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Thematische Bibliographien / Religious aspects of Soap operas / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Religious aspects of Soap operas“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Myutel, Maria. "Commercial Television in Indonesia." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 175, no. 2-3 (2019): 155–76. http://dx.doi.org/10.1163/22134379-17502017.

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Abstract This article sheds light on previously unknown aspects of Indonesian private television by focusing on the role of the ethno-religious minority of Indonesian Sindhi in the establishment and development of commercial soap opera production. Part of the global trading community of Sindhayat, the local Sindhis have mobilized their translocal and transnational networks to take a dominant position in the emerging sector of national media. Grounded in long-term ethnographic fieldwork among media practitioners and Indonesian Sindhi community members, the article examines how Sindhis’ sense of

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Rustandi, Ridwan, and Khoiruddin Muchtar. "EFFECTS OF EXPOSURE TO MASS MEDIA MESSAGES ON TEENAGE VEILED PERCEPTIONS." INJECT (Interdisciplinary Journal of Communication) 4, no. 2 (2020): 153–74. http://dx.doi.org/10.18326/inject.v4i2.153-174.

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The purpose of this study was to determine the impact on the soap opera Aisyah Putri that aired on the private television station RCTI. This study uses a qualitative approach by relying on George Gebner's theory of states that television shows affect the audience. Data collection techniques through observation and interviews are three main aspects, namely cognitive, affective and conative, related to the effects of exposure to mass media messages. Female students of Al-Biruni High School in Bandung consisting of classes X, XI, and XII. The results of the study showed that the process of percep

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Fianto, Latif, and Fathul Qorib. "Komodifikasi Agama dan Kepentingan Ekonomi Politik Media dalam Sinetron Para Pencari Tuhan." Jurnal Komunikasi Nusantara 4, no. 1 (2022): 140–48. http://dx.doi.org/10.33366/jkn.v4i1.148.

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Commodification is a process of transforming use value into exchange value. The soap opera The Search for God Volume 12 is the result of efforts to change the use value of religiosity into an exchange rate that can bring financial benefits. This study uses a critical perspective with an approach to the theory of media political economy. The concept of commodification of content offered by Mosco become the scalpel of this study. The data of this study is obtained from the main data source, namely the soap opera series of God Seekers Volume 12 which aired on SCTV. As for secondary data obtained

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Habibi, Azwar. "PENERAPAN MODEL LOG LINIER TERHADAP PERSEPSI MAHASISWA PADA SINETRON RELIGIUS." Fraction: Jurnal Teori dan Terapan Matematika 3, no. 2 (2023): 53–62. http://dx.doi.org/10.33019/fraction.v3i2.46.

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The purpose of this study is to find out which variables in the cell cause the contingency to be dependent in the case of student perceptions in religious soap operas. The data taken from this study are the results of a survey of IAIN Madura students with the variables having experienced events, gender and deepening religious knowledge. The data analysis method used is Linear Log Model. The conclusions in this study are as follows based on the estimated parameter values presented in the table above, it can be seen that male and female IAIN MADURA students believe that religious soap operas c

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Collins Wagumba and Dr Kamau Mwangi. "Re-Visiting TV Soap Opera Viewership in a Changing Broadcasting Dispensation in Nairobi." Kabarak Journal of Research & Innovation 11, no. 3 (2021): 221–28. http://dx.doi.org/10.58216/kjri.v11i3.73.

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This study rekindles the soap opera audience viewing debate in a digital broadcast environment within the Kenyan television programming context. In a mixed-method approach,415 participants were interviewed on their preferences of 21 regularly scheduled soap operas in 5 leading Free to air TV stations in Kenya, In addition, 57 participants were purposively identified for FGDs. The study employed the uses and gratification framework. The findings are that even with a new broadcast dispensation and a myriad of programming, the selection and viewing of soap operas are still paramount. The viewers

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Nazaruddin, Muzayin. "Representing Islam: old myths in the new medium." Asian Journal of Media and Communication 2, no. 2 (2019): 19–27. http://dx.doi.org/10.20885/asjmc.vol2.iss2.art4.

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This study focuses on the adaptation of Islamic-mystic magazines into religious soap operas in Indonesia. This study concludes that for the producers, Islamic soap opera plays an economic function: to get more audiences and more economic profit. But, for the audience, religious soap opera plays a cultural function: to maintain and reconfirm their traditional beliefs. It leads us to the theoretical conclusion that this adaptation practice is a mechanism of self-translation of Javanese culture.

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Rohimi, Primi. "REPRESENTASI HADIS DALAM SINETRON INDONESIA." Riwayah : Jurnal Studi Hadis 4, no. 2 (2018): 387. http://dx.doi.org/10.21043/riwayah.v4i2.4516.

