Thematische Bibliographien / Sant Tukaram

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  2. Bücher
  3. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Sant Tukaram“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Sant Tukaram"

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Nandkishor Damodar Sonar. "Exploring the Spiritual Synergy: An Analytical Examination of Sant Tukaram and Sant Dnyaneshwar’s Bhakti Poetry." Creative Saplings 3, no. 9 (2024): 54–65. http://dx.doi.org/10.56062/gtrs.2024.3.9.718.

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Sant Tukaram and Sant Dnyaneshwar are the two most reverential figures in Indian spirituality. This paper aims to explore the philosophical ideas and spiritual insights of the Sant Dhyaneshwar and Sant Tukaram. The Dnyaneshwari and Abhangas remain timeless works with significant relevance in the modern world. At the heart of Dnyaneshwari, lies a profound exploration of the human experience, delving into the complex interplay between the individual and the societal constructs that shape our reality. In the corporate world, people are under tremendous intentional stress due to the pressure of ou
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Shendge, Dr Shilpa Namdevrao. "Study of Sant Eknath Bharud." International Journal of Advance and Applied Research 5, no. 23 (2024): 258–63. https://doi.org/10.5281/zenodo.13622409.

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Abstract:    Literature about saints was written in the early stages of the Marathi language. It was written not only in Marathi, but also in a number of other national languages. Maharashtra's social and cultural history can be traced back to saint literature, which originated as devotional songs. The entire Saint literature had a close connection to the social, political, and religious traditions of the present. This research paper examines the contributions of the Saints, including their works of literature and music. Saints Dnyneshwar, Saint Namdeo, Saint Eknath, Saint Tukaram, S
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Kailas Sabale,, Kalidas. "Review of Financial Analysis: Shri Sant Tukaram Co-Operative Sugar Factory, Pune." INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 09, no. 04 (2025): 1–9. https://doi.org/10.55041/ijsrem45103.

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“This paper aims at making financial analysis of a sugar entity in terms of liquidity, solvency, operational efficiency and profitability. Management practices with professional approach tend to improve the financial performance of sugar factories by implementing some innovative practices to reduce the controllable cost and generating additional revenues. Shri Sant Tukaram Sahakari Sakhar Karkhana Ltd. is a sugar factory located in Kasarsai-Darumbre, a hilly and undeveloped area in Pune district. The factory was founded by Shri Viduraji Vithoba alias Nanasaheb Navale, who was inspired by the l
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Shashikant, Sarjerao Maghade. "Dr. Babasaheb Ambedkar and Scheduled Caste Representation." 'Journal of Research & Development' 15, no. 9 (2023): 141–44. https://doi.org/10.5281/zenodo.7943740.

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         The most important phase in the movement for social change in the history of India was Abolition of untouchability and human emancipation led by Dr. Ambedkar. His contribution in this movement has been a strengthening of the progressive movement. Dr. Ambedkar's predecessors Mahatma Jyotirao Phule, Savitribai Phule, Gopal Baba Valangkar, social reformer Gopal Ganesh Agarkar, Justice M. G. Ranade made special efforts to eradicate untouchability. Contemporaries of Ambedkar, Chhatrapati Shahu Maharaj, Mahatma Gandhi and Vitthal Ramji Shinde, San
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Vasudevan, Ravi. "Devotional Transformation." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 1, no. 2-3 (2005): 237–57. http://dx.doi.org/10.1558/post.v1i2_3.237.

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This article focuses on the specific Indian cinematic form of the Hindu devotional film genre to explore the relationship between cinema and religion. Using three important early films from the devotional oeuvre—Gopal Krishna, Sant Dnyaneshwar, and Sant Tukaram—as the primary referent, it tries to understand certain characteristic patterns in the narrative structures of these films, and the cultures of visuality and address, miraculous manifestation, and witnessing and self-transformation that they generate. These three films produced by Prabhat Studios between the years 1936 and 1940 and all
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Sthaneshwar, Timalsina. "Canciones de Transformación: la literatura vernácula Josmanī y el Yoga de la conciencia cósmica." Aposta. Revista de Ciencias Sociales, no. 94 (July 1, 2022): 70–87. https://doi.org/10.5281/zenodo.6759379.

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Los Josmanīs son los Sants, buscadores espirituales, de los pueblos del este de Nepal. Seguidores de un movimiento que data de alrededor del siglo XVII, los Josmanīs adoptaron el modelo de los Sants Nirgun del norte de India, tales como Kabir o Tukaram. La mayoría de los Josmanīs provienen de las familias Rai no brahmánicas. Mediante canciones populares, estos Sants hicieron accesibles las enseñanzas de los textos hindúes esotéricos a los laicos, al mismo tiempo que confrontaron jerarquías de castas y diversas formas de ortodoxia. Deseosos de preservar
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Kalyankar, Somesh. "Utilization of Temple Waste for Making Incense Sticks with Environmental and Socioeconomic Aspect." Science and Technology - An International Journal 01, no. 01 (2024): 1–3. http://dx.doi.org/10.69738/staij.2024.01.01.0010.

