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Thematische Bibliographien / Symbolisme de la rose / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Symbolisme de la rose“

Autor: Grafiati

Veröffentlicht am 25. Mai 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Immel, Irmgard S., and Beatrice Susanne Bullock-Kimball. "The European Heritage of Rose Symbolism and Rose Metaphors in View of Rilke's Epitaph Rose." German Studies Review 12, no. 1 (1989): 192. http://dx.doi.org/10.2307/1430327.

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Kadurina, A. O. "SYMBOLISM OF ROSES IN LANDSCAPE ART OF DIFFERENT HISTORICAL ERAS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 148–57. http://dx.doi.org/10.31650/2519-4208-2020-20-148-157.

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Background.Rosa, as the "Queen of Flowers" has always occupied a special place in the garden. The emergence of rose gardens is rooted in antiquity. Rose is a kind of “tuning fork” of eras. We can see how the symbolism of the flower was transformed, depending on the philosophy and cultural values of society. And this contributed to the various functions and aesthetic delivery of roses in gardens and parks of different eras. Despite the large number of works on roses, today there are no studies that can combine philosophy, cultural aspects of the era, the history of gardens and parks with symbol

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Rychkov, A. L. "Alexander Blok between Vl. Solovyev and E.V. Anichkov: A. Blok’s drama “The Rose and the Cross” and the legacy of Western esotericism." Solov’evskie issledovaniya, no. 1 (March 31, 2021): 95–111. http://dx.doi.org/10.17588/2076-9210.2021.1.095-111.

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In the third article of the series publications on the topic “A. Blok and Vl. Solovyov”, the author considers the representation of the heritage of Western esoterism in Blok’s drama “The Rose and the Cross” on the example of the poet's appeal to the themes of Joachimism and Catharism, including the neo-mythological connection of the Cathars with the legend of the Holy Grail. The author analyzes the influence of V.V. Solovyov's historiosophy and E.V. Anichkov's aesthetics on the symbolism of the drama from the perspective of rethinking these themes. It is shown that the drama of Blok is deeply

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Silveira Almeida, Irene, Loraine Ethel Barreto Alberto, and Shusha Oliveira. "The Lily and the Rose as Cultural Symbols." Biblos, no. 10 (December 12, 2024): 193–216. https://doi.org/10.14195/0870-4112_3-10_8.

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The Lily and the Rose occupy a special place in France and Portugal, respectively. This paper delves into the specificities of the significance associated with each flower, in the light of historical periods and recent trends. The investment of meaning, along with its subsequent re-appropriations, transmissions and transfers, form the crux of our reflections, guided by Régis Debray’s insights on mediology. The paper reveals the two flowers’ rich symbolism and ability to take on new layers of meaning as they adapt to the exigencies of power figures. It also underscores the vital role played by

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Wadley, Lyn. "What is Cultural Modernity? A General View and a South African Perspective from Rose Cottage Cave." Cambridge Archaeological Journal 11, no. 2 (2001): 201–21. http://dx.doi.org/10.1017/s0959774301000117.

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Storage of symbolic information outside the human brain is accepted here as the first undisputed evidence for cultural modernity. In the hunter-gatherer context of the Stone Age this storage could include artwork, rapidly changing artefact styles and organized spatial layout of campsites. Modern human behaviour in this context is distinguished by a symbolic use of space and material culture to define social relationships, including significant groupings based on attributes such as kinship, gender, age or skill. Symbolism maintains, negotiates, legitimizes and transmits such relationships. It i

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Dumas, Véronique. "Le peintre symboliste Alphonse Osbert et les Salons de la Rose+Croix." Revue de l'art N° 140, no. 2 (2003): 41–60. http://dx.doi.org/10.3917/rda.140.0041.

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BASHUK, Natalia. "SEMANTICS AND SYMBOLISM OF THE PHYTONYM ROSE IN GERMAN AND UKRAINIAN ETHNOCULTURES." Humanities science current issues 1, no. 85 (2025): 182–87. https://doi.org/10.24919/2308-4863/85-1-28.

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Wu, Qian. "The Haunting Complexity of Faulkner's "A Rose for Emily"." Frontiers in Humanities and Social Sciences 4, no. 10 (2024): 140–43. https://doi.org/10.54691/5mz8k650.

