Thematische Bibliographien / The Bridgertons series

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „The Bridgertons series“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "The Bridgertons series"

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Pokulevska, Anna, and Anzhelika Nazaryan. "The transformation of contextual substitution in the translation of Julia Quinn's «The Duke and I» into German and Ukrainian: a comparative aspect." Bulletin of Luhansk Taras Shevchenko National University, no. 2 (361) (2024): 120–26. http://dx.doi.org/10.12958/2227-2844-2024-2(361)-120-126.

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The translation of German fiction is an urgent problem in Ukrainian translation studies today. Difficulties that arise in the process of translating German-language literature are primarily related to the ambiguity of German words. The translator should strictly adhere to the general theme of the text, the author’s style, and take into account the fact that there are almost no pure translation analogues. The events of the Bridgertons series of novels take place between 1813 and 1827, a collection of eight novels, each featuring one of the eight children of the Earl of Bridgerton. The first boo
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Herencia Grillo, Amalia. "¿Una oportunidad perdida? Multiculturalismo y razas invisibles en The Bridgertons." Textos, plataformas y dispositivos. Nuevas perspectivas para el análisis del discurso 9, no. 18 (2022): 291–312. http://dx.doi.org/10.24137/raeic.9.18.13.

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El cine y la televisión son medios de comunicación cuyo alcance permite contar historias, reflejar ideas, retratar sociedades y establecer debates en torno a diferentes temas como el multiculturalismo. A través del análisis de una serie como The Bridgertons (Shondaland, 2020), en la que la raza de sus actores no está asociada a la de los personajes que representan, queremos comprobar si este hecho supone un apoyo o un escollo al concepto de la invisibilidad de la raza como soporte del multiculturalismo. Para esto, realizamos un recorrido por el papel desarrollado por actores de razas minoritar
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Nayubi, Bhatia, and Gurpyari Bhatnagar Dr. "Bridging Romance and Representation Through Colour Blind Casting in the Bridgerton Series." Context 12, no. 3 (2025): 67–76. https://doi.org/10.5281/zenodo.15545147.

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The research paper examines <em>Bridgerton</em> as a transformative case study in adaptation and inclusive casting. The paper argues that <em>Bridgerton's</em> casting reshapes traditional narratives and challenges dominant representations in historical romance by analysing how the Netflix adaptation departs from Julia Quinn's original novel series. While Quinn's novels reflect the racial homogeneity typical of Regency-era fiction, the series reimagines the aristocratic world by integrating Black and Brown characters into the upper echelons of society. Bridgerton disrupts the Eurocentric frame
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Arjomand, Minou. "Performative Casting: Bridgerton from Regency Romance to Social Media." Journal of Dramatic Theory and Criticism 39, no. 1 (2024): 73–92. https://doi.org/10.1353/dtc.2024.a951645.

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Abstract: On January 6, 2021 Vikings, Roman gladiators, and American Revolutionary soldiers invaded the US Capitol Building. Meanwhile, Bridgerton , a Regency romance with a multiracial cast, became the most-watched Netflix series of all time. The series also inspired extensive user-generated social media content: on TikTok alone, #Bridgerton has 13.5 billion views as of this writing, more than an average of one and a half views per person on Earth. How can we understand this costume drama and its digital and live reenactments in relation to the white nationalist cosplay of January 6? Taking u
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Wyatt, Bethany. "‘You wish to follow your heart, and I wish to nurture my mind’: The figures of the spinster and widow in Bridgerton." Journal of Popular Television, The 11, no. 1 (2023): 45–53. http://dx.doi.org/10.1386/jptv_00092_1.

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As a romantic drama fictionalizing the Regency marriage mart, Bridgerton () is a series which privileges women’s experiences. From the debutantes entering society, to their ‘ambitious mamas’, feminine narratives play out across the two seasons which have aired to date. Warranting particular attention are the figures of the widow and the ‘spinster’, whose representations this article explores. Bridgerton’s widows are presented as dynamic characters at the centre of their families and the ‘bon ton’, embodying the freedoms elite widows could enjoy. In contrast, the spinster is a topic of (negativ
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Gruber, Janelle L. H., and Valerie Lynn Schrader. "Burkean Identification and the “Ton:” A Thematic Analysis of the Netflix Series Bridgerton." Pennsylvania Communication Annual 79, no. 1 (2023): 53–75. http://dx.doi.org/10.5840/pcaa20237915.

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Bridgerton, a popular Netflix series produced by Shonda Rhimes and Chris Van Dusen, has garnered attention, much of which has been positive, for its diverse, color-conscious casting. Differing from the books on which it has been based, the Netflix series in-cludes main characters of various ethnicities, though it maintains its original storylines that often concern issues of class in the Regency era. In this analysis of the first two seasons of Bridger-ton, we argue that Bridgerton’s success is connected to its ability to create consubstantiality between its characters and viewers. We apply Ke
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Ivanova, A., and A. Poiasnyk. "STRATEGIES OF TRANSLATING OBSOLETE VOCABULARY AND PRESERVING HIGH STYLE IN UKRAINIAN TRANSLATION (BASED ON THE MATERIAL OF J. QUINN’S BRIDGERTONS NOVEL SERIES)." International Humanitarian University Herald. Philolog, no. 72 (2025): 218–21. https://doi.org/10.32782/2409-1154.2025.72.48.

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Angelia, Ni Putu Putri, and Agus Darma Yoga Pratama. "LANGUAGE BY GENDER IN AUDIOVISUAL ON BRIDGERTON SERIES." IJOLTL (Indonesian Journal of Language Teaching and Linguistics) 8, no. 1 (2023): 24–49. https://doi.org/10.30957/ijoltl.v8i1.726.

