Thematische Bibliographien / Thomas`s poetry / Dissertationen
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Dissertationen zum Thema „Thomas`s poetry“

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Veröffentlicht am 18. Mai 2024

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1

Cattle, Simon Matthew James. "Myth, allusion, gender, in the early poetry of T.S. Eliot." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/8986.

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T.S. Eliot's use of allusion is crucial to the structure and themes of his early poetry. It may be viewed as a compulsion, evident in even the earliest poems, rather than just affectation or elitism. His allusions often involve the reversal or re-ordering of constructions of gender in other literature, especially in other literary treatments of myth. Eliot's "classical" anti-Romanticism may be understood according to this dual concern with myth and gender, in that his poetry simultaneously derives from and attacks a perceived "feminised" Romantic tradition, one which focuses on female characte
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Barker, Simon John. "Probing the god-space : R.S. Thomas's poetry of religious experience, with special reference to Kierkegaard." Thesis, University of Wales Trinity Saint David, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683109.

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3

Hoffmann, Deborah. "The spirit of sound prosodic method in the poetry of William Blake, W.B. Yeats, and T. S. Eliot." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115657.

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Accompanying materials housed with archival copy.<br>This project focuses on the prosody of three major poets, William Blake, W. B. Yeats, and T. S. Eliot. It explores the relationship between each poet's poetic sound structures and his spiritual aims. The project argues that in Blake's prophetic poems The Four Zoas, Milton, and Jerusalem, in Yeats's middle and late poetry, and in Eliot's post-conversion poetry, the careful structuring of the non-semantic features of language serves to model a process through which one may arrive at the threshold of a spiritual reality.<br>The introductory cha
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4

Adams, Stephen D. (Stephen Duane). ""Looking into the Heart of Light, the Silence": The Rule of Desire in T.S. Eliot's Poetry." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc935756/.

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The poetry of T. S. Eliot represents intense yet discriminate expressions of desire. His poetry is a poetry of desire that extenuates the long tradition of love poetry in Occidental culture. The unique and paradoxical element of love in Occidental culture is that it is based on an ideal of the unconsummated love relationship between man and woman. The struggle to express desire, yet remain true to ideals that have deep sacred and secular significance is the key animating factor of Eliot's poetry. To conceal and reveal desire, Eliot made use of four core elements of modernism: the apocalyptic v
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McAlonan, Pauline. "Wrestling with angels : T. S. Eliot, W. H. Auden, and the idea of a Christian poetics." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100653.

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This thesis addresses the impact of religious conversion on the later works of Eliot and Auden, and the manner in which they responded to each other as they developed a Christian poetics. Following an introduction which discusses the nature of their relationship as well as their basic theological positions, Chapter One examines their postconversion criticism, and particularly their stance on what is typically formulated as "the problem of belief in poetry," which focuses on how ideology influences a work's creation and reception. Chapter Two considers their transitional poetry, wherein their n
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6

Estrade, Charlotte. "" Mythomorphoses " écriture du mythe, écriture métapoétique chez Basil Bunting, T. S. Eliot, Ezra Pound et W. B. Yeats." Phd thesis, Université du Maine, 2012. http://tel.archives-ouvertes.fr/tel-00770332.

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Les mythologies - gréco-romaine, irlandaise, perse, indienne, japonaise, chinoise -sont omniprésentes dans la poésie de Bunting, Eliot, Pound et Yeats. Les prédilections desauteurs pour certaines mythologies, véritables choix identitaires et politiques, montrenttoutefois une péroccupation commune pour les mythes violents, aux niveaux martial et sexuel.Ce premier niveau thématique se combine avec une réflexion plus distanciée sur le mythe,outil critique qui permet la reformulation de croyances rituelles et spirituelles, et de nouvellesthéories poétiques qui visent à ordonner et donner un sens a
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Cole, Merrill. "The other Orpheus : a poetics of modern homosexuality /." New York [u.a.] : Routledge, 2003. http://www.loc.gov/catdir/toc/ecip042/2003007030.html.

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8

Nickerson, Anna Jennifer. "Frontiers of consciousness : Tennyson, Hardy, Hopkins, Eliot." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/277879.

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‘The poet’, Eliot wrote, ‘is occupied with frontiers of consciousness beyond which words fail, though meanings still exist’. This dissertation is an investigation into the ways in which four poets – Alfred Tennyson, Thomas Hardy, Gerard Manley Hopkins, and T. S. Eliot – imagine what it might mean to labour in verse towards the ‘frontiers of consciousness’. This is an old question about the value of poetry, about the kinds of understanding, feeling, and participation that become uniquely available as we read (or write) verse. But it is also a question that becomes peculiarly pressing in the nin
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Plasa, Stefan. "Knots und Vortices T. S. Eliots und Uzra Pounds Dichtungstheorie zwischen Tradition und Innovation." Paderborn München Fink, 2010. http://d-nb.info/994036116/04.