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This article delves into William Faulkner's "A Rose for Emily," offering a comprehensive analysis of its multifaceted narrative. The exploration begins with a close examination of the central character, Emily Grierson, whose tragic life reflects themes of isolation, tradition, and resistance to change. The article highlights the unconventional structure of the story, which employs a non-linear timeline and multiple perspectives, creating a sense of suspense and deepening the reader's engagement with Emily's plight. Additionally, it analyzes Faulkner's distinctive writing techniques, including

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Oboladze, Tatia. "Wine, Opium, and Hashish in Georgian and European Symbolism." Ars & Humanitas 16, no. 1 (2022): 219–30. http://dx.doi.org/10.4312/ars.16.1.219-230.

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The subject of the article “Wine, Opium, Hashish in Georgian and European Symbolism” is the identification of the cultural links between Georgian and European (primarily French and, German) symbolism. Our goal is to determine the role and place of Georgian symbolism in the world literature context and study the cultural-aesthetic ties that have influenced the art of the Georgian symbolist group, the process of forming their aesthetic taste and worldview. In this article, we focus on the genesis of the symbolist theory of the myth, its specific nature and the motivation for the creation of a ne

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Bychkov, Victor. "Metaphysics of a landscape in symbolism." Культура и искусство, no. 4 (April 2020): 53–70. http://dx.doi.org/10.7256/2454-0625.2020.4.31966.

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This research is dedicated to examination of a specific role of landscape in symbolism. Based on comprehensive analysis of the works of symbolists and artists of their circle &ndash; Segantini, B&ouml;cklin, Gauguin, Nesterov, &#268;iurlionis, the author attempts to determine the characteristic features of using the images of nature in the overall system of pictorial artistic-aesthetic expression. Special attention is paid to the problem of inscription of human figures into landscape, as in doing so many symbolists and artists of their circle were bringing the landscape to life, fo

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Ridzuan, Irina. "Discovering Dèduit: An examination of the garden setting in the Roman de la Rose." Arbutus Review 7, no. 1 (2016): 38. http://dx.doi.org/10.18357/tar71201615686.

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<p class="p1">Roman de la Rose is a French poem which chronicles the journey of a young man within a secluded garden setting (the Garden of Dèduit). The poem was initially written by Guillaume de Lorris in c.1230 and later completed by Jean de Meun in c.1270. However, the authors’ differing literary styles have resulted in debates surrounding the poem’s meaning. In this study, I address the central interpretative problem by focusing on the illustrated garden setting of Dèduit and its relation to the literary content. Ultimately, I attempt to answer the following questions: How did the me

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Borozan, Igor. "Simbolistički opus Mihe Marinkovića i njegova recepcija u srpskoj sredini." Ars Adriatica 9 (February 28, 2020): 133–50. http://dx.doi.org/10.15291/ars.2928.

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The paper analyses the symbolist works in the under-researched opus of painter Miho Marinković. Trained at the Munich Academy of Fine Arts, he is primarily known as a painter of intricate themes that can be categorized as late 19th-century symbolism. In 1904, he settled in Belgrade and became an active participant in the cultural scene of the Serbian capital. In 1911, Marinković’s paintings were exhibited in the Pavilion of the Kingdom of Serbia at the International Exhibition in Rome. His symbolist oeuvre covers the standard themes of symbolist painting, such as Medusa, Lucifer, or The Sinner

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MAGOMEDOVA, DINA. "THE CONVERGENCE OF CULTURES AS A PROBLEM OF POETICS (V. IVANOV, THE POETICAL CYCLE “ROSARIUM”)." Lomonosov Journal of Philology, no. 4, 2024 (August 23, 2024): 127–35. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-04-10.

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The article analyzes the structure, genre repertoire and sources of the motif of “roses” in the poems of the V. Ivanov’s cycle “Rosarium” (a part of his book “Cor Ardens”). The special role of A.N. Veselovsky’ article “From the Poetics of the Rose” is noted. The structure of the cycle clearly implements the symbolist principle of “correspondences” (“one through different” and “different as one”). The rose motif, which unites all the poems in the cycle, reveals a common deep foundation in different cultural traditions. At the same time, the combination of heterogeneous cultural traditions, the

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Harasztos, Ágnes. "The Image of the East-Central European in Rose Tremain’s The Road Home." Acta Universitatis Sapientiae, Philologica 7, no. 1 (2015): 83–94. http://dx.doi.org/10.1515/ausp-2015-0038.

