Thematische Bibliographien / Trance (Electronic dance music)

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Trance (Electronic dance music)“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Trance (Electronic dance music)"

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Groth, Sanne Krogh, and Nils Bubandt. "Trance Against the Machine." Resonance: The Journal of Sound and Culture 6, no. 2 (2025): 125–48. https://doi.org/10.1525/res.2025.6.2.125.

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This article explores the musical performances, aesthetics, and multi-situated reception of Indonesian electronic dance music in Europe and Indonesia, focusing on the duo Gabber Modus Operandi (GMO). Since their first international tour titled “Trance Against the Machine” in 2019, the duo has gained significant attention, especially in Europe, because they are seen as part of a seismic shift in the electronic dance continuum. The article critically analyzes this perceived shift in relation to GMO’s music. It advocates for a mode of analysis that simultaneously traces the situated and the multi
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Gelažiūtė-Pranevičienė, Eglė. "Shifts in Authenticity: Electronic Dance Music as Environment for Contemporary Folklore Forms." Tautosakos darbai 61 (June 1, 2021): 122–40. http://dx.doi.org/10.51554/td.21.61.05.

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The article discusses the most prominent creators of the Lithuanian post-folklore electronic music and their stylistic uniqueness, mainly focusing on the Electronic Dance Music (EDM) branch. An important fact is that the authors tend to create full-length music albums rather than single songs, thus emphasizing their conscious choice, constant and consistent activity. The two fields – modern and old – expand each other, attracting regular listeners with new expressions, thus continuing the development of folklore and enriching electronic music with cultural values and identity. Authentic folklo
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McCallum, Clinton. "Falling Up." Journal of Popular Music Studies 33, no. 2 (2021): 99–129. http://dx.doi.org/10.1525/jpms.2021.33.2.99.

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This article investigates melodic figures and harmonic sequences that miraculously only step up to illuminate an aesthetic lineage that connects gospel to electronic dance music. It argues that the synth-risers and ever-opening filters of contemporary euphoric rave music like happy-hardcore and uplifting-trance find precedence in compositional devices that made their way into funk/soul and disco/garage from Black gospel music, and that these gospel inventions were derived from the Afro-diasporic ring-shout. Cognitive linguistic and psychoacoustic theories premise an analytical framework for mu
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Spencer, Edward K. "Re-orientating Spectromorphology and Space-form through a Hybrid Acoustemology." Organised Sound 22, no. 3 (2017): 324–35. http://dx.doi.org/10.1017/s1355771817000486.

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This article re-orientates Denis Smalley’s work on spectromorphology and space-form through a case study of electronic dance music (EDM) on YouTube. An EDM track and its related YouTube comments are analysed concurrently in order to examine how sound-shapes and sonic spatiality are experienced in practice on the social web. Using Stephen Feld’s notion of acoustemology as a theoretical base, I argue that semantic and somantic ways of knowing through sound are thoroughly entangled. A hybrid acoustemology model is outlined, merging spectromorphology and space-form with elements of ecosemiotics an
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Cvijanovic, Irina. "Performing sound of the past: Remix in electronic dance music culture." Muzikologija, no. 17 (2014): 87–104. http://dx.doi.org/10.2298/muz1417087c.

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The term remix, defined as an activity of taking data from pre-existing materials to combine them into new forms according to personal taste, relates to various elements and areas of contemporary culture. Whichever model used, consideration of the remix depends on recognition of pre-existing cultural codes. Therefore, as a second layer, the remix relies on the authority of the original and it functions at the meta-level. The audience may see a trace of history with the pre-existing object and the meaning creates in the viewer(s), reader(s), listener(s) or, in the contemporary world of DJs and
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Холопова, В. Н. "The Concept of “Multimedia” in the Music of Igor Kefalidi." Журнал Общества теории музыки, no. 4(28) (December 28, 2019): 10–17. http://dx.doi.org/10.26176/otmroo.2019.28.4.002.

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Понятие «мультимедиа» в настоящее время весьма широко используется в образовании, науке, искусстве, рекламе; в сфере музыки — в клипах развлекательных жанров. Задача статьи — очертить круг явлений мультимедиа в творчестве композитора академической традиции — И. Л. Кефалиди. Наиболее типична для данного автора трехкомпонентность: электронные звуки, звучание акустических инструментов и видеоряд — в частности, в его лучших сочинениях «TapeEхt», «S_S_S». Кроме того, имеются произведения, включающие: инструментальный театр — электроника, ударные инструменты, театральные движения, видео («Percato mo
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Чатоджян, М. С. "Модернизация армянской хореографии через взаимодействие с современной музыкальной культурой". Journal of Applied Research, № 1 (10 лютого 2025): 176–81. https://doi.org/10.47576/2949-1878.2025.1.1.025.

