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1

Tsfati, Yariv, Rivka Ribak, and Jonathan Cohen. "Rebelde Way in Israel: Parental Perceptions of Television Influence and Monitoring of Children's Social and Media Activities." Mass Communication and Society 8, no. 1 (2005): 3–22. http://dx.doi.org/10.1207/s15327825mcs0801_2.

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McCleary, Iva Dene, and M. Winston Egan. "Program design: Program design and evaluation: Two‐way interactive television." American Journal of Distance Education 3, no. 1 (1989): 50–60. http://dx.doi.org/10.1080/08923648909526650.

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Ciurea, Maria, and Veronica Catargiu. "The Adoption of the Recovery Program – is this a Way to Improve the Financial Performance of the Romanian Television Society?" New Trends and Issues Proceedings on Humanities and Social Sciences 3, no. 4 (2017): 96–103. http://dx.doi.org/10.18844/prosoc.v3i4.1519.

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Through this scientific approach we wanted to tackle a controversial and least investigated area for the Romanian media market that is the public television service. In the current economic context, our objective has been to analyze the way the adoption of the Recovery Program and its implementation have led to an improvement in the financial performance of the Romanian Television Society. Keywords: recovery program; financial performance; tax debt/ liabilities; financial results; public television;
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Polomski, R. F., D. W. Bradshaw, R. H. Head, and G. L. Reighard. "Teaching Pruning through Television." HortScience 32, no. 4 (1997): 592B—592. http://dx.doi.org/10.21273/hortsci.32.4.592b.

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Two interactive pruning televideoconferences were produced, each comprised of videotaped segments and in-studio pruning demonstrations. In the first televised conference, viewers received step-by-step instructions for pruning four small and tree fruits. Twelve woody ornamentals were pruned in the second conference. The “how-to-prune” segments were performed by Extension personnel and videotaped by University Electronic and Photographic Services. Each of the 2-hour conferences was broadcast live from a classroom television studio with a total of 30 in-studio participants and 178 county extensio
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Fantini, Endah. "REPRESENTASI ADEGAN KEKERASAN DALAM TAYANGAN KOMEDI TELEVISI (ANALISIS SEMIOTIKA TERHADAP PROGRAM OPERA VAN JAVA DI TRANS7)." Majalah Ilmiah Bijak 15, no. 1 (2018): 91–105. http://dx.doi.org/10.31334/bijak.v15i1.135.

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Opera Van Java (OVJ) Television program on Trans7 earns a high rating and share in a relatively short time. This is a new phenomenon in the category of comedy that shows a television program in Indonesia can be successful. This event received much praise, so the OVJ included a comedy that received great public attention. The silly story presented by OVJ is very funny and appealing to all walks of life.Trans7's communications management on this television comedy program has demonstrated professional work in managing comedy programs. This is done by building the synergy / performance of all the
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Selimi, Ferid, Marigona Xhigoli, Driton Iseni, and Saranda Krasniqi. "Young Kosovars, Their Preferred Television and Use of Viewing Devices." Revista de Gestão Social e Ambiental 18, no. 3 (2024): e05897. http://dx.doi.org/10.24857/rgsa.v18n3-119.

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Objective: To ascertain the interest of youth in this information medium at a time when television is no longer the primary media, as each individual carries a cellphone and when young people utilize alternative information sources through social networks Theoric Framework: Other studies concerning media preference have argued that preference in media is a complex concept that needs to be studied on different levels. Methods: During the research, an empirical study was conducted, specifically a survey with a focus group of young people aged 18-30, to explore their access to information, using
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Lizetha, Vivin, and Angga Prawadika. "Konvergensi Setengah Hati : Invasi Konten Media Sosial dalam Program Berita Televisi di TVOne." Jurnal Media dan Komunikasi 2, no. 1 (2021): 15. http://dx.doi.org/10.20473/medkom.v2i1.29350.

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Growth of technology give big impact to development and changes in mass media. Today, even though broadcast media like radio and television still have place in the heart of audience, however should be recognized that the existence of social media, it must be recognized that the existence of social media has a significant impact on media development. Mainstream media, especially television broadcast media, are starting to look for ways not to be abandoned by their audience. They began put in social media content into television programs. That happened on all shows in television programs. No exc
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Glover, Petra. "Michael Palin's Himalaya : Potential Impact of Television Travel Diaries on Destination Image." Tourism Review International 16, no. 2 (2012): 113–24. http://dx.doi.org/10.3727/154427212x13485031583894.