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<p class="06IsiAbstrak">The aim of this study is to show how the hadith is represented in <em>sinetron</em> (soap operas). What is the meaning behind the representation. It is motivated by the existence of pros and cons of the use of hadith in <em>sinetron</em>. Some soap operas are claimed to be preaching media to display hadiths in various ways. This study uses a semiotic method that can show how the hadith is displayed in <em>sinetron</em>. This method can also capture the meaning behind the appearance of the hadith. The result is as a consequence o

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Tager, Michele. "Soap opera viewing in a communal context." Communicare: Journal for Communication Studies in Africa 23, no. 2 (2022): 1–20. http://dx.doi.org/10.36615/jcsa.v23i2.1757.

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This paper presents some of the findings of an ethnographic audience study of the soapopera viewing patterns and interpretations of Zulu-speaking students living in residencesat a South African university (Natal University’s Durban campus) who watch The Boldand the Beautiful (an American soap opera) and Generations (a South African soapopera). Although the research undertaken covered various aspects of the soap operaviewing experience and the consumption of an international vs a local soap opera, thispaper will focus specifically on the nature of the viewing process and the ways in whichthe re

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Yazofa, Tartila. "Riset Hadis Berbasis Multimedia." SHAHIH (Jurnal Kewahyuan Islam) 6, no. 1 (2023): 115. http://dx.doi.org/10.51900/shh.v6i1.19373.

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<p>This research discusses multimedia-based hadith research in the reception study of living hadith studies in the form of film media. Muslim individuals in the current era are increasingly exploring religious teachings through social media, especially on YouTube. This phenomenon makes contemporary Muslim scholars convey religious teachings more in the form of video lectures and even package them more interestingly in the form of films that contain Islamic teaching values. Mapping multimedia-based hadith research, one of which focuses on the soap opera "Taqdir Divine Test from Allah" whi

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van Vuuren, Kitty, Susan Ward, and Rebecca Coyle. "Revisiting the Greening of Prime-Time Television Soap Operas." Media International Australia 146, no. 1 (2013): 35–47. http://dx.doi.org/10.1177/1329878x1314600107.

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In 1990, Christopher Rissel and William Douglas commenced a study of the depiction of environmental issues and behaviours on Australian prime-time television drama series. Their findings were discussed in an issue of Media International Australia in 1993. This article reports on a 2011–12 study that replicated key aspects of Rissel and Douglas's research. A collaborative research team focused on two long-running and high-rating Australian soap operas – Neighbours and Home and Away – recorded from June to August 2011. Using content analysis, the researchers investigated the frequency, attitudes

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Heryanto, Gun Gun. "Ekonomi Politik Media Penyiaran: Rivalitas Idealisme Nilai Islami dan Mekanisme Pasar." Communicatus: Jurnal Ilmu komunikasi 1, no. 1 (2017): 85–98. http://dx.doi.org/10.15575/cjik.v1i1.1212.

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Broadcast television in Indonesia increasingly prevalent with various packaging program specifically religious character of Islamic events. The programs are varied, ranging from reality shows, soap operas, talk shows, comedy, religious lectures and others. Gait television stations keislama program includes phenomena on one side commendable. Because it could be, exposure (exposure) of a religious program a chance to form a strong impact in most Muslim audiences for media to apply the principles konsonansi. This paper discusses the political economy television relation to public space and the id

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Siti, Sholihati, Heddy Shri Ahimsa, and Heru Nugroho. "THE USES OF RELIGIOUSS SYMBOLS TO REPRESENT ISLAM (A Study on Religious Soap Opera "Bukan Islam KTP")." Analisa 1, no. 1 (2016): 91. http://dx.doi.org/10.18784/analisa.v1i1.242.

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<p>This study is entitled THE USES OF RELIGIOUS SYMBOL TO REPRESENT ISLAM (A Study on Religious Soap Opera Bukan Islam KTP).<strong> </strong>The background of the research is based on the facts of the arbitrary use of symbols to represent Islam shown on Indonesian televisions. The pattern of the use of religious symbols, either verbal or non-verbal symbols are generally explicit, but when examined using appropriate methods, they are actually contained some implicit meanings. The purpose of this study was to discover about how Islam is represented on television religious soap

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HS, Muh Alwi, and Amrina Rosyada. "Fenomena Living Islam dalam Sinetron." MAGHZA: Jurnal Ilmu Al-Qur'an dan Tafsir 3, no. 2 (2018): 214–27. http://dx.doi.org/10.24090/maghza.v3i2.2135.

