Thematische Bibliographien / Royal Fine Art Commission

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Royal Fine Art Commission“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Royal Fine Art Commission"

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McKean, Charles. "Urban development and the Royal Fine Art Commissions." Town Planning Review 65, no. 3 (1994): 313. http://dx.doi.org/10.3828/tpr.65.3.c6t8877j327vk2pn.

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Chetwyn, David J. "Davis, Colin J. for the Royal Fine Art Commission, "Improving Design in the High Street" (Book Review)." Town Planning Review 69, no. 1 (1998): 99. http://dx.doi.org/10.3828/tpr.69.1.ex2n21410888t413.

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3

Carmona, Matthew, and Andrew Renninger. "The Royal Fine Art Commission and 75 years of English design review: the first 60 years, 1924–1984." Planning Perspectives 33, no. 1 (2017): 53–73. http://dx.doi.org/10.1080/02665433.2016.1278398.

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Carmona, Matthew, and Andrew Renninger. "The Royal Fine Art Commission and 75 years of English design review: the final 15 years, 1984–1999." Planning Perspectives 32, no. 4 (2017): 577–99. http://dx.doi.org/10.1080/02665433.2017.1286609.

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Wannop, U. A. "A.J. YOUNGSON, Urban Development and the Royal Fine Art Commission. (Edinburgh, Edinburgh University Press, 1990, pp. vii and 186, £25.00)." Scottish Economic & Social History 11, no. 1 (1991): 106–7. http://dx.doi.org/10.3366/sesh.1991.11.11.106.

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6

Sheail, John. "The design and location of development: the evolving relationship of the Royal Fine Art Commission and the electricity supply industry." Landscape Research 15, no. 3 (1990): 29–32. http://dx.doi.org/10.1080/01426399008706320.

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Wallsgrove, Jon. "British Methods for Improving Sensitivity of Bridge Designers to Good Bridge Appearance." Transportation Research Record: Journal of the Transportation Research Board 1549, no. 1 (1996): 103–7. http://dx.doi.org/10.1177/0361198196154900115.

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In Britain, there is a two-pronged attack to win design excellence: encourage the best and eliminate the worst. This study describes ways in which the Highways Agency encourages adoption of design excellence in its bridge projects. One is the formal review of designs by the Royal Fine Art Commission and the principal architect-planner, and through public consultations and inquiries. Published advice, including a book on detailed aspects of bridge appearance, is also considered. Further, encouragement of good design is given through conferences to discuss bridge aesthetics, debates in the press
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Hulme, Charles. "John Cassidy, Manchester Sculptor, and his Patrons: Their Contribution to Manchester Life and Landscape." Bulletin of the John Rylands Library 89, no. 1 (2012): 207–45. http://dx.doi.org/10.7227/bjrl.89.1.9.

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John Cassidy, born in Ireland and trained as a sculptor at the Manchester School of Art, was a popular figure in the Manchester area during his long career. From 1887, when he spent the summer modelling for visitors at the Royal Jubilee Exhibition, to the 1930s he was a frequent choice for portrait busts, statues and relief medallions. Elected to the Manchester Academy of Fine Arts, he also created imaginative works in all sorts of materials, many of which appeared at the Academys annual exhibitions. He gained public commissions from other towns and cities around Britain, and after World War I
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Prysiazhniuk, Oleksii. "„Royal Commission on Monuments and Landscapes” as a guarantor of the cultural heritage of Belgium." Bulletin of Luhansk Taras Shevchenko National University, no. 6 (337) (2020): 54–63. http://dx.doi.org/10.12958/2227-2844-2020-6(337)-54-63.

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The „Royal Commission on Monuments and Landscapes” of Belgium was one of the first European institutions to emerge in the 19th century and lay the foundations for the systematic protection of cultural heritage. In fact, it was created by decree of King Leopold I on January 7, 1835. The Royal Commission was set up a few years before the adoption of municipal and provincial laws, which became the backbone of the Belgian democratic and decentralized regime. In 1860, the structure of the Royal Commission changed – committees were established at the provincial level under the chairmanship of the go
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Kulka, Rahul. "Revisiting amber art from eighteenth-century Königsberg. New findings regarding a game box at the Rijksmuseum, Amsterdam." Porta Aurea, no. 23 (December 16, 2024): 185–203. https://doi.org/10.26881/porta.2024.23.09.

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This paper presents an hitherto unnoticed file at the Prussian Secret State Archives, Berlin, which sheds new light on an amber game box kept at the Rijksmuseum, Amsterdam: The precious object was commissioned by King Frederick William I of Prussia for Anne of Hanover, the wife of William IV of Orange, in the summer of 1738. It was produced by the Königsberg amber craftsmen Johann Bernhard Welpendorf, Jacob Suhr, Johann Georg Bull, Ertmann Hömcke, and a master named Zieloska. Departing from this discovery, the paper traces Welpendorf and Suhr’s participation in two additional royal Prussian co
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Dissertationen zum Thema "Royal Fine Art Commission"

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Lidman, Charlotte. "Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865.

