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Thematische Bibliographien / Rosalind (fictitious character), fiction

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Auswahl der wissenschaftlichen Literatur zum Thema „Rosalind (fictitious character), fiction“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Rosalind (fictitious character), fiction"

1

Isaev, Igor A. "Politization of Fictitious." History of state and law 1 (January 28, 2021): 15–22. http://dx.doi.org/10.18572/1812-3805-2021-1-15-22.

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The article is devoted to an important phenomenon — political fiction as a kind of an ideological construction analogue. Fiction has deepened the fantasy traits of an ideological structure. Irrespective of its imaginary character, it can produce a real impact on political and other social processes. Fictitious politics flourished during the French revolution and got consolidated in the era of authoritarian and totalitarian regimes.

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2

Dr., Prakash Eknath Navgire. "A STUDY OF POSTMODERN NARRATIVE TECHNIQUE IN GITA MEHTA'S 'RAJ'." Educreator Research Journal ISSN: P-2455-0515 E- 2394-8450 www.aarhat.com/erj VIII, no. VI (2021): 23–31. https://doi.org/10.5281/zenodo.5931812.

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<strong>Abstract:</strong> <em>Gita Mehta is postmodern historical writer; she intentionally intermingles the history in her fiction. The presentation of history and the political ideologies are presented through her novels. The development of the character and story happens around proper political and historical background. The historical incidents make changes or affects the life of characters in the fiction. This is one type of intermingling historical events in the fiction. The real historical characters and events are used with the fictitious character in the novel.  The facts are fi

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3

Dr., Prakash Eknath Navgire. "A STUDY OF POSTMODERN NARRATIVE TECHNIQUE IN GITA MEHTA'S 'RAJ'." Educreator Research Journal ISSN: P-2455-0515 E- 2394-8450 VIII, no. VI (2022): 23–31. https://doi.org/10.5281/zenodo.6016928.

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<em>Gita Mehta is postmodern historical writer; she intentionally intermingles the history in her fiction. The presentation of history and the political ideologies are presented through her novels. The development of the character and story happens around proper political and historical background. The historical incidents make changes or affects the life of characters in the fiction. This is one type of intermingling historical events in the fiction. The real historical characters and events are used with the fictitious character in the novel.  The facts are fictionalised in her work. Th

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4

Soule, Lesley Anne. "Subverting Rosalind: Cocky Ros in the Forest of Arden." New Theatre Quarterly 7, no. 26 (1991): 126–36. http://dx.doi.org/10.1017/s0266464x00005406.

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The foregoing article by Jan Kott explored the nature of gender in As You Like It largely by looking forward to later analogues of androgyny: but here Lesley Soule examines the character of Rosalind in close relationship to traditions of popular theatre and performance on which Shakespeare himself could draw. She points out how our own two-centuries-old love affair with an idealized heroine has, despite some recent feminist modifications of the character-myth, distorted our reading of the play, obscuring the fact that the text describes a performance in which the controlling presence is not a

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Oktaviani, Danissa Dyah. "Konsep Fantasi dalam Film." REKAM 15, no. 2 (2019): 125–36. http://dx.doi.org/10.24821/rekam.v15i2.3356.

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Fantasy films were born from the development of fiction films that have shown existence since the beginning of its history. Fantasy films have their own charm because they can penetrate time and space compared to other genres. Fiction films develop from their creators both in terms of story and cinematography because fiction films are at the center of the poles: real and abstract. Its greatest strength lies in its ability to integrate and combine with other genres without exception and can be broadly developed unlimitedly. That is because fantasy films contain elements with different character

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Zatsepina, O. E. "LEGAL SYMBOL AND LEGAL FICTION: PROBLEMS OF DEMARCATION." Russian-Asian Legal Journal, no. 4 (January 31, 2020): 14–18. http://dx.doi.org/10.14258/ralj(2019)4.3.

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The article considers the legal symbol and legal fiction as special legal categories. The correctness of anarrow approach to their essence was established according to which the notion of «legal fiction» does notinclude fictitious phenomena, and the notion of «legal symbol» does not cover symbols prohibited by law,and symbols which represent certain values. It was revealed that both considered categories have a certaindegree of conventionality, in a specific way according to the scheme established by the legislator, thereforethey are sometimes mixed in the literature. Legal symbols, unlike leg

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Muravieva, Larissa E. "Exofiction and Enactivist Narratives in Contemporary French Literature." Studia Litterarum 7, no. 3 (2022): 30–51. http://dx.doi.org/10.22455/2500-4247-2022-7-3-30-51.

