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Thematische Bibliographien / Society of Graphic Designers of Canada

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Auswahl der wissenschaftlichen Literatur zum Thema „Society of Graphic Designers of Canada“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Society of Graphic Designers of Canada"

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Snow, M. Elizabeth, and Nancy Snow. "Interactive Logic Models: Using Design and Technology to Explore the Effects of Dynamic Situations on Program Logic." Evaluation Journal of Australasia 17, no. 2 (2017): 20–28. http://dx.doi.org/10.1177/1035719x1701700204.

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Logic models are commonly used by evaluators to illustrate relationships among a program's inputs, activities, outputs, and outcomes. They are useful in helping intended users develop programs, communicate a program's theory of change, and design evaluations. However, as static documents, logic models can be challenging to build, work with, and present to stakeholders, especially for large and complex programs. Challenged by this inadequacy of static logic models, a program evaluator turned to a graphic designer and a software developer for help. Together, this interdisciplinary group develope

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Wang, Ruo Hong. "Professional Software Analysis and Comparison for Graphic Design." Applied Mechanics and Materials 644-650 (September 2014): 3170–73. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.3170.

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Contacting with the development of the society, the world is increasingly close, the Internet has become an inseparable part of modern society, and the new century must rely on the powerful computer information technology to better development. The continuous renewal of network, the rapid development of computer technology, computer graphic design industries widely used. Application in the field of generalized naturally shows the importance of computer graphic design, further shows the importance of studying graphic design knowledge. Present and future society requires high-quality high-cultur

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Cheshenko, L. I. "The Role of Design for the Deaf and Hard of Hearing in History and Modern Society." Contemporary problems of social work 6, no. 3 (2020): 22–29. http://dx.doi.org/10.17922/2412-5466-2020-6-3-22-29.

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the article describes one of the branches of design – graphic design, as an integral part of society. Namely the role and adaptation of graphic design for deaf and hard of hearing people. The methodological basis of the research is the works of such authors as E.A. Rosenblum, V. Singe, I.F. Heilman. Based on the results of the study, recommendations were developed for designers developing a design product adapted for deaf and hard of hearing people.

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Hu, Die, and Bian Guo. "The Application of Graphic Design in Cultural and Creative Products." Highlights in Art and Design 3, no. 1 (2023): 30–32. http://dx.doi.org/10.54097/hiaad.v3i1.9164.

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Times are developing, society is progressing, and the quiet rise of cultural and creative products, which not only enriches the content of cultural industries, but also promotes the progress of regional culture. The use of graphic design to enhance the value and meaning of cultural and creative products is accepted by many designers. In the design of cultural and creative products, designers are using graphics more and more frequently to decorate cultural and creative products. Graphics have become a factor that cannot be ignored in the design of cultural and creative products, and the creativ

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Tang, Weihong. "Embodied Environmental Crisis in Design Activism: the Influence of Digital Media Design Affordances on Information Dissemination and Public Engagement." Journal of Education and Educational Research 5, no. 3 (2023): 172–77. http://dx.doi.org/10.54097/jeer.v5i3.13692.

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Addressing the urgent environmental crisis is at the heart of this exploration, where design activism and the impact of digital media design on information dissemination and public engagement take center stage. With rising carbon emissions and human activities exacerbating environmental degradation, the role of designers in this context becomes crucial. The essay commences by underscoring human activities as major contributors to environmental decline, particularly within the Creative Industries. Despite initiatives such as the Ad Net Zero report, fundamental questions persist regarding the ev

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Irfan Sadida, M. Gunawan Setyadi, and Aisyah Mutia Dawis. "PENINGKATAN KETERAMPILAN DESAIN GRAFIS BAGI MAHASISWA AISKA UNIVERSITY DALAM MENGHADAPI ERA 4.0." Jurnal Pengabdian Masyarakat Nusantara 4, no. 3 (2022): 01–13. http://dx.doi.org/10.57214/pengabmas.v4i3.115.