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This paper presents various forms of Islamic living (Al-Qur'an and Hadith) contained in the Para Pencari Tuhan sinetron, especially in volume 3 episodes 19. This departs from the assumption that every behavior of Muslims is born with understanding (both textual and contextual ) to religious texts, namely the Qur'an and Hadith, including various scenes displayed in the soap opera. Furthermore, as the focus of the study, this paper discusses the issue of love directed at marriage, both experienced by Azam and Aya, Chelsea and Marni, Barong and Dara, as well as scenes of other people who want to

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Ashifa, Dr K. M., and -. "Addictive Behaviour among Women Viewers of Indian Soap Opera." Webology 18, Special Issue 03 (2021): 127–36. http://dx.doi.org/10.14704/web/v18si03/web18030.

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Media is an integral part of society and it plays vital role for inculcating information. In the course of accomplishing its duties and functions, media, especially television influence on society relatively depending on the audience it reaches. Soaps have a predominant female audience. Some soaps do include men viewers but some social researchers pointed, women are considering most peculiar viewers. They are emotionally attached and value particular soaps in their personal and domestic life. Today people are leading a fast life. People should have some kind of recreation in their get relation

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El Fahl, Alana Oliveira Freitas. "BRASIL, MOSTRA TUAS CARAS: GILBERTO BRAGA E MACHADO DE ASSIS, INTÉRPRETES DO PAÍS | BRAZIL, SHOW YOUR FACES: GILBERTO BRAGA AND MACHADO DE ASSIS, INTERPRETERS OF THE COUNTRY." Estudos Linguísticos e Literários, no. 62 (June 26, 2019): 88. http://dx.doi.org/10.9771/ell.v0i62.32017.

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<p>O artigo apresenta uma discussão sobre a influência da Literatura Brasileira do século XIX nas telenovelas de Gilberto Braga e, sobretudo, sobre a presença do universo machadiano nas obras do autor. Inicialmente, traçamos um percurso da telenovela brasileira como herdeira do folhetim e sua continuação na contemporaneidade por meio de adaptações, citações e absorção de temas presentes nas narrativas literárias. Em telenovelas como <em>Vale tudo</em> (1988/1989), <em>O dono do mundo </em>(1991/1992), <em>Pátria minha</em> (1994) e <em>Força de u

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Bicer, Ramazan. "The Interactive Relation between Religious TV Programs and People in Turkey." International Journal of Online Pedagogy and Course Design 3, no. 3 (2013): 76–84. http://dx.doi.org/10.4018/ijopcd.2013070105.

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The aim of the topic is to deal with role of television on the lifestyle of people and their cultural and religious understanding. TV programs will be shown to change according to lifestyle, education and cultural understanding. Nevertheless, television has a great importance on the lifestyle of people. The religious understanding is a part of the lifestyle. Many Turks shape their cultural and religious understanding by watching television. The authors will deal with cultural and religious understanding from a socio-cultural perspective, exemplifying this by two Turkish television programs cal

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Alarcon-Llontop, Luis-Rolando, Evelyn Noelia Sotomayor Martínez, Sindy Pasapera-Ramírez, Karl Torres-Mirez, and Francisco Javier Barquero Cornelio. "Feminine Expectations from a Gender Perspective in Peruvian Television Fiction." Academic Journal of Interdisciplinary Studies 13, no. 5 (2024): 287. http://dx.doi.org/10.36941/ajis-2024-0165.

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The study addresses the view of women leaders of Peruvian civil society organizations (CSOs) on the representations of women in series/soap operas broadcast by national free-to-air television. From the naturalistic paradigm and a qualitative approach, following a phenomenological and grounded theory design, it covered three pre-categories: the concept of gender, gender relations, and gender system. Focus groups were used to talk to 39 women community leaders, educators, and cultural leaders in two Peruvian cities. It is concluded that they perceive in the series/ soap operas of national televi

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Harrington, C. Lee, and Denise Brothers. "A life course built for two: Acting, aging, and soap operas." Journal of Aging Studies 24, no. 1 (2010): 20–29. http://dx.doi.org/10.1016/j.jaging.2008.10.001.

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Arias, Cuauhtémoc Blanco, Greg Haddrick, and Gillian Arnold. "Creating Social Reality: Template or Mirror? An Industry Perspective." Media International Australia 106, no. 1 (2003): 61–70. http://dx.doi.org/10.1177/1329878x0310600108.

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While much has been written by academics about television strip serials and telenovelas, a perspective less frequently discussed is that of these programs' writers and creators. What aspects of social realities do the writers, story editors and script producers of soap operas and telenovelas invest in their writing? This article draws together the views of practitioners from three very different backgrounds. Cuauhtémoc Blanco, a leading Mexican writer of telenovelas, Felicity Packard and Greg Haddrick of Home and Away, and Gillian Arnold of Going Home discuss their understanding of the ways th

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Ali, Mbarek Oukhouya. "An Examination of the Effects of 2M Channel Airing Turkish Soap Operas on Moroccan Audiences: 2009-2019." American Journal of Arts and Human Science 3, no. 4 (2024): 56–62. http://dx.doi.org/10.54536/ajahs.v3i4.3433.