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Abstract In Rose Tremain’s The Road Home, the culture clash of the British and the East-Central European is portrayed through a complex symbolism centred on images of food, consumption and waste. This literary representation may shed light on British literary auto-images, as well as hetero-images of the Eastern European immigrant. The novel’s presentation of this culture shock is defined by the cultural historical and economic circumstances of the parties. Food and material provide the symbolic sphere where the relationship between Britain and East-Central Europe is characterized in terms of c

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Koet, Bart J. "Woody Allen’s Broadway Danny Rose: Dialoguing with Jewish Tradition." Religions 12, no. 9 (2021): 763. http://dx.doi.org/10.3390/rel12090763.

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It is the thesis of this article that a secular form of the biblical Exodus pattern is used by Woody Allen in his Broadway Danny Rose. In the history of the Bible, and its interpretation, the Exodus pattern is again and again used as a model for inspiration: from oppression to deliverance. It was an important source of both argument and symbolism during the American Revolution. It was used by the Boer nationalists fighting the British Empire and it comes to life in the hand of liberations theology in South America. The use of this pattern and its use during the seder meal is to be taken loosel

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Zou, Jiahao. "Porównanie symboliki wierzby i lilii w chińskiej i polskiej kulturze na tle teorii językowego obrazu świata." Gdańskie Studia Azji Wschodniej, no. 23 (August 31, 2023): 84–103. http://dx.doi.org/10.4467/23538724gs.23.005.18151.

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The article introduces the symbolism of the willow and the lily, which have played an important role in the lives of Chinese and Poles over many years. The research issue of this article is the question: What are the differences and similarities in terms of willow and lily symbolism in Chinese and Polish culture? The article is based on an analysis of literature. It aims to indicate the symbolism of the willow and the lily and to find the roots of their differences and similarities in Chinese and Polish cultures. The first part of the article is devoted to the theory of a linguistic worldview,

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Beck, Philippe. "Symbolisme fini ou symbolisme négatif." Cahiers de Fontenay 73, no. 1 (1994): 163–219. http://dx.doi.org/10.3406/cafon.1994.1641.

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Peres, Stephanie, Eric Giraud-Heraud, Anne-Sophie Masure, and Sophie Tempere. "Rose Wine Market: Anything but Colour?" Foods 9, no. 12 (2020): 1850. http://dx.doi.org/10.3390/foods9121850.

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In many countries, the consumption of still wine is in strong decline. The market for rose wine, however, stands in stark contrast to this trend, seeing worldwide growth of almost 30% over the last 15 years. For most observers/experts, product colour plays an important role in this paradigm shift. For this reason, companies’ marketing efforts often focus on this purely visual characteristic. There is, however, no certainty that other emerging consumer demands, related to environmental concerns or how “natural” a wine is (organic wines, natural wines, etc.), do not also play a role in the enthu

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Ryabchenko, V. D. "The Evolution of Symbolist Ideas in the Zolotoe Runo Magazine." Concept: philosophy, religion, culture 4, no. 3 (2020): 158–67. http://dx.doi.org/10.24833/2541-8831-2020-3-15-158-167.

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The article treats the role art magazine Zolotoe runo played in history of symbolist’s theoretical ideas. By 1906, symbolism as a philosophical and aesthetic movement enters a crisis stage (and, then, a renaissance) — the pioneering movement has become utterly formal, tendentious, and has even acquired public recognition, which contradicts the modernist spirit. Zolotoe runo turns into a platform for the adversaries of outdated, decadent or individual symbolism, changing the symbolist nature and landscape. V. F. Khodasevich suggests that not only hasn’t symbolism been yet studied, but it also d

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Tychinina, Alyona. "The Lost Five Years Poet: Dmytro Zahul as a Member of the Modernist Group “Muzaget”." Pitannâ lìteraturoznavstva, no. 109 (June 28, 2024): 173–203. http://dx.doi.org/10.31861/pytlit2024.109.173.

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The study delved into the epistemological specificity of Ukrainian modernism, shaped by numerous bifurcation shifts during the late 19th and early 20th centuries. It focused on the creative potential of modernism as a result of poetic transgressions during the “lost five-year” period (1917–1922). The main aim was to fill historiographical gaps in understanding Ukrainian modernism and analyse the activities of literary and artistic societies. A personalised examination of poet-innovator Dmytro Zahul (1890–1944) was conducted, highlighting his early (“Bukovyna”) and symbolist (“Kyiv”) stages of

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KRAVCHUK, Olha. "DIE VERKÖRPERUNG DER IDENTITÄT VON ROSE AUSLÄNDER IN DEN POETISCHEN NATURBILDERN." Germanic Philology Journal of Yuriy Fedkovych Chernivtsi National University, no. 852 (May 28, 2025): 78–86. https://doi.org/10.31861/gph2025.852.78-86.