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The aim of the essay is to examine how the student exhibitions of the Royal University college of Fine Arts in Stockholm has changed between 1962-2011, and what these changes can depend on. The questions are: What are the changes in the choice of examination work for the students of the Royal University college of Fine Arts, and what can they depend on? Is the school adjusting their education to the surrounding art world, and in what way is that noticeable? By studying the catalogs from the exhibitions, newspaper reviews and other literature, a shorter conclusion is given concerning the art wo
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Goudie, Allison J. I. "The sovereignty of the royal portrait in revolutionary and Napoleonic Europe : five case studies surrounding Maria Carolina, Queen of Naples." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:aeecdc4b-d840-4e25-be64-ba1407e18cd2.

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This study demonstrates how royal portraiture functioned during the Revolutionary and Napoleonic wars as a vehicle for visualizing and processing the contemporary political upheavals. It does so by considering a notion of the 'sovereignty of the portrait', that is, the semiotic integrity (or precisely the lack thereof) and the material territory of royal portraiture at this historical juncture. Working from an assumption that the precariousness of sovereignty which delineated the Revolutionary and Napoleonic wars goes hand in hand with the precariousness of representation during the same perio
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Tyler, John. "A Pragmatic Standard of Legal Validity." Thesis, 2012. http://hdl.handle.net/1969.1/ETD-TAMU-2012-05-10885.

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American jurisprudence currently applies two incompatible validity standards to determine which laws are enforceable. The natural law tradition evaluates validity by an uncertain standard of divine law, and its methodology relies on contradictory views of human reason. Legal positivism, on the other hand, relies on a methodology that commits the analytic fallacy, separates law from its application, and produces an incomplete model of law. These incompatible standards have created a schism in American jurisprudence that impairs the delivery of justice. This dissertation therefore formulates a
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Bücher zum Thema "Royal Fine Art Commission"

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Royal Fine Art Commission Seminar (1995 London, England). Design education for engineers: Royal Fine Art Commission Seminar, 28 JUne 1995. ThomasTelford, 1996.

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Seminar, Great Britain Royal Fine Art Commission. Design quality in higher education buildings: Royal Fine Art Commission Seminar, 21 November 1995. Telford, 1996.

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3

Commission, Royal Fine Art, ed. The design & siting of multi-storey car parks: A Royal Fine Art Commission circular. Royal Fine Art Commission, 1998.

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Commission, Royal Fine Art, ed. On the side of the angels: The work of the Royal Fine Art Commission 1924-1992. Royal Fine Art Commission, 1992.

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Royal Fine Art Commission for Scotland., ed. The casework of the Royal Fine Art Commission for Scotland: Illustrations of sites and projects considered recently. Rutland Press, 1995.

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Great Britain. Royal Fine Art Commission. Final report, 1998-1999. Stationery Office, 1999.

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Brooke, Peter. Shaping our heritage: A lecture given by the Rt. Hon. Peter Brooke CH MP, Secretary of State for National Heritage : at the Royal Fine Art Commission, 3rd December 1992. Department of National Heritage, 1992.

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Maréchal, Els. The Royal Museum of Fine Arts, Antwerp. Crédit Communal, 1990.

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Dockx, Nico, and Els de Bruyn. Art as/and education, Royal Academy of Fine Arts Antwerp. AsaMER, 2014.

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Gisèle, Ollinger-Zinque, and Musées royaux des beaux-arts de Belgique., eds. Magritte in the Royal Museum of Fine Arts of Belgium, Brussels. Ludion, 2005.

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Buchteile zum Thema "Royal Fine Art Commission"

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Cunningham, Stuart, Jane W. Davidson, and Alethea Blackler. "Conclusion." In Arts, Research, Innovation and Society. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56114-6_16.

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AbstractLet us start with two pieces of data, one from history and one from economics, and a deduction drawn from sociology and politics. The first, from 85 years ago, occurred when the judge presiding over an Australian Royal Commission into the devastating “Black Saturday” bushfires pronounced “We have not lived long enough”. What he meant was that European settlers in this country, Australia, had not learned how to live in a land characterised by climatic extremes of drought, fire and flood. The words echo in environmental historian Tom Griffiths’ “we have not yet lived long enough”, after
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Mallinson, Jonathan. "1. 1897–1900: The Making of a Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.01.

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This chapter looks at Moorcroft’s training as a potter at the firm of E.J.D. Bodley where his father had worked as Artistic Director, and his education both at the innovative Burslem School of Art and at the National Art Training School (soon to be renamed the Royal College of Art). His appointment as a designer at James Macintyre & Co., Ltd. put him in a firm at the very centre of enlightened art education in the Potteries, its Directors including the forward-looking M.P. Wm Woodall (who had served on the Royal Commission on Technical Instruction), the philanthropist Th. Hulme, and the gi
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Auspos, Patricia. "4. A Partnership of Equals." In Breaking Conventions. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0318.04.