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This paper attempts to shed light on the media effects of the 2M channel on Moroccan audiences viewing dubbed Turkish soap operas (TSO). In particular, the study limits its scope to 2009-2019 period of broadcasting. It is noted that the viewing process is a prerequisite for social change and media effects. This consideration of direct exposure hastens the effects and influences in the audiences’ lives. Not all media effects of TSO are detrimental to the Moroccan audience and government. No sooner had the audience finished a dubbed Turkish serial than the 2M started broadcasting a new one. Addi

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Perdana, Rangga Cipta, Ernida Kadir, and Genta Iverstika Gempita. "Soft Power and Stress: The Health Impacts of Indonesian Soap Operas on Malaysian Millennials." GHMJ (Global Health Management Journal) 8, no. 1 (2025): 01–12. https://doi.org/10.35898/ghmj-811146.

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Background: The onslaught of Indonesian popular culture in Malaysia is an inevitable phenomenon. It enters without being prevented because of its presence in addition to the factor of technological sophistication, also because of the demand of many Malaysian audiences. The number of soap operas has infuriated certain circles. The reason is that the Indonesian culture that is born in Indonesian soap operas is shredded and superstition and it is not in accordance with the culture in Malaysia. All of this raises concerns that the presence of Indonesian culture will affect the identity, religion,

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Santos Neto, Valdemir, and Mário Abel Bressan Júnior. "The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform." Vista, no. 11 (April 21, 2023): e023004. http://dx.doi.org/10.21814/vista.4438.

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This article aims at discussing aspects related to the context of the decline of television, approaching Latin American television studies with other theories about television. In this study, we focus our discussion on Globoplay, Grupo Globo's streaming platform — the largest Brazilian media conglomerate. Our analysis investigates Grupo Globo's project to recover old soap operas as a media and marketing strategy for the streaming platform. Based on a theoretical discussion, the study believes that Brazilian television has found ways to guarantee its existence due to platformisation. On the ass

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Astari, Rika, and Rika Astari. "Indonesian Muslim Society's Reception of Sensation Language and Invitation to Polygamy on Social Media." Indonesian Journal of Islam and Muslim Societies 13, no. 2 (2023): 369–98. http://dx.doi.org/10.18326/ijims.v13i2.369-398.

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Poligami Asyik Channel is one of the media used by Ustad Awan (UA) to socialize polygamy invitations. The language on this polygamous YouTube uses sensational language. Even though this invitation to polygamy is packaged in sensational language, it is still defeated by personal and interpersonal experiences that are discussed on social media and represented in stories from films and soap operas. This paper aims to map the forms of reception, the factors behind the reception and their impact on public discourse on polygamy law.This research is qualitative and based on primary and secondary data

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Ayyildiz, Şeyma. "The Representation of the Placemaking Process of Urban Religious and Secular Turkish Identities: The Case of Kizilcik Şerbeti (One Love) Soap Opera." Religions 15, no. 6 (2024): 698. http://dx.doi.org/10.3390/rel15060698.

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During a 2-year period, the depictions of religious figures and their interactions with secular individuals in urban daily life became an integral feature of Turkish soap operas that gained popularity in the world after the 1990s. While previous studies have explored the portrayal of various actors in them in terms of age, gender, socio-economic status, and historical perspectives, there is a lack of analysis regarding the interaction between secular and religious urban representations. This research aims to investigate the differences in everyday cosmopolitan perspectives in terms of spatiali

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Yun, Suk-jin. "A Study on the Aspects of Family Liberalization in Korean Television Family Drama - Focusing on KBS2 TV Weekend Soap Operas." Journal of korean language and literature 34 (February 28, 2019): 37–79. http://dx.doi.org/10.24227/jkll.2019.02.34.37.

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Helge, Daniëls. "De soapoorlog op Al-Jazeera: het debat omtrent Arabische en nagesynchroniseerde dramaseries en Arabische identiteitsconstructie." Bulletin des Séances - Mededelingen der Zittingen 64, no. 2 (2020): 9–29. https://doi.org/10.5281/zenodo.4066502.