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The publication is devoted to the poetics of the works of Rose Ausländer, a German-language poet from Bukovina. The aim of the study is to identify and analyze the specific features of the construction of Ausländer’s poetic identity through the imagery of animate and inanimate nature, both in the context of the evolution of her poetic oeuvre and on the micro-level of individual texts. One of the main objectives is to determine the distinctive characteristics of different creative periods and to highlight the central aspects of the analyzed poems. The research employs biographical, comparative-

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Rychkov, A. L. "A. Blok’s Marginalia on the Albigensian Crusade as an Indication of the Historical Sources of “Notes” in the Drama “The Rose and the Cross”." Solov’evskie issledovaniya, no. 2 (June 30, 2021): 114–34. http://dx.doi.org/10.17588/2076-9210.2021.2.114-134.

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This article considers the problem of the historical sources reflected in Blok’s drama “The Rose and the Cross”. It demonstrates that Blok’s marginalia in the books of his library serve as an indication of the unknown literary and historical sources of the “Notes” on the Albigensian crusade in the drama “The Rose and the Cross”, and can also be used in interpreting the symbolism of this drama. The marginal notes on the history of the Albigensian crusade that Blok made while working on the play are drawn on as a scholarly source for the first time. In the Appendice to the article facsimiles of

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Takho-Godi, E. A. "Vladumir Solovyov and Russian symbolism: Aleksei F. Losev’s concept and current analysis practices." Solov’evskie issledovaniya, no. 4 (December 28, 2024): 81–92. https://doi.org/10.17588/2076-9210.2024.4.081-092.

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The problem of “Vladimir Solovyov and Russian symbolism” is considered in the article through the “prism” of the judgments of one of the last “Solovyov’s follower” of the twentieth century – Aleksey Fedorovich Losev (1893–1988). During the analysis, it was revealed that for an exhaustive understanding of Losev's judgments about symbolism and Solovyov in the late 1980s, when the thinker created the book “Vladimir Solovyov and his Time”, it is necessary to take into account the entire corpus of Losev's texts, primarily in the 1920s and 1930s (about Neoplatonism, name-glorification [imiaslavie],

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Romanov, D. D. Romanov. "Reception of Vl.S. Solovyov’s philosophical conceptions in A. Beliy’s epistolar heritage." Solov’evskie issledovaniya, no. 3 (September 30, 2022): 6–18. http://dx.doi.org/10.17588/2076-9210.2022.3.006-018.

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The article presents results of research of Vl.S. Solovyov’s sophiological and theurgic concepts reception in the epistolary heritage of A. Beliy – first of all, the early period of philosopher and symbolist poet until 1905. It is argued, that of all the Young Symbolists, it was Beliy who was the closest to understanding Solovyov's sophiology and creating his own integral system of theurgic symbolism on its basis. It is substantiated, that the starting point in the construction of this system is the direction to synthesis of eschatology, World Soul doctrine and theurgic role of the life-creato

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A. S. Rosheed, Mostafa, and Wafa’ Abbas Sahan. "From Innocence to Infection." Anafora 11, no. 1 (2024): 185–96. http://dx.doi.org/10.29162/anafora.v11i1.9.

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This paper examines the enduring relevance of William Blake’s poem “The Sick Rose” in the context of contemporary challenges, particularly the COVID‐19 pandemic. Despite its pre‐pandemic origin, the poem’s themes of hidden vulnerabilities, obscured intentions, and transient beauty resonate profoundly with current complexities. Through comprehensive analysis of symbolism, the study highlights literature’s adaptability in reflecting evolving human experiences. Slavoj Žižek’s book Pandemic!: COVID‐19 Shakes the World offers a lens to understand these themes, as it explores hidden threats, shatter

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Sun, Wenxin. "The Dual Construction of Symbolic Imagery and Double-voiced Discourse: The Hierarchical Order in A Rose for Emily." Communications in Humanities Research 50, no. 1 (2024): 50–55. http://dx.doi.org/10.54254/2753-7064/50/20242548.

