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Thematische Bibliographien / Selfhood disintegration

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Zeitschriftenartikel
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Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Selfhood disintegration“

Autor: Grafiati

Veröffentlicht am 7. Juni 2025

Zuletzt aktualisiert am 2. August 2025

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Zeitschriftenartikel zum Thema "Selfhood disintegration"

1

Martin, Gnanapragasam. "Faith as the Personal Growth of Selfhood before God: In and through the Three Stages of Kierkegaard's Existential Dialectic." ) Vidyankur: Journal of Philosophical and Theological Studies. XX/1, Jan-June 2018 (2021): 19–30. https://doi.org/10.5281/zenodo.4739964.

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Having recognized that it was intellect that legitimized the age of disintegration in his society in and through the social and religious institutions which promoted homogeneity rather than individuality in passionless reflection, Kierkegaard develops his existential dialectic with its three stages in and through which an ethico-religious individual grows into a faith which is nothing but growing into selfhood in relationship with God. Thus, he saw himself as a corrective force not only to his society but also to any  society which faces disintegration at any given point of history.

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2

Tompkins, Joanne. "Infinitely Rehearsing Performance and Identity: Africa Solo and The Book of Jessica." Canadian Theatre Review 74 (March 1993): 35–39. http://dx.doi.org/10.3138/ctr.74.008.

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Canadians are taught that we are part of the mosaic or the salad bowl, not the melting pot that supposedly characterizes the Americans. Yet no one can really explain the Canadian identity salad. As Canada lurches towards the twenty-first century, risking disintegration on various fronts, I would like to consider the old post-colonial issue of “identity” in the context of two recent Canadian plays. “Identity”, originally a key concept of establishing national selfhood, has been re-played recently by the West Indian writer, Wilson Harris, in The Infinite Rehearsal. Harris’s novel frames the iden

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3

Xinyi, Zhang. "Material Entanglements: Identity Collapse and Object Agency in Paul Auster’s City of Glass." International Journal of English Literature and Social Sciences 10, no. 2 (2025): 209–16. https://doi.org/10.22161/ijels.102.35.

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Paul Auster’s City of Glass, a seminal work of postmodern urban literature, unravels the disintegration of Daniel Quinn—a writer who morphs into a detective and ultimately a nameless wanderer—through a labyrinth of material encounters. This paper repositions City of Glass within the framework of new materialism, arguing that Quinn’s identity crisis is not merely a psychological collapse but a material entanglement. By centering the agency of objects—names, the red notebook, and urban spaces—the analysis reveals how nonhuman actors actively co-author Quinn’s subjectivity, reflecting broader ten

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Dr. Joji John Panicker. "Figuring The Feminine: Bodily Autonomy, Patriarchal Violence, And Gender Dynamics In Han Kang’s The Vegetarian." Nanotechnology Perceptions 20, no. 2 (2024): 319–25. https://doi.org/10.62441/nano-ntp.v20i2.5423.

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Han Kang’s The Vegetarian (2007) is a provocative exploration of bodily autonomy, gendered violence, and resistance within a patriarchal society. Through the story of Yeong-hye, a South Korean woman who rejects meat consumption and spirals into psychological and physical disintegration, Kang interrogates the intersections of gender, power, and societal expectations. This essay applies a feminist perspective to analyze how Yeong-hye’s radical choices—her vegetarianism, self-starvation, and eventual transformation into a “plant-like” state—function as acts of defiance against patriarchal control

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Abdulla Almaaroof, Ansam Riyadh, and Aseel Ahmed Jasim. "Self and Identity Concepts in Postmodernism: A Study of Samuel Beckett's "Not I"." JOURNAL OF LANGUAGE STUDIES 9, no. 1 (2025): 407–15. https://doi.org/10.25130/lang.9.1.24.

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The Fragmented Self and Identity in Postmodernism: An Analysis of Harris Through “Not I” by Samuel Beckett. Postmodernism is a deliberate distancing of the self with itself, leading to disintegration of coherent subjectivity The premise of this paper is that the identity of character is fragmented when we analyze the character of Harris in the play. This study argues that the play subverts the typical notions of identity and presents a fractured and unstable self that keeps up with the complexities of the postmodern condition. The goal of the research is to explore how Beckham's work disintegr

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Asst., Lect. Murtada Ali Hussein, and Lect. zainalabdeen abd alrazaq shnain aljanabi Asst. "Madness as Metaphysics: Schizophrenia and Narrative Fragmentation in Virginia Woolf's the Waves." International Journal of Social Science and Human Research 08, no. 03 (2025): 1524–27. https://doi.org/10.5281/zenodo.15030175.