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A strong academic interest in media-induced tourism has emerged in recent years with a focus on fictional movies and television programs. In contrast, few studies have evaluated audiovisual formats of factual or documentary nature, despite the increasing popularity of such television programs with a specific travel theme. In the UK, programs resembling video diaries in which the presenter, generally a celebrity, is accompanied on an extended journey by a television crew are firmly established in the television schedule. this article examines the potential impacts of the television travel serie
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İşliyen, Fadime Şimşek, and Mustafa İşliyen. "An overall assessment of the educational roles TV contents play in raising children’s historical consciousnes." International Journal of Innovative Research in Education 4, no. 2 (2017): 77. http://dx.doi.org/10.18844/ijire.v4i2.2317.

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Abstract
 
 This study attempts to determine what kind of effects the contents of TV children consume have on their cognitive development and whether they have any contribution to their educational lives. In this study, the effect of television usually on education especially on history education has been discussed. To reveal this effect clearly, children aged 7 to 8 who had not received history education and whose historical consciousness had not yet developed fully were included in the study. Face to face interviews were used to collect data for the study. Based on the consideratio
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Furno-Lamude, Diane, and James Anderson. "The Uses and Gratifications of Rerun Viewing." Journalism Quarterly 69, no. 2 (1992): 362–72. http://dx.doi.org/10.1177/107769909206900210.

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Even from the earliest days of commercial television in the 1950s, viewers have been able to pick betweeen first-run or rerun television programs. One way or the other, about half of today's television menu involves rerun material. This survey of viewers finds a number of motivations associated with the viewing of each type of program. For many viewers, nostalgia or pure enjoyment is associated with viewing reruns more than with viewing first run programs. But those with time to kill are more likely to watch first run programs; rerun viewing seems to require more motivation.
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Shashkova, E. V. "INTERVIEW RECONSTRUCTION AS A GENRE MODIFICATION." Memoirs of NovSU, no. 4 (2024): 599–608. https://doi.org/10.34680/2411-7951.2024.4(55).599-608.

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Interviews occupy a special place in the system of journalism genres. Having started its history with print media, interviews today have become an integral part of not only television, but also digital content. Modern television interviews require more freedom and dialog, which allows one to establish personal contact with the guest; in addition, they have reached a new level of interaction with the audience, which is a positive factor in the development of the modern media space. Therefore, the transformation of the television interview allows it to adapt to modern requirements and expectatio
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Romadlono, Nanang Yulianto. "Tantangan TV lokal di era disrupsi media." Islamic Communication Journal 5, no. 2 (2020): 175. http://dx.doi.org/10.21580/icj.2020.5.2.6107.

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<p><em>Television broadcasting media during the Disruption Era was the biggest challenge for Television, especially local television to innovate and be creative in the era of technological development. Competition between the media is very tight coupled with the current Covid 19 pandemic, requiring media companies to survive in the competition of competitors. Cakra Semarang TV as Local TV in Central Java in an effort to compete in the Age of Media Disruption. The method used in this research is interpretive qualitative, using the theory of Sociocultural Evolution and Socio-technica
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Koyimah, Sariati, Romdhi Fatkhur Rozi, and Dwi Haryanto. "PERSEPSI PENONTON ANAK-ANAK TERHADAP VISUALISASI ANIMASI ACARA SI OTAN DALAM MUATAN KONSEP EDUTAIMENT." ROLLING 5, no. 2 (2022): 99. http://dx.doi.org/10.19184/rolling.v5i2.38719.

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 Generally, television programs are divided into two parts, which are popular entertaining program called entertainment program and information called news program Television station provides as how that covers the two elements which is known as edutainment. Si Otan program is an edutainment program that explains about animal world. Based on that, to know how far Si Otan program gives influence so that it can broaden knowledge and change perception about animal world. The data of the research were reviewed by using learning theory by Jerome Bruner, the theory that emphasize
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Abdullayeva, Zamira. "PLACE AND COMMUNICATIVE LOAD OF THE WRITTEN AND SPOKEN WORD IN TELEVISION JOURNALISM." INTERNATIONAL JOURNAL OF WORD ART 5, no. 3 (2020): 209–17. http://dx.doi.org/10.26739/2181-9297-2020-5-32.