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The proliferation of hybrid genres is a notable trend in contemporary French literature. Alongside autofiction, new hybrids are emerging in French literature, modelled on a mixture of fiction and factual genre. One of them is exofiction (“ex” + “fiction”), which implies a narrative about fictitious events from the life of a historical character or an attempt to introduce fiction into someone else’s biography. The neologism, belonging to the writer Philippe Vasset, is rapidly entering scholarly and critical discourse, but no systematic attempt to describe the phenomenon has been made. According

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Hauswald, Rico. "Fiktive Figuren als Träger von Wissen und als epistemische Autoritäten." Journal of Literary Theory 13, no. 2 (2019): 161–84. http://dx.doi.org/10.1515/jlt-2019-0006.

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Abstract This essay examines the question of whether and under what conditions a fictitious character can be an epistemic authority for (real) readers; more precisely: it asks whether and under what conditions readers can acquire (propositional) knowledge from the character, thus learning something from it. In answering this question, the essay brings together two debates that have so far hardly been related to each other: an epistemological debate on the concept of epistemic authority and a literary-theoretical debate on aesthetic cognitivism, i. e., the discourse about what can be learned fr

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Shchukina, Zhanna V. "THE ORGANIZATION SPECIFICS OF NARRATION ORGANIZATION IN V.V. EROFEEV’S POEM “MOSCOW - PETUSHKI”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2024): 131–39. https://doi.org/10.28995/2686-7249-2024-10-131-139.

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This article analyzes the specifics of narrative organization in V. Erofeev’s poem “Moscow–Petushki”. Thus, in particular, it is proved that the peculiarities of narration in that very fiction text are conditioned by the abnormal state of consciousness of the narrator. Since we have proved that the abnormal can be realized in artistic works in two forms: as an abnormal narrative that presupposes an abnormal depicting consciousness and as a narrative of an abnormal state of consciousness that presupposes a conventionally “normal” narrator whose narrative object is an abnormal consciousness, the

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Ageeva, Natalia. "To the question of the boundaries of the fictionality of the narrated event. "Every hundred years. A novel with a diary" by A. Matveeva." Филология: научные исследования, no. 8 (August 2023): 12–20. http://dx.doi.org/10.7256/2454-0749.2023.8.43637.

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The object of research in this article was A. Matveeva's novel "Every Hundred Years", published in 2022 and included in the shortlist of the Big Book Award. A novel with a diary." The specificity of this work lies in the fact that the parallel developing life stories of the two heroines are presented in the form of their personal diaries, one of which is fictitious in nature, and the second is a real diary, which was kept throughout her life by A. Matveeva's grandmother, Ksenia Mikhailovna Levshina. In this regard, the question arises not only about the distinction between fiction and nonficti

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Dissertationen zum Thema "Rosalind (fictitious character), fiction"

1

Goile, Joanne Elizabeth. "Fascinations of fiction an examination of devices used within the television programme Buffy the Vampire Slayer that succeed in blurring the boundaries between viewers and the fictional diegesis of the show : thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design, 2003." Full thesis. Abstract, 2003.

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Duttler, Sabine-Michaela. "Die filmische Umsetzung der Harry-Potter-Romane /." Hamburg : Dr Kovač, 2007. http://www.verlagdrkovac.de/978-3-8300-3314-1.htm.

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Carpenter, Sarah Gerina. "Narratives of a Fall: Star Wars Fan Fiction Writers Interpret Anakin Skywalker's Story." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11989.

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viii, 94 p.<br>My thesis examines Star Wars fan fiction about Anakin Skywalker posted on the popular blogging platform LiveJournal. I investigate the folkloric qualities of such posts and analyze the ways in which fans through narrative generate systems of meaning, engage in performative expressions of gender identity, resistance, and festival, and create transformative works within the present cultural milieu. My method has been to follow the posts of several Star Wars fans on LiveJournal who are active in posting fan fiction and who frequently respond to one another's posts, thereby creating

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Griswold, Amy Herring. "Detecting Masculinity: The Positive Masculine Qualities of Fictional Detectives." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3971/.

