Thematische Bibliographien / Projection de genre

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Projection de genre“

Autor: Grafiati
Veröffentlicht am 7. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Projection de genre"

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Dergach, Dmytro. "Language intellectualization in new media: evolution of genre paradigm." Current issues of Ukrainian linguistics: theory and practice, no. 44 (2022): 48–67. http://dx.doi.org/10.17721/apultp.2022.44.48-67.

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The article verbalizes author's position, concerning the intellectualization of genre system of media communication (as a result of communication forms' changes in modern society) and determines the criteria for its professional analysis. These are linguistic, functional and stylistic, linguocultural and sociolinguistic dimensions of evolution of forms of social communication in mass-media sphere. The research focuses on the non-specific communicative principles of the dynamics of genres in traditional and new media, that, according to extra- and intralinguistic factors, provide different ways
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Stavila, Tudor. "Iraida Ciobanu, in the three hypostases of her self-affirmation." Akademos, no. 4(63) (March 2022): 150–53. http://dx.doi.org/10.52673/18570461.21.4-63.19.

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Iraida Ciobanu is one of the few plastic artists for whom her creations are synonymous with the genres she practices in painting – static nature and landscape, the most explored forms in rendering poetry and lyrics. Formed as an artist in the early `90s, the artist is devoted to these two genres throughout the time, approaching the landscape as an appeal to the memory arising from lyrical projections, oriented towards the past, while the static nature is a projection of future emotional states. Her works could reveal the following: the static nature returns to the present, being refreshed up b
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Щітова, С. А., and Т. О. Швець. "MULTIDIMENSIONALITY OF GENRE SYNTHESIS IN CONTEMPORARY MUSICAL ART." Музикознавча думка Дніпропетровщини, no. 15 (November 4, 2019): 118–26. http://dx.doi.org/10.33287/22199.

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The purpose of the article is to reveal the peculiarities of the phenomenon of polygranism (genre synthesis) and its varieties in contemporary musical art. The methods of the study are based on a combination of historical and theoretical approaches of scientific knowledge. The historical method allows us to trace the origin, flourishing, complication and improvement of the phenomenon of genre synthesis in musical art, first of all, during the postmodern day (the last third of the twentieth century – the beginning of the XXI century). Dialectic, comparative, empirical (observation and generaliz
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Rauf, Ramis. "Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious." Jurnal POETIKA 5, no. 1 (2017): 51. http://dx.doi.org/10.22146/poetika.25994.

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This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts a
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Rauf, Ramis. "Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious." Poetika 5, no. 1 (2017): 51. http://dx.doi.org/10.22146/poetika.v5i1.25994.

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This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts a
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Shavrygin, Sergej M. "The functions of the “basic models” in the formation of a pastoral-sentimental genre matrix in N. M. Karamzin’s prose (“Wooden Leg”, “Eugene and Julia”)." International Journal “Speech Genres” 20, no. 1 (45) (2025): 78–86. https://doi.org/10.18500/2311-0740-2025-20-1-45-78-86.

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The article considers the category of “family resemblance” and the related category of “basic models” in the aspect of genre analysis using the example of two early works of N. M. Karamzin: the translation of S. Gesner’s idyll “Wooden Leg” and the first original story “Eugene and Julia”. The theory of “basic models” by J. Lakoff, created by the researcher for the needs of cognitive linguistics, with some reservations and modifications can be applied to the analysis of genre structures of both speech and literary genres. Using the method of dilution of form as a phenomenon and form as a structu
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Sampson, Chris. "Developing projection in student songwriters: Writing popular songs that are actually popular." Journal of Popular Music Education 3, no. 1 (2019): 105–11. http://dx.doi.org/10.1386/jpme.3.1.105_1.

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An important turning point in the development of a young songwriter occurs when they transition from writing songs that might only be meaningful to themselves to writing songs with the intention of connecting to a wider audience. This accomplishment can be described as a student achieving good projection through their songs. More specifically, good projection in songwriting happens when student’s successfully leverage elements of the craft that effectively produces audience participation through groove, melody, form and lyrics. An artist’s persona can also contribute significantly to connectin
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Dergach, Dmytro. "Linguistic Models of Mass Media Genres` Stylistic Diffusion in the Communicative Space of Ukraine and Bulgaria." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 66, no. 2 (2024): 213–27. http://dx.doi.org/10.53656/bel2024-2-7d.

