Thematische Bibliographien / Saint Joseph's Parish

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Auswahl der wissenschaftlichen Literatur zum Thema „Saint Joseph's Parish“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Saint Joseph's Parish"

Sumantri, Damiana Reanita, and Bernardus Agus Rukiyanto. "PERAN DOA BERSAMA DALAM KELUARGA KATOLIK UNTUK MENGEMBANGKAN IMAN ANAK DI LINGKUNGAN SANTO YUSUP PAROKI SANTO YUSUP BINTARAN YOGYAKARTA." CREDENDUM: Jurnal Pendidikan Agama 6, no. 1 (2024): 14–32. http://dx.doi.org/10.34150/credendum.v6i1.596.

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This study aims to determine the views of Catholic families regarding the role of joint prayer, to find out the supporting and inhibiting factors in carrying out joint prayer, and to find out what efforts can be implemented to increase the activity and awareness of the implementation of joint prayer in Catholic families to develop children's faith in the Saint Joseph Parish Bintaran. The main problem of this paper is the extent to which the implementation of joint prayer in Catholic families in the Saint Joseph's Neighborhood is neglected because it is difficult to divide the time because both

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Pritiani Pritiani, Silvester Adinuhgra, Romanus Romas, and Titi Christiana. "PARTISIPASI UMAT DALAM MENGIKUTI PENDALAMAN KITAB SUCI DI PAROKI SANTO PETRUS DAN PAULUS AMPAH." Sepakat : Jurnal Pastoral Kateketik 7, no. 2 (2021): 79–91. http://dx.doi.org/10.58374/sepakat.v7i2.63.

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This study aims to find out how the people’s participation in following the deepening of Scriptures in the Parish of Saints Peter and Paul Ampah. This research is based on the phenomenon that occurs in the field that the deepening activities of Scripture are still less desirable to the people. The involvement of people in participating in the deepening activities of Scripture in Santo Petrus and Paulus Ampah Parish is still lacking, both before the Covid-19 pandemic and during the current Covid-19 pandemic. The type of research used in this research is descriptive qualitative research. T

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Balia, Selvia. "Pengaruh Literasi Keuangan Keluarga Katolik Terhadap Kolekte Paroki Santo Joseph Passo." Logos : Jurnal Pendidikan, Katekese, dan Pastoral 13, no. 1 (2025): 43–61. https://doi.org/10.62095/jl.v13i1.177.

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One type of parish income is the collection given by Catholics every Sunday. The collection is usually allocated for worship activities, sustenance, and services to the poor. This paper is sociological research with a quantitative approach. It aims to analyse the financial literacy of Catholic families in the Sacred Heart and the Mother of the Sacred Heart of Jesus Associations, and its influence on collections at the Saint Joseph Passo Parish. The main question addressed is: “To what extent does the financial literacy of Catholic families influence collections every Sunday at the Saint Josep

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Martin-Neute, Émilie. "La construction de l’iconographie de Thérèse de Lisieux, du tournant de 1905 à la canonisation : l’exemple de la chapelle Buffet." Transversalités 169, no. 2 (2024): 135–46. http://dx.doi.org/10.3917/trans.169.0135.

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L’église Saint-Joseph-des-Carmes au sein de l’Institut catholique de Paris abrite une chapelle dédiée à sainte Thérèse de Lisieux, dont la décoration, achevée en 1926, est confiée aux frères Paul et Amédée Buffet, sous l’impulsion vraisemblablement conjointe du futur cardinal Verdier et de Mgr Baudrillart. La canonisation récente de Thérèse et les horreurs de la Première Guerre mondiale expliquent notamment l’engouement artistique dont la petite sainte fait l’objet à cette époque. Si les codes de l’iconographie thérésienne élaborés par sa sœur sont connus et facilement identifiables, la narrat

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Regalado González-Serna, Víctor Daniel. "El incendio de la parroquia de Santa Marina en 1864. Pérdida del Sueño de San José de Murillo." Norba. Revista de Arte, no. 44 (January 8, 2025): 325–36. https://doi.org/10.17398/2660-714x.44.325.

