Thematische Bibliographien / Thea (fictitious character)

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Auswahl der wissenschaftlichen Literatur zum Thema „Thea (fictitious character)“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Thea (fictitious character)"

Yaroshenko, A. S., and O. M. Kostenko. "Invalidation by the court of fictitious gift agreements concluded with the purpose of concealing the debtor's property: problems of formation of a unified law enforcement practice." Problems of Legality 2020, no. 148 (2020): 66–75. https://doi.org/10.21564/2414-990x.148.190854.

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The article is devoted to the study of the court's approaches to invalidation of fictitious gift agreements concluded with the purpose of concealing the debtor's property, and determination of directions of improvement of the legislation on the specified question. The general principles of law, which may or may not be expressed in the texts of written law, are considered, but have a general character and are necessarily applied in judicial practice. The article analyses the judicial practice on this issue. The role of the Supreme Court in ensuring the formation of sustainable judicial

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Dissertationen zum Thema "Thea (fictitious character)"

Goile, Joanne Elizabeth. "Fascinations of fiction an examination of devices used within the television programme Buffy the Vampire Slayer that succeed in blurring the boundaries between viewers and the fictional diegesis of the show : thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design, 2003." Full thesis. Abstract, 2003.

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Graham, Brita Marie. "Buffy at play tricksters, deconstruction, and chaos at work in the whedonverse /." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/graham/GrahamB0507.pdf.

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Henderson, Cynthia Joy. "Winnie Verloc and Heroism in The Secret Agent." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500940/.

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Winnie Verloc's role in "The Secret Agent" has received little initial critical attention. However, this character emerges as Conrad's hero in this novel because she is an exception to what afflicts the other characters: institutionalism. In the first chapter, I discuss the effect of institutions on the characters in the novel as well as on London, and how both the characters and the city lack hope and humanity. Chapter II is an analysis of Winnie's character, concentrating on her philosophy that "life doesn't stand much looking into," and how this view, coupled with her disturbing experience

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Miller, Brenda. "Murky Impressions of Postmodernism: Eugene Gant and Shakespearean Intertext in Thomas Wolfe's Look Homeward, Angel and Of Time and the River." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5143/.

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In this study, I analyze the significance of Shakespearean intertextuality in the major works of Thomas Wolfe featuring protagonist Eugene Gant: Look Homeward, Angel and Of Time and the River. Specifically, I explore Gant's habits and preferences as a reader by examining the narrative arising from the protagonist's perspectives of Shakespeare's The Merchant of Venice, Hamlet, and King Lear. I examine the significance of parallel reading habits of Wolfe the author and Gant the character. I also scrutinize the plurality of Gant's methods of cognition as a reader who interprets texts, communicate

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Dohmen, Lizette. "A bear of very little brain : positive psychology themes in the stories of Winnie the Pooh." Diss., 2016. http://hdl.handle.net/10500/22055.

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The aim of this study is to discover to what extent and in what way Peterson and Seligman’s (2004) twenty-four character strengths are present in Winnie the Pooh storybooks, and how they are depicted. Character strengths are a well-known theory in positive psychology and the analysis of children’s literature is a respected genre. A qualitative examination of the text was conducted using content and thematic analyses to extract examples of the strengths. The exemplars were coded and recoded before being subjected to a peer and supervisor review. The excerpts indicated that all strengths are dep

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Ledbetter, Forest L. "A narrative analysis of Captain America's new deal." Thesis, 2012. http://hdl.handle.net/1957/30054.

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In response to the events on September the Eleventh, various media attempted to make sense of the seemingly radical altered political landscape. Comic books, though traditionally framed as low brow pulp, were no exception. This thesis is a work of rhetorical criticism. It applies Walter Fisher's Narrative Paradigm to a specific set of artifacts: John Ney Rieber and John Cassaday's six-part comic series, collectively titled Captain America: The New Deal (2010). The question that is the focus of this thesis is: Does The New Deal, framed as a response to the events surrounding September the Eleve

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Potter, Mary-Anne. "Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives." Thesis, 2018. http://hdl.handle.net/10500/25341.

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Trees, as threshold beings, effectively blur the line between the real world and fantastical alternate worlds, and destabilise traditional binary classification systems that distinguish humanity, and Culture, from Nature. Though the presence of trees is often peripheral to the main narrative action, their representation is necessary within the fantasy trope. Their consistent inclusion within fantasy texts of the twentieth century demonstrates an enduring arboreal legacy that cannot be disregarded in its contemporary relevance, whether they are represented individually or in collective forests.