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Abstract: Social structure and hierarchical order, as the key issues throughout human history, continue to stimulate the academic community to deeply explore the relationship between social form and individual destiny. With its unique artistic perspective, William Faulkner's masterpiece, A Rose for Emily, vividly shows the social landscape of a specific historical period, which has aroused a wide range of academic discussions. This paper focuses on the subtle symbolism in the novel, and at the same time takes the narrative strategy of two-voice discourse as a clue to deeply analyze how the two

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Dobravec, Jurij. "Triglavska roža in Zlatorog med simboliko in stvarnostjoTriglav Rose and Zlatorog in Their Symbolism and Reality." Studia mythologica Slavica 21 (October 25, 2018): 129. http://dx.doi.org/10.3986/sms.v21i0.7070.

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Kostromitsky, R. I. "THE SYMBOLISM OF THE LABYRINTH IN THE NOVEL “THE NAME OF THE ROSE” BY UMBERTO ECO." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism" 2, no. 1 (2024): 108–13. http://dx.doi.org/10.32782/2710-4656/2024.1.2/18.

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Dowthwaite, James. "Symbolism and Mysticism: The Role of Maurice Maeterlinck in Arthur Symons’s Critical Vision." CUSP: Late Nineteenth and Early Twentieth Century Cultures 3, no. 1 (2025): 59–86. https://doi.org/10.1353/cusp.2025.a952400.

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Abstract: It has been little acknowledged that at the heart of Arthur Symons’s influential ideas about Symbolism was an intense engagement with the work of the Belgian playwright, Maurice Maeterlinck. In The Symbolist Movement in Literature (1899), Symons contends that Symbolism is the inheritance of a mystical tradition, and that its use of symbols is not directed to any particular doctrine or truth, but rather to mystery itself, to the human condition of being surrounded by an unknown metaphysical darkness. Symons identifies an aesthetics which represents this mysterious darkness most with M

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Hussein, Qusay Khalaf. "Unlocking the Symbolic Tapestry: Exploring Symbolism in Ahmed Ardalan's The Gardener of Baghdad." JOURNAL OF LANGUAGE STUDIES 8, no. 8 (2024): 239–54. http://dx.doi.org/10.25130/lang.8.8.13.

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Using Roland Barthes' semiotic theory, this study article explores the symbolic aspects of Ahmed Ardalan's 2014 novel, The Gardener of Baghdad. The research seeks to reveal the several layers of meaning inside the text by examining the book using the ideas of signifier and signified, as well as denotative and connotative meanings. This analysis demonstrates how Ardalan's use of symbols enriches the storyline, mirroring profound cultural, historical, and emotional settings. The results demonstrate the intricate interaction of symbols in the book, providing a more profound comprehension of its t

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Talib Ashour, Mohammed. "The Symbolism of Irish Motherland in Eavan Boland’s selected poems: Postcolonial Perspective." International Journal for Humanities & Social Sciences (IJHS), no. 2 (December 31, 2021): 66–72. http://dx.doi.org/10.69792/ijhs.23.2.8.

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Symbolism is a conscious movement born in France as a reaction against naturalism; the word “Symbolism” was first used by Jean Moreaas in Le Figaro in 1886. On the other hand, Motherland, as a term that appeared around the late 14th century or the beginning of the 15th century, had the same meaning as fatherland, but the last is older, defined as the native country in which one was born. Eavan Boland made different explanations for motherland symbolism, such as the times (past, present, future), and occasionally Motherland refers to the language, literature, and general culture. This study aim

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Egorova, L. V. "Svetlov, I., Lukicheva, K. and Arias-Vikhil, M., eds. (2023). Paris around the 1900s. Joséphin Péladan’s Society of ‘Rose + Croix.’ St. Petersburg: Aleteya. (In Russ.)." Voprosy literatury, no. 2 (March 15, 2024): 174–77. http://dx.doi.org/10.31425/0042-8795-2024-2-174-177.

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The review discusses a collection of articles produced by a team of scholars under the supervision of professor Igor Svetlov. The book focuses on alternative experiments in late 1800s — early 1900s French art, which, although they failed to grow into independent movements, succeeded in producing several interesting concepts. The study is especially concerned with the Paris-based salon of ‘Rose + Croix’ and its founder Josephin Peladan — a writer, philosopher, occultist, and an able organizer. The book considers his artistic interests and views on the connection between art and religion, the ro

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Biron, Michel. "Le symbolisme soft." Voix et Images 28, no. 2 (2003): 167. http://dx.doi.org/10.7202/006604ar.