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The rapid development of technology is very influential on institutions, society and even universities. At this time, the role of graphic design in all fields is needed. This can be proven by the many fields of business that utilize the expertise of graphic designers. The shifting habit of using digital media in human activities has made the use of design as media promotion increasingly widespread in the business world. Examples of promotional media include brochures, leaflets, posters, business cards, billboards, banners, and banners. This illustrates that graphic design skills are important

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Sarmast, Shahriar. "An Interview with Morteza Momayez." Design Issues 21, no. 1 (2005): 18–23. http://dx.doi.org/10.1162/0747936053103093.

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Design Issues is pleased to publish this interview with Iranian graphic designer Morteza Momayez recently conducted in Tehran by Shahriar Sarmast. Morteza Momayez, Iran's foremost graphic designer, has been active in the field for more than fifty years. When he began his career in the early 1950s, he designed Iranian newspapers and magazines. In the 1960s, he completed a degree in art at the University of Tehran, and did further studies in Paris. Mr. Momayez is the author of numerous books on graphic design in Farsi, and his work was featured by F.H.K. Henrion in his book Top Graphic Design (1

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Udris-Borodavko, Natalia. "Creative Resistance to Russian Aggression as a Socially Responsible Initiative of Graphic Designers of Ukraine." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 2 (2022): 154–70. http://dx.doi.org/10.31866/2617-7951.5.2.2022.266899.

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ІНФОРМАЦІЙНИЙ The purpose of the article is to highlight the results of the half-year activity of the Department of Graphic Design of KNUKiM (KNUC&A) in the informational struggle against Russian aggression. The experience of creative resistance as a creative mission of students and teachers of the department in the period from February 24 to August 24, 2022, is analyzed from the standpoint of the concept of the “socially responsible initiative” of a graphic designer introduced by the author of the article. The purpose is also to compile pedagogical activities for the training of soc

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Udris-Borodavko, Natalia. "Creative Resistance to Russian Aggression as a Socially Responsible Initiative of Graphic Designers of Ukraine." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 2 (2022): 154–70. https://doi.org/10.31866/2617-7951.5.2.2022.266899.

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The purpose of the article is to highlight the results of the half-year activity of the Department of Graphic Design of KNUKiM (KNUC&A) in the informational struggle against Russian aggression. The experience of creative resistance as a creative mission of students and teachers of the department in the period from February 24 to August 24, 2022, is analyzed from the standpoint of the concept of the “socially responsible initiative” of a graphic designer introduced by the author of the article. The purpose is also to compile pedagogical activities for the training of social

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Royhan, Muhammad Ghoyyas, and Dhevin Kawistoro Ngabekti. "Problematika Desain Komunikasi Visual dan Plagiarisme dalam Dunia Desain Grafis." CITRAWIRA : Journal of Advertising and Visual Communication 2, no. 1 (2021): 86–95. http://dx.doi.org/10.33153/citrawira.v2i1.3671.

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The development of technology, especially the internet, triggers graphic designers to be more active and creative in their work. Publication of graphic design works through social media and other media, but as a result of that plagiarism is also very rampant because of easy access to see other people's work via the internet. The formulation of the problem to get a solution through research is how to increase the creativity of the creators. Design of visual communication that is useful or beneficial for the general public and how to try to suppress plagiarism in graphic design. Qualitative Rese

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Mehr Quellen

Bücher zum Thema "Society of Graphic Designers of Canada"

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Newfeld, Frank. Drawing on type. Porcupine's Quill, 2008.

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editor, Kāẓimī Manṣūrah, Ibrāhīm Mahdī editor, Amīniyān, Tahamtan, 1976- editor of compilation, Muʼassasah-i Farhangī-i Pizhūhishī-i Chāp va Nashr-i Naẓar та Anjuman-i Ṣinfī-i Ṭarrāḥān-i Girāfīk-i Īrān, ред. Sarv-i nuqrahʹī 89: Muntakhab-i ās̲ār-i aʻz̤ā-yi Anjuman-i Ṣinfī-i Ṭarrāḥān-i Girāfīk-i Īrān dar nukhustīn Namāyishgāh-i Sālānah = Silver cypress : Iranian Graphic Designers Society Annual Exibition, 2010. Muʼassasah-i Farhangī-i Pizhūhishī-i Chāp va Nashr-i Naẓar, 2010.