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This research aimed to find out women’s language features that used by female characters in Bridgerton series and how expressions affect in women language. This research used Lakoff’s theory (1975) on women’s language features and Baker’s theory (2001) on semiotic channels. This research was using descriptive qualitative method and used note-taking as a technique to find the data. There were nine out of ten types of women language features used by female characters in Bridgerton Series. From ten women’s language features mentioned by Lakoff (1975), only nine women's language features
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Rahman, Aulia Afifa, Pratiwi Nur, and Muh Hasbi. "SEMIOTIC ANALYSIS OF THE REPRESENTATION OF RACISM IN THE SERIES QUEEN CHARLOTTE: A BRIDGERTON STORY." ELITERATE : Journal of English Linguistics and Literature Studies 4, no. 2 (2025): 202. https://doi.org/10.26858/eliterate.v4i2.74084.

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The purpose of this study is to describe the representation of race through movie scenes according to Roland Barthes' semiotic analysis and to reveal the message conveyed through audiovisual materials from the representation of race in the series Queen Charlotte: A Bridgerton Story. This research uses a qualitative approach with the Roland Barthes semiotic analysis method. The subject analyzed in this research is the series Queen Charlotte: A Bridgerton Story by Julia Quinn. The data collection techniques used are documentation and case studies regarding the content contained in the series Que
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Amani, Adibah Saesa, and Ni Luh Putu Setiarini. "Expressive Illocutionary Speech Acts Used in Queen Charlotte: A Bridgerton Story Series." JEdu: Journal of English Education 3, no. 3 (2023): 230–39. http://dx.doi.org/10.30998/jedu.v3i3.9727.

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This research discusses expressive speech acts identified in the Queen Charlotte: A Bridgerton Story series. The objective of this research are to find out the types of expressive speech acts and the most dominant types of expressive speech acts used in the Queen Charlotte: A Bridgerton Story series. The method used in this research was descriptive-qualitative. This research used theory from Searle and Vanderken (1985) to analyze the data. The data in this study were obtained from the utterances used by the character in Queen Charlotte: A Bridgerton Story. The results of this research showed t
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Dissertationen zum Thema "The Bridgertons series"

1

Bagnara, Sonia. "Il Politically Correct tra Stati Uniti e Italia. Analisi delle serie Netflix Bridgerton e Zero." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amslaurea.unibo.it/25290/.

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Nascita e sviluppo del fenomeno Politically Correct negli Stati Uniti con riferimento alle Culture Wars e i Cultural Studies. Il concetto di Politically Correct in Italia. Casi studio sulla Censura e sul Politically Correct in entrambi i paesi. Analisi delle serie Netflix Bridgerton e Zero.
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Bücher zum Thema "The Bridgertons series"

1

Copyright Paperback Collection (Library of Congress), ed. When He Was Wicked: Bridgerton 2nd Epilogues - 3, The Bridgertons - 6. Avon Books, 2004.

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Copyright Paperback Collection (Library of Congress), ed. The Duke and I: The Bridgertons - 1. Avon Books, 2000.

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3

Copyright Paperback Collection (Library of Congress), ed. To Sir Phillip, With Love: The Bridgertons - 5. Avon Books, 2003.

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Quinn, Julia. The Duke and I. Avon Books, Inc., 2000.

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Quinn, Julia. A Sir Phillip, con amor. Ediciones Urano, 2010.

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Quinn, Julia. The Other Miss Bridgerton : A Bridgertons Prequel: The Bridgerton Series. Harpercollins, 2018.

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Quinn, Julia. The Other Miss Bridgerton : A Bridgertons Prequel: The Bridgerton Series. Harpercollins, 2018.

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The Bridgertons: Happily Ever After: The Bridgertons - 8.5. Avon Books, 2013.

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9

Quinn, Julia. The Wit and Wisdom of Bridgerton: Lady Whistledown's Official Guide: The Bridgertons. Avon, 2021.

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10

Fun Facts about Bridgerton : Prove You Really Love Bridgerton by Getting Full Marks in This Trivia Quiz: The Bridgertons Series Quiz. Independently Published, 2021.

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Buchteile zum Thema "The Bridgertons series"

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Posti, Piia K. "‘I Get to Exist as a Black Person in the World’: Bridgerton as Speculative Romance and Alternate History on Screen." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_7.

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AbstractIn 2020, a TV drama series adaptation was made of Julia Quinn’s historical romance series Bridgerton (2000–2012). Several choices in the adaptation were inspired by the recent hypothesis that Queen Charlotte was Black, and an unusual number of Black actors were cast in roles that both fictionally and historically have been predominantly reserved for white actors. This article explores the hypothesis’ impact on the adaptation in the intersection of romance, race and history. What notions (historical and contemporary) of romance, race and historical accuracy are challenged and endorsed i
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Salazar-Vega, Katherine Valeria, Dalia Rosa Bravo-Guevara, María Elba Cerna-Moyano, Felimon Angel Damian Chumbe, and Leonardo Daniel Mancilla-Silva. "Analysis of the Audiovisual Language of the Fifth Episode of the First Season of the Series Bridgerton (2022)." In Lecture Notes in Networks and Systems. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-97-9327-3_2.

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Konferenzberichte zum Thema "The Bridgertons series"

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Azeharie, Suzy, Wulan Purnama Sari, and Lydia Irena. "Feminism Perspective on Bridgerton Drama Series." In 3rd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220404.012.

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