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This investigation analyse the fire that affected the Seville parish of Santa Marina on February 2nd 1864 reconstructing it. Traditionally, the accident has been attributed to an unfortunate candle, although this investigation provides new data on the matter giving new possibilities. Thanks to the judicial process developed after the fire we can understand this terrible event much better. Likewise, it will be able to contribute to the historiography of Spanish Baroque art with data on two unpublished canvases of Saint Joseph by Murillo that were lost in the fire, one of them dealing with the D

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Antonius Allenby, Silvester Adinuhgra, and Paulina Maria Ekasari Wahyuningrum. "KERJASAMA ANTARA KATEKIS DAN ORANG TUA DALAM MENUMBUHKEMBANGKAN IMAN ANAK SEKAMI DI STASI ST. YOSEF BATUAH PAROKI ST. PETRUS DAN PAULUS AMPAH." Sepakat : Jurnal Pastoral Kateketik 7, no. 2 (2021): 01–13. http://dx.doi.org/10.58374/sepakat.v7i2.48.

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This study aims to describe the cooperation between catechist and parents in developing the faith of the child in the Stasi of Santo Joseph Batuah, the Parish of Santo Petrus and Paulus Ampah. The reason the researchers raised the title of this study is due to the lack of cooperation between parents and catechisms in developing the faith of children in Stasi Santo Yosef Batuah. This is descriptive qualitative research. Data obtained by interviews and documentation. The study was conducted on May 20 - June 2, 2021. The study was conducted at the Stasi of Saint Joseph Batuah Parish of St.

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Lecomte, Nathalie. "Dans le sillage du Corsaire : de Paris (1856) à Saint-Pétersbourg (1899)." Slavica Occitania 43, no. 1 (2016): 149–66. https://doi.org/10.3406/slaoc.2016.1079.

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Following in the Footsteps of Le Corsaire, from Paris (1856) to Saint Petersburg (1899) Le Corsaire, a ballet choreographed by Joseph Mazilier, was first performed at the Paris Opera on 23rd January 1856, but was removed from its repertory in 1868, never to be performed again. A revival was presented in Saint Petersburg first by Jules Perrot in 1858, and then by Marius Petipa, who staged four successive versions of the ballet in 1863, 1868, 1880 and 1899. It was thanks to Marius Petipa that Le Corsaire made its mark, becoming a cornerstone of Russian choreographic repertory. This paper explore

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Gainot, Bernard. "Les réseaux d’un conventionnel noir à travers les papiers de Joseph Boisson (1793-1800)." Annales historiques de la Révolution française 388, no. 2 (2017): 29–51. https://doi.org/10.3917/ahrf.388.0029.

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Il s’agit d’étudier la correspondance du représentant de Saint-Domingue à la Convention nationale, puis au Conseil des Cinq-Cents du Directoire. Élu en 1793, Boisson arrive à Paris en juin 1794. À travers sa correspondance, essentiellement passive, et quelques pièces qui se rapportent à sa vie quotidienne à Paris, nous pouvons établir le réseau du député à deux niveaux. Le premier est celui des relations de Boisson dans le milieu des libres de couleur du Cap. Son ascension se fait par la carrière militaire, puis par son mariage. Mais le moment décisif est celui du basculement du pouvoir au Cap

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Sikorska-Krystek, Aleksandra. "On The Death of Saint Joseph. Notes on the book by Jan Zieliński." Studia Norwidiana 39, English Version (2024): 349–69. https://doi.org/10.18290/sn.2020.39.16en.

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This article introduces French press sources discussing the painting The Death of Saint Joseph exhibited in Galerie Colbert in Paris during the summer of 1862, whose authorship was attributed at the time to Raphael. One admirer of the exhibition was Cyprian Norwid.Under the impression that he was in the presence of a Renaissance masterpiece, he wrote two touching letters to Joanna Kuczyńska, in which he shared his impressions of the exhibition. The cited sources supplement the findings contained in the book by Jan Zieliński, reveal the inside story behind the mystification, and narrate the fut

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Sauvage, C., O. Billuart, N. Greliche, and E. Azria. "Indicateurs en périnatalité : la newsletter du Groupe hospitalier Paris Saint-Joseph (GHPSJ)." Revue d'Épidémiologie et de Santé Publique 66 (March 2018): S52. http://dx.doi.org/10.1016/j.respe.2018.01.122.