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Статья рассматривает процессы модернизации армянской хореографии в контексте ее взаимодействия с современной музыкальной культурой. Цель данного исследования – анализ того, как музыкальные инновации – от электронных жанров до этно-джаза, минимализма – могут способствовать сохранению, преобразованию хореографического наследия Армении, что делает его доступным, привлекательным для широкой аудитории, включая международную. Методологический подход исследования включает анализ конкретных хореографических постановок, в которых прослеживается взаимодействие с новыми музыкальными формами. Также провод
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Kubiak, Anthony. "Virtual Faith." Theatre Survey 47, no. 2 (2006): 271–76. http://dx.doi.org/10.1017/s0040557406000251.

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The recent rubs and resistances within the various flows of religious thought and practice in American culture and politics have become near clichés. The impact of right-wing religions on government and cultural policies has been well noted, as have the concomitant attempts to keep religion of all kinds out of politics entirely. Meanwhile, the problematic status of Islam both locally and globally has become a continuous topic of debate, as have the debates over creationism and so-called intelligent design in American schools. These high-profile debates have in turn eclipsed the suspicions of a
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Hendriko, Thomas, and Elmeida Effendy. "Kuda Kepang: A Case Report of Javanese Cultural-Related Trance in Medan." Open Access Macedonian Journal of Medical Sciences 7, no. 16 (2019): 2705–7. http://dx.doi.org/10.3889/oamjms.2019.823.

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BACKGROUND: One of the works of Javanese culture is the kuda kepang. None of the historical records explains the origin of this dance. Kuda kepang or also called kuda lumping or jathilan. In the kuda kepang dance, the trance process takes place through the calling of the spirit or called endang through the songs that are played. In the International Classification of Disease Edition (ICD-10), it is called trance and possession disorders and in the Diagnostic and Statistical Manual of Mental Disorders five editions (DSM-5) it is included into Other Specified Dissociative Disorder.
 CASE RE
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Listiani, Wanda, and Ai Juju Rohaeni. "PEMANFAATAN ESTIMASI POSE GERAK PADA PENARI TRANCE DALAM RITUAL ADAT NGALAKSA." Jurnal Budaya Nusantara 6, no. 3 (2024): 365–71. http://dx.doi.org/10.36456/jbn.vol6.no3.8881.

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This research aims detected the motions poses of trance dancers as a computer vision model in the trance dancers performing arts. The annual ceremonies of the Ngalaksa ritual and the Tarawangsa art as cultural traditions in Rancakalong Tourism Village, located in Sumedang, West Java. This ritual serves as a reverent to the Rice Goddess, with the farmers engaging in ceremonial processions and traditional Ngalaksa rites. Accompanied by the melodic strains of Tarawangsa music, participants dancing in rhythmic dance, some even entering trance states. On the other hand, the advancement of artificia
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Dissertationen zum Thema "Trance (Electronic dance music)"

1

Iler, Devin. "Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103332/.

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Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music.
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Cookney, D. "Masked : depictions of anonymity in electronic dance music." Thesis, University of Salford, 2015. http://usir.salford.ac.uk/36101/.

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This thesis explores anonymity as an aspect of identity construction within electronic dance music (EDM). Its specific focus is on the production and control of image within genres that have arisen since the development and expansion of the club scene in the UK from the latter part of the 20th century and, then situated in visual culture and performance research, its examination of anonymity represents an area that, to date, has been overlooked in EDM. As part of this investigation, the thesis’ chapters notably analyse elements that are external to music recordings including record sleeve desi
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Hillion, Toulcanon Marie-Muriel. "Maloya dance and music: Réunionese Créole togetherness." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2532.

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La Réunion is a former French colony where the coffee, vanilla — and later the sugarcane industry — brought together the mostly enslaved and indentured people from Madagascar, Africa, India, China and France. A quintessential part of this hybrid culture has been the development of maloya, an improvised music-and-dance form that so alienated French colonial authorities and landowners that it was unofficially banned until 1981. While maloya music has been taught since 1987 at Conservatoire de La Réunion and has reached international stages, maloya dance itself has rarely been explored academical
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Jap, Lilian. "Mapping detected periodic dance movements to control tempo in the music playback of Electronic Dance Music." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-251668.

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Engaging in the music set of one’s favorite artist or DJ is oftentimes leading to the result of a powerful and euphoric felt experience, a sensation partly also induced from dancing in beat to the music. In an attempt to simulate a similar dance experience, a user-study was designed in order to investigate when a user is let to dance in rhythm to a music playback and in addition, in control of a music playback tempo through the induced dance movements. A proof-of-concept prototype was built and tested in an initial study, followed by a main study where the prototype had been modified and 12 pa
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Gómez, Marín Daniel. "Similarity and style in electronic dance music drum rhythms." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/543841.

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This thesis presents original research carried out in the topic of electronic dance music (EDM) drum sequencing, a fundamental and yet underdeveloped subject in the music production literature. The work undertaken is focused in two main areas: similarity between drum patterns and modeling of drumming style. The study of pattern similarity is rooted in current knowledge on human processing of monophonic rhythms, and is expanded until a model capable of predicting similarity sensations of polyphonic drum rhythms is reached. With this model, RhythmSpace, a graphical system for the continuous real
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Farrugia, Rebekah L. "Spin-sters women, new media technologies and electronic/dance music /." Diss., University of Iowa, 2004. http://ir.uiowa.edu/etd/112.

