just what the target is, but what it is doing. Behavioural studies show that this dynamic version of attention is model-based, using familiar trajectories to help identify a target and to guide encoding of continuing input from its path. Attention has very coarse temporal resolution for both static and moving targets. However, when the focus of selection is on the move, a given location on a moving target’s path can be selected for extremely brief instants, as little as 50 ms, compared to the typical ‘dwell time’ or minimum duration of attention selection at a fixed location, of 200 ms or more. To determine the path of a moving object, attention must accurately process and sort the onsets and offsets in order to match an offset to the subsequent onset. This aspect of dynamic attention has been called the ‘when’ pathway and patient studies show that it is a qualitatively different system from spatial attention, being completely based in the right parietal lobe for events in both hemifields. Finally, like the salience map of spatial attention, temporal attention may have its own map that guides allocation to upcoming, current, and recent moments to select information at the appropriate time, changing the experience of time as it does so.

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32

Gordon, William A. Shot On This Site: A Traveler's Guide to the Places and Locations Used to Film Famous Movies and TV Shows. Citadel, 2000.

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33

Richardson, Pamela. Password Book - Login Secrets - Alphabetized Password Keeper - Small 6 X 9 Password Organizer - Office Product Password Record Book: Hollywood Classic Movies. Independently Published, 2020.

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34

Schorey, Shannon Trosper. Media, Technology, and New Religious Movements. Herausgegeben von James R. Lewis und Inga Tøllefsen. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190466176.013.19.

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Since the first edition of theOxford Handbook of New Religious Movements(2004), the growing field of media, religion, and culture has moved at a rapid clip. The previous emphases on theoretical approaches that imagined a significant distinction between online and offline practices has been largely replaced by approaches that attend to the entanglement of digital and physical worlds. Research within this new analytical turn speaks about the Internet and religion in terms of third spaces, distributed materialities or subjectivies, and co-constitutive histories and locations. Highlighted within these works are the negotiations and intersections of consumer practices, popular culture, information control and religious pluralism online. As the field continues to develop, theoretical approaches that emphasize entanglement will help disclose the various relationships of power by which the material practices of religion, media, and technology are produced - allowing scholars to trace robust histories of multiplicity by which the contemporary imaginaries of religion, media, and technology are inherited.

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35

Hook, Sharon, Graeme Batley, Michael Holloway, Paul Irving und Andrew Ross, Hrsg. Oil Spill Monitoring Handbook. CSIRO Publishing, 2016. http://dx.doi.org/10.1071/9781486306350.

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Oil spills can be difficult to manage, with reporting frequently delayed. Too often, by the time responders arrive at the scene, the slick has moved, dissolved, dispersed or sunk. This Oil Spill Monitoring Handbook provides practical advice on what information is likely required following the accidental release of oil or other petroleum-based products into the marine environment. The book focuses on response phase monitoring for maritime spills, otherwise known as Type I or operational monitoring. Response phase monitoring tries to address the questions – what? where? when? how? how much? – that assist responders to find, track, predict and clean up spills, and to assess their efforts. Oil spills often occur in remote, sensitive and logistically difficult locations, often in adverse weather, and the oil can change character and location over time. An effective response requires robust information provided by monitoring, observation, sampling and science. The Oil Spill Monitoring Handbook completely updates the Australian Maritime Safety Authority’s 2003 edition of the same name, taking into account the latest scientific advances in physical, chemical and biological monitoring, many of which have evolved as a consequence of major oil spill disasters in the last decade. It includes sections on the chemical properties of oil, the toxicological impacts of oil exposure, and the impacts of oil exposure on different marine habitats with relevance to Australia and elsewhere. An overview is provided on how monitoring integrates with the oil spill response process, the response organisation, the use of decision-support tools such as net environmental benefit analysis, and some of the most commonly used response technologies. Throughout the text, examples are given of lessons learned from previous oil spill incidents and responses, both local and international. General guidance of spill monitoring approaches and technologies is augmented with in-depth discussion on both response phase and post-response phase monitoring design and delivery. Finally, a set of appendices delivers detailed standard operating procedures for practical observation, sample and data collection. The Oil Spill Monitoring Handbook is essential reading for scientists within the oil industry and environmental and government agencies; individuals with responder roles in industry and government; environmental and ecological monitoring agencies and consultants; and members of the maritime sector in Australia and abroad, including officers in ports, shipping and terminals.

