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Thematische Bibliographien / Sex in music

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Zeitschriftenartikel
Dissertationen
Bücher
Buchteile
Konferenzberichte
Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Sex in music“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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Zeitschriftenartikel zum Thema "Sex in music"

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Banfield, Stephen, Kay Dreyfus, and Percy Grainger. "Music and Sex." Musical Times 127, no. 1726 (November 1986): 624. http://dx.doi.org/10.2307/964273.

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Bertsch, Sharon, H. Donald Knee, and Jeffrey L. Webb. "Functional Cerebral Distance and the Effect of Emotional Music on Spatial Rotation Scores in Undergraduate Women and Men." Psychological Reports 108, no. 1 (February 2011): 14–22. http://dx.doi.org/10.2466/04.23.27.pr0.108.1.14-22.

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The influence of listening to music on subsequent spatial rotation scores has a controversial history. The effect is unreliable, seeming to depend on several as yet unexplored factors. Using a large sample (167 women, 160 men; M age = 18.9 yr.), two related variables were investigated: participants' sex and the emotion conveyed by the music. Participants listened to 90 sec. of music that portrayed emotions of approach (happiness), or withdrawal (anger), or heard no music at all. They then performed a two-dimensional spatial rotation task. No significant difference was found in spatial rotation

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Feizpour, Azadeh, Helena C. Parkington, and Farshad A. Mansouri. "Cognitive sex differences in effects of music in Wisconsin Card Sorting Test." Psychology of Music 48, no. 2 (September 12, 2018): 252–65. http://dx.doi.org/10.1177/0305735618795030.

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Recent studies suggest that females and males show different levels of susceptibility to neuropsychological disorders which might be related to sex differences in executive control of behaviour. Music, as a cognitively salient factor, might influence cognitive functions; however, it is unclear how sex and music interact in influencing executive control of behaviour in a dynamic environment. We tested female and male participants in a computerized analogue of the Wisconsin Card Sorting Test (WCST) while listening to music or in silence. We found that music decreased the percentage of correct tr

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Eaklor, Vicki Lynn. "Queer Episodes in Music and Modern Identity (review)." Journal of the History of Sexuality 12, no. 3 (2003): 498–500. http://dx.doi.org/10.1353/sex.2004.0006.

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Cummins, R. Glenn. "Selling Music With Sex: The Content And Effects Of Sex In Music Videos on Viewer Enjoyment." Journal of Promotion Management 13, no. 1-2 (November 28, 2007): 95–109. http://dx.doi.org/10.1300/j057v13n01_07.

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Preston, Joan M., and Michael Eden. "Viewing music videos: Emotion and viewer interpretation." Zeitschrift für Medienpsychologie 14, no. 2 (April 2002): 69–79. http://dx.doi.org/10.1026//1617-6383.14.2.69.

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Abstract. Music video (MV) content is frequently measured using researcher descriptions. This study examines subjective or viewers’ notions of sex and violence. 168 university students watched 9 mainstream MVs. Incidence counts of sex and violence involve more mediating factors than ratings. High incidents are associated with older viewers, higher scores for Expressivity, lower scores for Instrumentality, and with video orders beginning with high sex and violence. Ratings of sex and violence are associated with older viewers and lower scores for Instrumentality. For sex MVs, inexperienced view

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Armstrong, Edward G. "Country music sex songs: An Ethnomusicological account." Journal of Sex Research 22, no. 3 (August 1986): 370–78. http://dx.doi.org/10.1080/00224498609551315.

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Trecroci, Athos, Gabriele Signorini, Raffaele Scurati, Dario Colella, Gaetano Raiola, Marta Rigon, and Pietro Luigi Invernizzi. "Effects of Musical Classes on Motor Creativity According to Age, Sex, and Weight Status in Young Students: A Music-Oriented versus Conventional Education Plan." Children 10, no. 2 (January 20, 2023): 200. http://dx.doi.org/10.3390/children10020200.

