Thematische Bibliographien / San Rocco (Church : Rome, Italy)

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Auswahl der wissenschaftlichen Literatur zum Thema „San Rocco (Church : Rome, Italy)“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "San Rocco (Church : Rome, Italy)"

Santis, F. De, I. Allegrini, M. C. Fazio, and D. Pasella. "Characterization of Indoor Air Quality in the Church of San luigi Dei Francesi, Rome, Italy." International Journal of Environmental Analytical Chemistry 64, no. 1 (1996): 71–81. http://dx.doi.org/10.1080/03067319608028336.

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Sturm, Saverio. "1622, the Fatal Year for the Discalced Carmelites: The Canonisation of Teresa, the Crystallisation of Conventual Typologies, and the Reinvention of Iconography." Journal of Early Modern Christianity 9, no. 2 (2022): 341–73. http://dx.doi.org/10.1515/jemc-2022-2033.

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Abstract 1622 was a crucial year for the Discalced Carmelite Order. This essay intends to highlight and connect a series of events surrounding the fateful canonisation of the foundress Teresa of Ávila on 12 March 1622. On 6 January of that year, the Congregation of Propaganda Fide had been founded with the fundamental contribution of Carmelite missionaries. On 8 May 1622, the important Carmelite Church of San Paolo Apostolo in Rome was re-consecrated to Santa Maria della Vittoria, with celebrations and popular processions, in memory of the “victory” of the White Mountain in 1620 over the Prote

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Bartyzel, Jacek. "Nacjonalizm włoski — pomiędzy nacjonalitaryzmem a nacjonalfaszyzmem." Studia nad Autorytaryzmem i Totalitaryzmem 40, no. 4 (2019): 169–77. http://dx.doi.org/10.19195/2300-7249.40.4.11.

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ITALIAN NATIONALISM: BETWEEN NATIONALITARIANISM AND NATIONAL-FASCISMThe subject of this article is the doctrine of Italian nationalism considered using the approach of the Polish italianist Joanna Sondel-Cedarmas. This doctrine found its most complete expression in the activity and journalism of Italian Nationalist Association Associazione Nazionalista Italiana; ANI, of which the main theorists and leaders were Enrico Corradini, Luigi Federzoni, Alfredo Rocco and Francesco Coppola. Although the organization was active relatively briefly, that is, for 13 years from 1910 to 1923, it played a key

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Chiabrando, Filiberto, Dario Piatti, and Fulvio Rinaudo. "Multi-Scale Modeling of the Basilica of San Pietro in Tuscania (Italy). From 3D Data to 2D Representation." Geoinformatics FCE CTU 6 (December 21, 2011): 300–306. http://dx.doi.org/10.14311/gi.6.37.

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The Basilica of San Pietro is a Romanic architecture located in the municipality of Tuscania in the Lazio Region about 100 km far from Rome. In 1971 the apse dome collapsed during the earthquake and the important fresco of a Christ Pantocrator was destroyed. In 1975 the dome was reconstructed using reinforced concrete.In 2010 an integrated survey of the Church has been performed using LiDAR techniques integrated with photogrammetric and topographic methodologies in order to realize a complete 2D documentation of the Basilica of San Pietro. Thanks to the acquired data a complete multi-scale 3D

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Remus, Anna, Selman Tezcan, Jiacheng Sun, Gabriele Milani, and Renato Perucchio. "Seismic Failure Assessment Using Energy Outputs of Finite Element Analysis: A Strategy for Complex Heritage Masonry Structures Modeled with Concrete Damaged Plasticity Material." Buildings 15, no. 3 (2025): 318. https://doi.org/10.3390/buildings15030318.

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The structural assessment of masonry construction often requires the use of nonlinear 2D and 3D finite element analysis. This work describes a strategy for using energy outputs from such analyses to accurately assess failure conditions precipitated by increasing lateral load. The methodology relies on the analogy between plastic strains and fracture that is inherent to the concrete damaged plasticity (CDP) macro-model used to represent the quasi-brittle behavior of masonry material. At critical conditions, energy imparted to a structure by loading can no longer be completely stored as elastic

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Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel comprises the complex historical knowledge about numerous woodcuts which present views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu

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Milošević, Ante. "The Early Medieval relief from Malo Čajno nearby Visoko with great Nespina kaznac’s added inscription." Godišnjak Centra za balkanološka ispitivanja, no. 41 (January 6, 2022): 187–200. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-41.10.