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Dramaseries worden niet alleen gretig gekeken in de Arabische wereld, ze doen ook vaak veel stof opwaaien. Aan de hand van een analyse van het debat omtrent de productie en de consumptie van Arabische en nagesynchroniseerde dramaseries op de Arabische satellietzenders zal ik onderzoeken hoe verschillende aspecten van Arabische identiteit discursief genegotieerd en geconstrueerd worden. Een micro-analyse van het debat omtrent het nasynchroniseren van Turkse dramaseries in een aflevering van het polemische debatprogramma Al-ittiğāh al-muʿākis (⹂de tegengestelde richting”) op de Arabische s

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Hatta, Juparno. "Konten Islam di Media Televisi: Spiritualitas atau Pemasaran?" Journal of Religion and Film 2, no. 2 (2023): 275–92. http://dx.doi.org/10.30631/jrf.v2i2.25.

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Islamic content has emerged on television media, appearing in the form of news, films, soap operas, talk shows, reality shows and so on. This is called the phenomenon of Islamic commodification, which is increasing in television media nowadays. This study attempts to see what is hidden behind the scenes in the process of presenting various popular cultural products with an Islamic image. Why is Islamic content on television media increasing? Was the action aimed at spiritual values or because of economic interests? Television products with religious content are the result of market interventio

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Hartarto, Romi Bhakti, and Ibnu Hajar. "Television Viewing and Divorce in Indonesia: Evidence from Macro Data." Journal of Population and Social Studies 32 (September 5, 2023): 1–13. http://dx.doi.org/10.25133/jpssv322024.001.

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The rise in divorce incidence seems to be the most apparent social phenomenon in Indonesia during the last decade. As the Ministry of Religious Affairs noted, the number of divorces has increased by 9% to 408,202 in 2018 compared to the previous year. One rationale that may explain this phenomenon comes from the role of television, which has the potential to influence the opinions of society through its programs. In developing countries, including Indonesia, television is still relevant as a medium to reach a large portion of society at a low cost. Hence, this study aims to determine the role

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Ghani, Rohani Hj Ab, Ahmad Shukri bin Abdul Hamid, Zulhilmi Bin Paidi, Mohan A/L Ratakrishnan, Rashidah Binti Mamat, and Andi Tenri Yeyeng. "HUBUNGAN KONTEMPORER MALAYSIA–INDONESIA: TAHAP PENGETAHUAN DAN PEMAHAMAN GEN X DAN Y MALAYSIA." JURNAL POLITIK PROFETIK 9, no. 1 (2021): 135. http://dx.doi.org/10.24252/profetik.v9i1a8.

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Looking at the relations between Malaysia-Indonesia, it could be seen that society has the power to direct the bilateral relations between two countries. In comparison, Indonesian society is more responsive than Malaysian society in responding to particular issues related to both countries. The most active group is generally from the younger generation known as Generation Y (Gen Y) where their reactions tend to be provocative. The purpose of this paper is to discuss the knowledge and perceptions of Gen Y and Gen X at Universiti Utara Malaysia (UUM) on the Malaysia-Indonesia bilateral relations

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Hamadi, Lutfi. "The Main Dramatic Features of Melodrama: A Dramatic Study of Maria Martin and Sweeney Todd And Their Traces In Modern Soap Operas." European Scientific Journal, ESJ 13, no. 26 (2017): 122. http://dx.doi.org/10.19044/esj.2017.v13n26p122.

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This paper attempts an exploration of the prosperity of melodrama in the nineteenth century with its literary shortcomings in comparison with more serious and deeper plays before and after that era. Shedding light on the political, social, and economic changes that took place in Europe in general and in England in particular, this study tries to show how melodrama reflected these changes and represented the new rising middle class with all their values, beliefs, and interests. In addition, the paper shows similarities between melodrama and modern soap operas and movies, with their artificially

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Burtsev, Mуkyta. "Christian images in the operas by the European composers of the nineteenth century." Aspects of Historical Musicology 30, no. 30 (2023): 69–88. http://dx.doi.org/10.34064/khnum2-30.04.

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Statement of the problem. Undoubtedly, the operas by G. Rossini, G. Verdi, F. Hal&#233;vy, and G. Meyerbeer, which appeared in the Romantic era, belong to secular culture. However, all of them, in one way or another, used plots and motifs from the religious experience of people, delineating the image of a man of faith (Homo Credens) as a cross-cutting theme of art, the “crossing point” of the secular and religious worlds. Therefore, researchers and performers of opera music face the problem of understanding the religious and spiritual component of the opera genre through the assimilation o

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Pahreza, Fijar. "Upaya Pengadilan Agama Kota Tasikmalaya dalam Menanggulangi Pernikahan di bawah Umur." ANTARADHIN: Jurnal Ekonomi Syariah Kontemporer 5, no. 2 (2025): 83–98. https://doi.org/10.47971/antaradhin.v5i2.1225.