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Motor creativity can be influenced by the specificity of the school–class environments (music-based education plans) and individual characteristics. This study aimed to investigate the effects of music oriented and conventional education plans on rhythmic perceptive capacity, motor creativity, and skill- and health-related fitness components in young students according to age, sex, and weight status. One hundred sixty-three young Italian students from elementary (second and fourth grade) and middle school (sixth and eighth grade) were enrolled in the study according to their education plan (mu

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Biswas, Anomitra, and Tonisha Guin. "Agents of Ishq and Contemporary Discourses on Sex and Sex-Education in India." Bandung 9, no. 1-2 (February 24, 2022): 325–55. http://dx.doi.org/10.1163/21983534-09010013.

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Abstract This paper examines Agents of Ishq, an online site/project seeking to create a space for the public discourse of sex and sexuality in India, with particular attention to a single music video that is part of the project. The content produced by the project is informed by idioms of Bollywood films and film-music. The paper draws on the notion of popular culture to see how meanings are encoded within the video productions and explores the politics of representation of these audio-visual and textual resources. It also briefly examines the effect that being hosted on a digital platform, fr

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Maidlow, Sarah. "The Experiences, Attitudes and Expectations of Music Students from a Feminist Perspective." British Journal of Music Education 15, no. 1 (March 1998): 37–49. http://dx.doi.org/10.1017/s0265051700003752.

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Attempting to explain the mis-match between women's low profile in most music professions and females' success in formal music education, I looked for differences in the attitudes, experiences and expectations of music students. This was done by using repertory grids with relatively small numbers of A-level and undergraduate music students, and postgraduate student teachers with music degrees. Constructivist psychology, of which repertory grid technique is a practical example, offers approaches in harmony with feminist preferences for the meaning people attach to their situation and the useful

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Dissertationen zum Thema "Sex in music"

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Luevano, Ryan M. "Everything's coming up sex! A survey of sex and sexual orientation on Broadway today." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527393.

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Sissum, Melina. "A longitudinal content analysis of violence, sex, and drugs in rap music." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=3208.

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Turner, Jacob S. "An examination of sexual content in music videos." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.51Mb, 223 p, 2005. http://wwwlib.umi.com/dissertations/fullcit/1428252.

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Williams, Anna C. "Sex, Drags, and Rock'n'Roll: the Yeah Yeah Yeahs' and Devendra Banhart's subversion of sex and gender norms." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337885390.

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Ruth, Mary-Louise. "My Kind of Music: Two New Orleans Stories." ScholarWorks@UNO, 2003. http://louisdl.louislibraries.org/u?/NOD,33.

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Thesis (M.F.A.)--University of New Orleans, 2003.<br>Title from electronic submission form. "A thesis ... in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing"--Thesis t.p. Vita.

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Larsson, Victor. "En minnesvård, varaktigare än bronsen : Om Hilding Rosenberg, musikhistorieskrivning och sex stråkkvartetter." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154248.

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Abstract Victor Larsson: En minnesvård, varaktigare än bronsen – Om Hilding Rosenberg, musikhistorieskrivning och sex stråkkvartetter. Uppsala universitet: Institutionen för musikvetenskap, C-uppsats 2006. In the late 1950s, Swedish composer Hilding Rosenberg composed a number of new string quartets – nos. 7-12. These compositions were commissioned by Sveriges Radio and originally performed by Kyndelkvartetten. The string quartets received excellent critique and both reviews and analyses were published in Swedish periodical Nutida Musik. The aim of the essay is to, taking reviews from daily pr

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Arnold, Heather M. "Authenticity, style, and gender explorations in rockabilly /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6104.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 22, 2008) Includes bibliographical references.

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Radford, Crystal Joesell. "In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306255326.

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Lakhani, Ali Moneim. "Popular Music and Adolescent Sexual Health." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366767.

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Background There is public concern about the impact that exposure to sexual content in music is having on the sexual health of adolescents. In particular, exposure to sexual content in music has been identified as adversely impacting young people’s behaviour, and attitudes towards gender. In contrast, popular music has also been identified as a culturally appropriate tool to engage young people in sexual health education and promotion programs. By taking a broad definition of sexual health, this dissertation addresses knowledge gaps especially in regards to gender and body image. Consequently,

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Pennington, Stephan Joseph. "Made for love Marlene Dietrich, the Comedian Harmonists, and performances of gender at the end of the Weimar Republic /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2007918571&sid=12&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Bücher zum Thema "Sex in music"

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Brown, James. Sex machine. Place of publication not identified]: Polydor, 1993.