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The spread and expansion of the communicative and reproductive, artistic spheres of television requires the establishment of a permanent two-way communication between the viewer and television.Based on the emerging theory and practice of television, taking into account the experience of past years, in the article a) the composition of the script, writing technique; b) analysis of the demonstration process; c) a TV program with the participation of a TV viewer; d) media preparation and tape sealing; e) We sought to retrospectively study issues related to broadcasting
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Adek Dharma Santoso. "The production process of Cahaya Hikmah as a media content for Islamic propagation on the PWMU TV YouTube channel." DIGICOM : Jurnal Komunikasi dan Media 3, no. 3 (2023): 168–71. http://dx.doi.org/10.37826/digicom.v3i3.541.

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In this modern era, communication is one of the important factors for the progress of a nation. Communication that occurs can be through a medium both electronic and print. One of the electronic media that has been popular and very effective for delivering information and messages is television. With its various programs, television is able to provide information, education, entertainment and so on. The program is packaged in a good way to make it interesting for those who watch it. This research uses a qualitative study approach, with a descriptive analysis method. descriptive method as a met
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Wulandari, Margareta, and Novi Kurnia. "Jaringan Sosial dan Konvergensi Media: Penonton Interaktif Sinetron 7 Manusia Harimau." Jurnal ILMU KOMUNIKASI 14, no. 2 (2017): 169–88. http://dx.doi.org/10.24002/jik.v14i2.776.

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In the convergence era, television audience has become interactive audience. Study about television audience become important, especially in favorite program, such as sinetron (Indonesian soap opera). Netnography method is used to examine the social network dynamics of 7 Manusia Harimau audience. After conducting online participatory observation in two fandom groups and in-depth interviews with seven informants, the results show that media convergence has broaden the way audience consume sinetron and enhanced the audiences’ interactivity. Online media support the audience to develop individual
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Zubaidi, Ali Akbar. "PERENCANAAN INDUSTRI MEDIA TELEVISI ISLAM." KOMUNIKE 12, no. 2 (2020): 235–53. http://dx.doi.org/10.20414/jurkom.v12i2.2748.

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Today, media digitalization has become the foundation of media industry owners in presenting a variety of information and entertainment, including media television. With the establishment of various commercial television broadcasting institutions as well as the competition for the media competition which is quite tight. Seeing the development of television broadcasting media itself with heavy competition, Islamic television institutions, in particular, seem not ready to compete with other television institutions. Institutions that affect the unpreparedness of existing Islamic television broadc
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Wekesa, Everlyne, Hellen Mberia, and Augustus Nyakundi. "The Influence Of New Media Technology on Television Content Sourcing in Kenya." African Multidisciplinary Journal of Research 1, no. 1 (2024): 297–312. https://doi.org/10.71064/spu.amjr.1.1.279.

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Advancements in technology are shaping the way things are done in the media at a very high rate. It has led to a proliferation of devices that have greatly changed the processes of content sourcing, producing and disseminating. This paper was born of a pilot study that aimed at exploring ways in which the new media technology has influenced television content sourcing in Kenya. The study was informed by The Technological Determinist Theory and the Media Determinism Theory. It was conducted in Nairobi County, being the centre of technological innovation in Kenya. The study adopted the descripti
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Nayak, Rajeshwari R. "Reconstruction and Presentation of Reality on Television: An Analytical Study of Kannada Channels." Artha - Journal of Social Sciences 16, no. 3 (2017): 39–47. http://dx.doi.org/10.12724/ajss.42.3.

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Television has altered the way news is constructed and delivered. Due to competition and TRP, television news channels are experimenting with different techniques to attract attention and reach audiences. Reconstruction with the help of graphics and animation along with docudramas has become quite common in various kinds of television programs. From hard to soft news story-telling television channels have adopted different patterns of visual construction to make an emotional appeal to the audience. Media theories have established the power of visual media in the common man’s life. The present
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Fajri, Fauzan, and Defhany . "Upaya Padang TV Dalam Meningkatkan Pemirsa Program Acara Sumbar Rancak Bana." JKOMDIS : Jurnal Ilmu Komunikasi Dan Media Sosial 4, no. 1 (2024): 135–39. http://dx.doi.org/10.47233/jkomdis.v4i1.1481.