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Research attention is focused on fundamental changes in techniques and methods of informing , which activate the communicative capabilities of language and give rise to new genres, forms and formats of interpersonal communication in various spheres and discourses. It actualizes the research problem of the diffuse stylistic nature of mass media genres, argued by the processes of assimilation of public communication`s spheres. The author’s argumentation is based on the vectors of the dynamics of the literary language`s evolutionary potential, that is focused on the format and tasks of social com
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Rozin, Vadim M. "Comprehending Discourse: Challenges of Time, Search, Construction (Book review: G.L. Tulchinskii & M.N. Epstein. (Eds.) Philosophical Projective Dictionary. New Terms and Concepts (Issue 2). Saint Petersburg: Aletheia, 2020)." Russian Journal of Philosophical Sciences 63, no. 12 (2021): 121–34. http://dx.doi.org/10.30727/0235-1188-2020-63-12-121-134.

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The review discusses the recently published second issue of the Philosophical Projective Dictionary (edited by Mikhail Epstein and Grigorii Tulchinskii). Having encountered difficulties in understanding the articles of the dictionary, I turn to the explanations of the motives of the dictionary’s authors and editors Epstein notes that the entries in the dictionary are not intended to generalize the already existing use of terms and concepts, but to kind of projecting and anticipating the meanings of concepts and texts that may be created in the future. Tulchinskii writes more modest, asserting
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Ulanova, Ekaterina E., and Veronika V. Katermina. "Genre aspect of a language personality of an interpreter." International Journal “Speech Genres” 20, no. 2 (46) (2025): 110–17. https://doi.org/10.18500/2311-0740-2025-20-2-46-110-117.

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The article deals with the problem of genre in translation studies. The hypothesis of the study is the idea of the genre shifts emerging at the moment of interpreting within the genre of a TV interview. The authors discuss the ways of interpreting the genre. In accordance with the functional-linguistic approach to the analysis of speech genre, the authors consider the ways in which the linguistic personality of the interpreter verbally regulates the translation of the genre. The authors structurally describe the material, methods and results of the study. The aim of the study includes the ling
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Dissertationen zum Thema "Projection de genre"

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Carrel, Thomas. "Le Modèle de la Projection de Genre : un modèle explicatif du plafond de verre, de l'effet de backlash,et de la falaise de verre." Electronic Thesis or Diss., Bourgogne Franche-Comté, 2023. http://www.theses.fr/2023UBFCH034.

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Ce travail de thèse a pour objectif de comprendre trois phénomènes de genre en entreprise au regard d’un seul modèle : le Modèle de la Projection de Genre (MPG). Le phénomène du plafond de verre (Kanter, 1977 ; Cook & Glass, 2014) met en avant deux explications cognitive à la sous-représentation des femmes aux postes de directrices : le Think Manager – Think Male (Schein, 1973, 1975) et le lack-of-fit model (Heilman, 1983). Les femmes ne posséderaient pas les bonnes caractéristiques pour devenir directrices, au contraire des hommes. Cependant, si les femmes se présentent avec les caractéri
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Anthérieu-Yagbasan, Caroline. "Le personnage dans l'oeuvre de Stefan Zweig : enjeux esthétiques et narratifs." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3022.

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La plupart des problématiques évoquées en esthétique au XXIe siècle tournent autour de la question du personnage de fiction. Dans ce cadre, cette étude essaie d'examiner comment les stratégies esthétiques et la poétique de la réception sont liées, à travers l'œuvre d'un auteur autrichien, Stefan Zweig, qui écrivit non seulement un grand nombre de récits fictionnels (essentiellement des nouvelles et romans), mais également des essais historiques et géographiques. Sa poétique du récit construit des situations de communication, comme le récit enchâssé, dans lesquelles le lecteur est invité à s'im
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Laget, Guillaume. "Groupes de Thompson projectifs de genre 0." Université Joseph Fourier (Grenoble), 2004. http://www.theses.fr/2004GRE10086.

