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Thematische Bibliographien / Proletariat literature / Dissertationen

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Dissertationen zum Thema „Proletariat literature“

Autor: Grafiati

Veröffentlicht am 30. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Vieira, Denise Adélia. "A literatura, a foice e o martelo." Universidade Federal de Juiz de Fora (UFJF), 2004. https://repositorio.ufjf.br/jspui/handle/ufjf/2981.

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Sagerson, Erin Jean. "Art and bread Mike Gold, proletarian art, and the rhetoric of American communism /." [Fort Worth, Tex.] : Texas Christian University, 2009. http://etd.tcu.edu/etdfiles/available/etd-05012009-115428/unrestricted/Sagerson.pdf.

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3

Johnson, Mary Claire. "Art as a weapon land, gender and work in Myra Page's Daughter of the hills /." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=2871.

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4

Sanders, Jonathan Philip. "Mike Gold and proletarian literature." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614794.

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5

Chapman, Rosemary Anne. "Henry Poulaille and proletarian literature 1920-1939." Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.256698.

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6

Rumiano, Jeffrey Edmond. "They Know "What Work Is": Working Class Individuals in the Poetry of Philip Levine." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-11272007-071313/.

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Thesis (Ph. D.)--Georgia State University, 2007.<br>Title from file title page. Pearl McHaney, committee chair; David Bottoms, Paul Schmidt, committee members. Electronic text (220 p.) : digital, PDF file. "Appendix B: Philip Levine interview with Jeff Rumiano, May 4, 2004": p. 194-220. Description based on contents viewed Jan. 31, 2008. Includes bibliographical references (p. 171-193).

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Edmunds, Neil Edmund. "Music to the masses : the Soviet proletarian music movement 1917-1932." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385061.

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8

Almeida, André Felipe de Sousa. "O navio-fábrica caranguejeiro, de Kobayashi Takiji: tradução e considerações." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-10112016-142928/.

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A proposta do presente trabalho consiste na tradução para o português do romance Kaniksen (O Navio-Fábrica Caranguejeiro, 1929) de Kobayashi Takij. Para chegar ao objetivo proposto, procedemos uma historização da vida e obra de Kobayashi Takiji, no sentido de compreendermos a trajetória literária do autor, seu envolvimento no movimento proletário e o contexto sócio-político em que o romance foi escrito. Visando introduzir O Navio-Fábrica Caranguejeiro ao leitor deste trabalho, são feitos alguns apontamentos sobre o romance: uma apresentação de seu tema e narrativa, um breve levantamento histór

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Daly, Macdonald M. "D H Lawrence : politics, socialist critical reception and literary influence on proletarian novelists." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314899.

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10

Lacey, C. A. "Engendering conflict : American women and the making of a proletarian fiction (with particular reference to the period 1929 to 1935)." Thesis, University of Sussex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371210.

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11

Jonsson, Martina. "”Den här platsen krossar de som är gjorda av glas. Gör kroppar till skärvor.” : Prekaritetsläsningens möjligheter i Sara Stridsbergs Kärlekens Antarktis och Elin Perssons De afghanska sönerna." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-105049.

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This thesis focuses on the possibilities of precarity as a perspective in the field of literary studies in order to analyse how insecurity is portrayed in literature. Sweden has a great tradition of proletarian literature, but researchers in the neoliberal era find it problematic to understand the emancipating aspects of the new proletarian literature that does not focus on collective movement and articulated emancipation. This thesis explores the possibilities of precarity as a perspective for analysing how literature narrated through an individual and passive perspective can work as a social

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Ovando, Contreras Francisco Javier. "El matadero y Niño proletario, eslabones de una tradición barbárica en la literatura argentina." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/115704.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica<br>En este estudio se trabajan los textos El Matadero de Esteban Echeverría y Niño Proletario de Osvaldo Lamborghini, como eslabones de una tradición barbárica en la literatura argentina. Para ello se ahonda en qué consiste esa tradición, que en la Argentina tiene sus inicios con el texto de Echeverría en el siglo XIX y se rastrea hasta el siglo XX gracias a Lamborghini, y cómo se presenta en ella la dicotomía civilización y barbarie. Se comparara la representación de esta oposición en los dos textos, dando

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Cottier, Nigel D. "Totality and the sublime in Peter Weiss' The aesthetics of resistance : a proletarian phenomenology /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421605291&sid=5&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 234-242). Also available for download via the World Wide Web; free to University of Oregon users.

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Keady, Stephen. "Working-class Culture and Work as portrayed in Texts and Films of Alan Sillitoe´s "Saturday Night and Sunday Morning" and "The Loneliness of the Long Distance Runner"." Doctoral thesis, Universitat de Barcelona, 2008. http://hdl.handle.net/10803/132282.