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In the context of broadcast media in Indonesia, especially television broadcasters such as Padang TV, there are complex challenges and opportunities. However, data shows that television media still plays an important role in people's lives, with high viewing rates. However, the shift in consumption patterns towards internet-based services is a challenge that television stations must face. The phenomenon of viewers moving to cable TV and internet services has resulted in a decline in interest in local broadcasts. This research discusses how Padang TV's efforts to increase viewers through the Su
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Meis, Jessie J. M., Stef P. J. Kremers, and Martine P. A. Bouman. "Television Viewing Does Not Have to Be Sedentary: Motivation to Participate in a TV Exercise Program." Journal of Obesity 2012 (2012): 1–8. http://dx.doi.org/10.1155/2012/752820.

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The present study explored which underlying motivations induced people to participate in a television exercise program called “The Netherlands on the Move!-television” (NOM-tv). A cross-sectional study was carried out among 1,349 viewers of NOM-tv. The respondents completed the intrinsic motivation inventory (IMI), assessing their levels of intrinsic motivation towards participating in the NOM-tv exercises. The results showed that higher levels of intrinsic motivation (i.e. enjoying the NOM-tv exercises, feeling competent to perform this activity, and willingness to put effort into the exercis
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Lancioni, G. E., N. N. Singh, M. F. O'Reilly, et al. "Enabling a Young Man with Minimal Motor Behavior to Manage Independently His Leisure Television Engagement." Perceptual and Motor Skills 105, no. 1 (2007): 47–54. http://dx.doi.org/10.2466/pms.105.1.47-54.

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Persons with severe spastic tetraparesis and minimal motor behavior may be confined to a wheelchair or bed and have virtually no chances of constructive engagement with their immediate environment. A possible way to modify this situation may involve the use of technology. The present study (a) assessed specific technology to enable a young adult to manage his leisure television engagement independently and (b) carried out a social validation assessment of the technology-supported performance involving 90 teacher trainees as raters. The intervention period with the new technology included 67 se
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Tetik, Anlı Tuna, and Dilay Özgüven. "Reality Crime Programs in Turkish Television: The Notorious Case of Palu Family on Müge." ATHENS JOURNAL OF MASS MEDIA AND COMMUNICATIONS 7, no. 2 (2021): 136–50. http://dx.doi.org/10.30958/ajmmc.7-2-4.

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The crime drama has always been popular on radio and television. Following this popular programming type, these programs found its way into reality crime programs. The reality crime programs emerged in U.S television in the late 1980s as the combination of news, crime dramas, and even horror genre. The reality crime programs placed themselves mainly in two formats in the television world. There is a vignette format where actors reenact actual crimes, and another one is the live-action format. It is the 1990s for Turkey to introduce reality television to the audience. One of the popular program
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Sari, Anak Agung Ayu Mas Merta, Anak Agung Sagung Laksmi Dewi, and Luh Putu Suryani. "Fungsi Komisi Penyiaran Indonesia terhadap Pelanggaran Siaran Televisi." Jurnal Interpretasi Hukum 1, no. 2 (2020): 18–23. http://dx.doi.org/10.22225/juinhum.1.2.2467.18-23.

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Broadcasting through television media is an effective and efficient way to convey information, education and inspiration to the public or society. The information that is presented must have been packaged in such a way that it is interesting to display. However, in practice, there are frequent violations of television broadcasting, especially violating broadcasting code of conduct and broadcast program standards. For this reason, this study aims to determine the regulation of television broadcasts in Indonesia, and to determine the sanctions for violations of television broadcasting. The resea
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Jordan, LuAnn, Fred Spooner, Kelly Anderson, and Ann S. Dillon. "Creative, Yet Practical: 20 Years of Distance Education Teacher Preparation." Rural Special Education Quarterly 38, no. 4 (2019): 188–200. http://dx.doi.org/10.1177/8756870519878116.

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For more than 20 years, distance education has provided an option for prospective special education teachers to achieve licensure and a graduate degree. The program began as a two-way interactive television endeavor located at area community college sites. Over time, the program evolved to include online coursework with synchronous class meetings. In addition, changes in licensure and the graduate program have affected the schedule and offerings. Although changes are part of the story, the mission has remained the same, to provide quality graduate instruction to teachers of students with disab
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Prawira, Indra. "Konstruksi Realitas Media Hiburan: Analisis Framing Program Redaksiana Di Trans7." Humaniora 5, no. 2 (2014): 1066. http://dx.doi.org/10.21512/humaniora.v5i2.3222.