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Le groupe de Thompson projectif T est l'ensemble des homéomorphismes du bord du disque hyperbolique qui sont PSL2 (Z) par morceaux avec points de rupture rationnels. Pour un sous-groupe T de PSL2 (Z) on peut construire le sous-groupe Tr de T des homéomorphismes T par morceaux, et on se demande si la propriété fondamentale de T d'être de type défini est conservée. Cette étude dépend du genre de la surface associée à T. Le but principal de notre travail est de prouver qu'en genre nul, Tr est de présentation finie (Peter Green-berg a montré qu'en genre strictement positif Tr n'est pas de type fin
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Folgieri, R. "Ensembles based on Random Projection for gene expression data analysis." Doctoral thesis, Università degli Studi di Milano, 2008. http://hdl.handle.net/2434/45878.

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In this work we focused on methods to solve classification problems characterized by high dimensionality and low cardinality data. These features are relevant in bio-molecular data analysis and particularly in class prediction whith microarray data. Many methods have been proposed to approach this problem, characterized by the so called curse of dimensionality (term introduced by Richard Bellman (9)). Among them, gene selection methods, principal and independent component analysis, kernel methods. In this work we propose and we experimentally analyze two ensemble methods based on tw
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Stamm, Karl D. "Gene set enrichment and projection| A computational tool for knowledge discovery in transcriptomes." Thesis, Marquette University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10146411.

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<p> Explaining the mechanism behind a genetic disease involves two phases, collecting and analyzing data associated to the disease, then interpreting those data in the context of biological systems. The objective of this dissertation was to develop a method of integrating complementary datasets surrounding any single biological process, with the goal of presenting the response to a signal in terms of a set of downstream biological effects. This dissertation specifically tests the hypothesis that computational projection methods overlaid with domain expertise can direct research towards relevan
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Ortigas, Galindo Jorge. "Invariants algébriques et topologiques des courbes et surfaces à singularités quotient." Thesis, Pau, 2013. http://www.theses.fr/2013PAUU3011/document.

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Le but principal de cette thèse de doctorat est l'étude de l'anneau de cohomologie du complément d'une courbe algébrique réduite dans le plan projectif pondéré complexe dont les composantes irréductibles sont des courbes rationnelles (avec ou sans points singuliers). En particulier, des représentants holomorphes (rationnels) sont obtenus pour les classes de cohomologie. Pour atteindre notre objectif, il est nécessaire de développer une théorie algébrique des courbes sur des surfaces avec des singularités quotient et d'étudier des techniques pour calculer certains invariants particulièrement ut
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Arène, Christophe. "Géométrie et arithmétique explicites des variétés abéliennes et applications à la cryptographie." Thesis, Aix-Marseille 2, 2011. http://www.theses.fr/2011AIX22069/document.

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Les principaux objets étudiés dans cette thèse sont les équations décrivant le morphisme de groupe sur une variété abélienne, plongée dans un espace projectif, et leurs applications en cryptographie. Notons g sa dimension et k son corps de définition. Ce mémoire est composé de deux parties. La première porte sur l'étude des courbes d'Edwards, un modèle pour les courbes elliptiques possédant un sous-groupe de points k-rationnels cyclique d'ordre 4, connues en cryptographie pour l'efficacité de leur loi d'addition et la possibilité qu'elle soit définie pour toute paire de points k-rationnels (lo
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Leyva, Navarro Jose Enrique. "Brand personification through music as brand knowledge : Learning from the perspective of consumers of hip-hop music in Sweden, on the associations of music in sneaker brands." Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-14979.

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Background. Previous research on the investigation of brand personality (BP) can be found to use the personification metaphor of brands through celebrities, occupations and animals. Brand image research aims to discover the human characteristics attached to a brand. In this regard, the author suggests that as music can tell much of the personality of a person, then it would be possible to know the personality of a brand through music. The rationale behind is that music elicits “extramusical” information, such as emotions, values, dress codes and stereotypes of people; in relation to musical-ge
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Noblecourt, Pauline. "La lumière focalisée dans les spectacles parisiens du XIXe siècle." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2124.