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Kavanaugh, Philip R. "Solidarity and drug use in the electronic dance music scene." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.39 Mb., 70 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435827.

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Luckman, Susan Heather. "Party people : mapping contemporary dance music cultures in Australia /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16686.pdf.

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Carroll, Adrian Dominic. "Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/61231/13/61231.pdf.

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This research introduces the proposition that Electronic Dance Music’s beat-mixing function could be implemented to create immediacy in other musical genres. The inclusion of rhythmic sections at the beginning and end of each musical work created a ‘DJ friendly’ environment. The term used in this thesis to refer to the application of beat-mixing in Rock music is ‘ClubRock’. Collaboration between a number of DJs and Rock music professionals applied the process of beat-mixing to blend Rock tracks to produce a continuous ClubRock set. The DJ technique of beat-mixing Rock music transformed static
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Merkowitz, Jennifer Bernard. "The Cardiac Dance—The Spirals of Life." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1185978849.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2007.<br>Advisor: Dr. Mara Helmuth. Title from electronic thesis title page (viewed Nov. 29, 2007). Includes abstract. Keywords: cardiac dance spirals electronic music composition. Includes bibliographical references.
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Bücher zum Thema "Trance (Electronic dance music)"

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Simão, Emília. Exploring psychedelic trance and electronic dance music in modern culture. Information Science Reference, 2015.

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1968-, St John Graham, ed. The local scenes and global culture of psytrance. Routledge, 2010.

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Carmi, Elinor. Ṭransmishen. Resling, 2013.

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Kosmicki, Guillaume. Musiques électroniques: Des avant-gardes aux dance floors. Mot et le reste, 2009.

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Hanf, Mathias Kilian. Detroit techno: Transfer of the soul through the machine. VDM Verlag Dr. Müller, 2010.

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Prendergast, Mark J. The ambient century: From Mahler to trance ; the evolution of sound in the electronic age. Bloomsbury, 2000.

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Jóri, Anita, and Martin Lücke, eds. The New Age of Electronic Dance Music and Club Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39002-0.

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Ludewig, Bianca. Utopie und Apokalypse in der Popmusik: Gabber und Breakcore in Berlin. Verlag des Instituts für Europäische Ethnologie, 2018.

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Weinel, Jonathan. Trance Systems. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0005.

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This chapter explores how sound systems place electronic sounds in a social context, eliciting powerful affective experiences that are framed by conceptual meaning. The chapter begins by tracing the origins of the sound system culture and dub-reggae of Jamaica. This approach, which prioritizes DJ performances over ‘live’ musicians, would prefigure the electronic dance music culture of the 1980s and 1990s. Exploring this area, this chapter examines how the design of Chicago house and Detroit techno provided high-energy dance experiences that reflected the ethos of the respective sub-cultures. L
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Saldanha, Arun. Psychedelic White: Goa Trance and the Viscosity of Race. Univ Of Minnesota Press, 2007.

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Buchteile zum Thema "Trance (Electronic dance music)"

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Snoman, Rick. "Uplifting Trance." In Dance Music Manual. Routledge, 2019. http://dx.doi.org/10.4324/9780429453830-29.

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Bartles, Alexandra. "Developing Listening Skills." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-6.

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Bartles, Alexandra. "Mastering Compression." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-10.

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Bartles, Alexandra. "What Is Mastering." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-2.

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Bartles, Alexandra. "Dynamics." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-8.

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Bartles, Alexandra. "Mastering Mid-Range Frequencies." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-16.

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Bartles, Alexandra. "Mastering EQ." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-9.

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Bartles, Alexandra. "Delivery Formats." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-20.

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Bartles, Alexandra. "Mastering Options." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-3.

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Bartles, Alexandra. "Limiting." In Mastering Electronic Dance Music. Focal Press, 2024. http://dx.doi.org/10.4324/9781032685229-13.

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Konferenzberichte zum Thema "Trance (Electronic dance music)"

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Eigenfeldt, Arne, and Philippe Pasquier. "Evolving structures for electronic dance music." In Proceeding of the fifteenth annual conference. ACM Press, 2013. http://dx.doi.org/10.1145/2463372.2463415.

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Huang, Hao-Wei, Muhammad Fadli, Achmad Kripton Nugraha, Chih-Wei Lin, and Ray-Guang Cheng. "AI DJ System for Electronic Dance Music." In 2022 International Symposium on Electronics and Smart Devices (ISESD). IEEE, 2022. http://dx.doi.org/10.1109/isesd56103.2022.9980591.

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Dai, Zihan, and Xuyan Huang. "Electronic Dance Music Classification Based on Machine Learning Methods." In 2022 International Conference on Electronics and Devices, Computational Science (ICEDCS). IEEE, 2022. http://dx.doi.org/10.1109/icedcs57360.2022.00084.

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Rietveld, Hillegonda C. "(Dis)placing musical memory: Trailing the acid in electronic dance music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.45.

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Chen, Emily, Ellena Yohannes, Samantha Burgess, and Daniel Shanahan. "Dropping the bass: The relationship between heart rate and expectation in electronic dance music (A preliminary report)." In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0018.

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