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My aim is to recreate from the texts and films the world which is shown, and then examine it in order to demonstrate a number of points. I hope to show that there is such a phenomenon as an English working class, and that this class has its own culture. This culture is different from, and in many ways opposed to, the “high” artistic culture of the elite, but is not a culture of lack, as in “lack of culture”. It is rather a creation of the working class themselves and serves as a positive force in their lives, which are again different from and frequently opposed to the lives of the upper and m

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Junior, João Carlos Ribeiro. "Literatura e política nos romances de Patrícia Galvão." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-19012017-134438/.

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A produção artística de Patrícia Galvão possui uma matriz política na qual a teoria e a prática comunista se entrelaçam à experiência modernista. Confrontada com a trajetória da autora, a estrita consonância de seu livro de estreia com as palavras de ordem do PCB nos permite reconhecer e avaliar tensões, conflitos e impasses da esquerda brasileira. A figuração do outro, no caso, o proletariado emergente pós-revolução de 1930, e as dificuldades do escritor, ou intelectual, em lidar com esta matéria são chaves importantes de nossa análise. O estudo de Parque industrial (1933), tanto de suas cara

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Grace, Elizabeth Ellen. "Women, nation, narration : a comparative study of Japanese and Korean proletarian women's writing from the interwar years (1918-1941)." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709209.

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Nilsson-Tysklind, Emma. "Marxist Comrades or Capitalist Pigs? : From Musical Proletarians to Musical Capitalists in Roddy Doyle's The Commitments." Thesis, Högskolan Dalarna, Engelska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3421.

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Marxist themes of Roddy Doyle’s The Commitments have not often been looked at. Yet, they are decidedly prominent. The band make use of a Marxist image and of collectivist easy-played, easily-understood music in order to gain working class listeners. In fact, the band itself is based on an egalitarian structure, until it, due to an increasing individualist wish for success, falls apart. The aim of this essay is thus to argue, through pointing to the Marxist rhetoric of the band and the hypocrisy around it, and through a comparative reading between The Commitments and Orwell’s Animal Farm, that

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Kusakabe, Madoka. "Sata Ineko and Hirabayashi Taiko: The Café and Jokyû as a Stage for Social Criticism." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12084.

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xii, 251 p.<br>Sedimentations of transformations and experiences empowered the 20th century writers Sata Ineko and Hirabayashi Taiko as writers. Because of their mutual belief in the early principles of the proletarian literary movement--writing the reality of the working class from their perspectives--both produced works centered on daily life. In not only delineating but also examining the daily occurrences, their stories and critiques acutely exposed the issues, the conditions, and the exploitation of the working class under capitalism, particularly the unfair and unreasonable treatment of

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Gálvez, Comandini Ana Carolina. "De lacra social a proletaria urbana - La novela social y el imaginario de la prostitución urbana en Chile: 1902-1940." Tesis, Universidad de Chile, 2011. http://www.repositorio.uchile.cl/handle/2250/108730.

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El transitar del imaginario de la prostitución de lacra social a proletariado urbano, recorre varias etapas en la que ésta es tolerada, reprimida y, finalmente aceptada, a contrapelo, por el discurso oficial y sus instituciones. En el tiempo que transcurre entre el primer periodo de reglamentación de la prostitución (1896) y hasta el censo de 1940, circularemos por los caminos que recorrió el imaginario de la prostitución, sus representaciones y prácticas sociales, hasta llegar a ser validado en el discurso formal como trabajo asalariado; poniendo en evidencia, durante todo el trayecto, que ex

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Silva, Roberto José da 1974. "Inferno urbano : estudo do espaço em Os Corumbas, de Amando Fontes." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269952.

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Orientador: Enid Yatsuda Frederico<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-05T10:49:05Z (GMT). No. of bitstreams: 1 Silva_RobertoJoseda_M.pdf: 4051856 bytes, checksum: 61c61eff4f55402d86743ea59ea36881 (MD5) Previous issue date: 2005<br>Resumo: Nesta dissertação, faço um estudo do romance Os Corumbas, de Amando Fontes, publicado em 1933. O foco principal da análise está voltado para o espaço ficcional, a cidade de Aracaju, local onde desenrola as ações. Escrito na estética naturalista o romance é

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21

Muthee, Martin Kimathi Muthee. "An Echo to a People's Culture: Ken Walibora's Kidagaa Kimemwozea as a Representation of the Kenyan Socio-Political Environment." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494864795378801.

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22

Filler, Stephen. "Chaos from order anarchy and anarchism in modern Japanese fiction, 1900-1930 /." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5num=osu1087570452.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains viii, 230 p. Advisor: Richard Torrance, Department of East Asian Languages and Literatures. Includes bibliographical references (p. 223-230).

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Xavier, Elaina Carla Silva. "Ninguém morre de fome em Portugal? pobreza e mobilidade social na obra de Eça de Queirós (1878 1888)." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2728.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>O propósito desta dissertação é apresentar uma análise da pobreza e da mobilidade social na obra de Eça de Queirós no período de 1878 a 1888. Para tanto, examinaremos os personagens pobres, refletindo sobre seu papel na diegese, sua construção no texto e sua influência na concepção artística do autor; sobre a subjacente visão de mundo que nelas se expressa; e, finalmente, confrontamo-las, enquadradas no que tem sido considerado estética realista-naturalista. Esta pesquisa justifica-se pela proposta de criação de um novo foco de a

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24

Kern, Matthias. ""L'amour du peuple" : esthétique populiste et imaginaire du populaire dans la culture française de l'entre-deux-guerres." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0152.