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À travers l’analyse d’un vaste éventail de sources techniques (brevets, traités, manuels) et artistiques (pièces de théâtre, relevés et livrets de mise en scène, iconographie), cette étude propose une analyse de l’apparition de la lumière focalisée sur les scènes parisiennes, et des transformations du régime scopique propre au théâtre qu’induit ce nouvel éclairage. À partir des années 1840, en effet, les spectacles (dramatiques, lyriques, ou de danse) mettent régulièrement en scène des « rayons de lumière », produits par des dispositifs optiques (lentille, réverbères), qui permettent de créer
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Torner, Evan. "The race-time continuum: Race projection in DEFA genre cinema." 2013. https://scholarworks.umass.edu/dissertations/AAI3589196.

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This dissertation is a book-length investigation of race representation in three different East German feature film genres produced by the Deutsche Film Aktiensgesellschaft (DEFA): the western (Indianerfilm), the musical, and the science-fiction film. The primary films examined include Osceola (1971), Meine Frau macht Musik (1958), Revue um Mitternacht (1962) and Der schweigende Stern (1960). I specifically articulate how each genre structures a temporality around race politics that tells us more about unique East German conceptions of whiteness, non-whites' role in society and "progress" than
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Bücher zum Thema "Projection de genre"

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Dowd, Garin, and Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan Limited, 2015.

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Dowd, Garin, and Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2014.

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Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2015.

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Whitesell, Lloyd. Style Modes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0001.

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This chapter introduces a new index for the analysis of individual musical numbers, specifically in the genre of film musicals: “style mode,” which refers to background orientations of stylistic treatment in both sonic and visual design. It defines the genre’s primary style modes—ordinary, children’s, burlesque, razzle-dazzle, and glamour—by way of well-known examples and illustrates their effectiveness as analytical categories, providing insight into large-scale planning as well as the meanings projected within individual numbers. Because the projection of a style mode takes place independent
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Whitesell, Lloyd. Tricks of the Light. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0008.

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This chapter turns to the other side of the coin—the failure of magical belief. Glamour conjures up a transfigured counter-reality and acts as a bridge to that imagined existence. But the entire symbolic edifice is built on fancy and prone to collapse, with reality reasserting itself and dragging us back from our projection into the dreamworld. Many film musicals warn against glamour as mystification or deceit. Four types of examples are discussed, each skeptical in a different way (joking, haunted, wishful, manipulative). Concluding discussion shows how the musical genre has affinities with t
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Duffett, Mark, and Jon Hackett. Scary Monsters. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501313400.

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Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more ‘monsters’ than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which l
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Majsova, Natalija. Soviet Science Fiction Cinema and the Space Age. The Rowman & Littlefield Publishing Group, Inc., 2021. https://doi.org/10.5040/9781978728233.

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This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. Once an enthusiastic projection, then a promising and uncanny present, and eventually an assemblage of nostalgic signifiers, in the history of world cinema, this space age has been linked primarily to the genre of science fiction. Here, aspects of the space age such as humanity’s imminent expansion to space, interplanetary travel, contact with extraterrestrial intelligence, and intergalacti
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Colmeiro, José. Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.001.0001.

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Galician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been im
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Arnold, Gordon B. Projecting the End of the American Dream. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798216001980.

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This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life. Long before the war in Iraq and the economic crises of the early 21st century, Hollywood has depicted a grim view of life in the United States, one that belies the prosperity and abundance of the so-called American Dream. While the country emerged from World War II as a world power, collectively our sense of security had been threatened. The result is a cinematic body
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Merl, Dan, Joseph Lucas, Joseph Nevins, Haige Shen, and Mike West. Trans-study projection of genomic biomarkers in analysis of oncogene deregulation and breast cancer. Edited by Anthony O'Hagan and Mike West. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198703174.013.6.