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Bücher zum Thema "Thea (fictitious character)"

Meadows, Daisy. Thea the Thursday fairy. Scholastic, 2008.

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Meadows, Daisy. Thea, the Thursday fairy. Scholastic, 2008.

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ill, Bono Fabio, ed. Thea Stilton and the Dragon's Code: Thea Stilton - 1. Scholastic, 2009.

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Stilton, Gerónimo. De Thea Sisters op avontuur. De Wakkere Muis, 2008.

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ill, Bono Fabio, ed. Thea Stilton and the dragon's code. Scholastic, 2009.

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ill, Bono Fabio, ed. Thea Stilton and the dragon's code. Scholastic, 2009.

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Tope, Rebecca. Fear in the Cotswolds. Allison & Busby, 2009.

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Stilton, Gerónimo. Il segreto dell'isola delle balene. Piemme, 2008.

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Stilton, Gerónimo. Mi shi li de shen mi zi fu. Xin ya wen hua shi ye you xian gong si, 2014.

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B, Parker Robert. Now and Then. Penguin Group USA, Inc., 2008.

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Buchteile zum Thema "Thea (fictitious character)"

Carolina Faustino, Ana Carolina. "10. Dialogue in Eternity." In Landscapes of Investigation. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0316.10.

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This chapter aims to discuss the connection between landscapes of investigation and dialogue shown through interactions amongst children in mathematics classes in the early years of elementary school. The characters Socrates, Lakatos, Galileo, Skovsmose and Carolina meet in eternity to comment on the relationships between landscapes of investigation and dialogue in mathematics education. Thus, this chapter is a fictitious dialogue in which the reader will encounter a dialogical text where Carolina will introduce some examples on children’s interaction in a landscape of investigation. The dialo

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Zielińska-Elliott, Anna. "Problemy tłumaczeniowe w przekładzie prozy Harukiego Murakamiego." In Beyond Language. Æ Academic, 2018. http://dx.doi.org/10.52769/bl1.0014.azie.

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Haruki Murakami’s texts stand out when it comes to their linguistic aspects. Despite writing in Japanese, Haruki Murakami often uses English loanwords, quotes, and intertextual references. By using such stylistic devices, the author gives rise to the feeling of estrangement. This is, however, often lost when his literature is translated into other languages. To set some of the characters apart, to show that they are different, lonely or eccentric, Murakami makes them speak in dialects. The most popular methods of translating such utterances include creating a fictitious dialect, using colloqui

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Agostinho, Shirley. "Using Characters in Online Simulated Environments to Guide Authentic Tasks." In Authentic Learning Environments in Higher Education. IGI Global, 2006. http://dx.doi.org/10.4018/978-1-59140-594-8.ch007.

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The use of characters to present tasks and critical information in a simulated environment has proven to be a useful strategy in the creation of more authentic learning environments online. Such characters can not only perform the role of setting and structuring tasks within the fictitious scenario, but also that of providing useful and realistic guidance. This chapter describes a learning environment designed to create an authentic context for learning evaluation skills and strategies appropriate to technology-based learning settings. The subject in which this approach was adopted was a maste

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Coulmas, Florian. "10. Who is behind the mask? Identity in literature." In Identity: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198828549.003.0010.

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In literature, we can find all aspects and dimensions of identity: identity through time, the mind–body problem, the identity of words and things, gender boundaries, identity crisis, divided loyalty, mistaken identity, split identity, and the demands of modernity for individuals to have a national, social, and gender identity. ‘Who is behind the mask? Identity in literature’ provides a range of illustrative examples. In addition to substantial questions of identity, the art of literature is also concerned with identity in two formal ways. Style expresses the identity of fictitious characters a

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Kamler, Erin M. "Articulating Artist Narratives." In Rewriting the Victim. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190840099.003.0014.

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This chapter explores the narratives of the artists who participated in the “Land of Smiles’ production, and the transformation undergone by these artists as the “real” and “fictitious” worlds collided. Through inhabiting a space between characters and the actual people those characters are meant to symbolically represent, the artists experienced a state of “liminality” as well as its complementary state, “rupture,” in which one’s sense of certainty about their place in the world is disrupted. I discuss six key narratives that emerged among the “Land of Smiles” artists, showing how the spaces

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Van Den Broeck Evert, Poels Karolien, Vandebosch Heidi, and Van Royen Kathleen. "Online Perspective-Taking as an Intervention Tool Against Cyberbullying." In Studies in Health Technology and Informatics. IOS Press, 2014. https://doi.org/10.3233/978-1-61499-401-5-113.