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Marriage is an inner and outer bond between a man and a woman as husband and wife with the aim of forming a happy and eternal family (household) based on the Almighty Godhead. To fulfill the natural needs of humans by achieving a marriage, the Marriage Law has determined the basic and conditions that must be fulfilled in marriage. One of them is in Article 7 paragraph (1) of Law Number 1 of 1974 concerning Marriage which states: "Marriage is only permitted if the man has reached the age of 19 (nineteen) years and the woman has reached the age of 16 (sixteen) years. This research to explains Wh

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Bahrin, Bahrin. "Pelatihan Dasar Kepemimpinan Tentang Antropologi Kampus “Membangun Pondasi Kepeminpinan Yang Berintegritas Tinggi”." Empiris Jurnal Pengabdian Pada Masyarakat 2, no. 2 (2024): 70–77. http://dx.doi.org/10.59713/ejppm.v2i2.1079.

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Antropologi Kampus adalah ilmu yang mengkaji kehidupan manusia di lingkungan kampus dari berbagai sudut pandang. Di dalam kehidupan kampus, mahasiswa selalu menjadi bagian yang tak terpisahkan. Mahasiswa merupakan komponen inti, karena di tempat inilah mereka mengembangkan potensi diri. Masyarakat memandang mahasiswa sebagai kaum intelektual atau cendekiawan. Kesadaran akan tanggung jawab dari rakyat untuk mewujudkan Indonesia yang lebih baik, serta kesempatan untuk menjadi intelektual, dapat menjadi kekuatan besar dalam membangun bangsa. Harapan besar bangsa terhadap mahasiswa adalah agar mer

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Nirmala, Arisandi, Imam Hamzan Wijaya, Hotimah Hotimah, et al. "Building an Integrated Environmental Care Attitude with Ecopro (Ecobric Product) at SDN 43 Mataram." International Journal of Education and Digital Learning (IJEDL) 3, no. 2 (2024): 49–56. https://doi.org/10.47353/ijedl.v3i2.218.

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This study began with the problems faced, namely the lack of environmental awareness among students of SDN 43 Mataram, especially in plastic waste management. The problems identified in this study include: 1) Suboptimal utilization of plastic waste in the school environment; 2) The lack of environmentally conscious character in students related to waste management; 3) Efforts to instill environmentally conscious character through the use of ecobricks and products from the Pancasila Student Profile Strengthening Project. The purpose of this study was to explain the extent to which ecobrick prod

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Öğüt, Evrim Hikmet. "The transformation of sacrifice theme in opera repertoireOpera repertuvarında kurban temasının dönüşümü." Journal of Human Sciences 13, no. 1 (2016): 2113. http://dx.doi.org/10.14687/ijhs.v13i1.3766.

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The concept of sacrifice, with roots in pre-historic times, not only has sustained its primary meaning throughout the history but also has gained secondary meanings besides its ritual, religious and divine features. While various aspects of the concept can be found in the opera repertoire, the mentioned transformation can be traced particularly in the context of human sacrifice.In parallel with the transformation of opera repertoire from 18th to 20th centuries, this study, examining a selection of the opera repertoire with the concept of human sacrifice; with a chronological perspective, aims

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Prioste, Claudia Dias. "O homo zappiens e o uso dos dispositivos televisuais: possíveis impactos no processo de alfabetização." Conhecimento & Diversidade 9, no. 18 (2018): 73. http://dx.doi.org/10.18316/rcd.v9i18.4102.

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O acesso das crianças brasileiras às TIC tem sido ampliado, porém ainda temos poucos estudos analisando seus possíveis impactos na fase de alfabetização. Objetivo: conhecer o uso doméstico e escolar dos dispositivos televisuais de crianças de duas escolas públicas. Aspectos metodológicos: pesquisa-ação, cuja coleta de dados foi realizada por meio de entrevistas com grupos de professores e de famílias, além de observações participativas no laboratório de informática em duas turmas do terceiro ano do Ensino Fundamental I. Resultados: no ambiente doméstico, a maior parte das crianças tinha o hábi

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Zainuri, Ahmad. "PENDIDIKAN KARAKTER DI MASYARAKAT." Conciencia 19, no. 1 (2019): 1–9. http://dx.doi.org/10.19109/conciencia.v19i1.2644.

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Society (society) is a group of people who form a semi-closed (or semi-open) system, where most interactions are between individuals in the group. The variety of education received by students in this community is very much. These include the formation of habits, formation of knowledge, attitudes and interests, as well as moral and religious formation. Education in community education can be said to be indirect education, education carried out unconsciously by the community. And the students themselves consciously or not, they have educated themselves, strengthening their faith and self-confid

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Mamun, Muhammad, and Kaniz Fatima. "Slum Dwellers' perception about COVID-19: A Study in Dhaka Metropolis Slums." Technium Social Sciences Journal 21 (July 9, 2021): 728–64. http://dx.doi.org/10.47577/tssj.v21i1.3797.

