Thematische Bibliographien / Troilus and Cressida (Shakespeare)

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  2. Dissertationen
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Auswahl der wissenschaftlichen Literatur zum Thema „Troilus and Cressida (Shakespeare)“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Troilus and Cressida (Shakespeare)"

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Roudabush, William G. ""This is and is not Cressid": Seeing Double in Shakespeare's Troilus and Cressida." Shakespeare Bulletin 41, no. 2 (2023): 223–46. http://dx.doi.org/10.1353/shb.2023.a910440.

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Abstract: This article offers a new interpretation of Shakespeare's Troilus and Cressida in the context of "that terrible Poetomachia " at the turn of the seventeenth century. It argues that Shakespeare stages a microcosm of the poets' war between the recently revived children's companies and the professional theater. Shakespeare appropriates conventions from the boy company repertories to defend against their caricatures of professional playing and its system of apprenticeship. Reading the play as a whole, and the character of Cressida in particular, as perspectival double images, it shows ho
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Ángel-Luis Pujante and Keith Gregor. "Managerial Shakespeare and TROILUS AND CRESSIDA." Linguaculture 14, no. 1 (2023): 83–100. http://dx.doi.org/10.47743/lincu-2023-1-0322.

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From the 1990s a new development has taken place within the framework of ‘Shakespeare in popular culture’, and more specifically of so-called ‘Self-help Shakespeare’, namely what Douglas Lanier has termed ‘the Shakespeare corporate-management manual’. What underlies them all is the notion that, if Shakespeare is famous for portraying universal human nature, he has a good deal to teach the world of business and management. To this effect, they provide quotations and discussions of a number of plays, particularly Henry V, Hamlet, Macbeth, Othello, Julius Caesar and The Merchant of Venice. The va
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3

LeCompte, Elizabeth, Kate Valk, and Maria Shevtsova. "A Conversation on The Wooster Group's Troilus and Cressida with the RSC." New Theatre Quarterly 29, no. 3 (2013): 233–46. http://dx.doi.org/10.1017/s0266464x13000432.

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Elizabeth LeCompte and Kate Valk here discuss with Maria Shevtsova The Wooster Group's work with the Royal Shakespeare Company on Troilus and Cressida and the challenges posed for them by this joint venture. The project was initially proposed by Rupert Goold, but was brought to fruition by playwright Mark Ravenhill, his first directing experience. Troilus and Cressida was part of the World Shakespeare Festival, during which all Shakespeare's plays were performed by different companies from countries across the globe. The Festival, four years in the making and spanning eight months, was part of
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Dusinberre, Juliet, and David Bevington. "The Arden Shakespeare Troilus and Cressida." Shakespeare Quarterly 51, no. 1 (2000): 90. http://dx.doi.org/10.2307/2902325.

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5

Spiekerman, Tim. "Ulysses Is Not the Hero of Troilus and Cressida." Review of Politics 78, no. 4 (2016): 523–37. http://dx.doi.org/10.1017/s0034670516000498.

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AbstractShakespeare's Troilus and Cressida is a notoriously bleak and problematic play: a dark comedy, a witty tragedy, an X-rated romance. A love story set during the Trojan War, the play appears to treat both love and war with utter cynicism. Ulysses drives the plot, craftily luring a despondent Achilles back onto the battlefield, and exposing Troilus to the betrayal of his beloved Cressida. A world-class manipulator and debunker of love and honor, Ulysses casts a shadow over this sour play, though he seems curiously unaffected by his skeptical outlook. A few critics have argued that Ulysses
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Mancewicz, Aneta. "Looking Back at the Audience: The RSC & The Wooster Group’s "Troilus and Cressida" (2012)." Multicultural Shakespeare: Translation, Appropriation and Performance 11, no. 26 (2014): 65–79. http://dx.doi.org/10.2478/mstap-2014-0006.

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The controversy around the RSC & The Wooster Group’s Troilus and Cressida (Stratford-upon-Avon 2012) among the spectators and critics in Britain revealed significant differences between the UK and the US patterns of staging, spectating, and reviewing Shakespeare. The production has also exposed the gap between mainstream and avant-garde performance practices in terms of artists’ assumptions and audiences’ expectations. Reviews and blog entries written by scholars, critics, practitioners, and anonymous theatre goers were particularly disapproving of The Wooster Group’s experimentation with
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Reilly, Kara. "Troilus and Cressida by William Shakespeare (review)." Theatre Journal 65, no. 2 (2013): 277–79. http://dx.doi.org/10.1353/tj.2013.0037.

