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Thematische Bibliographien / Troilus and Cressida (Shakespeare) / Dissertationen

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Dissertationen zum Thema „Troilus and Cressida (Shakespeare)“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Janz, Edward. "Illusion in Troilus and Cressida." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1667.

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This thesis is an examination of Shakespeare's 1603 satire Troilus and Cressida that looks at illusion and the value given to it by means of war, Helen of Troy, and ultimately the two lovers themselves. Although it is depressingly obvious throughout the drama that life is an illusion, it is also obvious that there is a need for that illusion, and an equally profound necessity to have the illusion debunked. The first part of the thesis examines the impact of war on Troy. This part concentrates on the myth of the hero, who like Falstaff presents himself to the world as heroic but is actually a c

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2

Mills, Lise Maren Signe. "Shakespeare's Troilus and Cressida, a commentary." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ60063.pdf.

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3

Thorne, Alison. "Problems of perspective in Shakespeare's 'Troilus and Cressida'." Thesis, University College London (University of London), 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244104.

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4

Battell, Sophie. "Hospitality in Shakespeare : the case of the Merchant of Venice, Troilus and Cressida and Timon of Athens." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/108599/.

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This thesis analyses hospitality in three of Shakespeare’s plays: The Merchant of Venice (c.1596-7), Troilus and Cressida (c. 1601-2) and Timon of Athens (c. 1606-7). It draws on ideas from Derrida and other recent theorists to argue that Shakespeare treats hospitality as the site of urgent ethical inquiry. Far more than a mechanical part of the stage business that brings characters on and off the performance space and into contact with one another, hospitality is allied to the darker visions of these troubling plays. Hospitality is a means by which Shakespeare confronts ideas about death and

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5

Willcox, Douglas R. "Metadrama and antitheatricality in Shakespeare's King Lear and Troilus and Cressida." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002756.

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6

Park, Yoon-hee. "Rewriting Woman Evil?: Antifeminism and its Hermeneutic Problems in Four Criseida Stories." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278387/.

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Since Benoit de Sainte-Maure's creation of the Briseida story, Criseida has evolved as one of the most infamous heroines in European literature, an inconstant femme fatale. This study analyzes four different receptions of the Criseida story with a special emphasis on the antifeminist tradition. An interesting pattern arises from the ways in which four British writers render Criseida: Geoffrey Chaucer's Troilus and Crisevde is a response to the antifeminist tradition of the story (particularly to Giovanni Boccaccio's II Filostrato); Robert Henryson's Testament of Cresseid is a direct response t

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7

Crohem, Laurence. ""My single self" : paradoxes du singulier dans All's well that ends well, Hamlet, Julius Caesar, Measure for Measure et Troilus and Cressida de William Shakespeare." Lille 3, 2009. http://www.theses.fr/2009LIL30057.

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Chacun est-il unique ? Cinq pièces de Shakespeare parfois appelées problem plays - All's well that Ends Well, Hamlet, Julius Caesar, Measure for Measure et Troilus and Cressida - problématisent le singulier ou l'unicité de soi, un aspect de la question du sujet à l'ère pré-moderne. L'unicité est en crise dans ces pièces : l'analyse des substitutions dans l'action, l'amour et la mort montre l'absence et le surgissement des doubles au lieu des preuves d'unicité attendues. Celle des scènes de perception du singulier et d'énonciation de soi dans les dialogues ou monologues montre la confusion iden

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8

Willcox, Douglas R. "Metadrama and Antitheatricality in Shakespeare’s King Lear and Troilus and Cressida." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/565.

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Shakespeare uses metadrama as a rhetorical vehicle for responding to antitheatricalism; realistic drama and staged theatricality therefore coexist in his plays. The cultural context of the early modern era, especially its antitheatrical rhetoric and the predominance of theatricality throughout the structures of its society, illumines the interaction of metadrama and antitheatricality Shakespeare's plays, particularly Troilus and Cressida and King Lear. By failing to consider adequately the unique nature of the emergence of early modern theater and the equally distinct reaction to its popularit

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9

Jin, Kwang Hyun. "A Reading of Shakespeare's Problem Plays into History: A New Historicist Interpretation of Social Crisis and Sexual Politics in Troilus and Cressida and Measure for Measure." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc279130/.

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This study is aimed to read Shakespeare's problem comedies, Troilus and Cressida and Measure for Measure into the historical and cultural context of dynamically-changing English Renaissance society at the turn of the sixteenth century. In the historical context of emerging capitalism, growing economic crisis, reformed theology, changing social hierarchy, and increasing sexual control, this study investigates the nature of complicated moral problems that the plays consistently present. The primary argument is that the serious and dark picture of human dilemma is attributed not to Shakespeare's

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10

Gregory, Johann. "Shakespeare's Troilus and Cressida : audience expectation and matters of taste in relation to authorship and the book." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/53952/.