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Catellani, Andrea. "Symbolisme et rhétorique." Protée 36, no. 1 (2008): 39–51. http://dx.doi.org/10.7202/018804ar.

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L’article tente de définir, à partir du modèle théorique sémiotique, certains aspects de la symbolique humaniste incarnée dans la littérature jésuite illustrée du xviie siècle. Un premier moment est la présentation de quelques contributions sémiotiques liées à l’exploration du champ sémantique du mot « symbole », en distinguant en particulier les contributions de Saussure, Hjelmslev et Todorov, et en retravaillant le couple conceptuel de « mode symbolique » et « mode allégorique » de signification secondaire, proposé par Eco. Deuxièmement, on observe la prévalence du mode allégorique dans cett

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Olds, Marshall C. "Le Symbolisme (review)." Nineteenth Century French Studies 34, no. 1 (2005): 168–69. http://dx.doi.org/10.1353/ncf.2005.0064.

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Nehr, Jean-Charles. "Symbolâtrie et symbolisme." La chaîne d'union N° 88, no. 2 (2019): 53–59. http://dx.doi.org/10.3917/cdu.088.0053.

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McNeece, Foster. "“The rose is obsolete”: Symbolism and Temporality in William Carlos Williams’s Spring and All and T.S. Eliot’s The Waste Land." William Carlos Williams Review 42, no. 1 (2025): 86–108. https://doi.org/10.5325/willcarlwillrevi.42.1.0086.

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Abstract T.S. Eliot and William Carlos Williams formed one of the more interesting literary rivalries of the modernist period, and their two most influential projects, The Waste Land and Spring and All, respectively, are key indicators of their aesthetic differences. This article seeks to show how bringing these two projects in conjunction under the umbrella of “symbolism” can demonstrate how there are two distinct temporalities underlying their projects, with The Waste Land’s symbolism representing a traditional, spatial conception of time that Eliot navigates through his idea of demonstratin

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Sadoon Muhsen, Inst Alaa. "Search for Identity and Self-Awareness’ in “The Rose and Crown” by J.B. Priestley." Journal of Research in Humanities and Social Science 13, no. 4 (2025): 66–72. https://doi.org/10.35629/9467-13046672.

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This research paper explores the themes of identity and self-awareness in J.B. Priestley’s one-act play “The Rose and Crown. The London pub setting displays the tragic entrance of Death which promotes character reflection about how individuals build their personal identities when facing mortality. The research investigates how characters in The Rose and Crown build their identities and gain personal awareness particularly through their mutual interactions and existential confrontations. The research investigates the ways in which Priestley uses dialogue, setting, and symbolism to elicit moment

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Viderker, Vyacheslav Vladimirovich. "The mirror in V. E. Borisov-Musatov’s painting "The Pool"." Культура и искусство, no. 7 (July 2024): 45–55. http://dx.doi.org/10.7256/2454-0625.2024.7.71314.

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The article looks into the mirror motif in V. E. Borisov-Musatov's painting "The Pool", which is one of the masterpieces of Russian painting symbolism. The object of the research is V. E. Borisov-Musatov's painting "The Pool", the subject of the research is the role and functions of the mirror motif in this painting. The manifestations of the three modes of the mirror phenomenon in "The Pool" – the mirror-object, the idea of specular reflection and the image of the mirror are analyzed in detail. The principle of specular reflection is traced in the construction of the composition, in the organ

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Tajallinasr, Faraz. "Analysis of the Role of the Unconscious in Surrealism and its Comparison with Symbolism in Expressing the Concept of Imagination in Ibn Arabi’s Mystical Revelations." Interdisciplinary Studies in Society, Law, and Politics 3, no. 1 (2024): 133–50. http://dx.doi.org/10.61838/kman.isslp.3.1.14.