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Body, Jack. Sex, politics, religion- and music. Palmerston North, New Zealand: Massey University Music, 1999.

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Red Hot Chili Peppers (Musical group). Blood sugar sex magik. Burbank, CA: Warner Bros., 1991.

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Willis, Ellen. Beginning to see the light: Sex, hope, and rock-and-roll. Hanover: Wesleyan University Press, 1992.

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group), Sex Pistols (Musical. Never mind the bollocks, here's the Sex Pistols. Burbank, CA: Warner Bros., 1988.

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Foundation, Media Education, ed. Dreamworlds 3: Desire, sex & power in music video. Northampton, MA: Media Education Foundation, 2007.

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Reynolds, Simon. The sex revolts: Gender, rebellion, and rock'n'roll. Cambridge, Mass: Harvard University Press, 1995.

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Attorre, Francesco. Sesso e musica: Musica, musicisti e il segreto nascosto nel suono. Varese (Italy): Zecchini editore, 2018.

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Chris, Charlesworth, ed. The Sex Pistols diary: Sex Pistols day by day. London: Omnibus Press, 1988.

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Reynolds, Simon. The sex revolts: Gender, rebellion, and rock 'n' roll. London: Serpent's Tail, 1995.

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Buchteile zum Thema "Sex in music"

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Golding, Rosemary. "Anon., ‘Sex and Music’; and Anon., ‘Sex and Music’." In Music in Nineteenth-Century Britain, 312–15. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003892-33.

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Powell, Elliott H. "Addict(ive) Sex." In Popular Music and the Politics of Hope, 173–86. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315165677-12.

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Franklin, M. I. "Sex, Gender and Public Culture." In Change the Record - Punk Women Music Politics, 123–24. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839441718-028.

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de Boise, Sam. "A History of Sex and Gender Differences in Emotion." In Men, Masculinity, Music and Emotions, 22–44. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137436092_2.

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Boswell, Matthew. "English Punk: Sex Pistols, Never Mind the Bollocks, Here’s the Sex Pistols and The Great Rock ‘n’ Roll Swindle." In Holocaust Impiety in Literature, Popular Music and Film, 104–13. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358690_5.

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Gildart, Keith. "Darkness over England: Punk Rock and the Sex Pistols Anarchy Tour 1976." In Images of England through Popular Music, 174–93. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137384256_10.

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Gallo, Guadalupe, and Pablo Semán. "Pleasurable Surfaces: Sex, Religion, and Electronic Music within the 1990–2010 Transition Folds." In Youth Identities and Argentine Popular Music, 141–58. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011527_8.

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Siegel, Carol. "Ambiguities of S/M and goth cultures’ sex/gender identity politics." In Rethinking Difference in Gender, Sexuality, and Popular Music, 52–67. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: Routledge studies in popular music: Routledge, 2018. http://dx.doi.org/10.4324/9781315660455-4.

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Harker, Anita. "An Autoethnographic Mix Tape: Deconstructing Gender Identity Through Music That Has Meaning to Us." In Teaching Gender and Sex in Contemporary America, 117–29. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30364-2_13.

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van Bohemen, Samira, Julian Schaap, and Pauwke Berkers. "The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation." In Popular Music, Technology, and the Changing Media Ecosystem, 115–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44659-8_7.

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Konferenzberichte zum Thema "Sex in music"

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Dolinšek, Eva. "Monteverdi and Seconda Pratica: Music Should be at the Ser-vice of the Word." In Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d21.

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This article provides insight into the music of the late Renaissance and early Baroque in Italy. Com-poser Claudio Monteverdi was one of the most important figures in the music of the early Italian Baroque. We consider the events that led to the creation of the new early Baroque style – Seconda pratica - (second practice) and describe the significant changes in vocal music that took place with the aim to depart from strict counterpoint at the turn of the 16th century. Keywords: Claudio Monteverdi; Seconda pratica; Venetian school; Madrigalisms; Ornamentation

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Etinger, Darko. "A Task-Technology Fit Model for Digital Audio Workstations Evaluation." In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002867.