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This text deals with circumstances of the finding as well as with the art and iconographic characteristics of an interesting relief accidentally dug out in 1947, north-east from Visoko, in Central Bosnia. Field examination that followed afterwards determined that the relief once was a part of itinerary and interior decoration of a smaller building. Supposedly, this was a medieval tomb construction based on the fact that in a nearby environment there were several other unornamented tombstones as well as after the Cyrillic inscription which was probably carved on the relief afterwards. The afore

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Anabela Marcos. "Monteverdi and the architecture of emotions." Royal Conservatoire Research Portal, no. 1 (November 2, 2018). http://dx.doi.org/10.22501/koncon.301178.

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Name: Anabela Marcos Main Subject: Singing Research supervisors: Johannes Boer and Erwin Roebroeks Title of Research: Monteverdi and the architecture of emotions Research Question: In what way could the formal and the expressive elements in Monteverdi's music be related to painting and architecture of his contemporaries? Summary of results: In the preface of his Eighth Book of Madrigals, Madrigali Guerrieri et Amorosi, Claudio Monteverdi announced one of the fundaments of his musical construction: the power of the contrasting passions. The humanist theme, that inspired not only musicians but a

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Dissertationen zum Thema "San Rocco (Church : Rome, Italy)"

Merrill, Aaron Thomas. "The subterranean strata of the basilica San Clemente." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Bücher zum Thema "San Rocco (Church : Rome, Italy)"

Carion, Benedetta. L'oratorio di San Rocco. Albatros, 2021.

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Nicoletti, Giuseppe. Illustrazione della chiesa e scuola di S. Rocco in Venezia. British Library, 1985.

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Fantone, Monica, and Antonella Barbara Caldini. Cantieri di restauro a Felizzano: Le chiese di San Rocco e San Pietro. Il prato, 2020.

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Cevese, Renato. La chiesa e il monastero di San Rocco in Vicenza: Storia e arte. La serenissima, 1996.

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Bella, Carlo La. San Saba. Istituto nazionale di studi romani, 2003.

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Boyle, Leonard E. A short guide to St. Clement's, Rome. Collegio San Clemente Via Labicana 95, 1989.

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Boyle, Leonard E. A short guide to St Clement's, Rome. 7th ed. [s.n.], 1987.

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Boyle, Leonard E. A short guide to St. Clement's, Rome. Collegio San Clemente Via Labicana 95, 1989.

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Boyle, Leonard E. A short guide to St. Clement's Rome. Collegio San Clemente, 1989.

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Luciani, Roberto. San Crisogono. F.lli Palombi, 1996.

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Buchteile zum Thema "San Rocco (Church : Rome, Italy)"

Kateusz, Ally, and Luca Badini Confalonieri. "Women Church Leaders in and around Fifth-century Rome." In Patterns of Women's Leadership in Early Christianity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867067.003.0013.

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This chapter considers artistic representations, showing evidence of ‘Women Church Leaders in and around Fifth-century Rome’. It focuses on two artefacts that portrayed women church leaders operating in this broad context. It addresses frescoes of deceased women painted with open gospel books in the San Gennaro Catacombs in Naples; it proposes that the most logical interpretation of the iconographic motifs associated with them is that they were women bishops, perhaps two of the women about whom Pope Gelasius complained to male bishops in southern Italy c.496. For cultural context it next consi

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Konferenzberichte zum Thema "San Rocco (Church : Rome, Italy)"

PAGLIUCA, ANTONELLO, MICHELE D’AMATO, and PIER PASQUALE TRAUSI. "KNOWLEDGE TO RECOVER THE BUILT HERITAGE: CASE STUDY OF “SAN ROCCO” CHURCH IN MATERA, ITALY." In STREMAH 2019. WIT Press, 2019. http://dx.doi.org/10.2495/str190421.

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