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In The Waves (1931), written by Virginia Woolf, the conventional narrative coherence is replaced with a fractured,polyphonic framework. This is similar to the perceptual and ontological dislocations that patients who suffer from schizophreniaexperience. The argument presented in this article is that Woolf's experimental form goes beyond the domain of basic stylisticinnovation in order to investigate the ephemeral nature of reality, identity, and time. The paper makes this claim by usingschizophrenia as a theoretical framework. Through the alignment of six protagonists' discontinuous soliloquie

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McDowell, John C. "Disney’s Reel Doubling of Violent Desire in J. J. Abrams’ Mimetic The Force Awakens." Religions 10, no. 11 (2019): 615. http://dx.doi.org/10.3390/rel10110615.

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Abrams’ spectacularly distended infantilising manipulation of the saga embeds a form of cognitive resonance with a state of perpetual war and a politically thanatising mythos fitted out as a politically containing moment within what cultural commentators are referring to as “post-9/11 American cinema”, a form of cinema reacting to a cultural trauma and that normalises a hegemonic political reactivity in a perceived ‘clash of civilizations’ in “the social embodied” in an age marked by what Terry Eagleton describes as “holy terror”. As cultural philosopher Douglas Kellner argues, movies of apoca

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Ejaz, Samra. "The Darkness Beholds: (Re)Membering, (Re)Visiting and (Re)Turning to the Self and the City in Sunetra Gupta's Memories of Rain." International Journal for Social Studies 11, no. 11 (2024): 39–45. https://doi.org/10.5281/zenodo.14965099.

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<em>The promiscuous gaze of West ever penetrates the “exotic” East, wanting to possess and dominate every part of it indiscriminately. The fascination for its dark secrets arises a momentary pleasure within the Occidental which ebbs once the need to possess the inexplicable is fed. In Sunetra Gupta’s novel, Memories of Rain, Anthony, from London, characterises as a neo-Orientalist who fetishizes Bengal and feminises the nation out of his deep desire to penetrate within its darkness. However, elusive Bengal causes him to be enthralled by Moni, a middle-class Bengali woman whos

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Stanghellini, G. "Discussion." European Psychiatry 33, S1 (2016): S16. http://dx.doi.org/10.1016/j.eurpsy.2016.01.813.

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The concept of “dissociation” covers a rather wide array of psychopathological conditions, ranging from dissociation of consciousness (e.g., post-traumatic conditions), to dissociation of personality, (i.e., multiple personality disorder) and dissociation of the basic structures of the pre-reflexive self (as it is the case with schizophrenic abnormal experiences). I will focus on this last issue and describe the dissociation of time experiences in people with schizophrenia as a characterizing feature of this condition.Schizophrenic persons often describe their sense of temporal reality as: “th

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Gay, Matias. "The Suicidal Clock: Temporal Constriction and the Chronological Collapse of Narrative Identity." Illness, Crisis & Loss, June 25, 2025. https://doi.org/10.1177/10541373251350201.

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Objective This study reconceptualizes suicide as a collapse of lived temporality and narrative identity, framing suicidality as a progressive erosion of coherence, meaning, and chronological selfhood. Design and Method A qualitative, narrative-phenomenological synthesis was conducted using interpretative phenomenological analysis and thematic narrative coding. Data sources included ethically published suicide notes, psychological autopsy research, and theoretical literature on time, identity, and psychache. The analysis was structured using the Existential Network of Suicidal Identity (ENSI) f

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Bücher zum Thema "Selfhood disintegration"

1

Chakravarty, Prasanta. Assured Self, Restive Self. Bloomsbury Publishing India Pvt. Ltd, 2023. http://dx.doi.org/10.5040/9789354359378.

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The book explores the encounter of the self with situations of crisis from diverse disciplinary and cultural perspectives from antiquity to contemporary times. A crisis is at once a historically situated phenomenon and a recurring idea of endangerment or a breakdown in creaturely living. By making our choices stark and difficult, crisis opens up the possibility for genuinely fresh and unexpected beginnings. At the most fundamental level, crisis is the disintegration of relationality among creatures. In fact, crisis is a battle of attrition with and within selfhood. It has the potential to turn

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Buchteile zum Thema "Selfhood disintegration"

1

Borneman, John. "9. Narrative, Genealogy, and the Historical Consciousness: Selfhood in a Disintegrating State." In Culture/Contexture. University of California Press, 1996. http://dx.doi.org/10.1525/9780520323698-011.

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