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This research explored Dhaka slum dwellers’ (n=434 using convenience, quota, and judgmental sampling) view about COVID-19, its causes, preventive measures, potential high-risk groups, self-awareness, transmission prevention, orthodox beliefs, and vaccine effectiveness using 56 simple variables grouped in eight complex variables. The slum dwellers viewed COVID-19 as a fatal and chronic disease spread by Chinese. They perceive that direct contact with infected persons, cough and sneeze droplets, and physical proximity cause the disease. Regarding preventive measures, they think that they must we

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Sushmitha Kotian and Dr. Vidya N. "EXAMINING THE IMPACT OF FEMALE-CENTRIC MEDIA ON GENDER NORMS: AN ANALYSIS OF HINDI SOAP OPERAS." EPRA International Journal of Multidisciplinary Research (IJMR), January 5, 2024, 57–62. http://dx.doi.org/10.36713/epra15384.

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Purpose:In todays world, media plays a vital role in conveying messages and information, serving as the easiest and quickest means to reach people within a short period. Soap operas, being the oldest and most straightforward method of storytelling, effectively communicate messages to the audience. Numerous soap operas run successfully, delivering social messages and providing daily entertainment. People are inevitably influenced by soap operas, as these shows are interconnected in a manner that makes viewers feel as if the events are unfolding in their own lives. Nowadays, there is a growing t

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Laskar, Kaifia Ancer. "Mediated mythical discourses: A critical analysis of the female docility and religious discourses in Indian TV soap operas." Journal of Arab & Muslim Media Research, October 31, 2023. http://dx.doi.org/10.1386/jammr_00071_1.

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Media representations have the power to evoke and circulate meanings about a dominant favoured ideology. Like films, television soap operas too may become the sites of hetero-patriarchal representation. This article foregrounds the visual and textual tropes applied to coerce the audience into accepting patriarchal gender roles in the disguise of religious discourse. Using critical discourse analysis of three select Hindi soap operas Saath Nibhana Sathiya, Choti Bahu and Bade Achche Lagte Hai, this article flags the use of religious motifs as disciplining strategies of patriarchy. The resort-se

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Kumar, Shlok. "Indented Identities: The Quandary of the Indian Woman." Artha - Journal of Social Sciences 13, no. 3 (2014). http://dx.doi.org/10.12724/ajss.26.7.

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Indian television has a come a long way since its humble beginnings. But while advancements are being made on the technical front, most soaps on Indian television lack realism and thrive by weaving new patterns on a tattered storyboard saturated in the tenebrous tar of patriarchy and superannuated social conventions. Television possesses the potency to mould public discourse on account of its pervasive- and invasive- nature. A vast majority of the public consumes entertainment proffered in the form of soap operas- which seem endearingly preoccupied with everyday concerns. Although the portraya

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Sugihartono, Ranang Agung. "Antropomorfisme Dalam Kesenian Indonesia." Capture : Jurnal Seni Media Rekam 2, no. 2 (2016). http://dx.doi.org/10.33153/capture.v2i2.609.

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Anthropomorphism in arts has been known since the prehistoric period and developed in all over the world, including the primitive arts in the Borneo and Papua hinterland. During the Indonesia-Hindu culture, anthropomorphism was used to represent the character of â€˜extraordinaryâ€™ in the old fables and serves as a medium of religious. While anthropomorphism in modern Indonesian arts today can be found in the form of comics, movies, and television soap operas although anthropomorphic shape still not as extraordinary as Indonesian-Hindu arts earlier. Key word: anthropomorphism, arts, Indonesia

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Hamdani. AG. "DAMPAK SIARAN TELEVISI TERHADAP KEUTUHAN RUMAH TANGGA PASANGAN USIA MUDA DI ACEH." AT-TANZIR: JURNAL ILMIAH PRODI KOMUNIKASI PENYIARAN ISLAM, December 30, 2021, 251–74. http://dx.doi.org/10.47498/tanzir.v12i2.658.

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This studi, entitle of “The Effect of Television Broadcasting on Household Integrity of Young Couples in Aceh, (Analysis of Three Cases of Violence against Husbands in North Aceh), raises two problem formulations; How is the influence of television broadcasting on household integrity of young couples in Aceh and how the content of television broadcasts affects the violence of wives against husbands and the research objectives are to answer the two problem formulations above. This research is designed as a qualitative research with informants as sources who are selected from various groups incl

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Diego, Diego, and Indria Flowerina. "PERSEPSI MAHASISWA UNIVERSITAS DHARMA ANDALAS TERHADAP TAYANGAN KEKERASAN DI TELEVISI." Profesional: Jurnal Komunikasi dan Administrasi Publik 5, no. 1 (2019). http://dx.doi.org/10.37676/professional.v5i1.706.