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Questions concerning whether Shakespeare wrote for the stage or the page are a perennial issue in Shakespeare studies. Part of the problem rests on expectations of literature and theatre. These expectations are in fact voiced in Shakespearean drama itself, a drama that often articulates ideas concerning audience expectations. In Shakespeare’s Troilus and Cressida, before Troilus visits Cressida he exclaims “expectation whirls me round”. Of all the plays in the Shakespearean canon, variants of “expect” feature most in this play. Troilus and Cressida itself scrutinises expectation of a story wit

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11

Baumann, Karoline Johanna [Verfasser]. "The Stage as Palimpsest : Conceptions of Time and Temporality in Shakespeare's "Troilus and Cressida" and "The Two Noble Kinsmen" / Karoline Johanna Baumann." Baden-Baden : Ergon Verlag, 2018. http://d-nb.info/1212401182/34.

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12

八鳥, 吉明, та Yoshiaki Hachitori. "Troilus and Cressidaにおけるリビトー経済". 名古屋大学大学院文学研究科, 1999. http://hdl.handle.net/2237/5717.

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13

八鳥, 吉明, та Yoshiaki Hachitori. "Troilus and Cressidaにおけるリビドー経済(2)". 名古屋大学大学院文学研究科, 2000. http://hdl.handle.net/2237/5730.

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14

Brown, Joanne Elizabeth. "Reinterpreting Troilus and Cressida : changing perceptions in literary criticism and British performance." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7359/.

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Troilus and Cressida is the unusual instance of a Shakespearean play which had long been read and commented upon before stage practitioners explored it in the theatre. My thesis examines the changing perceptions of the play’s characters, paying attention to the chronological relationship between revisions in literary criticism, much of which was written with little proximity to performance, with reinterpretations during its British stage history. The thesis has a particular focus on issues of gender and sexuality. Both the theatre and literary criticism reflected and responded to social change

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15

Smolkin, Vladislav. "Artist Alien Ghost Juggler: Performance of “Troilus and Cressida” as Graduate Thesis." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2801.

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16

Patel, Rena. ""The Double Sorwe of Troilus": Experimentation of the Chivalric and Tragic Genres in Chaucer and Shakespeare." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1281.

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The tumulus tale of Troilus and his lover Cressida has left readers intrigued in renditions written by both Geoffrey Chaucer and William Shakespeare due to their subversive nature of the authors’ chosen generic forms. Chaucer’s Troilus and Criseyde challenges the expectations and limitations of the narrative of the chivalric romance. Shakespeare took the story and turned Troilus and Cressida into one of his famous “problem plays” by challenging his audience’s expectations of the tragic genre. I endeavor to draw attention to the ways in which both Chaucer and Shakespeare use the conventions of

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17

Chang, Hsiao_Ling, and 張曉羚. "Bisexuality in Shakespeare's Troilus and Cressida." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/31891130711047422945.

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碩士<br>國立成功大學<br>外國語文學系碩博士班<br>94<br>Title of Thesis: Bisexuality in Shakespeare's Troilus and Cressida Name of Institute: Graduate Institute of Foreign Languages and Literature National Cheng Kung University Graduation Date: July 2006 Degree Conferred: Master of Arts Graduate Student: Hsiao-Ling Chang Thesis Advisor: Dr. Yuan-Guey Chiou Abstract Shakespeare’s Troilus and Cressida has been regarded as a problematic play, not only in the aspect of its structure, but also in the aspect of its characters. This thesis a

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18

Cotnoir-Thériault, Crystelle. "Gender Performativity in Chaucer’s Troilus and Criseyde and Shakespeare’s Troilus and Cressida." Thèse, 2017. http://hdl.handle.net/1866/20104.

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19

Chang, Chiu Hua, and 張秋華. "The Women's Alternative: A Feminist Reading of Shakespeare's Troilus and Cressida." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/25552959621607522483.

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碩士<br>國立政治大學<br>英國語文學系<br>84<br>The aim of this study is to examine Shakespeare's Troilus and Cressida from a feminist perspective. Traditional reading tends to deem Shakespeare's Cressida to be a type of inconstancy, a female wanton, but I would like to prove that she does not deserve all the blame from critics as well as from the men in the play. In fact, she is oppressed and victimized in her patriarchal culture. The thesis is composed of one introduction and fi

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20

Carson, Robert. "Digesting the Third: Reconfiguring Binaries in Shakespeare and Early Modern Thought." Thesis, 2009. http://hdl.handle.net/1807/17736.

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My argument assesses and reconfigures binary structures in Shakespeare’s plays and in Shakespeare criticism. I contend that ideas in early modern literature often exhibit three aspects, but that critics, who mostly rely upon a binary philosophical vocabulary, tend to notice only two aspects at a time, thereby “digesting” the third. My opening chapter theorizes the superimposition of triadic structures upon dyads, arguing that this new polyrhythmic strategy helps recapture an early modern philosophical perspective by circumventing the entrenched binary categories we have inherited from the En

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21

Brand, Beth Anne. "An investigation of certain sixteenth and seventeenth century religious anxieties as a context for reading Shakespeare's "Troilus and Cressida"." Thesis, 2016. http://hdl.handle.net/10539/20901.

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The dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, for the degree of Master of Arts. Degree awarded with distinction on 6 December 1995<br>This dissertation explores the possibility of reading Troilus and Cressida in the context of the changing religious debate of the era, and certain differences to be found in protestant as compared with Catholic/Christian humanist discourses. [Abbreviated Abstract. Open document to view full version]

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