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  1. Zeitschriftenartikel

Auswahl der wissenschaftlichen Literatur zum Thema „Slow and fast fashion“

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Zeitschriftenartikel zum Thema "Slow and fast fashion"

1

Hall, Jenny. "Digital Kimono: Fast Fashion, Slow Fashion?" Fashion Theory 22, no. 3 (2017): 283–307. http://dx.doi.org/10.1080/1362704x.2017.1319175.

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2

Fleury, Felipe Guimarães, and Mirtes Marins de Oliveira. "Fast-Slow." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, no. 32 (August 3, 2021): 20–40. http://dx.doi.org/10.26563/dobras.i32.1365.

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O objetivo do artigo, a partir de pressupostos ideológicos que sustentam os movimentos de moda fast-fashion e slow fashion, é analisar os discursos construídos acerca da obsolescência de produtos de moda sob a ótica dos sistemas de produção linear e circular relacionados à significação do paradoxo Fast-Slow. Tais análises não se limitam a negar o fast-fashion e afirmar o slow fashion como possível alternativa à obsolescência. Conforme Weber (1999), o entendimento das questões subjetivas e empíricas desses fenômenos sociais levam ao interesse preliminar de repensar a própria estrutura do cenári
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3

Ivan, Coste Maniere, Doyle Celia, Guerbas Sarah, and Guisiano-Demarez Matthieu. "FROM FAST FASHION TO SLOW FASHION SUSTAINABLE INNOVATIONS: FROM NATURE TO FASHION." Global Fashion Management Conference 2019 (July 11, 2019): 512–13. http://dx.doi.org/10.15444/gfmc2019.05.06.01.

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4

Coutinho, Marina, and Graziela Brunhari Kauling. "Fast fashion e slow fashion: o paradoxo e a transição." Revista Memorare 7, no. 3 (2020): 83. http://dx.doi.org/10.19177/memorare.v7e3202083-99.

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A contemporaneidade é caracterizada por mudanças constantes em todos os aspectos da sociedade. O presente artigo objetiva analisar a transição paradoxal entre os fenômenos sociais do fast fashion como reflexo da era moderna e o slow fashion como uma reação pós-moderna. Para essa reflexão, são estudados os conceitos de Saturação de Michel Maffesoli e da Bacia Semântica de Gilbert Durand, ambas teorias do imaginário. A metodologia de pesquisa se faz pela abordagem compreensiva, que visa descrever o vivido reconhecendo no cotidiano a força da potência social. O Fashion Revolution traz, com a metá
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5

Brewer, Mark K. "Slow Fashion in a Fast Fashion World: Promoting Sustainability and Responsibility." Laws 8, no. 4 (2019): 24. http://dx.doi.org/10.3390/laws8040024.

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Through its rapid production methods that supply the latest catwalk styles almost instantaneously to the high street, the fast fashion model has revolutionized the fashion industry, while generating a significant carbon footprint and a host of social concerns. Yet, the law is either slow or ineffective in promoting sustainability in a world obsessed with image and social connectivity, while outdated notions of companies continue to dominate the legal academy. This chapter initially examines the fashion industry’s environmental footprint. Then, it examines the rise of the fast fashion model and
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6

Noh, Mijeong, Jessica Carroll, Sierra Holt, and Kristeena Blaser. "FAST AND SLOW FASHION BRANDS IN DEVELOPING SUSTAINABLE FASHION ASPECT OF FIBER MATERIALS." Global Fashion Management Conference 2017 (July 6, 2017): 439–44. http://dx.doi.org/10.15444/gfmc2017.05.08.01.

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7

Aldilax, Dandy, and Waldemar Pfoertsch. "Application of Combined SWOT and AHP for Strategy Development: A Case of Slow Fashion Brand in Bandung, Indonesia." Asian Journal of Technology Management (AJTM) 13, no. 3 (2020): 213–28. http://dx.doi.org/10.12695/ajtm.2020.13.3.3.

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Abstract. Raising global awareness in a sustainable environment intrigued many young designers and environmental activists to create environmentally friendly products. Slow fashion is a new solution to overcome issues caused by fast fashion, which promotes concern about the environment and sustainability of the products proven by materials, process, and disposal of the products. However, there is lack of empirical evidence about strategy development for Slow Fashion brand in Indonesia. This study aims to identify an appropriate strategy for slow fashion brand in Bandung, Indonesia. Bandung is
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8

Wright, G., and E. Hurn. "Cytochalasin inhibition of slow tension increase in rat aortic rings." American Journal of Physiology-Heart and Circulatory Physiology 267, no. 4 (1994): H1437—H1446. http://dx.doi.org/10.1152/ajpheart.1994.267.4.h1437.

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We separated the K(+)-induced contraction of rat aortic rings into its initial (fast) and secondary (slow) components. It was found that temperature sensitivity, K+ depolarization, and Ca2+ dependency could each be utilized to differentiate between these two components of the contractile response. Increasing the passive tension preload of the tissue increased the fast response but had no significant effect on the secondary slow rise in tension. Cytochalasins, which inhibit actin polymerization, reversibly inhibited tension development by rat aortic rings with the effect selectively confined to
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9

Das, Marie, Laure Herweyers, Ingrid Moons, and Els Du Bois. "STRATEGIC DESIGN OPPORTUNITIES TO INCREASE SUSTAINABLE FASHION AWARENESS AND BEHAVIOUR." Proceedings of the Design Society 1 (July 27, 2021): 2711–20. http://dx.doi.org/10.1017/pds.2021.532.

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AbstractFast fashion, with its focus on cheap clothing and everchanging trends, has an enormous negative environmental and social impact. Despite rising consumer awareness and slow fashion as an emerging trend, many consumers often still rely on fast fashion. This research aims to create insights into why customers keep returning to fast fashion and what is holding them back from buying sustainable fashion. This is done through a quantitative survey (n=521) and qualitative semi-structured interviews (n=9). Based on the findings, opportunities are defined for designers on how, where, and when t
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10

Solino, Livia Juliana Silva, Breno Moore de Lima Teixeira, and Ítalo José de Medeiros Dantas. "sustainability in fashion." International Journal for Innovation Education and Research 8, no. 10 (2020): 164–202. http://dx.doi.org/10.31686/ijier.vol8.iss10.2670.

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A reflexive movement around the universe of fashion shows alternatives to combat unrestrained consumption. The weakening of textile resources found in nature, and the devaluation of local production, seeking significantly, attributes that are applicable amid problematization caused since obtaining products. fashion items until their disposal. The slow fashion movement appears as a counterpoint to the fast-fashion model, seeking to add value in a rational way to clothing items in the globalized market, inserting sustainability as the main propagator of this dynamic that grows in a dizzying way
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