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Dissertationen zum Thema "Saint Joseph's Parish"

MAURIN, POIRIER VALERIE. "Activite medicale pediatrique d'urgence a l'hopital saint-joseph (paris) en 1993." Paris 5, 1995. http://www.theses.fr/1995PA05N031.

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Zhiltsova, Maria. "Le transfert des ballets de Paris à Saint-Pétersbourg au milieu du XIXe siècle, entre copie et création : le cas de Jules Perrot (1810-1892), chorégraphe français dans l'Empire russe." Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H054.

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Cette thèse cherche à comprendre le phénomène de la circulation des spectacles chorégraphiques de Paris à Saint-Pétersbourg au milieu du XIXe siècle et relève de l’histoire des relations culturelles internationales. La recherche se focalise sur les ballets créés à l’Opéra de Paris et remontés au Grand théâtre de Saint-Pétersbourg par Jules Perrot (1810-1892), danseur et chorégraphe français qui travaille en Russie de 1848 à 1861, et vise à montrer dans quelle mesure les ballets parisiens donnés à Saint-Pétersbourg correspondent à leurs versions originales. Le problème du transfert des spectacl

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Leblanc, Marie Chantal. "Formation artistique et contexte social des peintres canadiens à Paris (1887-1895)." Mémoire, 2008. http://www.archipel.uqam.ca/1280/1/M10507.pdf.

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Ce projet de mémoire entreprend de montrer dans quelles conditions artistiques et sociales ont évolués cinq peintres canadiens à Paris à la fin du XIXe siècle. Les artistes à l'origine de la décoration de la chapelle Sacré-Coeur de l'église Notre-Dame de Montréal; Henri Beau, Joseph Franchère, Charles Gill, Ludger Larose ainsi que Joseph Saint-Charles, se présentent ici, comme un prétexte à l'étude du parcours emprunté par nombreux peintres canadiens à Paris à cette époque. Le choix de la période d'étude est déterminé par le début de leur séjour en France et par la fin du projet de décoration

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Bücher zum Thema "Saint Joseph's Parish"

Haehn, Lisa R. A history of Saint Joseph's parish, Penfield, New York, 1860-1995. L. Haehn & M. Ross, 1995.

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Hoskin, Mary. History of St. Basil's parish, St. Joseph Street. Catholic Register and Canadian Extension, 1996.

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Desautels, Kenneth R. History of Saint Joseph Parish, 1820-1992, Worcester, Massachusetts. K.R. Desautels, 1992.

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G, Keenan Robert, Privé Francis R, and History Committee of Saint Joseph Parish (Burlington, Vt.), eds. History of Saint Joseph Parish, Burlington, Vermont, 1830-1987. St. Joseph Church, 1988.

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Dufour, Marguerite. Répertoire de mariages, Paroisse Saint-Joseph, Ottawa, 1856-1984. Centre de généalogie S.C., 1985.

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Société de généalogie des Laurentides. Paroisse Saint-Joseph, Mont-Rolland (Sainte-Adèle), 1918-1993: Naissance & baptêmes, annotations incluses, et décès & sépultures. Société de généalogie des Laurentides, 2005.

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Laurentides, Société de généalogie des. Paroisse Saint-Joseph-du-Lac, ville de Saint-Joseph-du-Lac, 1855-1939: Naissances et baptêmes. Société de généalogie des Laurentides, 2007.

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Samson-Gélinas, Rollande. Répertoire de mariages de Maskinongé, 1728-1990. Société de généalogie de la Mauricie et des Bois-Francs, 2006.

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Fontaine, Bibiane. B.M.S.A. de St-Joseph de Saint-Hyacinthe, 1922-1997. Centre d'histoire de Saint-Hyacinthe, 2009.

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Fontaine, Bibiane. B.M.S.A. de St-Joseph de Saint-Hyacinthe, 1922-1997. Centre d'histoire de Saint-Hyacinthe, 2009.