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News program is one of Indonesia's most popular programs although in practice the program is still unable to compete with entertainment programs. Redaksiana program has successfully captured the heart of Indonesian audiences with achieving a high rating. This program displays different information to the news program in general, so it is more interesting to watch. Similar to other media, television program Redaksiana on Trans7 presents the news as the result of selection, construction, and reconstruction. Research problem studied is how Redaksiana constructs the news and what frames it uses. T
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Jayalath, H. A. K. A. M. "A Study of the Dynamics and Trends of Reality Television Program Format and the Relationship of Such Programs with Social Media." Vidyodaya Journal of Humanities and Social Sciences 07, no. 02 (2022): 203–17. http://dx.doi.org/10.31357/fhss/vjhss.v07i02.15.

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In giving the home audience an experience that combines both images and sound, surpassing the potential of the traditional mediums of print and radio, the audience rallying around the television increased by the day. Reality shows originated as a result of the introducing new programme models to the television. Attempts were made to portray real life forms of people in a more realistic way through the reality format. A majority of the audience were inclined towards watching reality programmes and the trend was to see the rise of modern social media activism. Thus, the research problem herein w
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Sebastian, Joan P., Winston M. Egan, and Jack C. Mayhew. "From Two-way Television to the Internet: The Evolution of a Rural Distance Education Program." Rural Special Education Quarterly 28, no. 3 (2009): 5–8. http://dx.doi.org/10.1177/875687050902800303.

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Mubarok, Mubarok, Urip Mulyadi, and Agus Triyono. "Konstruksi Identitas Kultural Melalui Acara ‘Ngalor Ngidul Kalongan’ di Batik TV Pekalongan." Tuturlogi 5, no. 3 (2024): 135–45. https://doi.org/10.21776/ub.tuturlogi.2024.005.03.3.

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This article will discuss the construction of Pekalongan cultural identity in the ‘Ngalor Ngidul Kalongan’ program on Batik TV Pekalongan. This program was chosen as a context to show how local content from the Local Public Broadcasting Institution (LPPL) constructs cultural identity. One of the differences with other studies on local content is the selection of television media and the concepts used. The concepts used are identity, cultural identity, local content and the role of local television. Batik TV was chosen as the object of research because of its position as an LPPL that differenti
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Hanana, Alna, Nindika Widya Tirta, Elva Ronaning Roem, and Yayuk Lestari. "SPONSOR-ORIENTED MARKETING COMMUNICATION BY PADANG TV FOR MAINTAINING LOCAL-CULTURAL CONTENT." Bricolage : Jurnal Magister Ilmu Komunikasi 6, no. 02 (2020): 159. http://dx.doi.org/10.30813/bricolage.v6i02.2155.

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<p>This research focuses on promotional strategies conducted by Padang TV in an effort to introduce and maintain the Duduak Baselo program as a cultural content program. From the minimal existence of cultural content in the majority of Indonesian television, Padang TV is one of the local stations that present cultural content, one of which is the Duduak Baselo program. This program can survive, of course, because there are promotional and marketing efforts undertaken by the television station. Promotional mix analysis that becomes the focus of this research is on how the station approach
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Hagedoorn, Berber. "De poëtica van het verbeelden van geschiedenis op broadcast televisie." TMG Journal for Media History 20, no. 1 (2017): 78. http://dx.doi.org/10.18146/2213-7653.2017.282.

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In modern society, television is one of the most important media for presenting the past. This article focuses on the poetics of history on television broadcasts in relation to the manner in which these broadcasts present our past as well as our collective memory. This study rebuts criticism of television as a medium for historical accounts by demonstrating how professionals in the field actively display an extensive knowledge and understanding of the past, provide frameworks for the contextualization of audiovisual materials and depth, and apply and operate specific functions of different rep
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Gavran, Iryna, and Yelyzaveta Nikolaichenko. "Sound Director in Modern Program Content of TV Channels." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 1 (2023): 29–37. http://dx.doi.org/10.31866/2617-2674.6.1.2023.279231.