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Music industry changes in the last decade largely shifted the music production tasks from big established studios to music artists. With the addition of online music streaming platforms, an end-to-end process of music creation, publishing, delivery, and consummation is achieved. This phenomenon emphasizes music artists as content creators to handle music production. Digital audio workstation systems enabled end users to compose, record, mix and master music. This research focuses on identifying the fit between various tasks music artists must perform during music creation and the technical cha

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Shilpiekandula, Vijay, and Yun Seong Song. "A Music-Based Mechatronic System for Teaching Modeling and Control." In ASME 2008 International Mechanical Engineering Congress and Exposition. ASMEDC, 2008. http://dx.doi.org/10.1115/imece2008-66817.

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Audio-based tools can enhance the learning experience in introductory modeling and control classes at the undergraduate (sophomore) level in the mechanical engineering curriculum. An example audio-based learning tool that we propose is the “FlexSynth,” a servo-actuated flexural rocker arm that sways to an electronically generated music. We have built and tested the FlexSynth as part of a project under the MIT advanced graduate subject 2.737 Mechatronics class offered in Fall 2007. The angular range of the rocking motion of the flexural arm in the FlexSynth is mapped to a set of musical notes.

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Wang, Zihao, Shuyu Li, Tao Zhang, Qi Wang, Pengfei Yu, Jinyang Luo, Yan Liu, Ming Xi, and Kejun Zhang. "MuChin: A Chinese Colloquial Description Benchmark for Evaluating Language Models in the Field of Music." In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. California: International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/860.

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The rapidly evolving multimodal Large Language Models (LLMs) urgently require new benchmarks to uniformly evaluate their performance on understanding and textually describing music. However, due to semantic gaps between Music Information Retrieval (MIR) algorithms and human understanding, discrepancies between professionals and the public, and low precision of annotations, existing music description datasets cannot serve as benchmarks. To this end, we present MuChin, the first open-source music description benchmark in Chinese colloquial language, designed to evaluate the performance of multim

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Faria, Regis Rossi A., Ricardo Thomasi, João Monnazzi, Eduardo Bonachela, André Giolito, and Gabriel Lemos. "A prospective report on the research developed at the Laboratory of Audio and Music Technology at USP." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19461.

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This paper presents a concise report on the research developed at the Laboratory of Audio and Music Technology at the EACH-USP. The laboratory was founded in 2011 targeting the areas of music technology, musical acoustics and bioacoustics, strengthening its scope in 2019 to the areas of sound and music computing and audio engineering. Six projects are presented herein, describing their application areas, goals, achievements and perspectives.

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van der Smissen, Andrea. "Musikalische Innovation im Umfeld der Moderne und historischen Avantgarde in Ungarn." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.75.

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In recent decades the interpretation of music history of the interwar period was determined by factors which allowed only national or folkloristic approaches to modern music in Hungary. However, the composers of the group ‘Modern Hungarian Musicians’, connected to the forums of the New Music like the ISCM or Cowell‘s NMS, were committed to a transcultural view of musical innovation. Through intermedial connections between literary and fine art, they received non-musical impulses by modern and avantgarde movements. This paper makes an approach on their heterogeneous conception of music with the

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Jucu, Ioan Sebastian. "REPRESENTING CITIES, PLACES AND CULTURES THROUGH MUSIC TOURISM AND ICONIC MUSIC LEGENDS: A SHORT GEOGRAPHICAL ANALYSIS OF CELINE DION�S MUSIC AND TRAVEL." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.122.

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Cities, cultures, tourism and music have always been connected through the close relations between urban places as music venues, tourists and legendary musicians which perform to largest audiences. This paper aims to briefly examine the most important relations between music, tourism, cities and iconic musicians considering as a case in point, one of the most emblematic artists in the contemporary global popular culture - the iconic songstress Celine Dion. The article unveils the most important features which connect places with different cultures, with the fans as music tourists and with the

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Stewart, Robert R., and Samantha Brough. "Log jammin': Transforming well logs to music." In SEG Technical Program Expanded Abstracts 2006. Society of Exploration Geophysicists, 2006. http://dx.doi.org/10.1190/1.2369692.