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Detective fiction highlights those qualities of masculinity that are most valuable to a contemporary culture. In mysteries a cultural context is more thoroughly revealed than in any other genre of literature. Through the crimes, an audience can understand not only the fears of a particular society but also the level of calumny that society assigns to a crime. As each generation has needed a particular set of qualities in its defense, so the detective has provided them. Through the detective's response to particular crimes, the reader can learn the delineation of forgivable and unforgivable act

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Bridges, Annette. "What Mignon knows : girlhood subjectivity in three novels of the 1940's /." view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9955914.

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Thesis (Ph. D.)--University of Oregon, 1999.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 169-182). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9955914.

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Glover, Jayne Ashleigh. "The Harry Potter phenomenon literary production, generic traditions, and the question of values." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002243.

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This thesis is a study of the first four books of J. K. Rowling’s Harry Potter series. It accounts for the widespread success of the novels by examining their publication and marketing histories, and their literary achievement as narratives including a sophisticated mix of generic traditions. Chapter One looks at the popularity of the novels, comparing their material production and marketing by Rowling’s English language publishers: Bloomsbury in Britain and Scholastic in the United States of America. The publisher’s influence on the public perception of each book is demonstrated by comparativ

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Geldenhuys, Vincent. "A signification in stone the lapis as metaphor for visual hybridisation in the Harry Potter films /." Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-11132008-191836.

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Birge, Amy Anastasia. ""Mislike Me not for My Complexion": Shakespearean Intertextuality in the Works of Nineteenth-Century African-American Women." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278175/.

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Caliban, the ultimate figure of linguistic and racial indeterminacy in The Tempest, became for African-American writers a symbol of colonial fears of rebellion against oppression and southern fears of black male sexual aggression. My dissertation thus explores what I call the "Calibanic Quadrangle" in essays and novels by Anna Julia Cooper, Frances Ellen Watkins Harper, and Pauline Elizabeth Hopkins. The figure of Caliban allows these authors to inflect the sentimental structure of the novel, to elevate Calibanic utterance to what Cooper calls "crude grandeur and exalted poesy," and to reveal

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Barrett, Mary Sarah. "Confrontations with the Anima in The Dispossessed, The Left Hand of Darkness, and Tehanu by Ursula K. Le Guin." Diss., 2005. http://hdl.handle.net/10500/1651.

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This dissertation analyses the protagonists in The Dispossessed, The Left Hand of Darkness, and Tehanu by Ursula K. Le Guin, and looks at the extent to which they confront the Jungian archetype of the anima. I demonstrate that individuation and wisdom are not achieved in these characters until they confront the anima archetype within their individual psyches. I analyse the experiences and behaviour of each protagonist in order to identify anima confrontation (or lack thereof), and I seek to prove that such confrontation precipitates maturity and wisdom, which are goals of the hero's journey. T

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Harris, Eugenia Kay. ""Speak softly and carry a big stick" female appropriation of the phallus in Sara Paretsky's V.I. Warshawski series /." Diss., 2006. http://etd.library.vanderbilt.edu/ETD-db/available/etd-03212006-234958/.

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Bücher zum Thema "Rosalind (fictitious character), fiction"

1

Thomas, Lodge. Rosalynd. Ryburn Pub., 1995.

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2

Thomas, Lodge. Rosalind: Euphues' golden legacy found after his death in his cell at Silexedra (1590). Dovehouse Editions, 1997.

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Walters, Minette. The sculptress. Pan Books, 1994.

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Walters, Minette. The sculptress. Pan, 1996.

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Walters, Minette. Cuisine sanglante. Stock, 1994.

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Walters, Minette. The sculptress. Magna Large Print Books, 1994.

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7

Struthers, Betsy. A studied death. Simon & Pierre, 1995.

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8

Kott, Jan. The gender of Rosalind: Interpretations : Shakespeare, Büchner, Gautier. Northwestern University Press, 1992.

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9

David, Hopson, ed. As you like it, William Shakespeare. Spark Pub., 2002.

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10

Richard, Sapir, and Copyright Paperback Collection (Library of Congress), eds. Line of succession. New American Library, 1988.

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