Thematische Bibliographien / Theatricals

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Theatricals“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Theatricals"

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David, Deirdre, and Nina Auerbach. "Victorian Theatricals." NOVEL: A Forum on Fiction 24, no. 3 (1991): 337. http://dx.doi.org/10.2307/1345947.

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Hawley, Judith. "Dilettante Theatricals." Performance Research 25, no. 1 (2020): 67–72. http://dx.doi.org/10.1080/13528165.2020.1736745.

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O’Neill, Patrick B. "The Royal Engineers, 1858-1863: Theatrical Entertainment for and by the Enlisted Men." Canadian Theatre Review 101 (January 2000): 11–14. http://dx.doi.org/10.3138/ctr.101.002.

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From the seventeenth to the nineteenth centuries, part of the British officer’s cultural attainment was his assistance in the provision of theatrical entertainment; however, it was not necessarily part of the attainment of enlisted men, many of whom, during the first part of the nineteenth century, could neither read nor write. For the enlisted men, private theatricals on a large scale began during the 1840s as a conscious attempt to “provide recreation and harmless amusement for the troops . . . so as to wean them away from the low beerhouses where they are encouraged to desert and commit oth
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Mielke, Laura L. "Michael D’alessandro. Staged Readings: Contesting Class in Popular American Theater and Literature, 1835–75." Modern Drama 66, no. 3 (2023): 435–38. http://dx.doi.org/10.3138/md-66-3-rev03.

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Staged Readings argues that a blending of popular literary and theatrical cultures deeply informed class formation in nineteenth-century America – especially the emergence of a white middle class. This excellent study draws on a wide range of archival materials and includes significant analyses of Quaker City, temperance dramas, The Octoroon, and parlour theatricals.
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Gardner, David. "Herbert Whittaker. Whittaker's Theatricals." Theatre Research in Canada 16, no. 1-2 (1995): 149–51. http://dx.doi.org/10.3138/tric.16.1_2.149.

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Chesterton, G. K. "A Ballade of Theatricals." Chesterton Review 11, no. 2 (1985): 130. http://dx.doi.org/10.5840/chesterton198511220.

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Gardner, David. "Herbert Whittaker. Whittaker's Theatricals." Theatre Research in Canada 16, no. 1 (1995): 149–51. http://dx.doi.org/10.3138/tric.16.1.149.

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Curley, Eileen. "Tainted Money?: Nineteenth-Century Charity Theatricals." Theatre Symposium 15, no. 1 (2007): 52–73. http://dx.doi.org/10.1353/tsy.2007.0002.

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Stabler, Jane. "Pisan Theatricals: Byron and Othello in 1822." Byron Journal 26 (January 1998): 39–49. http://dx.doi.org/10.3828/bj.1998.4.

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Watson, Carly. "Private Theatricals in the Harcourt Family Papers." Nineteenth Century Theatre and Film 38, no. 2 (2011): 14–25. http://dx.doi.org/10.7227/nctf.38.2.4.

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Dissertationen zum Thema "Theatricals"

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Gurbanova, Sabina <1996&gt. "Theatricals and Theatricality in Jane Austen's "Mansfield Park"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18991.

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Theatricals and Theatricality in Jane Austen’s “Mansfield Park” Abstract “Mansfield Park” is one of the Jane Austen’s novel that deals most directly with theatrical subjects. Themes in the novel are strongly connected with the choice of the popular eighteenth-century play, “Lover’s Vows”. A performance of that play as a home-theatrical covers a significant place in the first volume of the book. In the novel, The Bertrams, her cousins and their fashionable new neighbours Mary and Henry Crawford, decide to set a staging of a popular drama to spend joyful time, while patriarch Sir Thomas is on b
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Everett-Kabut, Patricia Hews. "The Cooperative Commonwealth Federation and amateur theatricals in 1930's Vancouver, BC." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/59353.

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This research investigates a collection of short one-act plays in the Arthur J. Turner Fonds held in the University of British Columbia Rare Books and Special Collections. These plays, written by Arthur J. Turner, Thorvald “Denny” Kristiansen and Hubert Evans in the mid-1930’s, formed part of the Cooperative Commonwealth Federation’s broader social and propaganda efforts to educate and indoctrinate new members in the basic tenets of Socialism and the CCF platform. Like agitprop plays created elsewhere in Canada, Britain and the United States, dramatic groups within CCF clubs wrote and performe
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Curley, Eileen Moira. "Beyond the pocket doors amateur theatricals in nineteenth-century New York City /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3243770.