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Buchteile zum Thema "Saint Joseph's Parish"

Lafourcade, Florence. "Le projet de la chapelle de l’Institut Saint-Joseph de Villedieu-les-Poêles (1935) et la transmission de compétences dans une agence d’architecture familiale." In Dynasties d'architectes et d'artistes en province aux xixe et xxe siècles. Presses universitaires Blaise-Pascal, 2023. https://doi.org/10.4000/13sr0.

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L’article souhaite, à travers l’étude de la correspondance entre un fils et son père associés dans une agence d’architecture dans la Manche, questionner le statut du jeune architecte au lendemain de ses études, une fois entré dans l’agence familiale. Il s’appuie sur la conception de la chapelle de l’Institut Saint-Joseph de Villedieu-les-Poêles, comenée dès 1934 par les deux architectes, entre Avranches et Paris – où le fils habite. Parmi les documents échangés entre le père et le fils, des bribes de conversations permettent d’aborder le rôle du jeune architecte à son arrivée dans l’agence fam

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Mathieu, Nicolas. "Les inscriptions relatives à Vaison-la-Romaine (Vaucluse, France) à la lumière de Joseph-Dominique Fabre de Saint-Véran." In Altera pars laboris. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-374-8/010.

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Joseph-Dominique Fabre de Saint-Véran (1733-1812), an abbot, saw and described 57 inscribed stones from Vaison and the territory of the Vocontii, in a catalogue (Ms. 556) now at the Inguimbertine Library at Carpentras. No drawing is provided but the text of the inscriptions is given including its development, with indication of provenance and present location. Readings are good, there are few mistakes, and his manuscript can help researchers in the cases in which the monuments have disappeared. It is a catalogue raisonné.

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Sanders, Cheryl J. "“In the Beauty of Holiness”: Ethics and Aesthetics in the Worship of the Saints." In Saints In Exile. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195098433.003.0004.

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Abstract There are numerous articles, books, and dissertations that directly describe worship in the Sanctified church and others that rely on James Baldwin’s masterful description of the conversion of his protagonist, John Grimes, in Go Tell It on the Mountain (1952) as their major source of information about the rituals of the movement. James Shopshire (1975), Arthur Paris (1982), and Joseph Murphy (1994), have written descriptive narratives of black Pentecostal worship based on participant observation. The content of these three narratives are analyzed in this chapter in conjunction with th

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Fullington, Doug, and Marian Smith. "Le Corsaire in St. Petersburg." In Five Ballets from Paris and St. Petersburg. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190944506.003.0008.

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Abstract This chapter discusses how Le Corsaire found a permanent home on the Russian stage following its 1858 St. Petersburg premiere. However, the swashbuckler that eventually sailed into the twentieth century bore only partial resemblance to Joseph Mazilier and Adolphe Adam’s 1856 Paris original. What had largely been a pantomime ballet, showcasing the acting talents of its original stars, became heavily populated with dances interpolated over decades, many composed by Cesare Pugni. The replacement of narrative-driven dances and the eventual omission of the ballet’s fourth scene contributed

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Steinberg, Michael. "Ravel." In The Concerto. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195103304.003.0030.

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Abstract Joseph-Maurice Ravel was born in Ciboure near Saint-Jean-deLuz, Basses-Pyrenees, on 7 March 1875 and died in Paris on 28 According to the critic Gustave Samazeuilh, some of the music of the first and third movements of this Concerto originated about 1914 in an unfinished score for piano and orchestra titled Zaspiakbat (Basque for “the seven are one”). Ravel originally intended to play the Concerto itself on his 1928 American tour, but as things turned out, he only began work on the score in 1929. The next plan was for him to give the premiere in March 1931 with Willem Mengelberg and t

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Kijewska, Aleksandra. "O arabskich kobietach okiem Nadine Labaki." In Kobiety niepokorne. Reformatorki – buntowniczki – rewolucjonistki. Wydawnictwo Uniwersytetu Łódzkiego, 2015. http://dx.doi.org/10.18778/7969-873-8.24.