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10

Prothero, James. "The influence of Wordsworth on twentieth-century Anglo-Welsh poets." Thesis, University of Wales Trinity Saint David, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683327.

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11

Laver, Sue 1961. "Poets, philosophers, and priests : T.S. Eliot, postmodernism, and the social authority of art." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37755.

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This comprehensive analysis of T. S. Eliot's literary-critical corpus provides both a long-overdue reassessment of the nature and extent of his commitment to notions of aesthetic autonomy, and an Eliotic critique of the hypostatization of art that characterizes both philosophical postmodernism and its literary-theoretical derivatives.<br>The broader context for these two primary objectives is the "ancient quarrel" between the poets and the philosophers and its various manifestations in the work of a number of prominent post- and anti-Enlightenment thinkers. Accordingly, I begin by highlighting
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12

Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.

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Many critics resort to explaining readers' experiences of poems like William Blake's Jerusalem and T.S. Eliot's Four Quartets in terms of "spirituality" or "religion". These experiences are broadly defined in this thesis as jouissance (after Roland Barthes' essay The Pleasure of the Text) or "experience qua experience". Critical attempts at the reduction of jouissance into abstract constructs serve merely as stopgap measures by which critics might avoid having to account for the limits of their own rational discourse. These poems, in particular, are deliberately structured to preserve the read
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13

FALCONE, FILIPPO. "MILTON'S INWARD LIBERTY A STUDY OF CHRISTIAN LIBERTY FROM THE PROSE TO PARADISE LOST." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/173513.

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Twenty Eleven was a year of revolutions in northern Africa and the Middle East. Rising in Tunisia, the revolutionary wave has spread through Egypt, Libya, Syria and other countries. The common denominator of all insurgencies has been the people’s desire to shake off a long-endured yoke of tyranny which had resulted in a stagnant economy, poor life conditions and poorer public liberties. The word ‘democracy’ has become the catalyst of all aspirations. However, where the overthrowing of the dictator has succeeded, reform has been slow to come to pass, opening the door to new, potentially worse,
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14

Mooney, Annabelle. "Poetic Primitives : an NSM analysis of the poetry of T.S. Eliot." Thesis, 1997. http://hdl.handle.net/1885/145305.

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15

Dudek, Katarzyna. "Vanishing Voices: Silence(s) in the Poetry of Gerard Manley Hopkins, T. S. Eliot and R. S. Thomas." Doctoral thesis, 2015. https://depotuw.ceon.pl/handle/item/1301.

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The main aim of the dissertation is to analyse the motives of silence in the poetry of the Victorian poet Gerard Manley Hopkins, the repesentative of High Modernism - T. S. Eliot and the contemporary Welsh poet - R. S. Thomas. It seeks not only to contribute to the understanding of the three poets, but also to explore the idea of silence in the poetry of religious experience as well as the dynamics between the textual and structural aspects of silence.<br>Głównym celem mojej dysertacji jest prześledzenie semantycznej i ekspresywnej "wielogłosowości" ciszy w poezji wiktoriańskiego poety Gerarda
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16

Kourie, Alex. "Who is she?: the search for the feminine in the poetry of T.S. Eliot, with special reference to The Waste Land and the Four Quartets." Thesis, 2014. http://hdl.handle.net/10210/9485.

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17

"R.S. Thomas and the poetics of incarnation." Thesis, 2011. http://library.cuhk.edu.hk/record=b6075461.

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Li, Chit Ning.<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2011.<br>Includes bibliographical references (leaves 208-218).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstract also in Chinese.
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18

Saunders, Andrew Preston. "From the doomed West to the timeless city : poetics of turbulence, 1869-1934." Thesis, 2001. https://eprints.utas.edu.au/21501/1/whole_SaundersAndrewPreston2002_thesis.pdf.

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19

Eliáš, Petr. "Překlady a poezie členů Skupiny 42." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-437070.

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The thesis focuses on texts written and translated by members of Group 42, Jiřina Hauková and Jiří Kolář, specifically. It begins with a description of 1940s' literary context, incorporating poetical principles stated by Jindřich Chalupecký, the leading theorist of the Group 42. The research section of the thesis begins with an analysis of Jiřina Hauková's Přísluní and Cizí pokoj and Jiřího Kolář's Křestný list, Ódy a variace and Limb a jiné básně, poetry collections directly influenced and heading towards the poetic principles of the Group 42. This is followed by an analysis of the translatio
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