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The purpose of the article is to determine the place of the sound director in the creation of a global information space that would ensure effective interaction of people, their access to global data resources and satisfaction of needs for information products and services using the content of television programs. The research methodology consists in the application of special methods: source analysis of the main publications on the topic (to find out the level of scientific development of the problem); historical and cultural, which led to a holistic approach to the analysis of the process of
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Handayani, Veronika Suci, and Rofiq Anwar. "STUDI KASUS PERAN KPID DIY DALAM MENANGANI PELANGGARAN BAHASA NONVERBAL DAN ADEGAN SEKSUAL PADA ANTV DAN ADITV MENURUT PEDOMAN PERILAKU PENYIARAN DAN STANDAR PROGRAM SIARAN (P3SPS)." JURNAL TEKNOLOGI INFORMASI DAN KOMUNIKASI 15, no. 2 (2024): 223–31. https://doi.org/10.51903/jtikp.v15i2.858.

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Television broadcasting has an important role in conveying messages, entertainment and education to the public. However, with advances in technology and media freedom, the problem of violations in television broadcasting is increasingly complex. KPID DIY seeks to establish cooperation to advance broadcasting institutions in the Special Region of Yogyakarta in accordance with Regional Regulation Number 13 of 2016. This research aims to investigate the role of KPID DIY in handling violations and identifying the effectiveness of disciplinary action against television stations that violate P3SPS g
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Qiu, Na, and Huai Chang Du. "Design and Implementation of JMF-Based VOD System." Advanced Materials Research 1042 (October 2014): 197–202. http://dx.doi.org/10.4028/www.scientific.net/amr.1042.197.

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Video on Demand system is also known as interactive television-on-demand system. It is a two-way audio and video-on-demand system and realizes to play video program according to the user’s needs, which is based on the new concept of “user independent”. This paper briefly introduces the concept of video-on-demand system, streaming media transmission protocol, JMF features and structure and describes the overall structure and function of each part of the on-demand system.
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Gavran, Iryna, and Yelyzaveta Nikolaichenko. "Sound Director in Modern Program Content of TV Channels." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 1 (2023): 29–37. https://doi.org/10.31866/2617-2674.6.1.2023.279231.

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The purpose of the article is to determine the place of the sound director in the creation of a global information space that would ensure effective interaction of people, their access to global data resources and satisfaction of needs for information products and services using the content of television programs. The research methodology consists in the application of special methods: source analysis of the main publications on the topic (to find out the level of scientific development of the problem); historical and cultural, which led to a holistic approach to the analysis of
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Entman, Robert M. "Representation and Reality in the Portrayal of Blacks on Network Television News." Journalism Quarterly 71, no. 3 (1994): 509–20. http://dx.doi.org/10.1177/107769909407100303.

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This paper probes the images of African Americans in a thirty-day sample of videotaped news programs on ABC, CBS, and NBC, and in a computer analysis of verbatim transcripts of ABC's nightly news program for one year. Network news appears to convey more stereotyped impressions — a narrower range of positive roles — for blacks than for whites. Representations of whites in network news are more varied and more positive than of blacks, not because of conscious bias, but because of the way conventional journalistic norms and practices interact with political and social reality. The findings raise
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Prain, Vaughan, and Tony Booth. "Using Interactive Television to Deliver Professional Development Programs in Rural Victoria." Australian and International Journal of Rural Education 3, no. 2 (1993): 5–10. http://dx.doi.org/10.47381/aijre.v3i2.373.

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In 1991 the Regional Telematics Educatiou Consortium (RTEC) was established to promote and co-ordinate the telematic delivery of education and training programs in rural Victoria. 'Telematics' is defined as all electronically-delivered communication, including audio and audiographic conferencing, and one or two-way video transmission. Interactive television programs were first trialled in 1991 in the Loddon Campaspe Mallee Region, and expanded to over twenty programs in 1992. While many of these programs consisted of only one or two sessions, the Promoting Effective Teaching and Learning Progr
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Price, Emma, and Amy Nethery. "Truth-Telling at the Border: An Audience Appraisal of Border Security." Media International Australia 142, no. 1 (2012): 148–56. http://dx.doi.org/10.1177/1329878x1214200116.

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Since its initial broadcast in October 2004, Border Security: Australia's Front Line has enjoyed sustained high ratings on Australian television. This article examines the key theme of ‘truth-telling’ in Border Security. Drawing on interviews with audiences and the program's executive producer, the article argues that the way truth-telling shapes the storytelling in Border Security taps into contemporary social and political ideas about how and why Australian borders should be managed. As a diagnostic tool for identifying authenticity, truth-telling is the key condition, or ‘rule’, that newcom
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Collins, Nick. "A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater." Computer Music Journal 40, no. 3 (2016): 41–57. http://dx.doi.org/10.1162/comj_a_00373.