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Thesis (Ph.D.)--Indiana University, Dept. of Theatre and Drama, 2006.<br>"Title from dissertation home page (viewed July 17, 2007)." Source: Dissertation Abstracts International, Volume: 67-12, Section: A, page: 4389. Adviser: Ronald Wainscott.
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Cox, Devon. "Stages of captivity : Napoleonic prisoners of war & their theatricals, 1808-1814." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/103472/.

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In 2011, the Performance and Theatre Collection at the Victoria and Albert Museum in London acquired an archive of materials relating to the French prisoners of war held at Portchester Castle from 1810 to 1814. This archive consisted of scripts, playbills, and abstracts from the prisoners’ Théâtre des Variétés built and operated in the basement of the castle’s keep. These materials have provided new and unique insights into the experiences of Napoleonic prisoners of war and have served as a catalyst for this first major critical study of Napoleonic prisoners-of-war theatricals. The majorit
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Winchester, Mark David. "Cartoon theatricals from 1896 to 1927 : Gus Hill's cartoon shows for the American Road Theatre." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1263910411.

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Ferguson, K. "'A very pleasant, profitable little affair of private theatricals?' : A study of the changing narrative voice in the novels of Charles Dickens." Thesis, University of Ulster, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.378772.

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Byrne, Paula Jayne. "Jane Austen and the theatre." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343860.

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Ohanyan, Rima. "The Theatre of a Thousand Plateaus : How can architecture accommodate the postmodern conceptions of the theatre and provide spaces for non-conventional theatricals where narrative is deconstructed and the audiences are active co-creators or co-participants?" Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-174995.

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Today’s world has undergone through a variety of changes shifting from metaphysical way of thinking into postmodernism which has left its footprint in the aspects of literature, art and theatre. But architecture doesn’t reflect those changes in the theatrical world because buildings are not adjusted to the postmodern performances. In this research I made a journey through postmodern philosophy, literature, art, architecture, and theatre and tried to analyze the main tools of postmodernism, such as deconstruction of narrative, displacement etc. Then I applied them into my project which makes an
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Brown, Ian James Morris. "History as theatrical metaphor." Thesis, Manchester Metropolitan University, 1991. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.290319.

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Haskell, Greer. "The Oresteia : a theatrical poetics." Thesis, University College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363120.

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Bücher zum Thema "Theatricals"

1

Whittaker, Herbert. Whittaker's theatricals. Simon & Pierre, 1992.

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1968-, Hudston Sara, ed. Victorian theatricals: From menageries to melodrama. Methuen Drama, 2000.

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Kenrick, John. The Complete Idiot's Guide to Amateur Theatricals. Penguin Group USA, Inc., 2009.

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Auerbach, Nina. Private theatricals: The lives of the Victorians. Harvard University Press, 1990.

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Picton, Thomas. Old Gotham theatricals: Selections from a series "reminiscences of a man about town". Borgo Press, 1995.

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Nolan, Ernie. Snow White and the seven dwarfs: As performed by professor TJ Barker's troupe of theatricals : a play with music. Dramatic Publishing, 2011.

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Miller, James Hull. Stage lighting in the boondocks: A layman's handbook of down-to-earth methods of lighting theatricals with limited resources. 3rd ed. Meriwether Pub., 1987.

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Larsen, L. Dawn. American traveling tent theatre, 1900-1940: Rural and small town tent shows performed in the midwest (including scripts of popular theatricals). Edwin Mellen Press, 2014.

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Ferguson, Kathleen. "A very pleasant, profitable little affair of private theatricals?": A study of the changing narrative voice in the novels of Charles Dickens. The author], 1985.

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Leep, Jeanne. Theatrical Improvisation. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612556.

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Buchteile zum Thema "Theatricals"

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McPherson, Sue, and Julia Swindells. "Theatricals." In Women's Theatrical Memoirs, Part II vol 9. Routledge, 2024. http://dx.doi.org/10.4324/9781003547778-6.

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Fitzsimmons Frey, Heather Marie. "At-Home Theatricals." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_298.

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Kean, Charles, and Robert Sawyer. "The Windsor Theatricals." In Lives of Shakespearian Actors, Part III, Volume 1. Routledge, 2024. https://doi.org/10.4324/9781003513285-4.

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Angeletti, Gioia. "“Closeted” discourses in private theatricals." In Closet Drama. Routledge, 2018. http://dx.doi.org/10.4324/9781315107394-8.