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36

Domínguez, Virginia R., und Jane C. Desmond, Hrsg. Kristin Solli on Ian Condry. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0027.

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This essay is a response to Ian Condry’s contribution in this book, Global Perspectives on the United States. Solli appreciates Condry’s analysis and ideas about music, location, and power but also extends them by discussing an example that, like Condry’s case, suggests the intricacies and paradoxes that follow in the wake of the global dissemination of U.S. popular culture. More specifically, Solli here examines jazz, a genre that has received considerable attention by scholars interested in the local/global dynamic that Condry addresses. While acknowledging that hip-hop in Japan and jazz in Norway have their important differences, Solli considers some similarities as well, especially the dynamic whereby the music gains meaning from being positioned in relation to a perceived U.S. center. Solli notes that both academic and popular discourses tend to focus on how U.S. cultural products and practices are changed and reworked by people in other places, and she asks if this move might risk recentering the U.S. even if the goal is the opposite. In the end, this essay argues that it is important to show how hip-hop in Japan, jazz in Norway, or country music in Brazil, for example, complicate simplistic models of U.S. cultural imperialism. Has the time now come to examine what is and is not localized?

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37

Furtado, Gustavo Procopio. Documentary Filmmaking in Contemporary Brazil. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190867041.001.0001.

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This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil’s highly unequal society, this period also witnessed the documentary’s rise to unprecedented vitality in quantity, quality, and diversity of production—including polished auteur films as well as rough-hewn collaborative works; films made in major metropolitan regions as well as in remote parts of the Amazon; intimate first-person documentaries as well as films that dive headfirst into struggles for social justice. The transformations of Brazilian society and of filmmaking coalesce and become entangled in this cinema’s preoccupation with archives. Historically linked to the exercise and maintenance of power, the concept of the archive is critical for the documentary as a cultural practice that preserves images from the present for the future, unearths and repurposes visual materials from the past, and is historically invested in filmic images as records of the real. Contemporary films incorporate, reflect on, and rework a variety of archives, such as documents produced by official institutions, ethnographic images, home movies, and photo albums—and engage not only with what is preserved but also with lacunas in the record and with alternate forms of remembering, retrieving, and transmitting the past. Through its interaction with archives, this book argues, the contemporary documentary reflects on and intervenes in the distribution of visibilities and invisibilities, centers and margins, silences and speech, living memory and its preservation in the record—thus locating the documentary on archival borders that concern Brazilian society and filmmaking alike.

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38

Koinova, Maria. Diaspora Entrepreneurs and Contested States. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198848622.001.0001.

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Why do conflict-generated diasporas mobilize in contentious and non-contentious ways or use mixed strategies of contention? Why do they channel their homeland-oriented goals through host-states, transnational networks, and international organizations? This book develops a theory of socio-spatial positionality and its implications for the individual agency of diaspora entrepreneurs, moving beyond essentialized notions of diasporas as groups. Individual diaspora entrepreneurs operate in transnational social fields affecting their mobilizations beyond dynamics confined to host-states and original home-states. There are four types of diaspora entrepreneurs—Broker, Local, Distant, and Reserved—depending on the relative strength of their socio-spatial linkages to host-land, on the one hand, and original homeland and other global locations, on the other. A two-level typological theory captures nine causal pathways, unravelling how the socio-spatial linkages of these diaspora entrepreneurs interact with external factors: host-land foreign policies, homeland governments, parties, non-state actors, and critical events or limited global influences. Such pathways produce mobilization trajectories with varying levels of contention and methods of channelling homeland-oriented goals. Non-contentious pathways often occur when host-state foreign policies are convergent with the diaspora entrepreneurs’ goals, and when diaspora entrepreneurs can act autonomously. Dual-pronged contention pathways occur quite often, under the influence of homeland governments, non-state actors, and political parties. The most contentious pathway occurs in response to violent critical events in the homeland or adjacent to it fragile states. This book is informed by 300 interviews and a dataset of 146 interviews with diaspora entrepreneurs among the Albanian, Armenian, and Palestinian diasporas in the UK, Germany, France, Netherlands, Sweden, and Switzerland, as well as Kosovo and Armenia in the European neighbourhood.