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Nadine Labaki is one of the best-known female filmmakers and actor in the Arab world. Labaki’s fame has reached Poland as well as other European countries. Her film “Carmel” released in 2007 has many fans – especially female – while her second movie – “Where do we go now?” (2011) was broadcasted in Polish Arthouse Cinemas Network where it has received very enthusiastic reviews. Labaki, born in Beirut, graduated from Saint Joseph University in Beirut, where she studied in the Audiovisual Art Department. Her graduation film ’11 Rout Pasteur’ won the Best Short Film Award at the Biennale of Arab

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Zaslaw, Neal. "Salzburg (I): Origins (1756–1764)." In Mozart’s Symphonies. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198162865.003.0001.

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Abstract In the middle of the eighteenth century the symphony (in the modern sense of the word) was still a new idea, a few decades old. Large numbers of them were written and some published, yet people in many places in Europe, not being near a city, court, cathedral, or monastery, never heard any symphonies. Joseph and Michael Haydn’s humble birthplace, Rohrau, was such a place, and these musical youngsters probably had not heard a symphony before going to Vienna to apprentice at Saint Stephen’s Cathedral as choirboys. At the other extreme from Rohrau were places renowned for the creation an

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Brockliss, L. V. B. "Esprit Calvet." In Calvet’s Web. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780199247486.003.0002.

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Abstract Esprit-Claude-Franc, ois Calvet was born in the papal enclave of Avignon on 28 November 1728 at 6 p.m. with two teeth. His father, Claude-Joseph, was 54,a man of some substance in the city living of fa private income in his own house on the Rue Pugelle, which was located in the parish of Sainte-Madeleine, one of the rich quartiers of the city to the west of the Palaisdes Papes. Claude- Joseph (see Ill. 1) had married late, and his only immediate family were two sisters-Claire and Anne (see Fig. 1.1). Calvet’s mother, Marguerite, on the other hand, was only 29 and belonged to a large b

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Headrick, Daniel R. "Communicating Information Postal and Telegraphic Systems." In When Information Came of Age. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195135978.003.0008.

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Paul revere, the american revolutionary, remembered his midnight ride of April 18, 1775, in these words: “I agreed with a Colonel Conant and some other gentlemen, that if the British went out by water, we should shew two lanthornes in the North Church steeple, and if by land, one, as a signal, for we were apprehensive it would be difficult to cross the Charles River, or git over Boston neck.” Eighteen years later, on July 12, 1793, Claude Chappe presented his semaphore telegraph to the Committee of Public Instruction of the French National Convention. At Saint-Fargeau, near Paris, Deputy Pierr

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Chakravorty Spivak, Gayatri. "Gayatri Chakravorty Spivak." In Gayatri Chakravorty Spivak. Hermann, 2023. http://dx.doi.org/10.3917/herm.renau.2023.02.0263.

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Spivak en Afrique : « toujours agir en voisins » Fidèle à ses principes, Gayatri Spivak présente son travail en Afrique sous la forme d’un dialogue avec ses partenaires africains afin qu’ils exposent et évaluent dans leurs propres mots cette collaboration. Elle souligne la réciprocité des apprentissages : il s’agit de toujours « agir en voisins » côte à côte, de façon égale et solidaire. Elle prend soin d’introduire ses interlocuteurs du moment, Oluwaseun Akinfenwa qui enseigne à Kwara State University au Nigéria après une formation en anthropologie culturelle à Southern Illinois University, e

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Konferenzberichte zum Thema "Saint Joseph's Parish"

Pettaway, Charles. "Introducing an Unknown African Composer to the World- at- Large During the Age of Enlightenment." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-036.

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Joseph Bologne, Le Chevalier de Saint- Georges was a Gemini (June 9,1745). His historical background as a biracial man of color who took France by storm, England and even the second president, of the United States, John Adams stated; “St Georges was such an incredible shot that he could hit a tiny button on the coat or waistcoat of the greatest masters.” “He could even hit a coin as it was tossed in midair.” I will discuss his early upbringing on the island of Guadeloupe from a union of a wealthy white Frenchman and a slave woman named Nanon. In France, he rose to unbelievable heights as a fen

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