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Leach, Robert. "Interlude: Eighteenth century amateur theatricals." In An Illustrated History of British Theatre and Performance. Routledge, 2018. http://dx.doi.org/10.4324/9780429463686-61.

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Coates, David. "Elite Private Theatricals and the ‘Professional’ Amateur." In The Routledge Companion to Twentieth Century British Theatre and Performance. Routledge, 2024. http://dx.doi.org/10.4324/9781003042853-31.

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Schmid, Susanne. "Elizabeth Craven, Private Theatricals and Friedrich Schiller’s The Robbers." In British Sociability in the European Enlightenment. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-52567-5_7.

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Tymoczko, Maria. "Amateur Political Theatricals, Tableaux Vivants, and Cathleen ni Houlihan." In Yeats Annual No. 10. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-11916-5_2.

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Isbell, Mary. "Recognition and Anonymity: Shipboard Theatricals and Newspapers Aboard USS Macedonian." In Shipboard Literary Cultures. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85339-6_4.

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Engel, Laura. "Around 1787: Austen’s Volume the First, the Elizas, Private Theatricals, and Muffs." In Austen, Actresses and Accessories. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137427946_2.

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Konferenzberichte zum Thema "Theatricals"

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Scherpbier, Zoë, Carlitos Ayma Gonzalez, Kelly Simons, Eric Hart, Courtney Liu, and Blake Hament. "Engineering Performance: Realistic Animatronic Dogs for Theatrical Applications." In 2025 Systems and Information Engineering Design Symposium (SIEDS). IEEE, 2025. https://doi.org/10.1109/sieds65500.2025.11021145.

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Alexandroff, Ivaylo. "THEATRICAL PERFORMATIVITY AND STAGE SIGNIFICATION – THE PERFORMANCE AS A THEATRICAL TEXT." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-135.

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Sajadieh, Sahar, and Nathan Weitzner. "A Theatrical Turing Test." In CHI'16: CHI Conference on Human Factors in Computing Systems. ACM, 2016. http://dx.doi.org/10.1145/2851581.2889463.

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Molnar, Angelika. "CONTEMPORARY HUNGARIAN PRODUCTIONS OF MAXIM GORKY'S PLAYS “AT THE BOTTOM”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3692.rus_lit_20-21/49-52.

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The text of the paper presents the most important modern productions of Maxim Gorky's drama “At the Bottom” (The Lower Depths) on the Hungarian theater stage. The author examines new solutions with the help of which Hungarian scriptwriters and directors theatrically implement a verbal work. The play is present in the repertoire of Hungarian theaters to this day, as one can feel the spiritual kinship between Russian and Hungarian people, the commonality between Russian and Hungarian life, the urgency of the problem of the impossibility of getting from the bottom of society to the top. The popul
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Fernandez, Julian M. Angel, and Andrea Bonarini. "Towards an Autonomous Theatrical Robot." In 2013 Humaine Association Conference on Affective Computing and Intelligent Interaction (ACII). IEEE, 2013. http://dx.doi.org/10.1109/acii.2013.120.

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Prakash, Dona, and K. Gerard Joe Nigel. "Automatic human tracking theatrical spotlight." In 2015 International Conference on Innovations in Information,Embedded and Communication Systems (ICIIECS). IEEE, 2015. http://dx.doi.org/10.1109/iciiecs.2015.7192974.

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Khaustova, Dariya. "CHARLES I: THE THEATRICAL FAREWELL." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s25.019.

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Lee, Sang, and Stefanie Holzheu. "Theatrical Performance as Experimental Architecture." In eCAADe 2018: Computing for a better tomorrow. eCAADe, 2018. http://dx.doi.org/10.52842/conf.ecaade.2018.1.589.

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Pitsyna, A. A., and A. O. Korchagina. "DEVELOPMENT OF CREATIVE ABILITIES IN CHILDREN OF PRESCHOOL AGE BY MEANS OF MUSICALLY - THEATRALIZED ACTIVITIES." In Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/89.

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The article deals with issues related to the development of creative abilities of musical and theatrical activities. The approaches to the definition of the concepts of creativity, ability, musical and theatrical activity have been studied. The forms, methods, and techniques for the development of creative abilities in the process of musical and theatrical activity are revealed.
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Tipa, Violeta. "The Night Guguta project: theatrical experiments." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.07.