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La production culturelle de l’entre-deux-guerres se distingue par un intérêt renouvelé pour la représentation des enjeux sociaux qui troublent la vie quotidienne de la population française : le travail et la misère dans un espace de plus en plus urbanisé deviennent les sujets primordiaux dans la littérature, la photographie et le cinéma, notamment pendant la période entre 1928 et 1939. Face à la crise financière, les grèves ouvrières et l’essor du Front populaire, le champ artistique réagit avec un renouveau des formes de représentation réaliste qui doit aboutir à l’interrogation de la nature

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25

SHAOLING, HUNG, and 洪韶翎. "The Research of Japanese Proletarian Literature." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/35159639294223958833.

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碩士<br>輔仁大學<br>日本語文學系<br>90<br><BR> This research paper aims to explore the “proletarian literature in “Japanese proletarian literature” which takes place in the early 20th century. In addition to examining the initial ideals of “justice” and “social equality,” it also attempts by means of sorting and discourse/ statement to plow through this left-wing literature, field, which is still desolate among local researches of Japanese literature yet influential to Taiwanese literature in the period under Japanese occupation.</BR> <BR> From the view of a Japanese literature researcher who

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Pai, Chunyen, and 白春燕. "The Fighter, Yang Kuei, in the Transition Period of Proletarian Literature— The Cross-border Interchanges of Taiwan & Japan Proletarian Literature in 1930’s." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/70657946596397040956.

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碩士<br>東海大學<br>日本語文學系<br>100<br>楊逵は小説「新聞配達夫」を1934年10月文学雑誌『文学評論』に寄稿、第二席に入選し、台湾人作家が初めて日本の文学賞を獲得することとなった。楊逵は植民地出身の台湾人作家の第一人者として、日本文壇の文学者と密接な交流を行い、台湾・日本文芸雑誌にプロレタリア文学理論を活発に発表して、1930年代台湾文壇における重要な文学理論家となった。本研究の目的は、楊逵の文芸大衆化理論と日本文壇における文学理論を比較することによって楊逵が日本文壇における文学理論からの受容・変容を明確したい。本研究では、楊逵が日本文壇における文学理論からの受容は他の台湾文学者より迅速であること、日本文壇に文章を発表することによって植民地文壇の意見を日本文壇に持ち込むこと、日本文壇における文学理論を台湾文学に相応しい理論に変容することが確認された。

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Sewell, Sara Ann. "An attempt at working-class culture die linkskurve and proletarian-revolutionary literature /." 1994. http://catalog.hathitrust.org/api/volumes/oclc/32033384.html.

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28

WEN-SAN, CHEN, and 陳文山. "A Study And Comparison Of The Proletarian Literature Of China And Japan." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/27708057505906004505.

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碩士<br>中國文化大學<br>日本研究所<br>90<br>The object of the thesis is to study and compare the proletarian literature of China and Japan by using the development of their form as the elements of comparison. The study also examines and analyzes their proletarian backgrounds by using contemporary literature material. The purpose is to understand how literature is used to speak for proletarian views. Furthermore, the study also examines the formation and development of Taiwanese proletarian literature during the Japanese colonized period and compares it with similar literature of China

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Malínek, Vojtěch. "Kapitán generace?Zdeněk Kalista a nejmladší česká literatura v letech 1919 - 1924." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342257.

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The aim of this thesis is to present the literary activities of Zdenek Kalista in 1919- 1924, a period which saw him becoming one of the most prominent figures of the young post- war generation of writers. The research has been primarily based on materials that had been so far ignored or insufficiently reflected (literary remains of Zdenek Kalista, Antonin Matej Pisa, Cestmir Jerabek, Lev Blatny, Jiri Wolker etc., as well as articles from contemporary magazines and daily newspapers) together with Kalista's memoirs. The thesis is divided into five chronologically sorted parts, each reflecting o

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Babatunde, Samuel Olufemi. "Engagement et militantisme dans le Docker Noir (1956), les Bouts de bois de Dieu (1960) et Xala (1973) de Sembène Ousmane." Thesis, 2015. http://hdl.handle.net/10500/19617.

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Text in French<br>Member of the union of black workers in the port of Marseille, in France, and an eyewitness to the misery of black workers in the European environment, Sembène Ousmane, in 1956, wrote, using his personal experiences, his first book entitled The Black Docker. In this novel, he describes the sufferings of the working class, the struggle between colonisers and colonised. In 1960, he uses as a pretext the strike of the Senegalese railway workers in 1937 to write a book entitled God's Bits of Wood. In this story where two forces clashed, on one hand, the colonised struggling again

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