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This article focuses on the use of Bayesian concepts and methods in the trans-study projection of genomic biomarkers for the analysis of oncogene deregulation in breast cancer. The objective of the study is to determine the extent to which patterns of gene expression associated with experimentally induced oncogene pathway deregulation can be used to investigate oncogene pathway activity in real human cancers. This is often referred to as the in vitro to in vivo translation problem, which is addressed using Bayesian sparse factor regression analysis for model-based translation and refinement of
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Buchteile zum Thema "Projection de genre"

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Kuiper, Koenraad. "Playing a False Part: Projecting and Perceiving Fraudulent identities on the Internet." In Formulaic Genres. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230241657_5.

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Tasoulis, Sotiris K., Vassilis P. Plagianakos, and Dimitris K. Tasoulis. "Projection Based Clustering of Gene Expression Data." In Computational Intelligence Methods for Bioinformatics and Biostatistics. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14571-1_17.

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Katzman, R., and P. J. Fox. "The World-Wide Impact of Dementia. Projections of Prevalance and Costs." In Epidemiology of Alzheimer’s Disease: From Gene to Prevention. Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/978-3-642-60076-0_1.

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Imai, T., and H. Sakano. "Odorant Receptor Gene Choice and Axonal Projection in the Mouse Olfactory System." In Results and Problems in Cell Differentiation. Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/400_2008_3.

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Janfada, Mahtab, Martina Tassone, Marian Mahat, and Nadine Crane. "Reconceptualizing Assessment in Initial Teacher Education from a Relational Lens." In Rethinking Higher Education. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-8951-3_6.

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AbstractThis chapter examines the challenges and possibilities of assessment practices in Initial Teacher Education (ITE) programs. Informed by Bakhtin (1986), speech genres, dialogic approaches and a democratic lens to assessment, the chapter questions the nature and purpose of assessment considering the COVID-19 pandemic. New understanding of the concept of ‘relationality’ through pandemic experience provides opportunities for ‘democratic’ assessment is perceived as a point of departure in the learning process for both students and teachers, and not a destination. This perspective incorporat
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Yeo, Su-Anne. "Summoning the Ghosts of Early Cinema and Victorian Entertainment." In Practices of Projection. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190934118.003.0009.

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This chapter analyses the singularly arresting yet endlessly repeatable appearance via projection of the iconic British supermodel Kate Moss within the recent V&amp;A Museum exhibition Savage Beauty: Alexander McQueen. Originally created for the late fashion designer’s 2006 Widows of Culloden show in Paris, this appearance by Moss was no less rapturously received at the V&amp;A exhibition than it had been at the hologram’s launch almost a decade previously. Drawing upon scholarship in the fields of film history and media history, the chapter argues that the Kate Moss hologram should be concept
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McDonald, Terrance H. "Narratives Of Failure: Dead End (1937), The Desperate Hours (1955), and Gangsters in Distress." In ReFocus: The Films of William Wyler. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399510462.003.0007.

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This chapter evaluates William Wyler's so-called gangster films in relation to existing discourses on the genre and characterizes both films as narratives of distress, through which Wyler reflects socio-cultural issues involving masculinity. Wyler's gangsters do not undergo the same “precipitous rise and fall” as classical gangster-heroes do in early, conventional gangster films. This chapter argues that Wyler's Dead End and The Desperate Hours are also distinguished by the presence of a dual protagonist who represents the hard-working class and undercuts the projection of the gangster as urba
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"Chapter 1. Improvement’s Genre: Andrew Yarranton and the Rhetoric of Projection." In The Wreckage of Intentions. University of Pennsylvania Press, 2018. http://dx.doi.org/10.9783/9780812294453-002.

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Kendrick, Robert L. "Introduction." In Fruits of the Cross. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297579.003.0003.

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The introduction uses the opening of a 1697 sepolcro, La Virtù della Croce, to introduce the thematics, dramatic means, performance situations, and visual images typical of the genre. It also explains the relationship of the main court figures to Passion devotion, and it sets out questions to be answered in later chapters about the role of allegorical characters in the dramas, the centrality of musical projection, and the dynasty’s investment—real and figurative—in multimedia penitential spectacle.
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Harper, Margaret Mills. "Cuchulain the Cowboy: A Tale of Yeats and the Wild West." In The Edinburgh Companion to W. B. Yeats and the Arts. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781474499668.003.0008.