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Symbolism and Surrealism, as two artistic and literary movements, aim to discover hidden and spiritual realities through the deep layers of the human mind and imagination. Symbolism, which emerged as a reaction against Naturalism and Positivism, believes in a reality beyond the perceptible world that is depicted through symbols, dreams, and imagination. Meanwhile, Surrealism, deeply influenced by Freud’s psychoanalytic theories, emphasizes the unconscious and dreams, seeking hidden truths through unusual perceptions and mental imagery. In this context, the thoughts of Muhyiddin Ibn Arabi, espe

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Маринина, Ю. А., та Е. А. Роженцова. "Символика розы в произведениях О. Уайльда «Соловей и роза» и К.Г. Паустовского «Драгоценная пыль»". Modern scientist, № 6 (20 вересня 2024): 79–84. http://dx.doi.org/10.58224/2541-8459-2024-6-79-84.

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в статье представлен сравнительно-сопоставительный анализ сказки О. Уайльда «Соловей и роза» и рассказа К.Г. Паустовского «Драгоценная пыль» в аспекте эстетических концепций авторов, темы искусства, образа художника, а также символики розы как центрального символа произведений. Произведения Уайльда и Паустовского рассмотрены в контексте функционирования «вечных» сюжетов и образов – сюжета о любви соловья к розе, представленного в средневековой восточной, позднее – в английской и русской поэзии, а также с точки зрения отражения проблемы русско-зарубежных литературных связей. В результате провед

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Randriamanantena, Mino. "Inconscient, langage et symbolisme chez Henri Bois. II. Symbolisme et phénoménisme." Études théologiques et religieuses Tome 96, no. 3 (2021): 367–81. http://dx.doi.org/10.3917/etr.963.0367.

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Fraisse, Luc. "Du symbolisme architectural au symbolisme littéraire: Proust à l'école d'Émile Mâle." Studia Romanica Posnaniensia 38, no. 1 (2011): 81–101. http://dx.doi.org/10.2478/v10123-011-0007-9.

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Fraisse, Luc. "Du symbolisme architectural au symbolisme littéraire : Proust à l’école d’Emile Mâle." Studia Romanica Posnaniensia 38, no. 1 (2011): 81. http://dx.doi.org/10.14746/strop.2011.381.007.

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Shaw, Donald. "Inverted Christian Imagery and Symbolism in Modern Spanish American Fiction." Romance Studies 6, no. 1 (1988): 71–82. http://dx.doi.org/10.1179/ros.1988.6.1.71.

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Yablonska, Olga. "У пошуках гармонії: Vals mèlancolque в контексті малої прози О. Кобилянської кінця ХІХ ст." Studia Ucrainica Varsoviensia 5, № 5 (2017): 0. http://dx.doi.org/10.5604/01.3001.0009.9100.

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This paper analizes O. Kobylanska’s story “Vals mèlancolque” as the epicenter of the writers’ refl ections on the category of harmony and happiness. The relationship of O. Kobylanska’s spiritual quest in «Diary» and short prose of the late nineteenth century is observed (“Nature”, “Rose”, “Ignorant”, “Vals mèlancolque”, “Humility”, etc.). The author’s vision of the substantial role of art and words in the story “Vals mèlancolque” is highligted. This paper also investigates the symbolist nature of a text. The writer emphasizes the understanding of the actual idea of women’s emancipation. The pa

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Kartasheva, Anna Olegovna, Lyubov' Gennad'evna Kikhnei, and Olga Ivanovna Osipova. "Towards the Communicative Strategies of Russian Modernism: the Poetic Correspondence of V. Bryusov and A. Bely." Litera, no. 7 (July 2023): 204–19. http://dx.doi.org/10.25136/2409-8698.2023.7.43618.

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The object of this article is the poetic correspondence of Valery Bryusov and Andrei Bely in the 1900s. The analysis allowed us to draw a number of conclusions about the communicative strategies of Russian modernism. Firstly, in the structure of the correspondence, the dominant genre setting for dialogue with the addressee is identified, which allows identifying these poems as messages. This, on the one hand, makes it possible to fit the messages of Bryusov and Bely into the all-symbolist poetological and communicative context of the early twentieth century, when this genre was a kind of mains

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Jung, Jang-Jin. "Le symbolisme du nom." Etudes de la Culture Francaise et de Arts en France 19, no. ll (2007): 339–66. http://dx.doi.org/10.21651/cfaf.2007.19..339.

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Gell, Alfred. "Parfum, symbolisme et enchantement." Terrain, no. 47 (September 1, 2006): 19–34. http://dx.doi.org/10.4000/terrain.4229.

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Chazal, Gérard. "Symbolisme minimal & combinatoire." Les cahiers de médiologie 9, no. 1 (2000): 141. http://dx.doi.org/10.3917/cdm.009.0141.

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