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Safe and environmentally balanced management of solid wastes becomes a major issue in many cities of developing nations. Huge production of solid wastes coupled with poor management system, results in a significant environmental degradation. In India most of the religious places huge tonnage of solid waste is generated during worships, ceremonies and festivals. The quantity of flower waste generated by Sant Tukaram Maharaj temple Dehugaon was assessed. Majority of flowers offered in temple are rose, jasmine, marigold, hibiscus, etc. These waste flowers can be utilized to produce valuable produ
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Polcumpally, Arun Teja. "Malhotra, R. (2021). Artificial Intelligence and the Future of Power. New Delhi: Rupa Publications." Jindal Journal of International Affairs 1, no. 5 (2021): 68–73. http://dx.doi.org/10.54945/jjia.v1i5.63.

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There is a good number of books dwelling on the impact of AI. Not many books are written on the concept of power. Rajiv Malhotra has eloquently written his insights into how AI would change the social fabric which in turn revolutionizes the understanding of the term power. At the onset, this book is meant for general reading and not specifically designed for the social science experts of technology scientists. Accordingly, this work should not be compared with the works of Nick Bostrom, Andrew NG, or KaiFu Lee. This book is structured on the five battlegrounds which are not to be confused with
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Adnan, Mohammed Ahmed Khan. "Literature and Hindi Cinema." Aksharasurya Journal 05, no. 05 (2025): 108 to 113. https://doi.org/10.5281/zenodo.14619614.

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Hindi cinema has a history of more than 100 years old. Dadasaheb Phalke after understanding the audience’s interest, screened a speechless film named “Raja Harishchandra” on 3 May 1913 at the Coronation Cinema House in Bombay. This is how the foundation of Indian cinema was laid. This was the first film to be fully recognized as the first Indian feature film. On March 14, 1931, Ardeshar Irani made the first spoken film in Hindi titled ‘Alam Ara’ through engineering cinema. The first talkie film presented by Prabhat Film was ‘Ayodhya Ka Raja’ which was
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Bhaskar, I. "ALLEGORY, NATIONALISM AND CULTURAL CHANGE IN INDIAN CINEMA: SANT TUKARAM1." Literature and Theology 12, no. 1 (1998): 50–69. http://dx.doi.org/10.1093/litthe/12.1.50.

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Bücher zum Thema "Sant Tukaram"

1

Kapur, Geeta. Mythic material in Indian cinema: Investigating Sant Tukaram and Devi. Nehru Memorial Museum and Library, 1988.

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2

Academy of Comparative Philosophy and Religion (India), ed. Personalistic mysticism of Sant Tukarama. Academy of Comparative Philosophy and Religion, 2016.

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3

Rigopoulos, Antonio. Oral Testimonies on Sai Baba As Gathered During a Field Research in Shirdi and Other Locales in October-November 1985. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-446-2.

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The interviews and audio recordings comprised in this volume are the outcome of a field research to Maharashtra and Andhra Pradesh which took place in October-November 1985 for the preparation of the Author’s BA thesis on the life and teachings of the Indian saint Sai Baba of Shirdi (d. 1918), discussed at the Ca’ Foscari University of Venice in June 1987 (Un maestro dell’India moderna: il Sāī Bābā di Śirḍī. L’uomo, l’ambiente, gli insegnamenti). The conversations of each day are preceded by excerpts from the Authorʼs diary. These testimonies record the words of various people in the village o
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Kulkarni, Shyamkant. Poetry of Sant Tukaram. Independently Published, 2021.

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5

Naz̤īr AKbarābādī aur Sant Tukārām: Taqābulī mut̤ālaʻah = Poet Nazeer Akbarabadi & Sant Tukaram. Ejūkeshanal Pablishing Haʼūs, 2013.

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6

Santa Ekanatha va Santa Tukarama: Taulanika adhyayana. Suvidya Prakasana, 2007., 2007.

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7

Ajgaonkar, J. R. Tukaram; the Most Renowned and Popular Saint-Poet of Maharashtra. Creative Media Partners, LLC, 2021.

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8

Abbot, Justin E. Tukaram: The Poet Saint of Maharashtra (Monumenta Indica Series, No. 8). South Asia Books, 1996.

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Buchteile zum Thema "Sant Tukaram"

1

Ingle, Hrishikesh Sudhakar. "Kolhapur, Pune, and the Studios." In Marathi Cinema, Cultural Space, and Liminality. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192859785.003.0002.

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This chapter presents a critical narrative of early Marathi filmmaking as it took root in the studios such as Maharashtra Film Company and Prabhat Film Company. It elaborates on the artisanal, social, and ideological aspects of studio filmmaking in provincial spaces. It identifies instances of Marathi filmmaking in the silent period by briefly considering the career, works, and contribution of Baburao Painter. Then, the chapter elaborates on Prabhat Film Company by explaining its trajectory from Kolhapur to Pune. The coalescing of a Marathi regional cinema is shown in the context of concepts s
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2

Maholkar, Santosh Govindrao. "GENEALOGY OF DISCRIMINATION AND CRITIQUE OF CASTE IN THE SELECT INDIAN LITERARY REPRESENTATIONS." In Research Trends in Language, Literature & Linguistics Volume 3 Book 2. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt2p1ch10.

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The purpose of this paper is to articulate the genealogy of discrimination and arbitrary caste-based inequality in the light of Indian literary and cultural (con)texts. Thus the paper problematizes the issue of the discrimination in Indian literary and cultural representations, right from the time of great Indian epic The Mahabharta (Eklavya, Karna, Barbarik/Belarsen and other life stories) through the medieval reformist Bhakti poetry to the modern time. In short the paper addresses the following research questions. •In what ways do the study of literary explorations and cultural representatio
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