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The study highlights the role of the Night Guguta Project in the theatrical art of the Republic of Moldova. A team of young actors are making their debut with this project. They have oriented themselves both from the thematic perspective and from that of the actor’s mastery to the requirements of the current audience, imposing themselves as an explosion of the new in local theatrical art. This new “explosion” started three decades after the formation the troupe, which came from the “Schukin” Theater School in Moscow, and imposes a new breath, a novel vision in the Moldovan theatrical art. Nigh
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Berichte der Organisationen zum Thema "Theatricals"

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Cho, Seunghye. Exploring Theatrical Costume Design in Fashion: an Interdisciplinary Production of Shakespeare's A Midsummer Night's Dream. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-71.

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Ilgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, 2016. http://dx.doi.org/10.34074/ocds.038.

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This essay is a reflection on some aspects of dramaturgy observed during the creation and development of One by One, a silent tragicomedy designed by the Auckland company, LAB Theatre, in 2011 and restaged in 2013. The emphasis of the essay is on pedagogical aspects at the core of the company’s work, as they inform the creative process and lead to the blending of the actor’s function into that of the dramaturg. The following discussion makes apparent the fact that this process of hybridisation, made possible by implementing features of devised theatre, emancipates the actor and brings improvis
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Dabrovolskas, Audrius. In Search of Film Policy and Film Exhibition Model Based on Mission Economy: the Case of the Baltic Film Industries. Publishing House - Vilnius Business College, 2023. http://dx.doi.org/10.57005/ab.2023.1.2.

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In Europe film industries are regulated through film policies at national and supra-national levels. The biggest attention is paid to film production and distribution, because they are considered as the most crucial sectors regarding financial investment. Film exhibition on the other hand is more about whole commercial life of a film and since theatrical admissions in European Union increased by 5.3 % (in 2019) before covid-19 pandemic it demonstrates that theatrical release is still among one of the most important release windows. Yet Lithuanian, Latvian, and Estonian film exhibition trends a
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Visscher, Klaasjan. Theatrical Technology Assessment: A Role-play Simulation for Bridging the Gap between Technology and Society in Interdisciplinary Engineering Education. Universiteit Twente - Department of Science, Technology and Policy Studies (STePS), 2020. http://dx.doi.org/10.3990/4.2589-2169.2020.01.

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Plummer, Brianna, Eulanda A. Sanders, and Fatma Baytar. Developing a Trend Analysis Instrument to Establish a Taxonomy of Digital Textile Printing Attributes for Costume and Theatrical Fashion Design Use. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1899.

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TETINA, S. V., Yu V. GUTROVA, I. E. ZHIDKOVA, et al. BUSINESS DIDACTIC GAME "INDIVIDUAL METHODOLOGICAL STYLE OF TEACHER'S ACTIVITY". SIB-Expertise, 2022. http://dx.doi.org/10.12731/er0543.17032022.

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Abstract: the proposed business didactic game is aimed at developing the creative attitude of the teacher to his own professional activity. The motivational material of a business didactic game allows the teacher to understand that his activity has sometimes elusive pedagogical algorithms and strategies, the totality of which can be called such a concept as an individual methodological style of activity. In addition to pedagogical strategies, this concept reflects the unique psychological qualities of the individual, which allow the teacher to influence the quality of the acquired knowledge. I
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Zeba, Mattia, Roberta Medda-Windischer, Andrea Carlà, and Alexandra Cosima Budabin. Civic Education as Preventive Measure and Inclusionary Practice. Glasgow Caledonian University, 2025. https://doi.org/10.59019/ddzh5n65.

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In the framework of the D.Rad project, WP10 – entitled Civic education as preventive measure and inclusionary practice – seeks to prevent youth radicalisation through civic education and to identify new pedagogical methods and interactive, participatory tools for building pro-social resilience to radical ideologies. We consider as ‘civic education programs’ all those initiatives of instruction that aim at affecting “people’s beliefs, commitments, capabilities, and actions as members or prospective members of communities”1, as well as foster critical thinking and promoting “civic engagement and
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Cameroon: Peer education and youth-friendly media reduce risky sexual behavior. Population Council, 2003. http://dx.doi.org/10.31899/rh2003.1009.

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Cameroonian researchers at the Institute of Behavioral Studies and Research (IRESCO), with support from FRONTIERS, conducted an operations research project between 2000 and 2002 to assess strategies to encourage abstinence, increase contraceptive use, and reduce sexually transmitted infection (STI) rates among sexually active youth. The intervention combined peer-education strategies with media campaigns to promote healthy behavior among youth in the Mokolo neighborhood of Yaoundé. IRESCO trained 49 peer educators aged 19–25 in reproductive health (RH) communication strategies. The team coordi
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