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Yao, Bin, Haisen Li, Tian Zhou, Baowei Chen, and Haixin Yu. "Real-Time Implementation of Multiple Sub-array Beam-Space MUSIC Based on FPGA and DSP Array." In 2008 Fifth IEEE International Symposium on Embedded Computing (SEC). IEEE, 2008. http://dx.doi.org/10.1109/sec.2008.6.

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Gonçalves Junior, Clenio B., and Vânia Paula de Almeida Neris. "Human-centered algorithmic composition for well-being music." In Simpósio Brasileiro de Computação Aplicada à Saúde. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/sbcas.2023.229409.

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The use of music to bring about health benefits is a well-established practice the outcomes of which have been confirmed by research in recent years. By leveraging this capability, the algorithmic composition aimed at producing specific effects on the listener has become a growing field for the automatic creation of well-being music. This work makes a contribution to this field, through a documentary investigative study that puts forward a comprehensive set of human-centered features that should be included in the algorithmic composition of music for well-being. The results are based on a syst

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Berichte der Organisationen zum Thema "Sex in music"

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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce

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Kvalbein, Astrid. Wood or blood? Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481278.

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Wood or Blood? New scores and new sounds for voice and clarinet Astrid Kvalbein and Gjertrud Pedersen, Norwegian Academy of Music What is this thing called a score, and how do we relate to it as performers, in order to realize a musical work? This is the fundamental question of this exposition. As a duo we have related to scores in a variety of ways over the years: from the traditional reading and interpreting of sheet music of works by distant (some dead) composers, to learning new works in dialogue with living composers and to taking part in the creative processes from the commissioning of a

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Winseck, Dwayne. Growth and Upheaval in the Network Media Economy in Canada, 1984-2021. Canadian Media Concentration Research Project (CMCRP), November 2022. http://dx.doi.org/10.22215/gmicp/2022.01.

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The Canadian contribution and data set prepared as part of the Global Media and Internet Concentration (GMIC) project offers an independent academic, empirical and data-driven analysis of a deceptively simple yet profoundly important question: have telecom, media and internet markets become more concentrated over time, or less? Media Ownership and Concentration is presented from more than a dozen sectors of the telecom-media-internet industries, including film, music and book industries.

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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, July 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad

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Hagel, Stefan. Understanding early auloi: Instruments from Paestum, Pydna and elsewhere. Verlag der Österreichischen Akademie der Wissenschaften, October 2021. http://dx.doi.org/10.1553/oeai_ambh_3.

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Starting from data on the ‘Paestum’ or ‘Poseidonia’ aulos established by Paul andBarbara Reichlin-Moser and Stelios Psaroudakēs, the ‘Pydna’ aulos, and comparable finds ofearly, mainly six-hole one-hole-shift, doublepipe fragments, possible musical interpretations ofthis important instrument type of the early Classical Period are considered. Probable pitchesand intervals are assessed by means of well-tested software and confirmed experimentally;the required double reeds of a much longer type than known from later periods are shownto be substantiated by iconographic and literary testimony. The

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.

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Geelong and the Surf Coast are treated here as one entity although there are marked differences between the two communities. Sitting on the home of the Wathaurong Aboriginal group, this G21 region is geographically diverse. Geelong serviced a wool industry on its western plains, while manufacturing and its seaport past has left it as a post-industrial city. The Surf Coast has benefitted from the sea change phenomenon. Both communities have fast growing populations and have benefitted from their proximity to Melbourne. They are deeply integrated with this major urban centre. The early establish

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Nyman, Matt, Nancy Staus, and Martin Storksdieck. Science and Art Teaching Practices for Oregon Elementary Teachers: Results of a Landscape Survey. Oregon State University, September 2023. http://dx.doi.org/10.5399/osu/1163.

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An Evaluation Report for the Oregon Department of Education. In collaboration with classroom teachers and WRAP personnel we developed and implemented a survey to collect baseline data on the science and arts teaching practices for ALL elementary teachers. This included “regular” classroom teachers (those teachers with an assigned physical classroom and set of students), art teachers, music teachers, PE teachers and other educators or administrators. In December 2022 we recruited three (3) elementary teachers to assist us in survey development, in particular framing questions around frequency o

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th

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