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39

Fennell, Christopher C. The Archaeology of Craft and Industry. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813069043.001.0001.

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Archaeologists investigating sites of craft and industrial enterprise often puzzle over a domain of bewildering ruins. Locations of remarkable energy, tumult, and creativity now stand silent. This book provides an overview of the archaeology of American craft and industrial enterprises, outlines developments in theories, research questions, and interpretative frameworks, and presents case studies from a wide range of subjects. Research focused on industrial enterprises traverses a spectrum of perspectives. Some limit their efforts to recording, mapping, and studying the mechanics of a site. Others examine comparative questions of changes of technologies over time and space. Many analysts look away from the buildings and equipment of the workplace and focus instead on the workers, their families, residences, lifeways, and health experiences. With many sites presenting standing ruins, historians and archaeologists often encounter local stakeholder groups who wish to promote heritage themes and tourism potentials. All of these perspectives can be pursued with significant advances in research and curation methods. Investigations often range from microscopic analysis of product constituents to large-scale, three-dimensional recording of locations and features with high-resolution laser technologies. Past debates questioned whether primary emphasis should be on heritage recording or on archaeological research questions. More recent trends focus on collaborations across interest groups.

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40

Tibaldi, Stefano, und Franco Molteni. Atmospheric Blocking in Observation and Models. Oxford University Press, 2018. http://dx.doi.org/10.1093/acrefore/9780190228620.013.611.

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The atmospheric circulation in the mid-latitudes of both hemispheres is usually dominated by westerly winds and by planetary-scale and shorter-scale synoptic waves, moving mostly from west to east. A remarkable and frequent exception to this “usual” behavior is atmospheric blocking. Blocking occurs when the usual zonal flow is hindered by the establishment of a large-amplitude, quasi-stationary, high-pressure meridional circulation structure which “blocks” the flow of the westerlies and the progression of the atmospheric waves and disturbances embedded in them. Such blocking structures can have lifetimes varying from a few days to several weeks in the most extreme cases. Their presence can strongly affect the weather of large portions of the mid-latitudes, leading to the establishment of anomalous meteorological conditions. These can take the form of strong precipitation episodes or persistent anticyclonic regimes, leading in turn to floods, extreme cold spells, heat waves, or short-lived droughts. Even air quality can be strongly influenced by the establishment of atmospheric blocking, with episodes of high concentrations of low-level ozone in summer and of particulate matter and other air pollutants in winter, particularly in highly populated urban areas.Atmospheric blocking has the tendency to occur more often in winter and in certain longitudinal quadrants, notably the Euro-Atlantic and the Pacific sectors of the Northern Hemisphere. In the Southern Hemisphere, blocking episodes are generally less frequent, and the longitudinal localization is less pronounced than in the Northern Hemisphere.Blocking has aroused the interest of atmospheric scientists since the middle of the last century, with the pioneering observational works of Berggren, Bolin, Rossby, and Rex, and has become the subject of innumerable observational and theoretical studies. The purpose of such studies was originally to find a commonly accepted structural and phenomenological definition of atmospheric blocking. The investigations went on to study blocking climatology in terms of the geographical distribution of its frequency of occurrence and the associated seasonal and inter-annual variability. Well into the second half of the 20th century, a large number of theoretical dynamic works on blocking formation and maintenance started appearing in the literature. Such theoretical studies explored a wide range of possible dynamic mechanisms, including large-amplitude planetary-scale wave dynamics, including Rossby wave breaking, multiple equilibria circulation regimes, large-scale forcing of anticyclones by synoptic-scale eddies, finite-amplitude non-linear instability theory, and influence of sea surface temperature anomalies, to name but a few. However, to date no unique theoretical model of atmospheric blocking has been formulated that can account for all of its observational characteristics.When numerical, global short- and medium-range weather predictions started being produced operationally, and with the establishment, in the late 1970s and early 1980s, of the European Centre for Medium-Range Weather Forecasts, it quickly became of relevance to assess the capability of numerical models to predict blocking with the correct space-time characteristics (e.g., location, time of onset, life span, and decay). Early studies showed that models had difficulties in correctly representing blocking as well as in connection with their large systematic (mean) errors.Despite enormous improvements in the ability of numerical models to represent atmospheric dynamics, blocking remains a challenge for global weather prediction and climate simulation models. Such modeling deficiencies have negative consequences not only for our ability to represent the observed climate but also for the possibility of producing high-quality seasonal-to-decadal predictions. For such predictions, representing the correct space-time statistics of blocking occurrence is, especially for certain geographical areas, extremely important.