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McMurtrie, Douglas C. (Douglas Crawford), 1888-1944, ed. Chicago modernism & the Ludlow Typograph: Douglas C. McMurtrie and Robert Hunter Middleton at work. Opifex, 2020.

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Anjuman-i Ṣinfī-i Ṭarrāḥān-i Girāfīk-i Īrān, ред. Sarv-i nuqrahʹī 92: Sivvumīn dū sālānah-yi muntakhab-i ās̲ār-i aʻz̤ā-yi Anjuman-i Ṣinfī-i Ṭarrāḥān-i Girāfīk-i Īrān = The 3rd Biennial of Iranian Graphic Designers Society. Intishārāt-i Kitāb-i Ābān, 2013.

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Barbour, Amjad. Newly Arrived Graphic Designers in Canada. Blurb, 2024.

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28th Annual Society of Publication Designers: Best Magazine Design. Rockport Pub, 1994.

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Sarv-i nuqrahʹī 90: Duvvumīn namāyishgāh-i sālānah-yi ās̲ār-i aʻz̤ā-yi Ṣinfī-i Ṭarrāḥān-i Girāfīk-i Īrān = Silver cypress II : the second Iranian Graphic Designers Society annual exhibition. Ābān, 2011.

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Meler, Matt S., Conchita Franco Serri, and Richard A. Garcia. Notable Latino Americans. Greenwood Publishing Group, Inc., 1997. http://dx.doi.org/10.5040/9798400692185.

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U.S. Latinos have made important contributions to American society, and this biographical dictionary is devoted to celebrating those contributions. All 127 men and women profiled in this work have immigrated to or been born in the United States and have made major contributions to American life and culture. Cuban Americans, Puerto Ricans, Mexican Americans, and others of Spanish, South American, Central American and Caribbean heritage—more than one-third of them women—represent 35 fields of endeavor and all 50 states. From historical figures to the newest sports champion, figure-skater Rudy Ga

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Buchteile zum Thema "Society of Graphic Designers of Canada"

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Yao, Tian, and Ilpo Koskinen. "Graphic Designers as Cultural Innovators:." In Design Discourse on Culture and Society. Intellect Books, 2019. http://dx.doi.org/10.2307/j.ctv36xw0zv.7.

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Polaine, Andy. "Creative Waves." In Social Computing. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-984-7.ch069.

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The past few years have seen the promise of online collaboration vastly augmented by developments in online technologies and emerging creative practices. Through our work with the Omnium Research Group, the authors argue that design should never be a solitary activity and benefits from many levels of collaboration - never more so than when dealing with complex issues facing today’s world. The highly connected global society in which many of us now live frequently uses web-technologies to enhance nearly every facet of day-to-day life. The authors strongly believe that design education should no

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Konferenzberichte zum Thema "Society of Graphic Designers of Canada"

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Luo, Yi. "A Designer Situation." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003692.

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Designers are first and foremost members of society, sharing the same concerns around education, finance, career prospects, social status, and self-fulfillment as any other practitioners. The creative and humanistic nature of designer roles, however, often places them in an inferior position in meritocratic, progressivist systems. In a total of three sections, designers are contextualized in a scape of lived experiences, anecdotal evidence, statistics, investigative reports, and theoretical resources, interwoven to picture a specific contemporary designer situation. The Human Capital discussed

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Tarazona-Belenguer, Nereida, Jimena González-Del-Río, Olga Ampuero-Canellas, and Begoña Jordá-Albiñana. "APPROACH OF GRAPHIC DESIGN TO SOCIETY: COURSES FOR NON-PROFESSIONAL GRAPHIC DESIGNERS." In International Technology, Education and Development Conference. IATED, 2017. http://dx.doi.org/10.21125/inted.2017.1009.