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Gil, Daniel Juan. "Shakespeare in Production: "Troilus and Cressida" (review)." Shakespeare Quarterly 57, no. 3 (2006): 349–51. http://dx.doi.org/10.1353/shq.2006.0072.

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Wilson-Lee, Edward. "Shakespeare by Numbers: Mathematical Crisis in Troilus and Cressida." Shakespeare Quarterly 64, no. 4 (2013): 449–72. http://dx.doi.org/10.1353/shq.2013.0061.

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Nicolaescu, Madalina. "Translating Troilus and Cressida for an iconoclastic socialist production." Cahiers Élisabéthains: A Journal of English Renaissance Studies 99, no. 1 (2019): 102–12. http://dx.doi.org/10.1177/0184767819835549.

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The focus of the article is the investigation of the stage version commissioned for the 1965 production of Troilus and Cressida directed by David Esrig. It looks at the tradition in Romania not to publish translations of Shakespeare produced for the stage before focusing on the differences between the two types of translation (page and stage) in the socialist period. Esrig’s production is further discussed as a case study, comparing this version, by Florian Nicolau, with Leon Leviţchi’s canonical one, published in 1960.
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Dissertationen zum Thema "Troilus and Cressida (Shakespeare)"

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Janz, Edward. "Illusion in Troilus and Cressida." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1667.

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This thesis is an examination of Shakespeare's 1603 satire Troilus and Cressida that looks at illusion and the value given to it by means of war, Helen of Troy, and ultimately the two lovers themselves. Although it is depressingly obvious throughout the drama that life is an illusion, it is also obvious that there is a need for that illusion, and an equally profound necessity to have the illusion debunked. The first part of the thesis examines the impact of war on Troy. This part concentrates on the myth of the hero, who like Falstaff presents himself to the world as heroic but is actually a c
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Mills, Lise Maren Signe. "Shakespeare's Troilus and Cressida, a commentary." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ60063.pdf.

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Thorne, Alison. "Problems of perspective in Shakespeare's 'Troilus and Cressida'." Thesis, University College London (University of London), 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244104.

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Battell, Sophie. "Hospitality in Shakespeare : the case of the Merchant of Venice, Troilus and Cressida and Timon of Athens." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/108599/.

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This thesis analyses hospitality in three of Shakespeare’s plays: The Merchant of Venice (c.1596-7), Troilus and Cressida (c. 1601-2) and Timon of Athens (c. 1606-7). It draws on ideas from Derrida and other recent theorists to argue that Shakespeare treats hospitality as the site of urgent ethical inquiry. Far more than a mechanical part of the stage business that brings characters on and off the performance space and into contact with one another, hospitality is allied to the darker visions of these troubling plays. Hospitality is a means by which Shakespeare confronts ideas about death and
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Willcox, Douglas R. "Metadrama and antitheatricality in Shakespeare's King Lear and Troilus and Cressida." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002756.

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Park, Yoon-hee. "Rewriting Woman Evil?: Antifeminism and its Hermeneutic Problems in Four Criseida Stories." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278387/.

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Since Benoit de Sainte-Maure's creation of the Briseida story, Criseida has evolved as one of the most infamous heroines in European literature, an inconstant femme fatale. This study analyzes four different receptions of the Criseida story with a special emphasis on the antifeminist tradition. An interesting pattern arises from the ways in which four British writers render Criseida: Geoffrey Chaucer's Troilus and Crisevde is a response to the antifeminist tradition of the story (particularly to Giovanni Boccaccio's II Filostrato); Robert Henryson's Testament of Cresseid is a direct response t
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Crohem, Laurence. ""My single self" : paradoxes du singulier dans All's well that ends well, Hamlet, Julius Caesar, Measure for Measure et Troilus and Cressida de William Shakespeare." Lille 3, 2009. http://www.theses.fr/2009LIL30057.

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Chacun est-il unique ? Cinq pièces de Shakespeare parfois appelées problem plays - All's well that Ends Well, Hamlet, Julius Caesar, Measure for Measure et Troilus and Cressida - problématisent le singulier ou l'unicité de soi, un aspect de la question du sujet à l'ère pré-moderne. L'unicité est en crise dans ces pièces : l'analyse des substitutions dans l'action, l'amour et la mort montre l'absence et le surgissement des doubles au lieu des preuves d'unicité attendues. Celle des scènes de perception du singulier et d'énonciation de soi dans les dialogues ou monologues montre la confusion iden
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Willcox, Douglas R. "Metadrama and Antitheatricality in Shakespeare’s King Lear and Troilus and Cressida." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/565.