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Television that has the greatest potential for our lives. This happens because the power of audiovisual television that touches the mental aspects of viewers and television media has become a reflection of the culture of spectacle. One of the issues is how much violent content is found on television. Students as one of the television audience segments have different perceptions than children. This study looks at how perceptions of violence among students using interview data collection techniques. The method used is qualitative. From the results of the research, there were negative perceptions

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Constantinou, Constantinos, and Zenonas Tziarras. "TV Series in Turkish Foreign Policy: Aspects of Hegemony and Resistance." New Middle Eastern Studies 8, no. 1 (2018). http://dx.doi.org/10.29311/nmes.v8i1.2875.

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This article examines the ways in which (pop or) popular culture may fall within the context of foreign policy. More specifically, it situates our analysis against such backdrop by delving into how Turkey effectively exports pop culture, propaganda and positive images of itself via the use of television (TV) shows. To that end, notable Turkish soap operas market its ancient glorious past. Admittedly, these telenovelas form a salient cultural product export for Turkey as they reach diverse and far-away audiences – from Latin America to Russia, Central Asia, North Africa, the Middle East, and th

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Krolo, Krešimir, Željka Tonković, and Dina Vozab. "Between Breaking Bad and Big Brother: Social Class and Television Preferences in Croatia." Sociological Research Online, November 17, 2023. http://dx.doi.org/10.1177/13607804231207253.

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This article addresses TV preferences as a marker of class divisions both as a type of embodied cultural capital and as a pattern of consumption within the local and global cultural structure in Croatia. Data analysis is extracted from the survey ‘Social Stratification in Croatia: Structural and Subjective Aspects’, conducted on a nationally probabilistic sample of adult Croatian citizens. Factor analysis discovered two main dimensions of television preferences: reality spectacle and foreign fiction preferences, which were recognised as indicators of localised and globalised culture preference

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Astuti, Prida Ariani Ambar, Antonius Widi Hardianto, M. Sarofi Sahrul Romadhon, and Roel P. Hangsing. "Marketing religious programs on television as a nonfavorite program: a study in Indonesia." Journal of Islamic Marketing, June 6, 2024. http://dx.doi.org/10.1108/jima-07-2022-0187.

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Purpose This study aims to examine the strategy of TV9 Nusantara, one of the local televisions in Indonesia, marketing its religious programs when soap operas are the most popular television programs in Indonesia. Design/methodology/approach This study used a descriptive qualitative method by collecting data using in-depth interviews, observation and documentation. Findings TV9 Nusantara used a counter-programming strategy to seize viewers from the competing television stations; the prime time is also set differently from other televisions as well as implements a head-sterling strategy to make

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Pereira de Souza, Fabiano. "Dogma, tabu, pânico moral." RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade 11 (April 13, 2025). https://doi.org/10.23899/6hv4yg38.

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The soap operas Pecado mortal (2013-2014), by Alexandre Avancini, and Topíssima (2019), by Rudi Lagemann, from TV Record, A dona do pedaço (2019), by Amora Mautner, from TV Globo, as well as in cinema O filme dos espíritos (2011), by André Marouço and Michel Dubret, As mães de Chico Xavier (2011), by Glauber Filho and Halder Gomes, and Deixe-me viver (2016), by Clóvis Vieira, form a group of productions that addressed the controversial and avoided topic of abortion over the past decade. The comparative analysis of these productions in the face of a historical contextualization exposes the clos

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Carmago, Sandy. "'Mind the Gap'." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1981.

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The structuring of a film's plot as the trajectory of the goals and desires of a single protagonist can be seen as the most critical development in cinematic narrative. In addition to its commodity implications via the star system and its centrality to a range of important film theories about fantasy and pleasure, the single protagonist is the linchpin of the cinema's ability to transmit messages that confirm the most basic myths about the power of the individual in society. While Hollywood's use of the single protagonist as a model for the self is particularly detrimental in the United States

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Scarlatos, Chryssie. "Musical Borrowings in Songs about the Holocaust by the Jews of Greece." Menotyra 30, no. 4 (2023). http://dx.doi.org/10.6001/menotyra.2023.30.4.1.

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   This article deals with songs about the Holocaust. Most of these songs have remained almost unknown until today, and this article aims to bring them out and to highlight the fact that they serve as evidence to the sufferings of the Greek people during World War II. All songs were written in Greece, and the practice of contrafactum (borrowing melodies and changing the lyrics) was applied to all of them. The borrowed melodies originate from Western music (e.g., operas), Western and Greek popular songs of the time, and from Greek folk and urban folk music. The variety of musi

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