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Dziobczenski, Paulo Roberto Nicoletti, and Oscar Person. "What is sought from graphic designers? A first thematic analysis of job offers for graphic design positions in the United Kingdom." In Design Research Society Conference 2016. Design Research Society, 2016. http://dx.doi.org/10.21606/drs.2016.404.

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Mustić, Daria. "The awareness of ethical design principales in media design education." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p63.

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Designers today, through the creation of media content, do not only create a media construct, but they also participate in the creation of social values, norms, and common patterns of communication. When reading books, manuals and design instructions, a design practitioner often encounters the term "good design". If we take the “good design” concept of industrial designer Dieter Rams, then the term will be describing the product that is useful and understandable, innovative, aesthetic, unobtrusive, honest, long-lasting, thorough to the last detail, environmentally friendly, and involves as lit

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Lameiro, Monica. "Communication of a Theater play. An exploration from graphic design." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003701.

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We observe how the versatility of the discipline of graphic design can incorporate its theoretical and practical knowledge of other artistic and cultural fields, such as, in this case, theatre. The interpretation of a play goes beyond the creation of scenarios or the artistic representation itself. It also requires an appropriate communication strategy to present the work in its entirety to society and capture the audience necessary for the business structure to be sustainable. This is where we focused our study area and detected a problem: how can we enhance the communication of a theatre pla

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Г.М., Салтыкова. "IDENTIFICATION GRAPHICS IN URBAN ENVIRONMENTS: TRAINING PRINCIPLES." In Графические конструкции в дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245803.2024.18.

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Идентификационная дизайн-графика является неотъемлемой частью информационной и коммуникативной составляющей графического дизайна в городской среде. Такая графика непосредственно связана с культурой, временем и требованиями общества. Студентам, будущим дизайнерам, необходимо обучение проектированию идентификационных носителей. Identification design graphics are an integral part of the information and communication component of graphic design in an urban environment. Such graphics are directly related to culture, time, and the demands of society. Students, future designers, need training in the

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Bakan, Ugur, and Ufuk Bakan. "The Role of Biomimicry on Visual Design Education." In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/05.

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The change and increasing diversity in communication tools with globalization have ensured the universal presentation of visual elements shaped by local cultural patterns. Today, design products have turned into a strategic tool for many countries in order to reach higher competitive power. As the visual design industry contributes as an important visual communication and marketing tool for different industries within and outside the creative sector, its role in ensuring sustainability becomes even more important. Graphic design is much more effective, direct, and fast than other means of info

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Strunje, Dražen. "BIM implementation: Route 6 Prishtine – Hani i Elezit." In 6th International Conference on Road and Rail Infrastructure. University of Zagreb Faculty of Civil Engineering, 2021. http://dx.doi.org/10.5592/co/cetra.2020.1240.

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Over the years, in construction industry, BIM (building information modelling) is one of the most mentioned topics with the main question: “Do we need it?” The answer should be commonly known, like with every solution that modernizes the profession and society. BIM in linear construction projects (transportation facilities and structures, sewage/water supply) and landscape design are still “one step behind” with already accepted “BIM implementation” in AEC (Architecture, Engineering and Construction) industry and MEP (Mechanical, electrical, and plumbing) industry. With more than 10 years of e

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Petruzzi, Alessandro, Francesco D’Auria, Tomislav Bajs, and Francesc Reventos. "International Training Program in Support of Safety Analysis: 3D S.UN.COP—Scaling, Uncertainty and 3D Thermal-Hydraulics/Neutron-Kinetics Coupled Codes Seminars." In 17th International Conference on Nuclear Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/icone17-76056.

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Thermal-hydraulic system computer codes are extensively used worldwide for analysis of nuclear facilities by utilities, regulatory bodies, nuclear power plant designers and vendors, nuclear fuel companies, research organizations, consulting companies, and technical support organizations. The computer code user represents a source of uncertainty that can influence the results of system code calculations. This influence is commonly known as the ‘user effect’ and stems from the limitations embedded in the codes as well as from the limited capability of the analysts to use the codes. Code user tra

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