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41

Huang, Alexa. Global Shakespeare Criticism Beyond the Nation State. Herausgegeben von James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.17.

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This chapter discusses three methodological concerns about studying global Shakespeare—those touring and intercultural performances often thought to play a geopolitical role in cultural diplomacy. First, the postnational space for global arts is shaped by mutual influence and fluid cultural locations rather than by traditional notions of the nation state. It is therefore no longer useful to consider a production within one national context. Second, global Shakespeare as a field of study reflects the anxiety about cultural particularity and universality. Identifying the dynamics behind the production and reception of global Shakespeare will help us confront archival silences in the record of cultural globalization; what has been redacted, eliminated, or suppressed. Third, global citations of Shakespeare—whether in performances or by politicians—demonstrate a spectral quality. The spectre of global Shakespeare is a product of the politically articulated promise and perils of cultural difference.

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42

Dove, Guy. Abstract Concepts and the Embodied Mind. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190061975.001.0001.

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Our thoughts depend on knowledge about objects, people, properties, and events. In order to think about where we left our keys, what we are going to make for dinner, when we last fed the dogs, and how we are going to survive our next visit with our family, we need to know something about locations, keys, cooking, dogs, survival, families, and so on. Researchers have sought to explain how our brains can store and access such general knowledge. A growing body of evidence suggests that many of our concepts are grounded in action, emotion, and perception systems. We appear to think about the world by means of the same mechanisms that we use to experience it. Abstract concepts like “democracy,” “fermion,” “piety,” “truth,” and “zero” represent a clear challenge to this idea. Given that they represent a uniquely human cognitive achievement, answering the question of how we acquire and use them is central to our ability to understand ourselves. In Abstract Concepts and the Embodied Mind, Guy Dove contends that abstract concepts are heterogeneous and pose three important challenges to embodied cognition. They force us to ask these questions: How do we generalize beyond the specifics of our experience? How do we think about things that we do not experience directly? How do we adapt our thoughts to specific contexts and tasks? He argues that a successful theory of grounding must embrace multimodal representations, hierarchical architecture, and linguistic scaffolding. Abstract concepts are the product of an elastic mind.

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43

Garber, Michael G. My Melancholy Baby. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496834294.001.0001.

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This book offers a detailed biography of ten influential American popular love ballads, from “Bill Bailey, Won’t You Please Come Home” (1902) to “You Made Me Love You” (1913). These became models for over forty years of great songs. In an innovative combination, they fused jazziness with intimate, personal qualities that were further revealed in the late 1920s with the advent of the torch song genre—and microphone crooning techniques, which linked them to the lullaby. They were a product of collective innovation by both famous figures like Irving Berlin and forgotten songwriters, including women and those from minority groups. Further, the performers, arrangers, and publishers changed the original songs, in a process similar to the oral folk music tradition. All these songs were fit into narratives—movies, plays, histories, scholarly works, and literature—which continually redefined them. The book analyzes the songs and how they were interpreted, featuring full music scores, musical excerpts, and forty illustrations. This study strips away the myths behind the creation of these ten core songs, revealing the even more colorful true stories. The discussion proposes a fresh definition for the torch song, as one making the listener aware of the flame of love within their heart. It includes an introduction to the New York music publishing industry, Tin Pan Alley, and operates as a listening guide and viewing companion for the Great American Songbook. Through the stories of individual songs, this history supplies a panoramic collage of the golden age of American classic pop.

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Bücher zum Thema „PRODUCT AND LOCATIONS IN MOVIES“

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