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Algorithmic composition methods must prove themselves within real-world musical contexts to more firmly solidify their adoption in musical practice. The present project is an automatic composing program trained on a corpus of songs from musical theater to create novel material, directly generating a scored lead sheet of vocal melody and chords. The program can also produce output based upon phonetic analysis of user-provided lyrics. The chance to undertake the research arose from a television documentary funded by Sky Arts that considered the question of whether current-generation, computation
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Damayanti, Welsi, and Siti Hamidah. "Writing Skills Reducing Background of Scientific Articles Online Journal of Indonesian Education University Freshmen." DISCUSSANT: Journal of Language and Literature Learning 1, no. 1 (2023): 1–12. https://doi.org/10.55909/dj3l.v1i1.1.

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This study aims to describe writing skills reducing the background of online journal scientific articles. The research took place at the end of the odd semester of the 2022/2023 academic year at the Indonesian University of Education. The population is 70 freshmen. This number is divided into 18 freshmen from Television and Film Study Program, 31 freshmen from Science Study Program, and 21 freshmen from Physics Study Program. The sample was determined as many as 60 consisting of 15 freshmen of the Television and Film Study Program, 27 freshmen of the Natural Sciences Study Program, and 18 fres
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Purwidyasmara, Bayu Satyayoga, and Widhihatmini Widhihatmini. "SEMIOTICS ANALYSIS OF POVERTY COMMODIFICATION IN THE REALITY SHOW “UANG KAGET” EPISODE 482 ON GTV." Jurnal Ilmiah Manajemen Informasi dan Komunikasi 6, no. 1 (2022): 31–52. http://dx.doi.org/10.56873/jimik.v6i1.177.

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This research is motivated by a reality show with the theme of poverty containing commodification practices that manipulate the show into a form of commodity that is consumed by its viewers. This practice turns poverty into a commodity that is exploited for the benefit of the media industry. This study aims to analyze the commodification of poverty in the reality show “Uang Kaget” episode 482. This study uses a qualitative approach, data was collected through observation and documentation, and it was analyzed using Charles Sanders Peirce's semiotics. The research results show that there is a c
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Sepyanto, Kharisma Jevi Shafira, Yulison Herry Chrisnanto, and Fajri Rakhmat Umbara. "Talk Show Segmentation System Based on Twitter Using K-Medoids Clustering Algorithm." JURNAL PENDIDIKAN TEKNOLOGI KEJURUAN 3, no. 3 (2020): 158–63. http://dx.doi.org/10.24036/jptk.v3i3.15123.

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Innovations on a talk show on television can be a threat. Audience will be divided into groups so that it can make a downgrade rating program. Program ratings affect companies that will use advertising services. Television companies will go bankrupt. The biggest source of income is sales of advertising services. One way to overcome them can be analyzed in public opinion. The results of the analysis can provide information about the attractiveness of the community towards the program. But the analysis process takes a long time and can be done only by a competent person so another process is nee
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Gajdzik, Bożena, Magdalena Jaciow, Radosław Wolniak, and Robert Wolny. "Gastronomic Curiosity and Consumer Behavior: The Impact of Television Culinary Programs on Choices of Food Services." Foods 13, no. 1 (2023): 115. http://dx.doi.org/10.3390/foods13010115.

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In highly developed countries, more and more people use culinary services. Cooking at home, for the family, is giving way to culinary services. Consumers either order food home or use the offers of restaurants and bars. Consumers’ choice of culinary form may be influenced by cooking television programs. Many TV stations broadcast cooking programs. This study examined the impact of television culinary programs on consumer behavior in the restaurant services market. The article examines the interplay of emotional responses, personality traits, and culinary preferences to understand how TV cookin
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Usmankhujaev, Saidasul, Shokhrukh Baydadaev, and Kwon Jang Woo. "Real-Time, Deep Learning Based Wrong Direction Detection." Applied Sciences 10, no. 7 (2020): 2453. http://dx.doi.org/10.3390/app10072453.