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The extraordinary partnership that Beatrice and Sydney Webb embarked on when they married in 1892 spanned almost fifty years and left a lasting mark on British sociology, social welfare policy, and public administration. Groomed to make a Society marriage, Beatrice Potter (1858-1943) grew up believing that love and career were incompatible goals for a woman. Her disastrous relationship with the prominent, domineering politician Joseph Chamberlain reinforced that conviction. After it became clear that they would not marry, Beatrice made a name for herself as a social investigator, studying Lond
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"What makes a good building?: S. Cantacuzino/The Royal Fine Art Commission." In Urban Design Reader. Routledge, 2007. http://dx.doi.org/10.4324/9780080468129-31.

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Crook, J. Mordaunt. "Howard Montagu Colvin 1919–2007." In Proceedings of the British Academy, Volume 166, Biographical Memoirs of Fellows, IX. British Academy, 2011. http://dx.doi.org/10.5871/bacad/9780197264751.003.0006.

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Sir Howard Colvin played a key role in the creation of architectural history as a university discipline. Before he began work in the 1940s, much of what passed for design attribution was based on little more than legend. Colvin's labours put paid to all that. He also had a significant career in public service. Colvin spent fourteen years on the Historic Buildings Council for England (1970–84); thirteen years on the Royal Commission on Historical Monuments of England (1963–76) and twelve years on its Scottish counterpart (1977–89); as well as seven years on the Royal Commission on Historical Ma
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Saumarez Smith, Otto. "Modernism in an Old Country." In Boom Cities. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198836407.003.0005.

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This chapter provides a biographical account of the architect-planner Lionel Brett fourth Viscount Esher. It shows how Brett attempted to combine modernist approaches with a passionate and pioneering commitment to the preservation of the historic urban environment. Brett’s planning work is also shown to have been informed and motivated by his patrician mentality. The chapter shows Brett formulating an approach to cities through his extensive journalism as well as his engagement with the New Towns movement through his planning of Hatfield as well as his involvement in organizations such as the
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"Commission of Inquiry into the Royal Academy: 1863." In The Essence of Art, edited by Craig Harrison. Routledge, 2019. http://dx.doi.org/10.4324/9780429439834-5.

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"The Poorer versus the Richer at the Royal Commission, 1937-40." In Art of Sharing. McGill-Queen's University Press, 2020. http://dx.doi.org/10.1515/9780228002673-008.

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"Matthew Arnold, ‘Copyright’, Fortnightly Review, 159 (March 1880), 319—34 [321—9, 332—4]." In Victorian Print Media, edited by Andrew King and John Plunkett. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780199270378.003.0024.

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Abstract Arnold (1822—88) is now mainly famous as a literary and social critic, but he was also concerned with the implications of the professionalization and regulation of writing (typically, Arnold retained copyright of this article, reprinting it in Irish Essays and Others (London: Smith, Elder and Co., 1882, 444—80)). His article is a useful collage of arguments and tropes derived from a variety of sources that date back to the five-year debate preceding the 1842 Copyright Act. In 1876, a Royal Commission was set up to examine British and international copyright law. The commission’s repor
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Thomas, Joshua J. "Animals in Hellenistic Royal Mosaics." In Art, Science, and the Natural World in the Ancient Mediterranean, 300 BC to AD 100. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844897.003.0005.

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This chapter examines a series of sumptuous opus vermiculatum mosaics depicting animals made for royal patrons in Alexandria and Pergamon. Some of these compositions still survive: the Dog Mosaic from the palatial district in Alexandria, the Parrot Mosaic from Palace V in Pergamon, and the Fish Mosaic from Palace IV in the same city. Two further Attalid royal mosaics made by Sosos likewise depicted animals­ or animal parts, and are known thanks to Pliny’s Natural History and a series of later versions. In analysing these compositions, this chapter tackles an important question: ‘Why did Hellen
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Konferenzberichte zum Thema "Royal Fine Art Commission"

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Keuning, J. A., P. F. van Terwisga, and B. Nienhuis. "The Possible Application of an AXE Bow on a 5000 Ton Frigate." In SNAME 13th International Conference on Fast Sea Transportation. SNAME, 2015. http://dx.doi.org/10.5957/fast-2015-021.

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During some time now the application of the so called AXE Bow has proven very successful. Typical applications so far have been as Fast Crew Suppliers in the Offshore industry, as Patrol Boats with Coast Guards and SAR boats all in the range of 50 till 20 meter length overall and speeds ranging from 25 to 35 knots. Applying the AXE Bow Concept on smaller boats than 15 meter length overall is a challenge, because minimal stability requirements generally ask for a smaller L/B ratio and so beamier ships. On the other end application on frigate type hulls, which have generally a rather high L/B ra
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Berichte der Organisationen zum Thema "Royal Fine Art Commission"

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Brison, Jeffrey, Sarah Smith, Elyse Bell, et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.

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The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière
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