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This study will examine the use of an online role-playing experiment as a cyberbullying intervention tool. The study will be carried out among 14 &ndash; to 18-year old adolescents (N = 200). Respondents will be assigned a fictitious character and a role (perpetrator, victim or bystander) in a cyberbullying situation. They will be asked to identify with this character and act accordingly in an initiated mock, but realistic online bullying situation. We expect, based on role playing literature and bullying prevention programs, a positive change in the adolescents' behavioral intentions (e.g

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Magrinyà, Carles. "Liminality, Migration and Transgression in El Metro by Donato Ndongo-Bidyogo." In Narratives Crossing Borders: The Dynamics of Cultural Interaction. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbj.o.

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My investigation aims to contribute to the understanding of the functionality of the fictitious border zones and how characters relate to spaces that put them in contact with the transitory, that is, liminal characters and spaces. In this sense I will work with the concept of liminality developed by anthropologists Arnold Van Gennep and Victor Turner. The object of study is El metro (2007), by Equatorial Guinean writer Donato Ndongo, and it is an example of the contemporary Equatoguinean novel in Spanish. My contribution focuses on how narrator and characters perceive and relate to liminal spa

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Swain, Warren. "Contract and Unjust Enrichment." In Rethinking Unjust Enrichment. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192874146.003.0002.

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Abstract This chapter suggests that supporters of unjust enrichment may have adopted an unduly narrow view of contract law which is at odds with the historical narrative. The term ‘quasi-contract’ is commonly equated with a fictious implied contract. In fact, liability brought about by contractual incapacity, failed and unenforceable contracts, and quantum meruit can be justified by real rather than fictitious contracts. The reason that contractual reasoning was squeezed out was not so much because these claims cannot be regarded as contractual in character, but because of the influence of the

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Brusberg-Kiermeier, Stefani. "On the Narrative and Moral Functions of Fictitious Portraits in E.A. Poe’s “The Oval Portrait”, M.E. Braddon’s Lady Audley’s Secret, and Oscar Wilde’s The Picture of Dorian Gray." In Literature as an Art Form - Evolving Literary Landscape [Working Title]. IntechOpen, 2025. https://doi.org/10.5772/intechopen.1009288.

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This chapter investigates the functions of portraits in narrative texts and argues that their use helps authors to comment on their characters and that portraits can play an important role for whole plots. The relations between painting and writing are complex and multidirectional and involve questions of style, genre and realism. In reference to A.S. Byatt’s essay Portraits in Fiction, this contribution suggests that a differentiation between “literary portraits”, “portraits in literature” and “fictitious portraits” will prove helpful for future discussions of the interrelations between art a

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Hölscher, Tonio. "‘Is Painting a Representation of Visible Things?’ Conceptual Reality in Greek Art: A Preliminary Sketch." In The Archaeology of Greece and Rome. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474417099.003.0011.

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Recent approaches to Greek and Roman art unanimously and emphatically stress the character of images as visual and material ‘constructions’ (Bažant 1985; von den Hoff and Schmidt 2001). This concept is held by the most advanced, thoughtful and serious voices of art history, and it is applied to all kinds of figurative representation, from individual figures to multi-figured scenes, through all genres and periods of ancient art. Thus, Richard Neer sees Archaic statues as ‘signs’ to which the concept of likeness to real persons is fundamentally alien (Neer 2012: 110–12). François Lissarrague int

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Konferenzberichte zum Thema "Thea (fictitious character)"

Lugiato, Luigi A., Lorenzo M. Narducci, Jorge R. Tredicce, and Donna K. Bandy. "Effect of a transverse beam profile on the dynamics of a homogeneously broadened ring laser." In OSA Annual Meeting. Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.mf8.

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Most theoretical treatments of laser dynamics have been based on the plane wave approximation for the cavity field. They have also led, for the most part, to seemingly incorrect predictions for 'the instability thresholds. In an attempt to characterize the role played by the transverse intensity and phase variations of the cavity field, we have generalized the usual Maxwell-Bloch equations to include several common features that are present in experimental laser systems. We consider a unidirectional ring laser with a resonator containing spherical mirrors of arbitrary reflectivity and radius o

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