Thematische Bibliographien / Trees – Great Britain – Pictorial works

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Auswahl der wissenschaftlichen Literatur zum Thema „Trees – Great Britain – Pictorial works“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Trees – Great Britain – Pictorial works"

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Kuznietsova, Valeriia. "Art Object as a Specific Art Form in Modern Ukrainian Fashion." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 163–70. https://doi.org/10.31866/2410-1176.47.2022.269631.

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The purpose of the article is to analyse the conceptual basis of the art object as a specific art form in the fashion industry and to identify creative techniques and design tools for creating a catwalk image as an art object. Methods. The methods of historical analysis, comparison, and generalisation were used to study aesthetic concepts in the art of the 19th-20th century. In the process of identifying creative approaches and means of creating catwalk images, the methods of synthesis, observation, figurative-stylistic and figurative-associative analysis were applied. Results. 
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2

Mia, Abelson. "What is Oil Painting." October 26, 2020. https://doi.org/10.5281/zenodo.4134036.

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What is oil painting?   As many of you already know, due to having used it or having read it in the descriptions of museum works, oil is a pictorial technique in which pigments are mixed with a binder made up of oils. This oily base makes oil paint one of the favorites for artists to work with, as the oils provide fluidity to the paint. It is a very thick and hard paint mass, but at the same time it is easy to work with because of how it glides on the support. They need to be carried out in a specific period, otherwise their completion time can be extended. Mia Abeson is an experienced oi
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McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an
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Morrison, Susan Signe. "Walking as Memorial Ritual: Pilgrimage to the Past." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1437.

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This essay combines life writing with meditations on the significance of walking as integral to the ritual practice of pilgrimage, where the individual improves her soul or health through the act of walking to a shrine containing healing relics of a saint. Braiding together insights from medieval literature, contemporary ecocriticism, and memory studies, I reflect on my own pilgrimage practice as it impacts the land itself. Canterbury, England serves as the central shrine for four pilgrimages over decades: 1966, 1994, 1997, and 2003.The act of memory was not invented in the Anthropocene. Rathe
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Luigi Alini. "Architecture between heteronomy and self-generation." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 21–32. http://dx.doi.org/10.36253/techne-10977.

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Introduction
 «I have never worked in the technocratic exaltation, solving a constructive problem and that’s it. I’ve always tried to interpret the space of human life» (Vittorio Garatti).
 Vittorio Garatti (Milan, April 6, 1927) is certainly one of the last witnesses of one “heroic” season of Italian architecture. In 1957 he graduated in architecture from the Polytechnic of Milan with a thesis proposing the redesign of a portion of the historic centre of Milan: the area between “piazza della Scala”, “via Broletto”, “via Filodrammatici” and the gardens of the former Olivetti building
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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese
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Bücher zum Thema "Trees – Great Britain – Pictorial works"

1

Browne, Piers. The glorious trees of Great Britain. Shorthorn, 2002.

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2

Eric, Herbert, and Lewis Syd, eds. Trees in Britain: An illustrated guide. Webb & Bower, 1988.

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3

David, More, ed. The complete guide to trees of Britain and Northern Europe. Dragon's World, 1985.

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4

Bédoyère, Camilla De la. Spot 50 trees. Miles Kelly, 2010.

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5

Benjamin, Perkins. Trees. Salem House, 1987.

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6

More, David. Cassell's trees of Britain & Northern Europe. Cassell, 2003.

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7

Miles, Archie. Silva: The tree in Britain. Ebury, 1999.

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8

Tarchetti, Simona. Great Britain. Tiger Books International, 1993.

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Tarchetti, Simona. Great Britain. White Star, 2002.

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10

Addey, David. A voyage round Great Britain. Spellmount, 1997.

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Buchteile zum Thema "Trees – Great Britain – Pictorial works"

1

Rostow, W. W. "The Limits to Growth." In The Great Population Spike and After. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195116915.003.0010.

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Economists have never believed that trees would grow to the sky. They have always assumed, explicitly or implicitly, that some forces from the side of supply or demand would produce limits to growth. In the course of these recurrent speculations, they faced and wrote about many of the issues that the world economy will face, if I am more or less correct, in the century ahead. The first five chapters of this book dealt with characteristics of growth from the 18th century to the last decade of the 20th. In that interval, by and large, most men and women in the industrial world became accustomed
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