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In this paper, we develop a real-time intelligent transportation system (ITS) to detect vehicles traveling the wrong way on the road. The concept of this wrong-way system is to detect such vehicles as soon as they enter an area covered by a single closed-circuit television (CCTV) camera. After detection, the program alerts the monitoring center and triggers a warning signal to the drivers. The developed system is based on video imaging and covers three aspects: detection, tracking, and validation. To locate a car in a video frame, we use a deep learning method known as you only look once versi
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Guo, Shaohua. "When dating shows encounter state censors: a case study of If You Are the One." Media, Culture & Society 39, no. 4 (2016): 487–503. http://dx.doi.org/10.1177/0163443716648492.

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Postmillennial China has witnessed a surge of TV entertainment programs that constantly straddle the line between market demands and state mandate. Taking If You Are the One, a top-rated dating program that has evoked much controversy as a case study, this article seeks to expand current understanding of the entangled relationship between entertainment and politics in contemporary China. Delving into the critical juncture at which If You Are the One encounters state censors, this article illuminates how the official mandate has played a pivotal role in catalyzing the transformation of If You A
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Phuong, Nguyen Doan Viet, and Vo Thi Ngoc Thuy. "The impact of cognitive and affective factors on the viewer’s preference for television programs." Science & Technology Development Journal - Economics - Law and Management 3, no. 4 (2020): 460–77. http://dx.doi.org/10.32508/stdjelm.v3i4.588.

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One of the greatest concerns to television program producers is to attract and retain viewers. There have been many studies aiming to predict and examine the determinants of viewers’ preference for television programs, of which the most outstanding is the research on media enjoyment by Nabi and Krcmar. In particular, Nabi and Krcmar proposed the tripartite model of media enjoyment effects on viewing and content-related behavior that comprises of affective reaction, cognitive reaction and behaviour reaction. A more generalized theory is that of Katz et al. on the uses and gratifications. Accord
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Ananiev, Anatolii, Ihor Barba, and Serafym Zheliezniak. "Problems and Prospects of Introduction of the European Sound Standard R128." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 2 (2018): 60–68. https://doi.org/10.31866/2617-2674.2.2018.151811.

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The main purpose of the article is to identify the essence of the R128 Standard, the issues of its implementation on the Ukrainian and European television in general, to reveal the further possibilities for its development. Research methodology. To accomplish this goal, the following methods have been used: analysis is for studying and critical description of the individual components of the sound standard, coverage of their background and parties requiring special attention from the part of sound specialists; analytical method - appeal to various branches of knowledge (physics,
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Skåreus, Eva. "Vinn deras hjärtan! - Om genus och emotioner i Tv-serien klass 9A." Tidskrift för genusvetenskap 32, no. 2-3 (2022): 117–44. http://dx.doi.org/10.55870/tgv.v32i2-3.3553.

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This article investigates the mediation of teachers in a reality-TV program, how gender, femininity, masculinity and emotions interact in a school fiction. The reality-TV program, Klass 9A, consisting of 13 episodes, was broadcasted in Swedish television during spring 2008. In the program, viewers could follow a high school class during the fall semester 2007. The class teachers were replaced by “eight of Sweden’s foremost educators” (the TV-producer´s words) to help the pupils improve their scores from low level to the third best class in the country during that semester. In that sense this w
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Thorp, H. Holden. "Science communication at scale." Science 383, no. 6684 (2024): 683. http://dx.doi.org/10.1126/science.ado5736.

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On the television program MythBusters , which aired on the Discovery Channel from 2003 to 2016, the hosts Adam Savage and Jamie Hyneman tested popular myths and ideas arising everywhere from folklore to popular culture, designating them as either “busted” or “confirmed.” The show used engaging and entertaining variations on the scientific method to answer questions such as whether you get wetter when walking or running in the rain or what the fastest way is to board an airplane. I hear frequently from young scientists that the show inspired their generation to join the scientific enterprise. I
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Buchloh, Benjamin H. D. "A Conversation with Dara Birnbaum." October, no. 192 (2025): 136–41. https://doi.org/10.1162/octo.a.9.

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Abstract Benjamin Buchloh: I would like to focus on the formal procedures that structure your work—not the formal conventions of the given television material you analyze, but your own formal procedures. For example, how do you select, out of a one-hour program, three segments of ten seconds each? According to what criteria do you select these segments—to iconography, to dramatic action? Can we describe the actual structure of the tape as one might describe a painting or sculpture consisting of serialized elements or images? This ultimately leads to the question, In what way does your work rel
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