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This chapter argues that a form of production or projection took place in Yeats’s appropriation of the myth of Cuchulain. It points out that the latter is a rich figure, functioning in a number of different registers. Among other things, the reworking of the myth shows evidence of Yeats’s surprising but strong engagement with American Westerns, including the iconic, visual qualities of the American West. Even if Yeats invariably presented his own (at-times near compulsive) engagement with this form of popular fiction as a mere diversion, the chapter identifies a surprising confluence between t
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Konferenzberichte zum Thema "Projection de genre"

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Kotropoulos, Constantine, Gonzalo R. Arce, and Yannis Panagakis. "Ensemble Discriminant Sparse Projections Applied to Music Genre Classification." In 2010 20th International Conference on Pattern Recognition (ICPR). IEEE, 2010. http://dx.doi.org/10.1109/icpr.2010.207.

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Gold, Maxwell P., Alexander LeNail, and Ernest Fraenkel. "Shallow Sparsely-Connected Autoencoders for Gene Set Projection." In Proceedings of the Pacific Symposium. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813279827_0034.

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Diaz-Blanco, Ignacio, Jose M. Enguita-Gonzalez, Diego Garcia-Perez, et al. "Interactive dual projections for gene expression analysis." In ESANN 2022 - European Symposium on Artificial Neural Networks, Computational Intelligence and Machine Learning. Ciaco - i6doc.com, 2022. http://dx.doi.org/10.14428/esann/2022.es2022-22.

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Bian, Houqin, and Ronal Chung. "Gene Expression Data Classification Using Locality Preserving Projections." In Bioengineering (BIBE). IEEE, 2011. http://dx.doi.org/10.1109/bibe.2011.17.

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Hang, X. "Gene Expression Profile Classification Using Random Projection and Sparse Representation." In 2013 12th International Conference on Machine Learning and Applications (ICMLA). IEEE, 2013. http://dx.doi.org/10.1109/icmla.2013.157.

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Juan Liu and Feng Liu. "Biclustering gene expression data by random projection based on bucketing." In 2008 International Conference on Technology and Applications in Biomedicine (ITAB). IEEE, 2008. http://dx.doi.org/10.1109/itab.2008.4570606.

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Borges, Helyane Bronoski, and Júlio Cesar Nievola. "Dimensionality Reduction in Gene Expression Database through the Random Projection Method." In 2009 International Conference on Machine Learning and Applications (ICMLA). IEEE, 2009. http://dx.doi.org/10.1109/icmla.2009.84.

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Gondara, Lovedeep. "Random Forest with Random Projection to Impute Missing Gene Expression Data." In 2015 IEEE 14th International Conference on Machine Learning and Applications (ICMLA). IEEE, 2015. http://dx.doi.org/10.1109/icmla.2015.29.

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Jiang, Yue, Changjie Tang, Haichun Zheng, et al. "Mining Projection Transformation Based on Gene Expression Programming of Multi-Variable Niches." In 2008 Fourth International Conference on Natural Computation. IEEE, 2008. http://dx.doi.org/10.1109/icnc.2008.53.

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Munsky, Brian, Slaven Peles, and Mustafa Khammash. "Stochastic analysis of gene regulatory networks using finite state projections and singular perturbation." In 2007 American Control Conference. IEEE, 2007. http://dx.doi.org/10.1109/acc.2007.4283077.

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Berichte der Organisationen zum Thema "Projection de genre"

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Pavlyuk, Іhor. Культурно-інформаційний простір України в роки німецько-фашистської окупації: за матеріалами україномовної колаборантської преси. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11719.

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The purpose of thіs artіcle іs to cover the cultural and іnformatіon space of the western Ukraіnіan lands durіng the Nazі occupatіon: accordіng to the Ukraіnіan-language collaboratіng press іn the context of exіstentіal projectіons on the modern war іn Ukraіne wіth Russіa’s occupatіon of some Ukraіnіan terrіtorіes. The methodologіcal basіs of our study іs the groupіng and іnductіve-deductіve analysіs of the then medіa (іncludіng the press) by place of publіcatіon and genre-thematіc focus (perіodіcals for women, chіldren’s magazіnes, busіness newspapers and magazіnes), the separatіon of іnforma
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