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Shakespeare uses metadrama as a rhetorical vehicle for responding to antitheatricalism; realistic drama and staged theatricality therefore coexist in his plays. The cultural context of the early modern era, especially its antitheatrical rhetoric and the predominance of theatricality throughout the structures of its society, illumines the interaction of metadrama and antitheatricality Shakespeare's plays, particularly Troilus and Cressida and King Lear. By failing to consider adequately the unique nature of the emergence of early modern theater and the equally distinct reaction to its popularit
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Jin, Kwang Hyun. "A Reading of Shakespeare's Problem Plays into History: A New Historicist Interpretation of Social Crisis and Sexual Politics in Troilus and Cressida and Measure for Measure." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc279130/.

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This study is aimed to read Shakespeare's problem comedies, Troilus and Cressida and Measure for Measure into the historical and cultural context of dynamically-changing English Renaissance society at the turn of the sixteenth century. In the historical context of emerging capitalism, growing economic crisis, reformed theology, changing social hierarchy, and increasing sexual control, this study investigates the nature of complicated moral problems that the plays consistently present. The primary argument is that the serious and dark picture of human dilemma is attributed not to Shakespeare's
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Gregory, Johann. "Shakespeare's Troilus and Cressida : audience expectation and matters of taste in relation to authorship and the book." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/53952/.

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Questions concerning whether Shakespeare wrote for the stage or the page are a perennial issue in Shakespeare studies. Part of the problem rests on expectations of literature and theatre. These expectations are in fact voiced in Shakespearean drama itself, a drama that often articulates ideas concerning audience expectations. In Shakespeare’s Troilus and Cressida, before Troilus visits Cressida he exclaims “expectation whirls me round”. Of all the plays in the Shakespearean canon, variants of “expect” feature most in this play. Troilus and Cressida itself scrutinises expectation of a story wit
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Bücher zum Thema "Troilus and Cressida (Shakespeare)"

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Shakespeare, William. Troilus and Cressida =: Troilus und Cressida. Francke Verlag, 1986.

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Hyland, Peter. William Shakespeare, Troilus and Cressida. Penguin, 1989.

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Company, Royal Shakespeare. Troilus and Cressida by William Shakespeare. Royal ShakespeareCompany, 1996.

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Company, Royal Shakespeare. Troilus and Cressida by William Shakespeare. Royal Shakespeare Company, 1990.

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Shakespeare, William. Troilus and Cressida. ICON Classics, 2005.

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Shakespeare, William. Troilus und Cressida. Mu nchner Kammerspiele, 1986.

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Shakespeare, William. Troilus and Cressida. ICON Classics, 2005.

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Shakespeare, William. Troilus und Cressida. Theaterverlag Ute Nyssen & J. Bansemer, 1985.

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Shakespeare, William. Troilus and Cressida. eBooksLib, 2005.

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Shakespeare, William. Troilus i Cressida. Krakow, 1985.

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Buchteile zum Thema "Troilus and Cressida (Shakespeare)"

1

Gill, Richard. "Troilus and Cressida." In Mastering Shakespeare. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-14551-5_13.

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Goodland, Katharine, and John O’Connor. "Troilus and Cressida." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_32.

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Goodland, Katharine, and John O’Connor. "Troilus and Cressida." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_71.

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Goodland, Katharine, and John O’Connor. "Troilus and Cressida." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_32.

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Goodland, Katharine, and John O’Connor. "Troilus and Cressida." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_73.

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Boltz, Ingeborg. "Shakespeare, William: Troilus and Cressida." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17042-1.

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Grene, Nicholas. "Troilus and Cressida." In Shakespeare’s Tragic Imagination. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24970-1_4.

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Grene, Nicholas. "Troilus and Cressida." In Shakespeare’s Tragic Imagination. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1057/9780230379190_4.

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Margolies, David. "Troilus and Cressida." In Shakespeare’s Irrational Endings. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137031044_6.

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Knowles, Ronald. "Troilus and Cressida." In Shakespeare’s Arguments with History. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403913647_11.

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